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3 articles
Exhibition Review
Richard Wright
06/2025 | 1467 | 167
Pages: 611–613
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Reviewer:
Tomlinson, Grace (Tomlinson, Grace)
Subjects
artists:
Wright, Richard, b. 1960
dates:
2020-2030
subjects:
British art
Reviewed Items
subjects:
Richard Wright Camden Art Centre, London 16th April–22nd June | :
Illustrations
Attributed works:
27. No title 24.10.2019, by Richard Wright. 2019. Watercolour and gold leaf on paper, 66 by 51 cm. (Courtesy the artist and The Modern Institute, Glasgow; exh. Camden Art Centre, London)
Attributed works:
28. Installation view of Richard Wright at the Camden Art Centre, 2025, showing No title, by Richard Wright. 2025. Acrylic and graphite on wall, dimensions variable. (Photograph Rob Harris).
Attributed works:
29. Installation view of Richard Wright at the Camden Art Centre, 2025, showing No title, by Richard Wright. 2023. Enamel and eggshell on solicitor’s deeds cabinet, 230 by 169 by 45 cm. (Photograph Rob Harris).
Exhibition Review
Chantal Joffe: Personal Feeling is the Main Thing. The Lowry, Manchester
08/2018 | 1385 | 160
Pages: 692-694
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Reviewer:
Parton, John (Parton, John)
Subjects
artists:
Joffe, Chantal / Modersohn-Becker, Paula / Almond, Darren / Finch, Spencer / Gordon, Douglas, b. 1966 / Yayoi Kusama, b. 1929 / Periton, Simon / Rovner, Michael / Shawcross, Conrad, b. 1977 / Wright, Richard, b. 1960
dates:
2010-2019
media:
Paintings / Drawings
museums and institutions:
The Lowry, Salford, Great Britain / Whitechapel Art Gallery, London, Great Britain
places:
Great Britain / Manchester / London
subjects:
American painting (United States of America) / Portraits / Self-portraits / Figurative art / Nudes / Gender / Public sculpture
Illustrations
Attributed works:
36. Herb at sixteen, by Chantal Joffe. 2017. Canvas, 100 by 70 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Attributed works:
37. The squid and the whale II, by Chantal Joffe. 2017. Board, 214 by 152 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Attributed works:
38. Katherine (eight months), by Chantal Joffe. 2011. Canvas, 152.5 by 91.5 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Exhibition Review
GENERATION
09/2014 | 1338 | 156
Pages: 619-622
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related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971
dates:
2010-2019
museums and institutions:
National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain
museums and institutions:
Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain
museums and institutions:
Tramway, Glasgow, Great Britain
places:
Glasgow / Edinburgh / Scotland
private galleries:
The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain
subjects:
Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)
subjects:
Prints / Videos
Illustrations
Attributed works:
55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).
Attributed works:
56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).
Attributed works:
58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).
Attributed works:
59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).