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116 articles
Book Review
Bruegel: The Complete Graphic Works
06/2022 | 1431 | 164
Pages: 624-625
related names
Reviewer:
Silver, Larry (Silver, Larry)
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Reviewed Items
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Bruegel: The Complete Graphic Works By Maarten Bassens, Lieve Watteeuw, Joris Van Grieken and Jan Van der Stock. 250 pp. incl. numerous col. + b. & w. ills. (Thames and Hudson, London and New York, 2019), £49.95. ISBN 978–0–500–23999–5. | :
Illustrations
Attributed works:
3. The rabbit hunt, by Pieter Bruegel the Elder. 1560. Etching, 22.3 by 29.1 cm. (Royal Library of Belgium, Brussels; inv. no. S.II 48464 [I/I]).
Article
Reminiscences of the British Museum Print Room, 1954–65
06/2021 | 1419 | 163
Pages: 524-529
related names
Author:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. ‘Solicitudo rustica’: Alpine landscape with a winding river, attributed to the Master of the Mountain Landscapes. c.1575–1600. Pen and brown ink over traces of black chalk on paper, 24.4 by 35.1 cm. (British Museum, London).
Attributed works:
2. The Calumny of Apelles, by Pieter Bruegel the Elder. c.1565–69. Pen and brown ink with brown wash on brown prepared paper, 20.2 by 30.6 cm. (British Museum, London).
Attributed works:
3. Absalom kneeling before David (?), by Rembrandt. c.1652–55. Reed pen and brown ink, touched with white, with later brown wash on paper, 16.4 by 21.6 cm. (British Museum, London).
Attributed works:
4. Studies of three caricature heads, drapery and a dog, by Albrecht Dürer. 1513. Pen and brown ink on paper, 18.1 by 20.9 cm. (British Museum, London).
Exhibition Review
Bernard van Orley: Brussels and the Renaissance Centre for Fine Arts (BOZAR), Brussels
06/2019 | 1395 | 161
Pages: 499-502
related names
Reviewer:
Campbell, Lorne (Campbell, Lorne; C., L.)
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Illustrations
Attributed works:
7. Attack on the French camp and the flight of the civilians, one of the tapestries of the Battle of Pavia series, designed by Bernard van Orley and woven in the workshop of Willem Dermoyen. 1525–31. Wool, silk and preciousmetal wrapped threads, 440 by 818 cm., 7–8 warp threads per cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Centre for Fine Arts, Brussels).
Attributed works:
8. Head of a dog, fragment of a tapestry cartoon, from the workshop of Bernard van Orley. c.1525–31. Bodycolour heightened with white (partly oxidised) on paper, silhouetted, 17.1 by 17.9 cm. (British Museum, London).
Attributed works:
9. Execution of St John the Baptist, by Bernard van Orley. c.1510. Panel, 64.5 by 74.2 cm (Private collection; exh. Centre for Fine Arts, Brussels).
Obituary
Iain Buchanan (1948–2018)
04/2019 | 1393 | 161
Pages: 359
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Author:
Griffey, Erin (Griffey, Erin)
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places:
Illustrations
Attributed works:
1. Iain Buchanan in the 1970s. (Photograph Simon Buis).
Exhibition Review
Bruegel. Kunsthistorisches Museum, Vienna
12/2018 | 1389 | 160
Pages: 1049-1052
related names
Reviewer:
Honig, Elizabeth Alice (Honig, Elizabeth Alice)
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collectors and dealers:
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museums and institutions:
places:
Illustrations
Attributed works:
15. Haymaking, by Pieter Bruegel. 1565. Panel, 114 by 158 cm. (The Lobkowicz Collections, Prague; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
16. Beggars, by Pieter Bruegel. 1568. Panel, 18.5 by 21.5 cm. (Musée du Louvre, Paris; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
17. Detail of The battle between Carnival and Lent, by Pieter Bruegel. 1559. Panel, 118 by 164.2 cm. (Kunsthistorisches Museum, Vienna).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
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Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Book Review
Bosch and Bruegel: From Enemy Painting to Everyday Life. By Joseph Leo Koerner
07/2017 | 1372 | 159
Pages: 556-558
related names
Reviewer:
Buchanan, Iain (Buchanan, Iain)
Subjects
Illustrations
Attributed works:
41. The battle between Carnival and Lent, by Pieter Bruegel the Elder. 1559 (Kunsthistorisches Museum, Vienna)
Publication Received
Pieter Bruegel the Elder: ‘Fall of the Rebel Angels’. Art, Knowledge and Politics on the Eve of the Dutch Revolt. By Tine Luk Meganck.
02/2017 | 1367 | 159
Pages: 145
related names
Reviewer:
Gibson, Walter S. (Gibson, Walter S.; Gibson, Walter)
Subjects
Book Review
Bruegel in Black and White: Three Grisailles Reunited, by K. Serres
02/2017 | 1367 | 159
Pages: 134-135
related names
Reviewer:
Buchanan, Iain (Buchanan, Iain)
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Illustrations
Attributed works:
62. Christ and the woman taken in adultery, by Pieter Bruegel the Elder. 1565 (Courtauld Gallery, London)
Advertisements
Advertisements October 2013 (front)
10/2013 | 1327 | 155
Pages: s.p.
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artists:
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Illustrations
Attributed works:
[Ben Elwes Fine Art, London. A bouquet of flowers in a porcelain vase, by Balthasar van der Ast (1593/94 - 1657). Signed lower left: .B.. vander. ast. Oil on panel, 39.1 by 29.9 cm]
Attributed works:
[C.G. Boerner, New York and Dusseldorf. Nativity, by Albrecht Durer. 1504. Engraving, 18.7 by 12.2 cm]
Attributed works:
[Carl Solway Gallery, Cincinnati. Burning bones Texas, by Albert Paley. 2012. Monoprint no 18. Ink on paper, 79.4 by 110.5 cm]
Attributed works:
[De Jonckheere, Paris. L'auberge St. Michael, by Peter Brueghel the Younger, 1619. Oil on panel, 54 by 74 cm]
Attributed works:
[Dolan/Maxwell, Philadelphia. Woman in a net, by Stanley William Hayter. 1934. Engraving, soft ground etching, and gauffrage, 21.9 by 29.8 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), La Fortuna (detail), oil on canvas, 130 x 152 cm]
Attributed works:
[Emanuel on Bayer, London. Rainfall over Prague, by Alfons Mucha. 1860-1939. 1933. Signed and dated. Pen and black ink, with black and grey wash, heightened in white and watercolour, 26.5 by 18.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Domenico Piola. Genoa, 1617 - 1703. The Triumph of Devine Wisdom over Satan, Avarice and Heresy. Oil on canvas, 150 x 200 cm (59 x 78 3/4 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battista Foggini 1652-1725 (attribute to). A pair of monumental marbles on pedestals of a Lion attacking a Horse and a Lion attacking a Bull]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Emil Filla (1882-1953). Lying nude. 1932. Oil on canvas. 98.5 x 139 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Jindřich Štýrský(1899-11942). Roots. 1934. Oil on canvas, 63 x 57 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Václav Brožík (1851-1901). Black Strawberries. c.1899. Oil on wood, 100 x 80 cm]
Attributed works:
[Goya Contemporary, Baltimore. Etilon, by Imi Knoebel. 2001-09. Edition no.5 of 5. Acrylic Painted on synthetic paper, 51 by 51 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Persian Palace, 1984. Oil on canvas. 70 3/4 x 61 3/4 inches; 180 x 156.5 cm]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Persian Palace, by Bridget Riley (b-1931). 1984. Oil on linen, 180 by 156.5 cm]
Attributed works:
[Hill-Stone, New York. Portrait of Grinling Gibbons, by John Smith, after Sir Godfrey Knellwer (c.1654-c.1720). The first of two states. Mezzotint, 34.3 by 26 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jacques-Edme Dumont 1761 - Paris - 1844. A unique assembly of 101 terracotta modelli, measuring between 2 and 7 cm, displayed in a printers typecase]
Attributed works:
[John Szoke, New York. Portrait of Jacqueline, by Pablo Picasso. 1959. Edition of 50. Linocut, 63.5 by 53.3 cm]
Attributed works:
[Johnny Van Haeften Ltd, London. A still life of a laid with a basket of fruit and vegetable, by Jacob Van Hulsdonck (1582-1674). 1625. Oil on panel, 71 by 104 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Fra Filippo Lippi (1406-1469). Madonna with Child. Tempera on wood, partial gilded, 81 x 62 cm.]
Attributed works:
[Michael Altman Fine Art & Advisory Service, LLC. John Singer Sargent (1856-1925). A Gust of Wind (detail). c.1883. Oil on canvas, 24 1/4 x 15 inches (61.6 x 38.1 cm)]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932. Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Otto Naumann Ltd, New York. Zenobie discovered by the shepherds, by Felix-Henri Giacomotti. Signed lower right. Oil on canvas, 146.5 by 113 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013. Monotype, 54.6 x 69 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Homage to Neruda XI, by Ana Maria Pacheco. 2013. One of eleven original monotype reproduced in Canto General, Artist's Book. Monotype, 54.6 by 69 cm]
Attributed works:
[R.S. Johnson Fine Art, Chicago. A Man of War between two armed gallerys (1st state), by Pieter Bruegel. 1565. Engravings, 22.6 by 29.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power. The Tube Station, c.1923. Linocut 25.8 x 29.5 cm]
Attributed works:
[Redfern Gallery. London. Village fair, by Lill Tschudi. 1934. Edition of 50. Linocut, 25.5 by 30.6 cm]
Attributed works:
[Robilant + Voena, London and Milan. Lamentation over the dead Christ, by Anthony Van Dyck (1599-1641). Oil on canvas.]
Attributed works:
[Robilant + Voena, London. Bianco, by Agostino Bonalumi (b.1935). Fiberglass. Height: 180 cm. Width: 200 cm. Depth: 180 cm. Gallery exhibition: Bonalumi: all the shapes of space 1958-1976. 4th October - 15th Novemberr]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991.]
Attributed works:
[Salamon & co, Milan. Florence, view of Piazza della Signoria, by Thomas Patch (1725-82). Pen, brush and coloured inks over traces of pencil, 20.3 by 38.4 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Giovanni Fattori (Livorno 1825 - 1908 Florence). Napoleon III Receives a Dispatch by Princess Eugenia near Lonat. Pen and brush, colored inks over traces of black chalk on paper; 46.5 x 369 mm. (18 1/4 x 14 1/2 in)]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Italian pietre dure marquetery panel depicting the Allegory of Architecture. Florence, Galleria dei Lavori, circa 1754. Drawing by Giuseppe Zocchi (Fiesole 1711-Firenze 1767), in giltbronze frame, made by Bombicci in 1754]
Attributed works:
[Sperone Westwater, New York. Marble word list 2013, by Robert Barry. Marble, Variable dimensions.]
Attributed works:
[Sperone Westwater, New York. Nixes mate, by Carl Andre. 1922. Western red cedar, 8 timbers. Height: 90 cm. Width: 120 cm. Depth: 120 cm]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Carl Andre. June Field, 1975]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The rape of Proserpina, attributed to François Girardon. (1690-1700). Bronze, brown patina with traces of red lacquer. Height: 105 cm]
Attributed works:
[Trinity Fine Art, London. The Farnese Hercules, by Gaspero Bruschi (1710-1780). White hard-paste porcelain on base of painted and gilded wood. Height: 82 cm]
Attributed works:
[Walter Padovani, Milano. Portrait of Count Nicola Demidov and Portrait of Countess Elisabetta Demidova, née Stroganova, by Adamo Tadolini (1788-1868). Signed: A. TADOLINI F. A pair of sculptures in statuary marble from Carrara. Height: 31 cm. Width: 19 cm. Depth: 15 cm]
Attributed works:
[Walter Padovani. Via Santo Spirito, 26/A. Milano. Marco Antonio Prestinari (Claino 1570 ca, - Milan 1621). Hercules and the Nemean lion. Terracotta, height cm 52]
Non-western art unattributed:
[Galerie Meyer Oceanic Art, Paris. Spirit mask. Turubu Village Village, Papua New-Guinea. c.1930. Height: 44 cm. Width: 17 cm. Depth: 10 cm]
Western art unattributed:
[Mullany, London. Angel with tambourine, Lombardy, mid-15th century. Walnut with original polychrome and gilding]
Western art unattributed:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. After Hieronymus BOSCH. The Ship of Depravity, 1559]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A french model of a 12-pouder bronze cannon on its original field carriage, circa 1694]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church Street. London. Flemish school, seventeenth century. A mimetic Landscape (detail)]
Western art unattributed:
[TATE Britain, London. Anon. Christ before Pilate (detail) c.1400-25]
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