1. ‘Solicitudo rustica’: Alpine landscape with a winding river,
attributed to the Master of the Mountain Landscapes. c.1575–1600.
Pen and brown ink over traces of black chalk on paper, 24.4 by 35.1 cm.
(British Museum, London).
Attributed works:
2. The Calumny of Apelles, by Pieter Bruegel the Elder. c.1565–69.
Pen and brown ink with brown wash on brown prepared paper,
20.2 by 30.6 cm. (British Museum, London).
Attributed works:
3. Absalom kneeling before David (?), by Rembrandt. c.1652–55. Reed
pen and brown ink, touched with white, with later brown wash on paper,
16.4 by 21.6 cm. (British Museum, London).
Attributed works:
4. Studies of three caricature heads, drapery and a dog, by Albrecht
Dürer. 1513. Pen and brown ink on paper, 18.1 by 20.9 cm. (British
Museum, London).
36. Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
37. Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. 66.5 by 52 cm. (National Portrait Gallery, London).
Attributed works:
38. Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. 67 by 54 cm. (National Gallery, London).
Attributed works:
39. Thomas Howard, Second Earl of Arundel, by Jan Lodewijk Krafft after Peter Paul Rubens. Etching, 25.5 by 17.5 cm. (Ashmolean Museum, Oxford).
Short Notice
Acquisitions for the Department of Western Art in the Ashmolean Museum, Oxford, 1987-1993
Thw (Thw; Wilson, Timothy; Wilson, Timothy; W., T. H.; W., T.; Wilson, Timothy H.; Thw; Wilson, Timothy H.; W., T.; W., T. H.; Wilson, Timothy; Thw; Wilson, Timothy H.; W., T.; W., T. H.)