Attributed works:
A Chest of Drawers Designed by William Burges with Portrait Panels by Charles Rossiter. Provenance: 15, Buckingham Street and Tower House, Melbury Road. c 1865. Height $39frac{3}{4}text{in}$ (101cm). Width $38frac{3}{4}text{in}$ (97.8cm). Depth $19frac{3}{4}text{in}$ (49.5cm)
Attributed works:
A Collection of Early Twentieth-Century Jewellery Including an Unusual Fob Watch in the Form of a Dove Cote by Udall and Ballou and a Carved Jade and Lapis Lazuli Buddha Jabot Pin by Lacloche Frères.
Attributed works:
A Collection of Mustard Pots. Worcester Polychrome. c 1755. Worcester Blue and White. c 1765. St Cloud. c 1730. Plymouth Blue and White. c 1770
Attributed works:
A Fine Empire Savonnerie Carpet. 20ft × 16ft 8in (609 × 508cm). For Related Examples See, La Manufacture de la Savonnerie, by Madelaine Jarry, Published in The Connoisseur, December 1976.
Attributed works:
A Fine George III Sheraton Period Satinwood and Painted Commode. c 1780. Height 33in (84cm). Width 49in (125cm). Depth 20in (51cm)
Attributed works:
A fine pair of heavy (47 oz.) sauceboats which are engraved under the lip with a contemporary coat of arms. They were made in London in 1744 by Peter Archambo I. This leading Hugenot silversmith, then working at the Golden Cup, Coventry Street, Piccadilly was closely associated with Paul de Lamerie and his son was apprenticed to this great craftsman who may have inspired the fine cast masked feet and applied swags of grapes and vine leaves and massive scroll handles which are found on these sauceboats. The arms are those of Clements impaling Gore for Nathaniel Clements who was born in 1705. He was M. P. for Duleek from 1727 to 1760, Cavan 1761 to 1768 and 1776 to 1777 and for Leitrim in 1764. He was also one of the tellers of the Exchequer and Deputy Vice Treasurer of Ireland. He married on 31st January, 1729, Hannah, daughter of the Very Rev. William Gore, Dean of Down and died in 1777. In 1759, Mrs. Delaney the famous wife of the Dean of Dublin, wrote of them; 'Not hear of Mr. and Mrs. Clements! Why she is finer than the finest lady in England. Dresses, furniture, house, equipage - excelling all. Mr. Clements is - her husband. They set out in life very young and very humble, though both of good families. He was a favourite of the famous Luke Gardiner's and has gathered together by degrees an immense fortune, if one may judge by the magnificence of his living; and what is quite surprising, they are both very moderate in understanding, and yet there is a cleverness and elegance in everything about them that is beyond what could be expected.' (The Complete Peerage, vol. VII)
Attributed works:
A Fine Pair of Henry VIII Apostle Spoons. Maker's Mark 'Fringed s' William Simpson. London 1545. Apostles St. Thomas and St. Simon Zelotes
Attributed works:
A highly important spinet by John Player. The case is of cedarwood supported on a stand of richly patinated beech. This instrument is probably the finest surviving English spinet of the 17th century. Uniquely, it has two strings to each note giving an unusual brilliance of tone. Compass GG, base short octave with divided sharps, to c″ London. c 1685. Width 5ft 4in (162.5cm) Depth 2ft 4in (71cm) Height 3ft 1in (94cm)
Attributed works:
A rare English silver cased six hour dial 'pulse' watch with full manual calendar and subsidiary seconds. signed 'W. P. invt'. Diameter 2in (5.2cm). c 1685. A small Dutch silver and enamel prebalance spring watch. Signed 'Philibert Patry, A Leydae'. Diameter 1½in (3.7cm). c 1650. An English silver cased astronomical watch indicating month, date, zodiac, age and phase of moon. Signed 'Josephus Quash Londini'. Diameter 2in (5.1cm). c 1650
Attributed works:
A rare pair of Japanese Shijo school screens Ink and slight colour on paper. Matsumura Keibun (1779-1843). Dated Autumn 1842. Each of the screens displays one of the two major strands of stylistic influence in the Shijo school; the cranes that of Maruyama Okyo, the waves on a rock that of Nasagawa Rosetsu.
Attributed works:
A silver monteith of the Charles II period, the eight panels engraved with lively chinoiserie scenes by George Garthorne, London 1684. Contemporary arms of Mildmay impaling another. Weight 34oz. Diameter $11frac{3}{8}text{in}$ (28.9cm)
Attributed works:
A Small Ebony Veneered 'Dutch' Striking Clock by Joseph Knibb, London, Numbered and Crossed Out outside Count Wheel. c 1680. Height 11in (28cm)
Attributed works:
A Superb Example of a Chippendale Period Armchair. c 1765
Attributed works:
A Third Rate of the Royal Navy, Preceded by a First Rate, Entering the Hamoaze, Plymouth in a Light Breeze on the Flood Tide. Thomas Luny 1759 1837. Canvas 34 × 51in (86 × 130cm). Signed Luny
Attributed works:
A turquoise enamelled gold miniature frame by Carl Fabergé. A Siberian jade carving of a toucan with diamond set eyes by Fabergé. A smoky quartz box in the form of a Turk's cap shell with enamelled gold lid by Fabergé. A Russian gold mounted purpurine pendant seal. Two elephants carved from rock crystal and opal by Fabergé. A heart shaped garland brooch set with emeralds and diamonds English c 1780. An enamelled gold brooch set with demantoid garnets, diamonds and pearls. Attributed to Castellani c 1890. An enamelled gold pendant set with an aquamarine and diamonds by Carlo and Arthur Giuliano c 1900. A Russian trefoil brooch set with rubies and diamonds St. Petersburg c 1880
Attributed works:
An exceptional pair of green glass vases and covers of slender inverted baluster form, gilt by James Giles with figures of haymakers flanked by slender trees. The reverse with bouquets and sprigs of garden flowers. c 1765. Height 16in (40.5cm)
Attributed works:
An Extremely Fine and Unusual Silver Mounted and Citrine Set Claret Jug by Omar Ramsden. London 1922. $10frac{3}{4}text{in}$ (27.5cm)
Attributed works:
An Extremely Rare Scottish Delftware Bottle Decorated with Flowers and Insects. Delftfield Factory, Glasgow. c 1760. 9½ in (24.2 cm)
Attributed works:
An important 18th century mahogany commode of serpentine form with finely carved details and retaining the original chased metal handles. The commode has many similarities to one supplied by Samuel Norman to Sir Laurence Dundas in 1763 for Aske Hall and can be confidently attributed to his workshop. English. c 1760. Length 35in (89cm). Width 40in (102cm). Depth 25in (63cm)
Attributed works:
An important and attractive pair of early Red Anchor period, Chelsea fluted beakers and stands, superbly painted with mirror shaped reserves of harbour scenes, figures and landscapes, possibly by Lefebre, with additional decoration of scattered flower bouquets and insects, within a brown line border. c 1753. Diameter 6in (15cm)
Attributed works:
An important and very rare early eighteenth century carved giltwood and gesso centre table attributed to James Moore, retaining its original gilding. c 1700. Height 30½in (77cm). Length 45½in (116cm). Depth 22½in (57cm)
Attributed works:
Antoine Coysevox (Lyons 1640-Paris 1720). Bust of Louis XV as a Child of Six. Marble. Signed A. Coyzevox F. 1716. Height 23¼in (59cm)
Attributed works:
Baron François-Pascal-Simon Gérard (1770-1837). Le Sacre de Charles X 1826. Oil on Canvas. 38¼ × 72in (97.2 × 182.9cm)
Attributed works:
Charles II Tankard 1661. Maker's Mark RS with a Mullet above and below. Inscribed 'This Pott Was Made of ye Silver of ye Canopie When Kinge Charles ye 2d Was Crowned, Aprill 23d 1661'. Height 8¼in (21cm). Width 9in (22.5cm)
Attributed works:
Diamond and Platinum Flexible Bow Brooch by Cartier Complete with Original Case and Fittings. Paris. c 1895. 3½ × 2½in (8.7 × 6.5cm)
Attributed works:
Fine Derby figure of a seated girl with basket; colours are orange, magenta, turquoise and yellow. The base is applied with many large open flowers. Transitional period, c 1755. Height $7frac{1}{8}text{in}$ (18cm). Meissen saucerdish, finely painted in colour with figures in landscapes and harbour scenes, within panels framed with gold cartouches. Scattered botanical flowers and insects. Wide gold edge to rim. The back of the dish has a turquoise ground. Blue crossed swords mark and gold 'S'. c 1742. Diameter $8frac{3}{4}text{in}$ (21cm). Worcester spoon-tray with blue ground, painted with a colourful exotic bird pecking at fruit, within a gold scroll bordered panel. Crescent mark. c 1770. Width 6in (15.3cm). Fulda. Extremely rare chocolate cup, cover and stand. The initials F. A. of the original owners for whom this service was made, are painted on an urn on the cup. Large coloured butterflies and insects. Crowned double FF mark. c 1780. Height of covered cup $3frac{3}{4}text{in}$ (9.5cm)
Attributed works:
Francesco Fontebasso (1709 1769). The Adoration of the Magi. Oil on Canvas. A Completely Different Variant of the Composition is in the Accademia in Venice. 1730 40. 22 × 29in (56 × 74cm)
Attributed works:
George Morland (1757-1804). Paying the Osler. Oil Paint on Canvas. Signed, Dated and Inscribed 'Sketch G. Morland 1792'. 28 × 36in (71 × 91cm)
Attributed works:
George Romney 1734-1802. Portrait of Charlotte Gunning. Oil Painting on Canvas. 30 × 25in (76.2 × 63.5cm). Painted in 1780
Attributed works:
Gold box with oil portraits of Louis XIV, Mme. de Montespan and Mme. de Fontages after Petitot by Gabriel-Raoul Morel. Paris 1798-1809. Gold box chased and mounted á cage with six finely carved agate panels. Dresden c 1750. Carnet du bal, by Johann Christian Neuber. Gold with finely inlaid stone decoration. Dresden c 1770. Extremely rare platinum and enamel box. Paris c 1800. English Royal presentation gold box. Victoria 1893 by James Garrard
Attributed works:
Graciously Lent by Her Majesty The Queen. Burlington House by Antonio Visentini and Francesco Zuccarelli. Signed and Dated 1746. 31½ × 51½in (80 × 131cm)
Attributed works:
Il Guercino David Beholden. Oil on Canvas, 47½ × 40¼in (120.5 × 102cm).
Attributed works:
Important pair of Chelsea Porcelain figures, known as the Imperial Shepherd & Shepherdess. Both figures marked with a gold anchor, and the man with an impressed "R" on base. c 1765. Height 13½in (34.3cm) and 13in (33cm)
Attributed works:
James I Grace Cup 1616. Maker's Mark FB. Silver-Gilt. Inscribed 'Johannes Copleston Coll: Regal: Proepos 1683. Ex dono Serenissim Regis Caroli Secundi' Height 7½in (19cm). Diameter 3in (7.7cm)
Attributed works:
Jan Griffier I. c 1652/6-1718. Landscape with a View of a River, Houses on the Hillside, a Castle on the Edge of the Mountain. Oil on Panel. Signed. $9frac{7}{8}$ × 12¼in (25 × 31cm)
Attributed works:
Jean Baptiste François Genillion. St. Paul's Cathedral and Blackfriars Bridge. Signed. Watercolour Heightened with White. $15frac{1}{2}times 23frac{3}{4}text{in}$ (39.5 × 60cm)
Attributed works:
Jean Béraud (1849-1936). La Loge. Watercolour, Signed. c 1900. 9 × 5in (23 × 12.7cm)
Attributed works:
Jean Francois Raffaelli (1850-1924). Vue de Paris. Oil on Canvas. Signed, Lower Right. $14frac{7}{8}times 18frac{1}{8}text{in}$ (38 × 46cm)
Attributed works:
Jean-Baptiste-Camille Corot (1796-1875). La Prairie aux Deux Gros Arbres. Signed. Canvas: 17¼ × 23½ in (44 × 60 cm)
Attributed works:
John Constable, R. A., 1776 1837. Flatford Lock and Mill. Oil on paper. 7¼ × 9¼in (18.4 × 23.5cm)
Attributed works:
John Opie R. A. The Newnham Children c 1787. Canvas $60times 78frac{3}{4}text{in}$ (154 × 204cm)
Attributed works:
Justus Danckerts. A set of the world and the four continents published in Amsterdam 1680. The Danckerts were a family of Amsterdam publishers and engravers. Justus Danckerts (1635-1701) was the son of Cornelius Danckerts the elder and he was an engraver, map-seller and publisher who flourished in the Kalverstraet, Amsterdam. These maps are in full original wash colour. 27 × 30in (68.5 × 76.2cm)
Attributed works:
Lavinia Fontana. 1552 - Bologna - Rome - 1614. Oil on Copper
Attributed works:
Louis XVI Cabinet. Commode à Vantaux by J. Pafrat, JME. Veneered on oak with mahogany and with five fluted pillars of white marble. Richly mounted with bronze chased and gilded. The top is of white marble. The low cabinet with two doors in front contains two drawers in the frieze. The drawers enclose two horizontal drawers in the interior. The gilt bronze mounts in the frieze are backed by burnished gilt bronze panels. Stamped: J. PAFRAT (in three places). Paris, c 1790-1791. Height 37in (95cm) Width 59in (150cm) Depth 26in (76cm). Jean Jacques Pafrat became a 'maitre-ebeniste' in 1785 and died in 1794. Pafrat had worked with Martin Carlin, and on the latter's death in 1785 Pafrat took over his workshop. Although Pafrat was a master for only a short time, his work can be found in the Royal palaces of Versailles, Fontainebleau and Saint Cloud. M. Christian Baulez, in 'Il mobile francese dal Medioevo al 1925', page 101, ill. 31 (Fabbri 1981), illustrates a secretaire by Pafrat which, together with a commode en suite, was sequestrated in 1793 from the apartment of the Duc d'Orleans at the Chateau Le Rancy. Behind the gilt bronze back plates were found pages of the Official Gazette dated 1790-1791, announcing new laws promulgated by the Revolutionary government. Presumably, when first assembled these panels were somewhat loose and the pages were placed behind to keep them firm. These pages have been preserved.
Attributed works:
Lucas Van Uden (1595 - Antwerp - 1672). Winter. (One of a Set of Four Seasons - 'Spring' and 'Summer' Signed with Initials). On Panel. 10 × 13¼in (25 × 34cm)
Attributed works:
Maurice de Vlaminck (1876-1958). Nature morte aux pommes. 1910. Oil on Canvas. Signed. $19frac{3}{4}$ × 25½in (50 × 65cm)
Attributed works:
Michel-Bruno Bellange. Still Life of a Vase of Flowers. Oil on Canvas. 20½ × 13in (52 × 33cm). From the Collection of A. H. Harkness by 1843 Mrs P. L. Eliot
Attributed works:
Obverse and Reverse of a Diptych Dial Ivory. Nuremburg. Signed and Dated Hans Troschel, Anno 1614. $4times 6frac{1}{2}times frac{5}{16}text{in}$ (10 × 16.4 × 1.6cm)
Attributed works:
Painting of Plum Blossom and Bizen Jar. Sakai Hōitsu (1761-1828). Ink and Colour on Silk, 47 × 116 cm
Attributed works:
Pierre Mortier. Vaisseau Royal d'Angleterre. One of a pair of ship portraits from the Great Sea Atlas, the 'Neptune Francois', published in Amsterdam 1693. This work comprised some twenty ship portraits, sea charts and plates of the flags of the maritime nations. All are in full original colour. 26 × 30in (67.5 × 77cm)
Attributed works:
Pierre Tetar Van Elven (1828-1908). Masked Ball at the Tuileries. c 1868. Watercolour and Gouache. 15 × 29in (38 × 74cm)
Attributed works:
Rare Chelsea Billing Dove Tureen. Red Anchor Period. c 1750. Length 17in (144cm). Height $7frac{3}{4}text{in}$ (20cm)
Attributed works:
Rembrandt Bugatti (1885-1916). Deux Flamants 1905. Bronze. Unique piece cast by A. A. Hebrard, Paris. Signed and dated, lower left with the inscriptions: "En vous offrant ce ci permettez moi de vous appelez amie à Madm Hébrard 1905" and "pièce unique". Height $11frac{1}{8}text{in}$ (28.3cm)
Attributed works:
Sarah Milton, Mother of the Poet, AETS. 49. Robert Walker (Attributed to) c 1621. Canvas 28 × 23in (72 × 59cm)
Attributed works:
Silk Taffeta Dress from Tatters
Attributed works:
Simon Vouet (Paris 1590-1649). The Artist's Wife, the Painter Virginia da Vezzo, Depicted as the Magdalen. Oil on Canvas, 40 × 31in (101.4 × 78.7cm)
Attributed works:
Sir Lawrence Alma-Tadema, OM, RA. (1836-1912). The Baths of Caracalla (Thermae Antoninianae). Oil on Canvas, Signed and Inscribed Op CCCLVI. 1899. 60 × 37½in (152.5 × 95cm)
Attributed works:
Six examples from a recently acquired private collection including thirty-two eighteenth century gold boxes of great distinction. 1. A highly chased gold box the lid with a scene depicting Venus at the forge of Vulcan. Attributed to George Michael Moser. London c 1750-1760. Length 3½in (8.9cm). 2. A gold box decorated overall with a basket weave pattern in reeded panels of mother of pearl and gold. Paris 1743. Length 3in (7.6cm). 3. An enamelled gold box decorated overall with skating scenes. Attributed to Jean Joseph Barrière. Paris 1764. Length $2frac{13}{16}text{in}$ (7.1cm). 4. A diamond set shell shaped gold box the lid set with an early seventeenth century agate cameo of Diana and Actaeon. Maker I. F. (probably for Joseph Ford) London c 1750. Length $3frac{1}{8}text{in}$ (7.9cm). 5. A chased and engraved gold box with gardening scenes on all sides by Noël Hardivilliers. Paris 1749. Length 3in (7.6cm). 6. A gold box decorated overall with mosaics depicting rural scenes in various hardstones by Heinrich Taddel. Dresden c 1765. Length $3frac{3}{8}text{in}$ (8.6cm)
Attributed works:
The Chase of the Fox. One of a set of four copper-plate hunting scenes, in hand-colour Printed for Carington Bowles at 69 St. Paul's Churchyard. The names of the artist, James Seymour, the engraver J. Burford [Thomas Burford], and the date 1761 added in ink by a contemporary hand. 1761. 21 × 15½in (53 × 39cm)
Attributed works:
The Master of the Countess of Warwick FL. 1567-69. Portrait of a Lady. Oil on Panel. One of a Pair of Extremely Rare Elizabethan Portraits. c 1568. 13¼ × 18½ in (33.5 × 47 cm)
Attributed works:
The regulator which Dents, the manufacturers of 'Big Ben' made and used in their window as their shop regulator from approximately 1865-1965. The 'upside-down' movement with the crutch rising vertically above it to engage the pendulum is of very fine quality. 1865. Height 78in (195cm)
Attributed works:
Thomas Surtees Raine (1776-1845). Self portrait of the artist with his wife, Margaret and one of her sisters, picnicking at Pilmore House, Croft Spa, Durham. Oil paint on canvas. 26 × 20in (66 × 51cm)
Attributed works:
William Hayes. The Secretary Bird. Painted 'En Gouaché' Embossed Original Gilt Frame. Ex. Brocklesby. 16 × 25in (40.5 × 63.5cm)
Non-western art unattributed:
A Detail (Above) and a Length of One of the 16 Panels of Eighteenth Century Chinese Wallpapers Displayed in a Room Setting in the Octagon.
Non-western art unattributed:
A Pair of Chinese Taste Ruby-Back Enamel Dishes, Painted with Flowers and Fruit. Chinese. Yung-Cheng Period. 1723-1732 AI). Diameter 6in (15cm)
Non-western art unattributed:
A rare signed Doucai bowl, with various scenes from a romance including dignitaries drinking wine, and an artist painting a scroll, each scene flanked by a short description, the interior with a double line medallion enclosing the inscription Ming Yuan zhi zao zhen cang. (six character mark and period of Yongzheng.) 1723-1735. $7frac{7}{8}text{in}$ (20cm) diameter
Non-western art unattributed:
Che Shih Chiao I. A Very Rare Chinese Folding Horseshoe Arm Chair, with Foot-Rest, in Its Original Red Lacquer. Central Splat Carved in Low Relief with Lappet Motive. Late Ming Period. Early 17th Century. Height 37½in (95cm). Width 26½in (67cm)
Non-western art unattributed:
[Chinese wallpaper] Graciously Lent by Her Majesty Queen Elizabeth The Queen Mother
Western art unattributed:
A 48 Gun Frigate of the Royal Navy, Early 19th Century Constructed of Boxwood by French Prisoners from the Napoleonic Wars, Whilst Captive in Great Britain 1794 1815. Hull Length $10frac{3}{4}text{in}$ (27cm). Overall Length 15½in (40cm)
Western art unattributed:
A Breakfront BookCase Containing a Selection of Art Reference and Collectors Works. (Bookcase for Display Only)
Western art unattributed:
A Charles I Tankard London 1646. Maker's Mark T. G. in a Belt. The Only Known Similar Example is in the Collection of the Late. Irwin Untermyer, Metropolitan Museum. 4in (10cm)
Western art unattributed:
A Collection of Fine 19th- and Early 20th-Century Jewellery Including a Superb Oriental Pearl and Diamond Sautoir. c 1925
Western art unattributed:
A Collection of Items from Our Stock of Antique Jewellery, Portrait Miniatures and Objets de Vertu.
Western art unattributed:
A fine rare Louis XVI gold mounted lacquer aide-memoire Paris c 1781. The panels applied with a chased and burnished gold portrait of Athanase de Lomenie de Brienne, verso with the crowned family arms. Containing its original agenda with a map of Paris and its suburbs and a calendar for 1781, a hand drawn map of the Brienne property. (The Lomenie acquired the County of Brienne in 1623, Henri Auguste Lomenie de Brienne negociated the marriage of Henrietta of France with the future King Charles I, 1624). The most celebrated member of the family was Etienne Charles (1727-1794) member of the Académie Francaise (1770), Minister of State (1787), Archbishop of Sens (1788). His name is intimately linked with the proclamation of the Rights of Monarchy. Athanase de Lomenie Comte de Brienne (1730-1794) was Minister of State (1788). He married Mlle Fizeaux de Clément and was executed 1794, while his brother had died in prison the previous year. 5½ × 4½in (14 × 11.5cm)
Western art unattributed:
A highly important 18th-century George III period bonheur du jour elaborately inlaid on a sycamore ground in the Neo-classic taste, attributed on stylistic grounds to Thomas Chippendale. c 1770. Height 42½in (108cm). Width 35in (89cm). Depth 18in (46cm)
Western art unattributed:
A Regency Rosewood and Parcel Gilt Occasional Table. c 1800. Height 30in (76.5cm). Width 25¼in (64.5cm). Depth 16¼in (41cm)
Western art unattributed:
A Selection from Our Collection of Antique Gold Snuff Boxes and Objets d'Art.
Western art unattributed:
A Selection of Art Reference Books. Catalogue on Request
Western art unattributed:
A Very Fine Pair of 'Retour d'Egypte' Candelabra in Bronze and Ormolu. Paris. c 1805. Height 2ft 1in (63.5cm)
Western art unattributed:
A Very Fine Queen Anne Burr-Walnut Mirror Door Bureau Bookcase of Superb' Colour and Patination and Retaining Its Original Brasses. England c 1705. Width 40½ in (123 cm). Depth 23½ in (60 cm). Height 93 in (236 cm)
Western art unattributed:
A very good George III mahogany Gainsborough library armchair, having crisply carved serpentine front and being raised on carved cabriole legs terminating in scroll toes. 1760. Width 28in (71cm). Depth 26in (65cm). Height 39½in (103cm)
Western art unattributed:
An Extremely Rare Pair of French Eighteenth Century Ormolu and Porcelain Ewers. Louis XVI. c 1790
Western art unattributed:
An Outstanding Early George III Bombé Commode in Beautifully Figured Mahogany Faded to a Fine Golden Colour. c 1775. Width 46in (116.5cm). Depth 20½in (58.6cm). Height 32in (81.5cm)
Western art unattributed:
English Oak Joined Stool. The Seat Rails Decorated with Lunettes. First Quarter of the Seventeenth Century
Western art unattributed:
Fine Georgian and Victorian jewellery
Western art unattributed:
Gander & White Expert packing
Western art unattributed:
Her Majesty Queen Elizabeth The Queen Mother
Western art unattributed:
Her Royal Highness Princess Alexandra, the Hon Mrs Angus Ogilvy
Western art unattributed:
James I Silver-Gilt Wine Cup. Maker's Mark: Double Headed Eagle Displayed. Weight 5 oz (8 dwts). London 1617. $7frac{3}{8}text{in}$ (18.8cm)
Western art unattributed:
Late 16th-century purse, pattern woven in tent-stitch needlework in coloured silks on linen. The ground and stems are embroidered in silk thread wrapped with silver in a cross stitch technique. Original tassells and strap. English. Approx 5 × 5in (12.7 × 12.5cm)
Western art unattributed:
One of an Important Pair of Late Seventeenth-Century English Japanned and Gilded Arm Chairs. Provenance: The Duke of Leeds, Hornby Castle, Yorkshire. Height 56in (142cm). Width 28in (71cm)
Western art unattributed:
Pair of Early 18th-Century Giltwood Eagle Console Tables. 5ft 8in (173cm) × 2ft 4in (71cm) × 3ft 2in (96.5cm) High
Western art unattributed:
Pair of Early 18th-Century Giltwood Mirrors. 3ft 8in (112cm) × 6ft 6in (168cm) High
Western art unattributed:
Pair of Late 18th Century Ruby and Diamond Bracelets English. c 1780
Western art unattributed:
Presented by Arrangement with The Burlington Magazine [print of the door of Burlington House]
Western art unattributed:
Some Acquisitions (1981-1982) Made by the Department of Decorative Arts, The J Paul Getty Museum, and the Department of Ceramics, Victoria & Albert Museum, Published in The Burlington Magazine, May 1983.
Western art unattributed:
Two Views of an Indo-Portuguese Ivory Carving of the Blessed Virgin Mary with Traces of Gilt and Polychrome Decoration. 17th Century. 7.2in (18.2cm)
