Harmony and Dissonance:
Orphism in Paris, 1910–1930
Edited by Vivien Greene. 216 pp. incl.
138 col. + b. & w. ills. (Solomon R.
Guggenheim Museum, New York, 2024),
$65. ISBN 978–0–89207–564–5. |
:
Illustrations
Attributed works:
10. Four part
synchromy,
number 7, by
Morgan Russell.
1914–15. Oil on
paperboard and
canvas mounted
on plywood, 4
parts, overall
dimensions
40.6 by 30.5
cm. (Whitney
Museum of
American Art,
New York; Scala,
Florence; Art
Resource, New
York).
Attributed works:
11. Disques de
Newton (Étude
pour ‘La fugue
à 2 couleurs’),
by František
Kupka. 1912.
Oil on canvas,
100.3 by 73.7 cm.
(Philadelphia
Museum of Art;
Artists Rights
Society, New
York; ADAGP,
Paris).
Attributed works:
9. Painting, by
Mainie Jellett.
1938. Oil on
canvas, 76 by
64.6 cm. (Ulster
Museum, Belfast).
1. Group I,
Primordial
Chaos, No. 16,
from The WU/
Rose Series, by
Hilma af Klint.
1906–07. Canvas,
53 by 37 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
2. Group IV, The
Ten Largest, No.
7, Adulthood, by
Hilma af Klint.
1907. Tempera on
paper mounted
on canvas, 315 by
235 cm. (Hilma af
Klint Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
3. Group IX/SUW,
The Swan, No. 17,
from The SUW/
UW Series, by
Hilma af Klint.
1915. Canvas,
150.5 by 151 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
4. Group IX/SUW,
The Swan, No. 1,
from The SUW/
UW Series, by
Hilma af Klint.
1915. Canvas,
150 by 150 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Exhibition Review
Art and China after 1989: Theater of the World. Guggenheim Bilbao
31. Precipitous parturition, by Chen Zhen. Rubber bicycle inner tubes, aluminium and plastic toy cars, metal, fragments of bicycles, silicone and paint, length c.20 m. (Pinault Collection, Venice).
Attributed works:
32. Installation view showing Theater of the world (1993; diameter 160 cm.) and The bridge (1995; length 12 m.), by Huang Yong Ping at Guggenheim Bilbao. 2018. (Courtesy the artist).
Article
The Modigliani Technical Research Study. Modigliani’s painted nudes 1916–17
13. Vision, by Alphonse Osbert. 1892. Canvas, 235 by 138 cm. (Musée d’Orsay, Paris; exh. Peggy Guggenheim Collection, Venice).
Attributed works:
12. The dawn of Labour, by Charles Maurin. c.1891. Canvas, 79 by 148 cm. (Musée d’art modern et contemporain, Saint-Étienne Métropole; exh. Peggy Guggenheim Collection, Venice).
Publication Received
Agnes Martin: Her Life and Art. By Nancy Princenthal & Agnes Martin and Me. By Donald Woodman.
96. Detail of Atrabiliarios, by Doris Salcedo. 1992-2004 (San Francisco Museum of Modern Art; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
97. Plegaria Muda, by Doris Salcedo. 2008-10. Installation view, Centro de Arte Moderna-Fundação Calouste Gulbenkian, Lisbon, 2001 (Inhotim Collection, Brazil; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
98. Untitled, by Doris Salcedo. 1998 (Collection of Lisa and John Miller, fractional and promised gift to the San Francisco Museum of Modern Art; exh. Solomon R. Guggenheim Museum, New York)
91. Little black and white devils, dance of devils (Diavoletti neri e bianchi, Danza di diavoli), by Fortunato Depero (Museo di arte moderna e contemporanea di Trento e Rovereto; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
92. Abstract speed + sound (Velicità astratta + rumore), by Giacomo Balla (Peggy Guggenheim Collection, Venice; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
93. Large crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), by Francesco Cangiullo (Private collection; exh. Solomon R. Guggenheim Museum, New York)
93. Installation view of Gutai: Splendid Playground at the Solomon R. Guggenheim Museum, New York, 2003, showing Work (water), by Montonaga Sadamasa
Attributed works:
94. Passing through, by Saburo Murakami. 1956. Performance view of the 2nd Gutai Art Exhibition, Ohara Kaikan, Tokyo, 11th to 17th October 1956. (Courtesy of the Museum of Osaka University; exh. Solomon R. Guggenheim Museum, New York)