By using this website you agree to our Cookie policy

Search

130 articles
Exhibition Review
Sargent and Fashion
06/2024 | 1455 | 166
Pages: 637–639
related names
Reviewer:
McKever, Rosalind (McKever, Rosalind)
Subjects
dates:
Reviewed Items
subjects:
Sargent and Fashion. Edited by Erica E. Hirschler, with Caroline Corbeau-Parsons, James Finch and Pamela A. Parmal. 248 pp. incl. numerous col. ills. (Tate Publishing, 2024), £32. ISBN 978–1–84976–859–7. | :
subjects:
Sargent and Fashion Tate Britain, London 22nd February–7th July | :
Illustrations
Attributed works:
18. Lady Helen Vincent, Viscountess d’Abernon, by John Singer Sargent. 1904. Oil on canvas, 158.8 by 108 cm. (Birmingham Museum of Art, Birmingham AL; exh. Tate Britain, London).
Attributed works:
19. Dr Pozzi at Home, by John Singer Sargent. 1881. Oil on canvas, 201.6 by 102.2 cm. (Hammer Museum, Los Angeles; exh. Tate Britain, London).
Attributed works:
20. Madame X, by John Singer Sargent. 1883–84. Oil on canvas, 208.6 by 109.9 cm. (Metropolitan Museum of Art, New York; exh. Tate Britain, London).
Exhibition Review
Philip Guston
12/2023 | 1449 | 165
Pages: 1361–1363
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Philip Guston Tate Modern, London 5th October 2023– 25th February 2024 | :
Illustrations
Attributed works:
31. Monument, by Philip Guston. 1976. Oil on canvas, 203 by 279 cm. (Estate of Philip Guston; Tate; exh. Tate Modern, London).
Attributed works:
32. If this be not I, by Philip Guston. 1945. Oil on canvas, 107.3 by 140.3 cm. (Estate of Philip Guston; Mildred Lane Kemper Art Museum, St Louis; exh. Tate Modern, London).
Attributed works:
33. Dial, by Philip Guston. 1956. Oil on linen, 182.9 by 194 cm. (Whitney Museum of American Art, New York; exh. Tate Modern, London).
Article
Counter-Reformation ambers: Friedrich Schmidt’s workshop in Kretinga, Lithuania
09/2022 | 1434 | 164
Pages: 839-853
related names
Author:
kulka, Rahul (kulka, Rahul)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. Altar, by Friedrich Schmidt. 1678. Amber, ivory, wood, glass, silver and parchment, 29 by 20.7 by 16.5 cm. (Altonaer Museum, Hamburg; © SHMH-Altonaer Museum, permanent loan from the Federal Republic of Germany).
Attributed works:
10. Detail of the altar in Fig.1, showing an ivory panel carved with a kneeling saint.
Attributed works:
11. Detail of the casket in Figs.13 and 14, showing an ivory panel carved with the Annunciation.
Attributed works:
12. Detail of the altar in Fig.1, showing an ivory panel carved with the Annunciation.
Attributed works:
13 and 14. Casket of St Casimir (Cassetta di San Casimiro), by Friedrich Schmidt and workshop. 1678. Amber, ivory, glass, wood and silver, 35.5 by 58 by 20 cm. (Museo degli Argenti, Florence; © su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
15 and 16. Small altar with Crucifixion group, by the workshop of Friedrich Schmidt. 1677–78. Amber, ivory, glass and wood, height 59 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
17 and 18. Large altar with Crucifixion group, by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass and wood, height 136 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
19. Detail of the altar in Figs.17–18.
Attributed works:
2. The rear of the altar illustrated in Fig.1 .
Attributed works:
20. Candlestick, one of a small-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
21. Candlestick, one of a medium-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
22. Altar with Crucifixion group, by the workshop of Friedrich Schmidt, c.1678. Amber, ivory and wood, height 78 cm. (Schloss Weißenstein, Pommersfelden; from A. Rohde: Bernstein: Ein deutscher Werkstoff, Berlin 1937, fig.214).
Attributed works:
23 and 24. Reliquary by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass, wood and silver, 32 by 49.5 by 24.2 cm. (Convento di Santa Chiara, Naples; photograph © Marco Pedicini, courtesy the Central Directorate for Religious Affairs and for the Administration of the Fondo Edifici di Culto of the Ministry of the Interior).
Attributed works:
25. Candlestick, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory and wood, height 28 cm. (Museo di Capodimonte, Naples; © Su concessione del Ministero della Cultura – Museo e Real Bosco di Capodimonte).
Attributed works:
26. Altar, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and wood, height 31 cm. (Museum of Fine Arts, Boston; photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
27. Detail of the altar in Fig.28, showing a verre églomisé panel from the right side.
Attributed works:
28. St Casimir, by the Władysław Łazarski printing house. Early 20th-century reprint of an 18th-century woodblock print, 34 by 24 cm. (Częstochowa Museum; © Muzeum Częstochowskiego).
Attributed works:
29. Detail of the top of the altar in Fig.26.
Attributed works:
3. The interior of the altar illustrated in Fig.1.
Attributed works:
4. Detail of the altar illustrated in Fig.1, showing a verre églomisé panel.
Attributed works:
5. Detail of the altar illustrated in Fig.1, showing the inscription on the book.
Attributed works:
6 and 7. Details of an altar with Crucifixion group, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and silver, height 45 cm. (© Muzeum Bursztynu, Malbork; on permanent loan from Muzeum Okręgowe, Tarnów).
Attributed works:
8. Altar, attributed to the workshop of Friedrich Schmidt. After 1678. Amber, ivory and wood, 53 by 36 by 23 cm. (Ostpreussisches Landesmuseum, Lüneburg; © Ostpreußisches Landesmuseum Lüneburg, Deutschbaltische Abteilung).
Attributed works:
9. Detail of the left side of the casket in Figs.13 and 14.
Exhibition Review
New galleries of Dutch and Flemish art
02/2022 | 1427 | 164
Pages: 195-198
related names
Reviewer:
Gaskell, Ivan (Gaskell, Ivan; G., I.)
Subjects
dates:
Reviewed Items
subjects:
New galleries of Dutch and Flemish art Museum of Fine Arts, Boston from 20th November 2021 | :
Illustrations
Attributed works:
14. Kalis Boud, by Adriaen van de Venne. c.1635. Oil on canvas, 39.4 by 26 cm. (Museum of Fine Arts, Boston).
Attributed works:
15. Model of the Dutch East India Company ship Valkenisse. 1717. Wood with hemp and cotton rigging, 48.3 by 35.6 by 172.7 cm. (Museum of Fine Arts, Boston).
Attributed works:
16. Still life with various vessels on a table, by Osias Beert. c.1610. Oil on canvas, 72.4 by 108.6 cm. (Museum of Fine Arts, Boston).
Exhibition Review
Cy Twombly: Making Past Present
10/2021 | 1423 | 163
Pages: 963-965
related names
Reviewer:
Wallace, Isabelle Loring (Wallace, Isabelle Loring)
Subjects
art literature:
artists:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Cy Twombly: Making Past Present By Christine Kondoleon and Kate Nesin. 264 pp. incl. 170 col. ills. (MFA Publications, Museum of Fine Arts Boston, 2020), £50. ISBN 978–0–87846–874–4. | :
Illustrations
Attributed works:
36. Cy Twombly, by Annabelle d’Huart. 1978. Gelatin silver print. (Museum of Fine Arts, Boston; © Cy Twombly Foundation; courtesy Museum of Fine Arts, Boston).
Attributed works:
37. Leda and the swan, by Cy Twombly. 1962. Oil, pencil and crayon on canvas, 190.5 by 200 cm. (© Museum of Modern Art, New York, and Scala, Florence).
Attributed works:
38. Fifty days at Iliam: the fire that consumes all before it, by Cy Twombly. 1978. Oil, oil crayon and graphite on canvas, 300 by 192 cm. (© Philadelphia Museum of Art and Scala, Florence).
Book Review
Christ on the Cross: The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970–1200
04/2021 | 1417 | 163
Pages: 374-376
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
museums and institutions:
styles:
Reviewed Items
subjects:
Christ on the Cross: The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970–1200 Edited by Shirin Fozi and Gerhard Lutz. 456 pp. incl. 309 col. + 61 b. & w. ills. (Brepols, Turnhout, 2020),  127.50. ISBN 978–2–503–57967–2. | :
Illustrations
Western art unattributed:
3. Crucified Christ. Southern German or Austrian, late 10th or early 11th century, with subsequent alterations. Willow wood and polychromy, 202 by 154 cm. (Photograph Museum of Fine Arts, Boston).
Exhibition Review
Life Magazine and the Power of Photography
12/2020 | 1413 | 162
Pages: 1101-1103
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Reviewed Items
subjects:
Life Magazine and the Power of Photography Edited by Katherine A. Bussard and Kristen Gresh. 336 pp. incl. 250 col. + b. & w. ills. (Princeton University Art Museum, Princeton NJ, and Yale University Press, New Haven and London, 2020), $60. ISBN 978–0–300–25088–6. | :
Illustrations
Attributed works:
21. Cover of Life showing Fort Peck Dam, Montana, 23rd November 1936. Photograph by Margaret Bourke-White. (LIFE Picture Collection; © 1936 The Picture Collection Inc.).
Attributed works:
22. Detail of a contact sheet of photographs by Alfred Eisenstaedt, 15th August 1945. Gelatin silver print. (LIFE Picture Collection; image by Alfred Eisenstaedt; © 1945 The Picture Collection Inc).
Attributed works:
23. Flame burner Ann Zarik, by Margaret Bourke-White. 1943. Gelatin silver print, printed c.2000, 40.6 by 50.8 cm. (Princeton University Art Museum, Princeton NJ; © 1943 The Picture Collection Inc.).
Exhibition Review
Boston’s Apollo: Thomas McKeller and John Singer Sargent. Isabella Stewart Gardner Museum, Boston
05/2020 | 1406 | 162
Pages: 445-448
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
dates:
Reviewed Items
subjects:
Boston’s Apollo: Thomas McKeller and John Singer Sargent Isabella Stewart Gardner Museum, Boston 13th February–14th September | :
Illustrations
Attributed works:
16. Study of a seated male nude above a roundel for the rotunda of the Museum of Fine Arts, Boston, by John Singer Sargent. 1916–21. Charcoal on paper. 63.3 by 48 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
17. Study for Apollo in classic and romantic art for the rotunda of the Museum of Fine Arts, Boston, by John Singer Sargent. 1916–21. Charcoal on paper. 47.5 by 62.5 cm. (Museum of Fine Arts, Boston; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
18. Nude study of Thomas E. McKeller, by John Singer Sargent. 1917–21. Oil on canvas. 125.7 by 84.5 cm. (Museum of Fine Arts, Boston; exh. Isabella Stewart Gardner Museum, Boston).
Exhibition Review
Hyman Bloom: Matters of Life and Death Museum of Fine Arts Boston
10/2019 | 1399 | 161
Pages: 871-873
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
artists:
dates:
media:
museums and institutions:
styles:
Illustrations
Attributed works:
24. Self-portrait, by Hyman Bloom. 1948. Oil on canvas, 177.8 by 102.9 cm. (Private collection; exh. Museum of Fine Arts Boston).
Attributed works:
25. The hull, by Hyman Bloom. 1952. Oil on canvas, 95.6 by 115.6 cm. (Worcester Art Museum, Worcester MA; exh. Museum of Fine Arts Boston).
Attributed works:
26. Corpse of man, by Hyman Bloom. 1944. Oil on canvas, 183.5 by 87 cm. (Rose Art Museum, Waltham MA; exh. Museum of Fine Arts Boston).
Exhibition Review
Casanova. Fort Worth, San Francisco, Boston
03/2018 | 1380 | 160
Pages: 241-243
related names
Reviewer:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
subjects:
Illustrations
Attributed works:
12. Juno asking Aeolus to release the winds, by François Boucher. 1769. Canvas, 278.2 by 203.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
13. Seesaw, by Jean-Honoré Fragonard. c.1750–52. Canvas, 120 by 94.5 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
14. St Mark’s basin, by Canaletto. c.1738. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston).
load more