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57 articles
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Advertisements July 1989 (front)
07/1989 | 1036 | 131
Pages: i-xxiv
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Eleanora di Toledo, by Giulio Clovio. c. 1551-53. Tempera on Vellum, Laid down on Panel. 8.4 cm. Diameter. (Private Collection, England)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Federico Barocci. The Annunciation. Etching, Engraving & Drypoint. Bartsch XVII, no.1. (437 × 310 mm) 2nd State.
Attributed works:
[Albemarle Gallery, 18 Albemarle Street, London, UK] John Piper Huddersfield 1960 Watercolour and Gouache 13 3/8 × 20 5/8 in
Attributed works:
[Anthony d'Offay Gallery, 9, 21 & 23 Dering Street, New Bond Street, London, UK] Anslem Kieffer, Lot's Wife 1989 Acrylic, Emulsion, Ash on Canvas and Salt on Treated Lead 161½ × 137 3/4 Inches
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Eileen Cooper painting
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Zadok Ben-David
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Guillaume Cortois Called Guglielmo Cortese. St. Hippolyte 1628-Rome 1679. St. Anthony Abbot at Prayer. Canvas: 98 × 75.5 cms. Signed and Dated at Bottom Left: G. Courtois 1670/Rome
Attributed works:
[Crawley & Asquith, 16 Savile Row, London, UK] Jean-Baptiste Perronneau (1715-1783) 'Laurent Cars'. Pastel 65 × 54 cms
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Jan van Goyen (1596 Leiden-1665 The Hague). One of a Pair. Panel, 12.6 × 16 cm. Signed and Dated: 1622
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Jules Breton (1827-1905). The Mariner. 31 3/4 x 23 3/4 Inches (81 × 60 cm.). Pastel marouflé onto Canvas. Signed at Lower Right: Jules Breton
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Drawings from Boucher. Gillot
Attributed works:
[Galerie du Stael, 6 rue Royale, Paris, France] Louis Nicolas de Lespinasse (1734-1808). Panorama de la rade de Toulon (Detail). Water-Colour 43 × 65 cms
Attributed works:
[Galerie H. Odermatt - Ph. Cazeau, 85 bis, rue de Faubourg Saint-Honore, Paris, France] Camille Pissaro (1830-1903). Quai Malaquais, Matin, Soleil. Oil on Canvas. Signed and Dated at Lower Right "Camille Pissaro 1903". 54.5×65.5 cm - 21½×$25frac{3}{4}$ in.
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Stephen Conroy, Che Gelida Manina 1988-89. Oil on Canvas 60¼ × 48½ in./153 × 123.2 cm.
Attributed works:
[Maurice Segoura, Paris. Exh. International Biennale of Antique Dealers] Rare and Outstanding Royal Dessert Service, Comprising 63 Pieces of Sèvres Porcelain.
Attributed works:
[Paolo Brisigotti, 44 Duke Street, London, UK] Giovanni di Francesco Toscani (Florence, Circa 1370-1430). Madonna and Child, on Gold Ground, 67.5 cm by 38.5 cm
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Etienne Jeaurat (1699-1789). French School. Studies of Two Women. Preparatory Drawing for Le Deménagement du Peintre (Collection Earl Beauchamp). Black and White Chalk on Gray Paper. H. 22,3 cm; L. 34 cm.
Attributed works:
[Peter Nahum, 5 Ryder Street, London, UK] Simeon Solomon 1840-1905. Night. Pencil on White Paper. Signed with Initials and Dated 1873. 17½ × 11 3/4 Inches, 44.5 × 29.5 Centimetres
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Jusepe de Ribera (Valencia 1591-Naples 1652). Saint Matthew and the Angel. Oil on Canvas, 34 × 27½ Inches (86.3 × 69.8 cm.)
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] James Rosenquist, Untitled, 1989. Oil on Canvas, 50 by 66 Inches (127 by 167.6 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] David Teniers the Younger (Antwerp 1610-1690). A Gypsy Fortune-Teller. Oil on Canvas. 108 × 135 cm. (42 3/4 × 53 in.) Signed with a Monogram.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] David Teniers the Younger. A Gypsy Fortune-Teller. Oil on Canvas 177 × 239 cm. The Prado, Madrid.
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Master of 'Pipi' (XVIIth Century Florentine School). Portrait of Pipi with Still-Life. Oil on Panel: 115,5 × 86 cm.
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Giuliano Bugiardini, 1475 - 1554. The Naming of St. John the Baptist (86 × 121 cms)
Non-western art unattributed:
[Perrin, Paris. Exh. International Biennale of Antique Dealers] Most Exceptional Pair of Celadon Pot-Pourri Jars Decorated with Flowers; Chinese Kan G'Hi era. Gilded Ormulu Mounts, Paris, c. 1740. Height 42 cm; Width 29 cm.
Advertisements
Advertisements June 1989 (front)
06/1989 | 1035 | 131
Pages: i-lii
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
Detail of Annunciation, by Philippe de Champaigne, after Cleaning and Restoration. 334.3 by 214.5cm. (Wallace Collection, London).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Amico Aspertini (1474-1552) A Cleric Holding a Scroll Panel 24½ × 19 ins.
Attributed works:
[Agnew's, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Joseph Wright of Derby Mrs Anne Hanway
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Francesco Zuccarelli (Pitigliano 1702-1788 Firenze) Lady with a Cat. Charcoal, Heightened with White, on Buff-Coloured Paper. 23 × 18 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London, UK and 725 Fifth Avenue, New york, New York. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A William and Mary Ebonised Pull Quarter Repeating Timepiece with Alarm by George Halsey, London. Circa 1690. Height 15 Inches.
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London, UK] A pair of George I trencher salts of Extremely Heavy Quality. They are Oblong with Cut Corners and Slightly Concave Sides and Are Each Engraved with an Identical Contemporary Crest.
Attributed works:
[Browse & Darby, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Edgar Degas Cheval en Marche. Bronze, Marked Degas Numbered 10/N and Stamped AA Hebrard, cire perdue. Height: 8 1/8 ins (21.3 cms). Original Wax Executed Circa 1880, Cast between 1919 and 1922
Attributed works:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Liebermann-Fontane, TH, Effi Briest. Officina Serpentis for Munich, Maximilian Gesellschaft, 1926. 4to. With 21 orig. Lithographs by Max Liebermann (1 Signed). Orig. Vellum with Gilt Stamped Decoration by Marcus Behmer. One of the 325 De luxe Copies.
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jacob Pynas (Haarlem (?) c. 1585-Delft 1648) Moses and Aaron Oil on copper, 40 × 50 cm. Provenance: Lord Northwick
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm. Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm.
Attributed works:
[Christopher Mendez, 59 Jermyn Street, London, UK] Jean Mignon. fl. 1537-1552 The Complete Set of 14 Herms, Published by Ciartres Etchings, Zerner 9-22
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovan Antonio Burrini 1656-Bologna-1727 Fabio Albergati Received by Philip II of Spain Who Has Given Orders That His Portrait Be Painted In Secret Canvas: 104 × 68 ins. (264.1 × 172.8 cms.)
Attributed works:
[Daniel Katz Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Phillipe Mercier (1689-1760) Portrait of Cosmo George, 3rd Duke of Gordon Signed Lower Right and Inscribed Lower Left: Cosmo George. 1 Duke of Gordon/AEtat 25. Oil on Canvas 49¼ × 40 in 125 × 100 cms
Attributed works:
[David Jones, 109 rue Cardinet, Paris, France] Francesco Guardi, 1712-1793 A Quay Animated with Figure Studies. Pen and Grey Ink 112 × 285mm
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Gabriel Gresley (1712 Paris-Besançon 1756) 'A trompe l'œil of Playing Cards, Letters and Sketches on a Wood Wall' Canvas, 76.2 × 99 cm.
Attributed works:
[De Havilland Ltd., 48 Sloane Street, London, UK] George III Brass Eight-Day Chiming Clock with Paste Bezel by Paul Rimbault. Signed on Back Plate 'Paul Rimbault Denmark Street Soho London' Circa 1775
Attributed works:
[des Lyons-Samson, 9 rue de Beaune, Paris, France] Fernand Pinal - 1881-1958 Le printemps à Pavant (Aisne) H. S. T. 0,54 × 0,65 - S. B. G.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jean Francois Raffaelli (1850-1924) 'Les Figurantz de Paris Watercolour and Bodycolour: 34 × 57 cm Signed with a Monogram
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gaspar Van Den Hoecke (ca.1575 - Antwerp - After 1648) on Panel: 52,4 × 43,3 cm
Attributed works:
[Drouot Montaigne, 15 Avenue Montaigne, Paris, France] Auguste Renoir Pastel 45 by 60 cm Signed Lower Right
Attributed works:
[Entwistle, 37 Old Bond Street, London, UK] Leon Spilliaert Self-Portrait Circa 1903
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Henri Alexandre Georges Regnault (1843-1871) A Gondolier 15¼ × 10 3/4 Inches (38.8 × 27.3 cm.) Watercolour on Paper.
Attributed works:
[Galeria Gilli, Via Gesu 17, Milan, Italy] Donato Creti (Cremona 1671-Bologna 1749) Lute Player Coloured Crayon, Traces of Red Chalk; 725 × 555.
Attributed works:
[Galerie Cailleux, 136 Faubourg Saint Honore, Paris, France] C. Van Loo, Agar et Abraham, Huile sur toile, 479 mm × 392 mm, Cat. M. C. Sahut, 1977, No. 145.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Images of a Van der Meulen sketch and an Intéieur Autrici
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris, France] Hughes Taraval (1729-1785) Hercule enfante étouffant des serpents Crayon noir, sanguine, plume, 52 × 36 cm. Etu de préparatoire pour le tableau du Louvre de 1785, commandé pour le Roi Louis XVI à l'artiste.
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Th. Chasseriau Desdemona (La Romance du Saule) Pen & Wash, Corrected by White 113/4 x 81 11/16 ins. (The Ian Woodner Family Collection)
Attributed works:
[Galerie du Stoel, 6 rue Royale, Paris, France] Louis Nicolas de Lespinasse (1734-1808) Panorama de la rade de Toulon (Détail) Aquarelle 43 × 65 cms
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] François Marius Granet - 1775-1849 - H. S. P. 39 × 45 - S. B. D.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Charles Gleyre 1806-1874. Tête de jeune fille Black, White and Red Chalks on Bluish Paper, 45 × 30.7 cm.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Jean-Pierre-Antoine Tassaert (Antwerp 1727-Berlin 1788) Louis XV as the Pythian Apollo Marble, 105cm. High. (Article in Print for the Festschrift of Prof. Dr. Henning Bock, Director of Sculpture Dept., Berlin Dahlem Museum)
Attributed works:
[J & M Duputel, 20 rue de Beaune, Paris, France] H. Le Sidaner - 1862-1939 "A Madame Emond, Hommage Respectueux. Henri Le Sidaner - 1889" 73 × 54 - S. H. G.
Attributed works:
[Jean Williams Master Drawings, rue Ernest Allard, Brussels, Belgium] Jean-Honoré Fragonard, Grasse 1732-1806, Paris, Black Chalk 180 × 229 mm Fragonard's Garden at Charenton
Attributed works:
[Jean-Max Cassel, 15 quai Voltaire, Paris, UK] Laurent Pecheux (Lyon 1729-Turin 1821). 'La Continence de Scipion' Huile sur toile H. 0,99; L. 1,353 cm/H.39; L. 53¼ in. No 21 de l'Inventaire de 1804 Executé vers 1765
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Adolph von Menzel, Studies of Three Men, 1892 Graphite on Paper, 5 1/8 x 8 1/16 in. Signed Lower Right
Attributed works:
[Kate de Rothschild and Yvonne Tan Bunzl. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.Giovanni Paolo Panini (1691/2-1765) A Perspectival Study of a Star on a Plinth Surrounded by a Circular Balustrade. Pen and Brown Ink and Red Wash over Black Chalk. Signed and Dated 1709. 495 × 366 mm
Attributed works:
[Kate de Rothschild. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Santi di Tito 1536-1603. The Holy Family with the Infant St. John
Attributed works:
[Kate Ganz Ltd., 49 Maddox Street, London, UK. Exh. Douwes Fine Art, 38 Duke St., London, UK] G. B. Piranesi, a Standing Man, Pen, Brown Ink & Wash, 1765
Attributed works:
[Maas Gallery, 15 a Clifford Street, New Bond Street, London, UK] Dante Gabriel Rossetti, Fanny Cornforth, Pencil, 5½ × 4 1/8 in
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris, France] Louis Belanger (Paris 1736-Stockholm 1816) Paysage italien Aquarelle gouachée, signée et datée en bas à droite, 28 × 45 cm
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Further and Better Particulars, 1989. Oil on Canvas 54 1/8 × 72 in./137.5 × 182.9 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Pierre Henri De Valenciennes Toulouse 1750-Paris 1819. Ideal Classical Landscape with Washerwomen around a Fountain. Canvas 100 × 140 cms. Signed and Dated at the Lower Right. P. H. Valenciennes, 1807
Attributed works:
[Michael Simpson Ltd., 11 Savile Row, London, UK] Fernand Toussaint (Born 1873). Woman Reclining on a Couch. Panel: 24 cm × 33 cm. Signed Lower Right
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York] Bartolommeo Passarotti (1529-1592). Portrait of a Gentleman Oil on Canvas 41 × 35 5/8 in.; 104 × 90.5 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jan Erasmus Quellinus (1634-1715) The Marriage at Cana, c. 1680. Pen and Black Ink, Red Chalk, Brown Grey and Beige Washed with White and Blue Heightening. 45.5 by 60 cms. Inscribed 'Quellinus Fect.
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Gabriel-Jacques de Saint-Aubin (1724-1780) French School The Harp Lesson Brown Wash over Black Chalk. H. 15,4 cm; L. 19,1 cm. Collector Mark of Marquis de Vallori (L.2500) Bottom Right.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Rombout van Troyen, (1605?-1650), "The Siege of Troy", Signed and Dated 1652, Oil on Canvas, 99cm × 126cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Tsuguharo Foujita, "Femme aux Mimomas," Signed and Inscribed "Paris 1951," Oil on Canvas, 19cm × 24 cm. Estimate: £200,000-£300,000.
Attributed works:
[Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Pieter de Hooch (1629-1684). A Couple Playing Music and a Maidservant Pouring Wine. Signed. Canvas: 22½ × 25 3/4 in/57 × 65.5 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] John Martin, The Assuaging of the Waters, 1840 Oil on Canvas, 56½ by 86¼ Inches (143.5 by 218 cm) Signed, Lower Right: "J. Martin 1840"
Attributed works:
[Roy Miles Fine Paintings Limited, 29 Bruton Street, London, UK] Sergei Chepik, Mixed Media on Canvas. The Madhouse. 62″ × 68″
Attributed works:
[S. J. Philips, London. [Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] XVIth Century German Silver Gilt Figure of a Turkey with a Cowrie Shell Body by Joachim Hiller, Breslau c. 1590. Height: 5½″. Formerly in the Collection of Max von Goldschmidt Rothschild.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Fernand Khnopff, L'Encens, Signed with the Monogram, Signed and Dated 1898, Oil on Canvas, in the Artist's Original Frame, 86 by 50cm ($33frac{3}{4}$ by 19½ in). Estimate: £500,000-700,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Battista Tiepolo, The Madonna of the Rosary, Oil on Canvas, 236 by 152cm, (93 by 59 3/4 in). Signed and Dated Joa. Batta Tiepolus. F./1735. Estimate: £750,000-1,250,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Pierre Peyron (1744-1814), The Death of Alcestes or the Heroism of the Conjugal Love, Signed and Dated in the Low Left Corner, P. Peyron. Pinxit/1794, 96.5 by 97 cm (38 by 38¼ in). Estimate: FF 1,000,000-1,500,000 (£100,000-150,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, A Waterfall in a Pine Forest, Oil on Canvas, 44.5 by 35cm (17½ by 13 3/4 in). Estimate: £700,000-1,000,000.
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York, New York] Jean Robert Ango (?-ca. 1773, Rome) The Creation of the World (After Michelangelo) Sanguine 7 3/4 × 16 Inches (200 × 410 mm)
Attributed works:
[Spink & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francis Barlow 1626-1702 A Group of Spaniels Playing with Monkeys on a Terrace with a Classical Landscape beyond Signed and Dated 1661 103 × 132 cms (40½ × 52 ins)
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Aureliano Milani (Bologna 1675 - Rome 1749) Vulcan Forging the Arms of Achilles Pen and Brown Ink over Traces of Pencil. 31 by 41.5 cms. Dateable c. 1730.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Dutch Delft Oval Dish Decorated in Blue in Chinese Style. Marked AK Monogram (Adrian Koex). End 17th Century. 53 × 42 cm.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK]A Fine 'Newcastle' Engraved Armorial Wine Goblet with the Arms of William IV of Orange, Surrounded by the Arms of the Seven Provinces of the Netherlands. c.1750. Attributed to Jacob Sang. 19.5 cm High.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Balducci, Called Il Cosci (Florence 1560-after 1631 Naples) The Last Supper Inscribed on the Album Page, Verso, with an Attribution to Naldini Pen and Brown Ink over Black Chalk, with Gouache on Blue Paper 9¼ × 14 5/8 Inches (235 × 373 mm)
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Pietro Paolo Bonzi, Called Il Gobbo Dei Carracci. Active First Quarter Seventeenth Century in Rome. Landscape with Diana and Endymion. Oil on Canvas: 31.8 × 50.8 cms.
Non-western art unattributed:
[Bernheimer Fine Arts, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK]One of a Pair of Very Fine Arita Plates. Japan, Genroku (1688-1703). Diameter: 53 cm.
Non-western art unattributed:
[S. Marchant & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.
Non-western art unattributed:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Chinese 16th-Century Blue and White Meiping. Chinese Double Gourd Blue and White Vase, Circa 1650. Chinese Qianlong Mark and Period Underglaze Blue and Copper Red Dragon Dish, Circa 1750.
Western art unattributed:
[Didier Aaron, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of Furniture from the Château de Fontainbleau by Jacob Desmalter, Acajou Flammé, Mounted in Ormolu. French Empire.
Western art unattributed:
[Heribert Tenschert Antiquariat, D-8399, Rotthalmunster, Germany] Unique 15th Century Binding with 2 Large Embroidered Inlays from Our Catalogue XIX (No.3): 'Fine Bindings 15th to 20th Centuries'
Western art unattributed:
[Ronald A. Lee, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] An 18th-Century Chelsea Porcelain Group Taken from the François Boucher Engraving Le Mérite de tout Pais, 1742. It Is the Only Colour Decorated Example Recorded and Joins a White Group in the Museum of Fine Arts, Boston. Despite Some Damage It Is of Prime Importance. Raised Red Anchor Mark. Circa 1750. Height 9 ins.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Mosan Champlevé Enamel Plaque of the Sacrifice of Cain and Abel, Mid-12th Century, 10 by 10.1cm. Estimate on Request.
Advertisements
Advertisements May 1989 (front)
05/1989 | 1034 | 131
Pages: i-lvi
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
v Baudouin (Eugène) Montpellier 1842 - Paris 1893. Lavandières sur les rives du LEZ S. B. G. et Daté 1874 - Toile 103 × 170.
Attributed works:
[Ad for Spencer Scott Travel, London, UK] From the Wernher Collection of Fabergé at Luton Hoo
Attributed works:
[Bernheimer Fine Arts Ltd., 32 St. George Street, London, UK] A Biedermeier Campaign Chair. Stamped: Ernst Seifert. Vienna. ca. 1820. Width: 58cms. Depth 45cms. Height 92cms.
Attributed works:
[Bruton Gallery, Somerset, UK] 'Centaure Mourant' Height: 113 in (288 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Rembrandt Harmensz. van Rijn, Christ Preaching (La Petite Tombe). Etching. (ca.1652). Bartsch 67. 157 × 210mm Sheet Size. Provenance: J. Camesina de Pomal, 1812; J. L. H. Le Secq Des Tournelles.
Attributed works:
[Christie's, Park Place, 98000 Monte Carlo, Monaco] Rembrandt Bugatti, Petit Elephant au Repos, a cire perdue Bronze Figure, Signed R. Bugatti, 20 cm. long × 20 cm. High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Antonio Guardi 1698-Venice-1760. A Turkish Harem Scene. Oil on Canvas: 46 × 63 cms.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Léon Benouville, Portrait à la mine de plomb, Signé, Daté 1852 et dédicacé à mon ami Jules Girard. 310 × 230 mm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Paul Gavarni (1804-1866). Standing Pierrot 12 3/8 x 8 3/8 Inches (31.1 × 20.8 cm.) Grey Ink with Reed Pen, Grey Wash, and Watercolour over Black Chalk with White Heightening on Wove Paper.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Paintings by both Tiepolo and Bison.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin, Germany] Lucas Cranach the Elder (1472 Kronach-1553 Weimar). Portrait of the Electress Sibyl of Saxony. Oil on Panel. 64 × 49 cm. Ca. 1535.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern, Switzerland] Paul Gauguin. Scène Martiniquaise- Eventail. Watercolour and Gouache. 1887. Wildenstein 223.
Attributed works:
[Galerie Pierre-Yves Gabus SA, CH-2022 Bevaix, Switzerland] Fragonard. Red Chalk. TTC Frs: 142.000. Vigée LeBrun. Self Portrait. TTC Frs: 224.500. Gallé Lamp. TTC Frs: 61.500
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 270 × 166 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting170 × 170 cm
Attributed works:
[Gallery Lingard, 50 Pall Mall, London, UK] Tom Ellis Architect 1911-1988. A Design for a Traffic Control Tower 19308 3/4 x 10 1/2 Inches.
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] Paul Guigou - 1866. Les Grands Saules - H. S. B. S. B. G. Daté 1866 - 0,43 × 0,18
Attributed works:
[Haslam & Whiteway Ltd., 105 Kensignton Church Street, London, UK] Woven Silk Design 'Sicily' by Owen Jones for Warners of Spitalfields.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Marco Ricci. (Belluno 1675-Venice 1730). Imaginary Landscape. Oil on Canvas 99 × 143cms
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper. 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper: 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[Leighton House Art Gallery, 12 Holland Park Road, London, UK] Axel Torneman. "The Night Cafe", Paris 1906
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Lyonel Feininger (1871-1956) Abend am Meere, 1927. Oil on Canvas 17 3/4 x 30 1/4 in./45 × 77 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Guido Reni. (1575 Calvenzano - 1642 Bologna). The Martyrdom of St. Appolonia. Copper: 44 × 33 cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Regency Rosewood, Gilt Brass & Ormolu Mounted Cylinder Desk by John McLean, 93cms., 3ft. 1in. Wide. Estimate: £15,000-£20,000.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Stanislas Lepine (1835-1892). Le Quai Henri IV, Paris. Signed. Canvas: 37 1/8 x 48 in/94 × 122 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Karel van Mander, Joshua and the Children of Israel Passing Over the Jordan, 1605. Oil on Panel, 42 3/4 x 72 3/4 Inches (106 by 184.5 cm). Signed and Dated, Lower Centre: "KVM [In Compendium] ANDER. 1605"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francisco Herrera the Younger, The Dream of Saint Joseph, Oil on Canvas, 195.5cm by 208.3 (77 by 82in). Estimate: $150,000-200,000 (£85,000-110,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A French Royal Inventory Bronze Group of Hercules Wrestling with Achelous in the form of a Bull, Florentine 17th Century, Attributed to Ferdinando Tacca, 58.5cm High, 57cm Wide (23 by 22½ in). Estimate: FF2,750,000-3,850,000 (£250,000-350,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gustave Doré, Knights Courting a Young Lady, Pen, 30.5 by 28.7cm (12 by 11¼ in). One of 36 Pen Drawings, All Studies for Doré's Illustrations of Ariosto's Orlando Furioso, Printed in 1879. Total Estimate: FF600,000-800,000 (£55,000-75,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Marie Louise Elizabeth Vigée-Lebrun, Comtesse Potocka, Signed and Dated 1791, Oil on Canvas, 142.2 by 126.4cm 56 x 49 3/4 in. Property of the Kimbell Art Foundation, Fort Worth, Texas. Estimate: $400,000-600,000 (£250,000-350,000)
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Egon Schiele, Portrait of Arthur Roessler, 1910. Watercolour and Chalk on Paper. 44.5 × 29.7 cm. Monogr. and Dated: S 10. Prov.: Austrian Private Collection. Estimate: DM 400,000-500,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Franz Marc: Fabeltier II (Pferd), 1913, Tempera on Light Cardboard, 26.5 × 30.5 cm. Monogr. Lower Right. Lankheit 482. Prov.: Swiss Private Collection. Estimate: DM 400,000-600,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Georges Braque, Fox, 1911. Dry Point Etching, 54.4 × 38.0 cm. Signed. Vallier 6. Prov.: H. Swarzenski Collection. Estimate: DM 130,000-160,000
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Henri Matisse. Portrait de fillette. Charcoal 515 by 394 mm.
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Jean-Baptiste Greuze (1725-1805). 'La Boudeuse'. Red and Black Chalk with Estompe 363 by 294 mm.
Non-western art unattributed:
[La Chine des Ts'ing, 14 rue de l'Universite, Paris, France] A Very Fine Camphor Wood Old Model of a Chinese Imperial Palace H: 110 cm - W: 162 cm - D: 62 cm
Non-western art unattributed:
[S. Marchant & Son, 120 Kensignton Church Street, London, UK] A Chinese Porcelain Wucai Baluster Jar and Cover. 49.5 cm high. 1640-1670.
Western art unattributed:
The Balfour Ciborium. English, c. 1160-70. Engraved Copper Alloy, Enamel and Gilding. Height 18 cm. (Victoria and Albert Museum, London).
Western art unattributed:
v A Rare George III Gold Goblet, Circa 1775, Maker's Mark RB Struck Twice Only, Probably for Robert Burton. 5½ in. (13.7 cm.) High. Engraved with the Arms of Rogers of Wisdome, Co. Devon. Estimate: £15,000-£25,000
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] A Rare Late 17th-Century. Turkish Ghiordes Carpet 13′6″ × 8′6″
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Italian Marble Relief, XVIth Century. 43 × 48 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK] One of a Set of 6 Painted George III Armchairs Circa 1790
Western art unattributed:
[Didier Aaron, 21 Ryder Street, London, UK] An Early Nineteenth Century Irish Mahogany Wine Cooler. Height: 63.5 cm. Length: 70 cm. Depth: 53.5 cm.
Western art unattributed:
[G. Sarti Antiques Ltd, 186 Westbourne Grove, London, UK] A Pair of 18th Century French Marble Vases. Height 77 cm (30¼″).
Western art unattributed:
[Huntington Antiques Ltd., The Old Forge, Church Street, Stow-on-the-Wold, UK] Rare and Important Mid 16th Century Solid Walnut Standing Cupboard 70″w. × 58″h. × 21½″d. (French Renaissance Circa 1550)
Western art unattributed:
[J & M Duputel, 20 rue de Beaune, Paris, France] J. B. Carpeaux - 1827-1875. Esquisse en terre cuite pour le projet définitif du monument "La Fontaine de Watteau" Réalisé par Hiolle, pour la ville de Valenciennes
Western art unattributed:
[Joanna Booth, 247 King's Road, London, UK] Embroidered Hanging with a Crowned Armorial shield before the cross of Santiago, bordered by entwining flowers and vines worked in green, white, pink and blue silk with silver thread on a ground of blue velvet. Spanish circa 1700. Height 6ft 8ins (203 cms) Width 5ft 4ins (163 cms)
Western art unattributed:
[Ronald A. Lee plc, 1-9 Bruton Place, London, UK] This quite exceptional small cabinet on stand must surely rank as one of the most exciting and important pieces of English furniture to have appeared on the market in recent times. The cabinet stands at 47½″ high. Although the shelved interior is fitted with mahogany slides to accommodate coins and medals, there is evidence that this was not the original use. The galleried superstructure is made of holly and ebony and as with the exceedingly fine carving on the main body of the piece, would appear to be intended to simulate ivory. For comparison, the use of ivory inlay in Queen Charlotte's jewel cabinet made by William Vile in 1761 is the best example. Several other features such as quartered veneers on the front; the canted door to the side and the style of hinge fixing, can be associated with William Vile. The cabinet itself bears wonderful applied carving in intricate detail, possibly the work of Sefferin Alken and as is the case with the rest of the cabinet, the state of preservation is perfect. The mouldings are of ebony. The original concept was clearly most sumptious - age has softened the overall effect. The cabinet was formerly in the possession of the Trollope-Bellew family of Casewick House, Lincolnshire. However, it is likely that a previous provenance is more probable either through marriage or acquisition. Research will hopefully reveal this.
Western art unattributed:
[S. J. Phillips, 139 New Bond Street, London, UK] A James I Silver Gilt Wine Cup, the Maker's Mark a Double-Headed Eagle, London 1607. Height: 8 3/4 Inches Weight: 6.09 Ounces
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] The Murder of Mark Anthony Folio 347 from a Manuscript of Boccaccio's 'Fall of Princes' Illuminated in Paris c. 1475.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Selection of Furniture from a Parisian Private Collection Previously the Property of Mr & Mrs Henri Rabeau
Advertisements
Advertisements April 1989 (front)
04/1989 | 1033 | 131
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
v Eugène Baudouin (Montpelier 1842-Paris 1893). Washerwomen on the Banks of the Lez. Oil on Canvas, 103 × 170 cm. Signed Left-Hand Corner and Dated 1874.
Attributed works:
v H. C. Delpy. The Cottage at Berneval, 1885. Oil on Canvas. 46 × 55 cm. Signed and Dated.
Attributed works:
v Jacques Emile Blanche, 1861-1942. Interior with Bird Cage. 39″ × 28″
Attributed works:
v Paul Guigou. Mirabeau, 1863. Oil on Canvas, Signed Left-Hand Corner.
Attributed works:
[Asprey, 165-169 New Bond Street, London, UK and 725 Fifth Avenue, New york, New York] A Rare George IV Silver-Gilt Travelling Inkwell. The Rotating Crown Finial Operates the Internal Plunger. By Archibald Douglas, 1825. A Fine Gold Pen with Amethyst Stem and Seal Top in Original Fitted Leather Case, Circa 1820. A George III Wax Jack with Circular Openwork Base Upon Three Ball and Claw Feet, Maker's Mark C. N., London 1755. An English Gold Hunting Seal with Cornelian Matrix, Circa 1825.
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Terry Frost Oil on Canvas. Abstract c. 1962 24 × 30 ins.
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Eileen Cooper Woman Leaving Her Own Body, 1988 Charcoal on Paper, 28 × 22 in. (71 × 55.8 cm)
Attributed works:
[Browse & Darby, 19 Cork street, London, UK] Degas. Charcoal & Pastel 18 3/4 × 24½ Inches
Attributed works:
[Bruton Gallery, Somerset, UK] Rodin Cybele Bronze. Height: 64½ in (164 cm)
Attributed works:
[Claude Kuhn, Schneidergasse 2, CH-4051, Basel, Switzerland] Domenico Campagnola (1484-1550). An Apocalyptic Vision: The Sixth Angel Blowing His Trumpet, the Two Witnesses and the Fall of the Holy City and Temple. Pen and Brown Ink, 26 × 40.3 cms
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marie-Francoise-Constance le Martiniere Called Constance Mayer (Paris 1775-1821). Presumed Portrait of Antoine Saint-Juste 1768-1794. Black and Red Chalk. Signed Lower Right. 365 × 287 mm.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Ary Scheffer: Portrait de Marie d'Agoult. Oil on Canvas, 1,16 × 0,72 m.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Charles Percier. Paris 1764-Paris 1838. The Entrance of the Imperial Couple to the Tuileries in 1811. Watercolour on Paper, Gouache Highlights. 340 × 491 mm.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Vernet. Beccafumi
Attributed works:
[Galerie Chereau, 40 rue de l'Universite, Paris, France] Louis-Joseph Grisee. François Ier Visiting Bienvenuto Cellini at the Château de Nesle, Salon of 1845. 61 × 73 cm.
Attributed works:
[Galerie Du Fleuve, 6 rue de Seine, 75006 Paris, France] Isidore Pils, Portrait d'un Artiste, Huile sur toile. 50 × 42 cm. Signé et situé en bas à droite: I. Pils, Rome
Attributed works:
[Galerie Jean-Max Tassel, 45 Quai Voltaire, Paris, France] Jan Van Bylert (Utrecht 1597-1671). Young Woman with a Cat. (Allegory of the Sense of Touch). Oil on Canvas, 76.5 × 64.5 cm.
Attributed works:
[Galleri K, Bjorn Farmannsgate 6, Oslo, Norway] Edvard Munch.The Kiss, Woodcut 1902 Schiefler 102D
Attributed works:
[Galleri KB, Universitetsgt. 12, Oslo, Norway] The Gothic Girl Signed E. Munch, 1924. Oil on Canvas. 79 × 64 cm from the Collection of Johan Stenersew
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, 2000 Hamburg 36, Germany] Friedrich Wasmann (1805-1886). "Tarantella" Oil on Canvas 86: 115 cm
Attributed works:
[H.W. Fichter, Kunsthandel, Arndstrasse 49, Frankfurt/ Main 1, Germany] Caroline Stieler by Joseph Stieler 1781 Mainz - München 1858. Bleistift auf Papier; rechts unten eigenhändig bezeichnet: »München d. = 20th Febr: 1838«; 300 × 277 mm
Attributed works:
[H.W. Fichter, Kunsthandel, Arndstrasse 49, Frankfurt/ Main 1, Germany] Unterwegs nach Italien Johann Adam Klein 1792 Nürnberg - München 1875. Aquarell über Bleistift; rechts unten Signiert und datiert: »J. A. Klein fe den 14. Septemb. 1819«; rückseitig Bleistiftskizze eines Reisegefährten; 140 × 202 mm
Attributed works:
[Jonathan Poole Galleries, 52 Upper Street, London, UK] Peter Nicholas Thorn Puller. Bathstone 28 × 33 × 33 cm
Attributed works:
[Judith L. Pillsbury, 1100 Park Avenue, New York, New York] H. de Toulouse Lautrec, Portrait of Tristan Bernard 1898, Drypoint. Delteil 9, Wittrock 240. Signed & Dedicated by Bernard to Duret '28 décembre 1914'
Attributed works:
[Lawrence Fine Art of Crewkerne, South Street, Crewkerne, UK] Attributed to Mariotto Albertinelli (1474-1515). The Madonna and Child. Oil on Panel 32½ × 22 Inches
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Corot, Fontainebleau, la Route de Chailly, ca. 1822-24. Oil on Board, 10 3/8 × 12 7/8 in, 26cm × 32,5cm
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Kurt Schwitters (1887-1948), Yellow Parachutes, 1945 Collage, 15 7/8 x 11 3/4 in/40.3 × 29.8 cm
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jacques Bellange The Carrying of the Cross, Original Etching, 40.5 × 58.1 cm (Walch 23)
Attributed works:
[Phillips International, 7 Blenheim Street, New Bond Street, London, UK] Henri met de Bless, "The Sacrifice of Abraham," Signed with Owl Device, Oil on Panel, 32cm × 42.5cm.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Runkel-Hue-Williams, 6/8 Old Bond Street, London, UK] Heinrich Nauen, 1880-1940. Landscape near Visé, Belgium, 1908 Oil on Canvas, 71 × 61 cm. Signed, Dated and Inscribed on Reverse
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francesco d'Antonio (Florence 1394-Documented 1433), The Madonna and Child with Angels, Tempera on Panel, Gold Ground, 148 by 128cm (58¼in by 50½in). Estimate: £80,000-100,000
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York, New York] Charles Poerson (1609? Metz or Vic-sur-Seille: Paris 1667). The Assumption of the Virgin. Canvas, 189¼ by 148½ Inches (74,5 by 58,5 cm), Signed Lower Bottom, C. Poerson
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] F. C. B. Cadell RSA, 1883-1937. Young Boy on the Shore. 30″ × 20″
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Henry Lamb RA, 1883-1960. Edie McNeill, 1911. 13″ × 9″
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Pierre Bonnard, 1867-1947. La Cage d'Oiseaux, c. 1895. 19″ × 12″
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Polideoro Caldara da Caravaggio (1490/1500-1543). An Apostle Holding a Pastoral Cross and a Book. Brush and Brown Ink Heightened with White on Brown Paper, 139 × 76 mm
Attributed works:
[Wartski, 14 Grafton Street, London, UK] Two Exceptional Objects in Lapis-Lazuli and Gold Made for London by Fabergé's Chief Workmaster Henrik Wigström. Table Clock with Chased Green and Red Gold Laurel Mounts within Opaque White Enamelled Borders and Clock Face Enamelled Opalescent Oyster over an Engraved Sunray Ground. $2frac{5}{8}$in × $1frac{13}{16}$in × 1½in. Cigarette Box, the Cover Set with Chased Red and Green Gold Laurel Leaf and Berry Meander over a Granulated Field within Opaque Enamelled Borders, the Thumb-Piece Set with a Brilliant Diamond Flanked by Rose Diamond Leaves. 3¼in × 2½in × 3/4 $in.
Non-western art unattributed:
v Jewellery Collection with Antique Oriental Stones: Jade, Coral, Pierres Dures, Enamels, Re-Set in a Modern Style.
Western art unattributed:
v An Important Louis XIV Clock with Musical Chimes in Red Tortoiseshell with Copper Inlay and Gilt Bronze Mounts on an Ornate Wooden Gilded Pedestal. Decorated with Military, Musical and Geographical Trophies. Movement by Balthazar Martinot, Paris.
Western art unattributed:
[Ares Rare, 961 madison Avenue, New York, New York] Fine Gold Mounted Mosaic Jewellery. Italy c. 1865.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Caracciows, Robertus de Licio (Bishiop). Sermones de laudibus Sanctorum. Basel, Nikolaus Kesler, 26, Feb. 1490. 4°. 191 Leaves. Text in 2 col., Each 55 Lines in Gothic Letters. Many Initials in Red and Blue. BMC 181, Hain II, 4485.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Marble Relief. Florence 16th Century. 43 × 48 cm.
Western art unattributed:
[Ming Furniture Ltd., 4400 N. Federal HWY. #116, Boca Raton, Florida] Ming Dynasty Pair of Huanghuali Wood Rose Chairs Carved in Bamboo Motif. Overall Height: 34.9 in. (88.5 cm.), Circa 1600.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Florentine Bronze Figure of Mercury, Mid-17th Century, 35.3cm ($13frac{1}{8}$in), from the David Daniels Collection. Estimate: £30,000-40,000
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Florentine Bronze Figure of Venus Marina, Mid-17th Century, 23cm (9in). Estimate: £40,000-60,000
Supplement
The Burlington House Fair: a letter on collecting Fabergé
09/1987 | 1014 | 129
Pages: 11-16
related names
Author:
Forbes, Christopher (Forbes, Christopher)
Subjects
artists:
artists:
collectors and dealers:
dates:
dates:
places:
Illustrations
Attributed works:
1. Orange Tree Egg. Gold, White and Green Enamel, Nephrite, Diamonds, Citrines, Amethyst, Rubies, Pearls, Agate, Feathers. (300mm). Marks: Faberge, 1911
Attributed works:
11. Coronation Box. Gold, Gold and Black Enamel, Diamonds (95mm). Marks: Faberge, August Holmström, St. Petersburg, before 1899
Attributed works:
12. Rocaille Opera Glasses. Red Gold, Salmon Pink Enamel, Diamonds. 4¼in (105mm). Marks: Faberge, Michael Perchin, (St. Petersburg), 1899-1903
Attributed works:
2. "Forget-Me-Not" Spray. Gold, Nephrite, Turquoise, Diamonds, Rock Crystal. 3¼in (85mm). Marks: Faberge, Henrik Wigström, St. Petersburg, 1886-1899
Attributed works:
3. Wild Pansy Sprig. Gold, White, Mauve and Green Enamel, Nephrite, Diamonds, Rock Crystal (125mm). Marks: Faberge, Henrik Wigström, St. Petersburg, 1899-1908
Attributed works:
4. Coronation Egg Shell: gold, lime yellow and black enamel, diamonds, velvet lining; Coach: gold, platinum, strawberry red enamel, diamonds, rubies, rock crystal 5in (126mm) (93mm) Marks: Michael Perchin and Henrik Wigström, St. Petersburg, 1897. 5. Rosebud Egg Shell: varicolour gold, red, and white enamel, diamonds, velvet lining. (68mm). Rosebud: gold, yellow, and green enamel.(30mm). Mark: Faberge, Michael Perchin, St. Petersburg, 1895 6. Renaissance Egg. White agate, gold, green, red, blue, black and white enamel, diamonds, rubies. 5¼in (140mm). Marks: Faberge, Michael Perchin, St. Petersburg, 1894
Attributed works:
7. Aesthetic Movement Cigarette Case. Gold, oyster pink, salmon pink, brown, royal blue, blue-gray, rust, green, olive green, yellow and taupe enamel, diamonds, sapphire. 3½in (88mm). Marks: Faberge, Moscow, before 1899. 8. Miniature Watering Can. Nephrite, gold, strawberry red enamel, diamonds. (105mm). Marks: 1887-1917 9. Sphinx Bell Push. Gold, white enamel, lapis lazuli, diamonds, rubies. (110mm). Marks: Faberge, August Hollming, St. Petersburg, 1908-1913 10. Miniature Table Bonbonniere. Varicolour gold, mahogany and white enamel, nephrite. 3½in (89mm). Marks: Faberge, Michael Perchin, (St. Petersburg), 1899-1903
Exhibition Review
The Burlington House Fair
09/1987 | 1014 | 129
Pages: 625-635
related names
Reviewer:
Bury, Shirley (Bury, Shirley)
Reviewer:
Dawson, Aileen (Dawson, Aileen; D., A.)
Reviewer:
Impey, O. R. (Impey, O. R.; Impey, Oliver)
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Reviewer:
Scarisbrick, Diana (Scarisbrick, Diana)
Reviewer:
Verdi, Richard (Verdi, Richard)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
101. Silver Cup with Tentacle Decoration, Made by Cartier in 1936. Height 24 cm. (John Jesse and Irina Laskin).
Attributed works:
102. Sword with Hilt of Three-Colour Gold, Executed by A. Ruffy of Martinique in 1795. (Brian Beet).
Attributed works:
104. One of a Pair of Russian Commodes in Mahogany and Ormulu. Designed by Christian Meyer, St Petersburg, 1782-99.95 by 139 by 64 cm. (Tzigany Fine Arts).
Attributed works:
75. The Adoration of the Shepherds, by Jacopo Bassano. Oil on Marble Laid on Slate. 38.4 by 38.4 cm. (Including Frame). (Piero Corsini, Inc.).
Attributed works:
76. St John the Baptist Preaching, by Abraham Bloemaert. 91.5 by 113 cm. (Johnny van Haeften).
Attributed works:
77. Interior of a Cobbler's Shop, by Quiringh van Brekelenkam. Signed and Dated 1653. Panel. 50.8 by 72.5 cm. (Brod Gallery).
Attributed works:
78. Landscape with Shepherds and Shepherdesses, by Aelbert Cuyp. Signed. Panel. 77.5 by 107.3 cm. (Johnny van Haeften).
Attributed works:
79. Moonlight Landscape, by Aert van der Neer. Signed. 86.5 by 114.5 cm. (Brod Gallery).
Attributed works:
80. The Rehearsal of an Opera, by Marco Ricci. 47.5 by 56.5 cm. (P. & D. Colnaghi & Co.).
Attributed works:
81. Eliezer and Rebecca at the Well, by Giovanni Battista Tiepolo. 28 by 38.7 cm. (Piero Corsini, Inc.).
Attributed works:
82. Portrait of a Couple, Attributed to Henry Walton. 91.4 by 71.1 cm. (William Drummond).
Attributed works:
83. Mercury in Repose, by Joseph Nollekens. Terracotta. 53 by 37 cm. (Julian Hartnoll).
Attributed works:
84. Façade of the Church of the Redentore, Venice, by Antonio Visentini. Pen and Grey Wash. 50.8 by 37.7 cm. (Spink and Son Ltd.).
Attributed works:
85. Landscape, by Auguste Ravier. Signed and Dated 1855. Oil on Board. 24 by 42 cm. (Browse and Darby).
Attributed works:
86. Swimming Bath, by Eugène Jansson. Signed and Dated 1911. 200 by 300 cm. (Peter Nahum Ltd.).
Attributed works:
87. Pots de fleurs, by Henri Le Sidaner. Signed. 73.7 by 92.7 cm. (Richard Green).
Attributed works:
90. Meissen Tea Caddy and Domed Cover. c.1745. Height 13 cm. (Brian Haughton Antiques).
Attributed works:
91. White Glass Bowl, Staffordshire, 1755-60. Diameter c.8.5 cm. Delomosne).
Attributed works:
92. Chantilly Tray, Painted with Quail Pattern. c. 21.5 by 9.5 cm. (Klaber and Klaber).
Attributed works:
93. St Cloud Jar and Cover, Cup Saucer and Cover, with Prunus Blossom in Relief. (Klaber and Klaber).
Attributed works:
98. Silver Gilt Sugar Vase and Cover. 1803. Made by Digby Scott and Benjamin Smith. Height 17 cm., Width 15 cm. (Garrard).
Attributed works:
99. Covered Sugar Bowl. 1709. Made in Exeter by Edward Richards. Height 14 cm, Length across Handles 17.8 cm. (J. H. Bourdon-Smith).
Non-western art unattributed:
94. Chinese Export Plaster Figure of a European. Signed 'Amoy Chinqua FE1717'. Height 35.2 cm. (Vanderven and Vanderven).
Non-western art unattributed:
95. Chinese Circular Laquer Wall-Panel, Carved in Deep Relief, with a Gilt-Bronze Handle. Qianlong Period (1736-95). Diameter 79.7 cm. (Spink & Son Ltd.).
Non-western art unattributed:
97. Javanese Bronze Seated Buddha Sakyamuni in European Position. Ninth Century. Height 17 cm. (Shirley Day).
Western art unattributed:
100. Set of Eight Footed Silver Gilt Salvers, Engraved with the Arms of John Methuen. London Hallmarks for 1703. (Spink & Son Ltd.).
Western art unattributed:
103. Dutch Buffet-Commode with Lacquer Panels. Marquetry of Citronnier and Sycamore. 121 by 59 by 92.5 cm. (Pieter Hoogendijk).
Western art unattributed:
105. Pair of Silver-Mounted Diamond Floral Ornaments. Height 3 cm. (Wartski).
Western art unattributed:
106. Tiara of Natural Oriental Pearls and Diamonds. (Garrard).
Western art unattributed:
88. Delftware Punch Bowl. 1718. Diameter 30 cm. (Jonathan Horne).
Western art unattributed:
89. Chinoiserie Half-Pint Mug (Left). Height 9.5 cm. Quart-Size Mug (Right), Late Eighteenth Century. Height 16 cm. (Jonathan Horne).
Western art unattributed:
96. Chinese Bronze Tripod Censer with Heaven-Soaring Handles. Chienlung Period. Height 45.7 cm. (Michael Goedhuis).
Supplement
The Burlington House Fair: the Newdigate Epergne (The National Art-Collections Fund Loan Exhibition)
09/1987 | 1014 | 129
Pages: 20-25
related names
Author:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
artists:
dates:
dates:
places:
subjects:
Illustrations
Attributed works:
1. Newdigate Centrepiece. London 1743-4. Paul de Lamerie
Attributed works:
3. Venus Anadyomene. Relief by Antonio Lombardo, Venetian, Early 16th Century
Attributed works:
4. Naives Book of Hours. 'Heures Francaises et Latines Pour Madame L. Gallois', Illuminated by Charles Leblanc and Auguste Ledoux in the 1830s. Jewelled and Gilt Binding Signed by Francois Mellerio, 1840.
Attributed works:
6. Chinoiserie Sweetmeat Stand. By J. J. Kandler c. 1735
Non-western art unattributed:
2. Head of Buddha. Limestone, Chinese, 7th Century
Non-western art unattributed:
5. Radha & Krishna in the Grove. Kangra c. 1780
Western art unattributed:
7. Iznikware Jug. Silvergilt Mounts and Lid c. 1580
Supplement
The Burlington House Fair: Introduction, Foreword, Royal Loans and List of Exhibitors
09/1987 | 1014 | 129
Pages: 1-10, 26-135
related names
Author:
Grey, Roger de (Grey, Roger de)
Author:
Snowman, A. Kenneth (Snowman, A. Kenneth)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
'A Pagoda in the East Indies'. Thomas Daniell (1749-1840). Oil on Canvas, Signed: T. Daniell. Size: 42 × 55in (107 × 140cms)
Attributed works:
A French Louis XIV Secrétaire à abattant, Stamped C. Topino JME (Charles Topino, Maître 1773). Floral Marquetry of Rosewood, Palisander and Other Fine Woods Veneered on Oak. Height $5129cm). Width 30in (76.5cm). Depth 15½in (39cm)
Attributed works:
A Gentleman in a Gig. Signed and Dated J. Clark 1857. Oil on Canvas. 19½ × 23½in (50 × 60cm)
Attributed works:
A Gilt-Bronze Mantel Clock with Allegorical Figures of 'Geography' and 'Study' by Jean-Joseph de St. Germain (1719-1791). Movement by Charles Le Roy. Height 26.4in (66cm). Width 11.2in (28cm). Length 22in (55cm)
Attributed works:
A Highly Important Adam Period Demi Lune Commode with Its Original Painted Decoration in the Manner of Angelica Kaufmann. Height 32¼in (82cm), Width 51¼in (130cm), Depth 21in (53.5cm)
Attributed works:
A Large, Four-Sheet Copperplate Map of the World by Giovanni. Francesco Camocio, Published in Venice, 1569. 41 × 24in (103½ × 63cm)
Attributed works:
A Magnificent Set of Six George III Candlesticks and a Pair of Candelabra, by John Scofield. London 1794. Height of Candlesticks 11½ in (29.5 cm). Height of Candelabra 22¼in (56.5cm)
Attributed works:
A Rare Bronze and Ivory Sculpture of a Horse and Rider, c. 1925. Signed by Bruno Zack. 18½in High (47cm)
Attributed works:
A Rare Pair of Chelsea Lemon Boxes after a Meissen Model by Kaendler. Red Anchor Marks. c. 1755. Length 6½in (16.5cm). Height 3in (7.5cm)
Attributed works:
A Small Marquetry Longcase Clock Signed 'Edmund Massey Londini fecit', with Bolt and Shutter Maintaining Power. c. 1680 Height 78in (198.1cm)
Attributed works:
A Very Fine and Rare First Period Worcester Cream Jug and Cover, on a Rich Claret Ground. The cisellé Gilt Enriched Rococco Reserve is Painted with an Exotic Bird Pecking Clusters of Fruit, in the Atelier of the Studio of James Giles. c. 1770. Height (12cm). Width 3in (7.6cm)
Attributed works:
A Very Fine Pair of Silver-Gilt Hair-Brushes Made by Smith and Sharp in 1793. The Arms Are Those of Fane with Child in Pretence.
Attributed works:
A Very Important and Fine Quality Set of Eight, George II Period, Mahogany Dining. Chairs, Circa 1750, by Gillows of Lancaster. With Elaborately Carved and Shaped Backs to Compass Shaped Drop-In Seats Having Finely Carved and Shaped Rails with Carved Cabriole Front Legs Terminating in Claw and Ball Feet.
Attributed works:
Abraham Solomon (1824-1862). Third Class - The Parting. Oils on Board 8 × 10in (20 × 25.5cm)
Attributed works:
Abraham van Beyeren (The Hague 1620/1-1690 Overschie), A Still Life. Signed and Dated 1654. Oil on Canvas. (102 × 100cm)
Attributed works:
Ambrosius Benson (Active 1519-1550). Portrait of a Gentleman, Said to Be a Goldsmith. Oil on Panel. (37.5 × 30cm)
Attributed works:
An Important George III Regulator of One Month Duration Incorporating the Compensated Pendulum Invented by the Maker. Ellicott - London. c. 1770 Height 81in (206cm)
Attributed works:
An Important Platinum and Diamond Brooch with Flexible Drops, c. 1910. Platinum Mounted Diamond-Set Flexible Bracelet in Scale Form, c. 1930. A Fine Platinum Mounted Diamond-Set Bracelet, Signed Bourdier, Paris, c. 1925. Actual Size
Attributed works:
Chelsea Goat and Bee Jug, the flowering shrub moulded and painted with coloured flowers, the body with two ladybirds and flowerheads, the brown stalk with green oak leaves on a green and brown base. Incised Triangle Mark 1745-49. Height 4¼in (11cm) Silver Pepper in the form of Smeaton's Eddystone Lighthouse made by William Pope of Plymouth. Assayed in Exeter 1848
Attributed works:
Early Drinking Vessels Suitable for Beer, Water, or Tea. Newcastle Tankard made in 1721 by Thomas Partis, it bears the Arms of Clennell. Charles II Tankard made in 1681 by Dorothy Grant, it measures 6in (15.2cm) to the top of the thumbpiece. Charles II Beaker of 1675 made by EG, measuring 4½in (11.4cm) high. Christening Mug made in Edinburgh by James Tait. c. 1720 Tea Bowl made by Nathaniel Lock of London in 1697. Diameter 3½in (8.4cm)
Attributed works:
Edwin Lord Weeks (American, 1849-1903), A Royal Procession Before the Jumna Musjid or Chief Mosque at Agra, India. (The subject of this painting is probably Maharajah Matho Rao Scindhia of Gwalior leading the procession of princes at the durbar held at Agra in 1895 in honour of Lord Elgin II who had succeeded as Indian Viceroy in 1894.) Oil on canvas. Signed. c 1895 (87.5 × 136.5cm)
Attributed works:
Fabergé Imperial Presentation Cigarette Case, Jewelled, Enamelled and Gold-Mounted, Signed. Fabergé, Workmaster Henrik Wigström, 10 cm Long, Original Fitted Case. Given by Tsar Nicholas II and Empress Alexandra to a Member of the Swedish Royal Family. Engraved with Autograph Signatures and Date 15 June 1907.
Attributed works:
Francis Hayman, Sir Henry Paulet Bart. Oil on Canvas 29 × $39frac{3}{4}$ in (74 × 101cm)
Attributed works:
Frank Dillon (1823-1909), Ka'ah in the Harem of Sheykh Sadat, Cairo, c. 1875, Gouache
Attributed works:
Gardening knife, carved blue jade snail handle and gold enamelled mount by Fabergé. Set of aquamarine diamond and pearl flower heads forming a diadem by Fouquet. Pair of eighteenth century diamond flowers mounted as earclips. Gem-set bouquet of flowers in diamonds, ruby, emerald, sapphire and spinel. c. 1820. Diamond and cabochon sapphire serpent brooch by Bolin, St. Petersburg, c. 1900. Seed pearl, diamond and enamel necklace by Carlo and Arthur Giuliano. Pair of combs by Riffault with circular gold heads enamelled plique-à-jour Paris, 1880. Parasol handle by Fabergé with a carved rock crystal swan's head with a gold mount. These objects are shown greatly reduced: length of Fabergé knife 7½in (19cm)
Attributed works:
George II Silver Tray of Unusual Rectangular Form, Engraved with the Arms of Turner Quartering Cholmley with Marwood in Pretence. The Tray Was Made by John Barbe, the London silversmith, in 1741. Weight 1150z 3dwt. (42.2 × 54cm)
Attributed works:
Giovanni Antonio Canal, Called Canaletto (1697-Venice-1768) The Grand Canal, Venice, Looking North-West from the Campo Santa Sofia, with the Palazzo Sagrado to the Right, the Palazzo Corner della Regina and the Palazzo Pesaro to the Left, the Palazzo Vendramin-Calergi and San Marcuola beyond. c. 1735. Canvas 23½ × 37in (59.5 × 94cm)
Attributed works:
Giuseppe Zais (Forno di Canale 1709-Treviso 1784). Oil on Canvas. 54 × 104in (137 × 264cm)
Attributed works:
Gold Brooch with Figures Enamelled in Colour. Signed Lalique. French, Art Nouveau
Attributed works:
Goya (1746-1828), Religious Scene. Pen and Wash, Signed. 9½ × 5½ (23 × 14cm)
Attributed works:
Henri Gervex (1852-1929), Cinq heures chez Paquin. Oil on Canvas. 44 × 67½ in (113 × 172cm)
Attributed works:
Henri Marchal (Born Nancy 1878), Study of a Young Boy Bending. Black and Red Chalks. Signed and Dated 1898. (37.5 × 20.5cm)
Attributed works:
Henri Martin, La Promenade. C. 1910 Oil on Panel, Signed. (45 × 32cm)
Attributed works:
Herman van der Myn (Amsterdam 1684-1741 London), A Bacchante with a Putto, Satyrs and Nymphs in the Background. Signed and Dated 1716. Oil on Panel. 19½ × 15½ in (49.5 × 39.4cm)
Attributed works:
Indispensable Accomplishments, or Hints to a City Gentleman. Plate I 'How to purchase a Horse'. Plate II 'Going it Full Speed'. Plate III 'Standing it Miserable' Plate IV 'How to come it Aukwardly' Set of four coloured aquatints, with fine original colouring by and after H. Alken, published January 28th, 1815 by E. Orme, Bond Street, London.
Attributed works:
Jan Baptiste van Helderberg (1651 - Antwerp? - Ghent - 1734). Guardian Angel with Child and Devil. Signed with Monogram. Gilt Bronze. Height (39cm)
Attributed works:
Jan Davidsz de Heem (1606-1684), Fruit Still Life. Oil on Panel. Coats of Antwerp Panel Maker (F)D. B. (35.8 × 52.3cm). Signed on the Top Right Hand Corner.
Attributed works:
Jan Van Goyen (Leiden 1596-The Hague 1656), Winterscene with Skaters on a Frozen River. Signed and Dated 1642 Oil on Panel 18¼ × 24½in (46.5 × 62cm)
Attributed works:
Jean Covens & Corneille Mortier This Actuale Survey of London, Westminster Southwark... Copper Plate Engraving in Fine Original Wash Colour, Published by Covens and Mortier in Amsterdam. c. 1725
Attributed works:
Jean-Etienne Liotard (1702-1789), George Keppel, 3rd Earl of Albermarle K. G., 1724-1772. Signed and Dated on Verso 1768. Pastel and Crayon on Parchment. 25½ × 21in (65.8 × 53.3cm)
Attributed works:
Jean-Léon Gérôme (Vesoul 1824-1904 Paris), Les Etangs de St C... c. 1895. Canvas 23½ × 36¼in (59.7 × 92cm)
Attributed works:
La Folle Chanson. Very Important White Marble Group by Joseph M Thomas, dit Jef Lambeaux 1852-1908. Flemish School. Height 1.44m Width 1m. Circa 1889-1900
Attributed works:
Leon-Augustin Lhermitte (1844-1925), Portrait of an Old Man. Signed and Dated Paris 1874. Black Chalk on Paper Watermark PL BA and Ed & Cie. in a Cartouche (48.3 × 38.4cm)
Attributed works:
Lorenzo di Bicci (Florentine) (1350-1427) Triptych. Madonna and Child with St Christopher and Attendant Saints. c. 1380-90 Tempera on Panel 66 × 34in (168 × 137cm)
Attributed works:
Luca Carlevarijs, Idealized Roman Landscape with the Ponte Rotto. c 1712-14. Oil on Canvas 34 × 51¼in (86.5 × 130cm)
Attributed works:
Made for Sir Richard Hoare by Chippendale, Haig & Co, a Very Important Ormolu-Mounted Rosewood and Pollard Oak Commode. 49ins Wide. 35ins High. 27½ins Deep.
Attributed works:
Magnificent Pair of Antique Silver Seven-Light Candelabra. Victorian, 1874, by Robert Garrard. Height 34in (86.36cm).
Attributed works:
Michele Marieschi (1710 - Venice - 1744). A Venetian Capriccio. One of a Pair. Oil on Canvas, 40 × 68cm (15½ × 26½in)
Attributed works:
Michele Marieschi (Venice 1696-1743). Oil on Canvas (61.5 × 96cm)
Attributed works:
Muses and Pierides Dish, Workshop of Guido Durantino. C. 1545-50, Diameter 46cm. (Fitzwilliam Museum, Cambridge). See Article by John Mallet in The Burlington Magazine, May 1987
Attributed works:
One of a Pair of Very Important Late 18th Century Russian Commodes in Mahogany and Ormulu, with Three Main Drawers and a Small Secret Drawer on Top. Designed by Christian Meyer in St. Petersburg during the Period 1782-1799. Height: 37½in (95cm). Width: 54½in (139cm). Depth: 25in (64cm)
Attributed works:
Pair of Rare Bow Figures of a Cock and Hen. c. 1755. Height (10.5cm)
Attributed works:
Parabolic Reflector. Unsigned, but Attributed to the Brander Workshop. Augsburg, 18th Century. Diameter 19½in (49.5cm)
Attributed works:
Paul Cesar Helleu (1859-1927), Portrait of Madame Helleu. Drawing in Crayon, 1890. 29½ × 22in (75 × 56cm)
Attributed works:
Pietro Tacca (1577-1640), Tarquin and Lucretia. Bronze Group. Height 15½in (39.5cm)
Attributed works:
Planetarium or Orrery Signed 'Newton & Co. Opticians to the Queen, 3 Fleet Street, London', English, Mid Nineteenth Century. Hand-Coloured Printed Paper on a Wooden Baseplate on Three Turned Feet. Diameter 17½ in (44cm)
Attributed works:
Rare Chelsea Figures of Masqueraders in Brilliant Colours, Probably Modelled by Joseph Willems. Marked with Gold Anchors. c. 1760 Height 12in (30.5cm)
Attributed works:
Rare Type of Orrery Signed on the Brass Arm 'Newton & Co. 3 Fleet Street, London', with a 32.5cm Diameter Calendar Scale Signed 'Newton & Co. 66 Chancery Lane'. English, Early Nineteenth Century.
Attributed works:
Sebastiano Ricci (1659-1734). St Roch. Oil on Canvas. (42 × 37.2cm)
Attributed works:
Sebastiano Ricci (Belluno 1659-Venice 1734), The Flight into Egypt. Oil on Canvas (85.5 × 114.5cm)
Attributed works:
Sir Alfred Munnings, KCVO, PRA (1878-1959), The Stour at Boxted. Signed. Oil on Canvas. Painted in 1930. 25 × 30in (63.5 × 76.2cm)
Attributed works:
Sir John Lavery, RA, RSA, PRP, NS IS (1856-1941), 'A Regatta' (The Clyde Regatta, Hunter's Quay). Signed and Dated '91 and Inscribed Verso. Canvas 14 × 18in (36 × 46cm)
Attributed works:
Spray of buttercups by Carl Fabergé in gold enamelled translucent yellow and green over engraved grounds, and cornflowers enamelled translucent blue with diamond centres, with green gold stalks and leaves in a rock crystal jar. A diamond, ruby and black-enamelled bee in red gold is poised on one of the buttercups. Height 9 inches (22.9cm) Lent and reproduced by Gracious Permission of Her Majesty Queen Elizabeth The Queen Mother
Attributed works:
Spray of gold cornflowers by Carl Fabergé enamelled translucent blue and set with brilliant and rose diamonds, with a freely swinging stem of oats in dull gold, both in a rock crystal vase. Height (20.2cm) Lent and reproduced by Gracious Permission of Her Majesty Queen Elizabeth The Queen Mother
Attributed works:
Susan M. L. Wales (oBoston 1839). The Conservatory. Watercolour. 49.5 × 34.5cm
Attributed works:
Table Seal by Carl Fabergé. The frog is of nephrite, with rose diamond eyes. The column is of silver and is enamelled opalescent pink over a moiré ground. It terminates at the bottom in a chased laurel border of dull green gold. Height (9.5cm) Mark of Henrik Wigström. Lent and reproduced by Gracious Permission of His Royal Highness The Prince of Wales
Attributed works:
Tapestry from Santa Barbara, Spain, Woven in Pastel Colours. Autumn, One of a Series of The Four Seasons, Probably by Giacomo Amiconi (Amigoni). 1758. Length 54 × 64in (255 × 302cm)
Attributed works:
The Hunt with Falcons. A French Royal Aubusson Tapestry Woven in Wool and Silk. c. 1770. Height 111in (285cm). Width 116in (300cm)
Attributed works:
The Mosaic Egg by Carl Fabergé, Presented to the Tzarina, Alexandra Feodorovna, by Nicholas II on Easter Morning 1914. Lent and Reproduced by Gracious Permission of Her Majesty the Queen
Attributed works:
The Rokeby Venus at the National Gallery, by Sir Hugh Casson with Apologies to Velazquez
Attributed works:
Tulips, by R. Earlom after P. C. Henderson, Published by Dr Thornton for His Temple of Flora, 1798, Mezzotint Printed in Blue and Brown, Finished by Hand.
Attributed works:
Two views of an important delftware punchbowl, decorated on the inside with a large swan stretching its wings and on the outside with a continuous landscape scene with the initials and date: M. R. A. 1718 Diameter (30cm). London (possibly Lambeth)
Attributed works:
Walter Richard Sickert ARA, Milan Cathedral. Oil on Panel Signed. Painted on Honeymoon, in the Summer of 1885, the Year of Sickert's Marriage to Ellen Cobden. 9 × 6in (23.2 × 15.2cm)
Attributed works:
William Hamilton RA (1751-1801), Marie Antoinette Led to Execution. Canvas. (197 x 152cm). Engraved by Antoine Cardon. (Hamilton Was a Student of Zucchi the Friend of Marat)
Attributed works:
William Hamo Thornycroft (1850-1925), Teucer. c. 1881-90. Bronze. Height 15in (38cm)
Non-western art unattributed:
A plaster figure of an unknown European gentleman shown looking slightly right, his wig falling over his shoulders, his red coat undone but for two buttons showing his white cravat, his left hand tucked into his coat and his tricorn black hat under his arm; his right hand is raised slightly from his side, probably to hold a cane (now missing), his coat decorated with gold details to the cuffs and pockets, his black stockings with black boots and brass buckles. He stands on a grey/brown washed plinth with bracket feet signed Amoy Chinqua FE1717. Chinese Export, 1717.
Non-western art unattributed:
An Antique Burmese Silk Wall Painting Depicting Elements of the Buddhist Cosmology Surrounding a Central Mandala. 18th-19th Century. Height 84½in (215cm). Width 65in (165cm)
Non-western art unattributed:
An Extremely Rare and Interesting 'Golfing' Punch Bowl, Qianlong, (30.8cm). Estimate: £5,000-7,000
Non-western art unattributed:
Japanese Scroll Painting (Kakemono) of Buddhist Deity Aizen Myo-o. Nanbokucho Period, Fourteenth Century. Colour on Silk. Height 49½in (126cm). Width 22½in (57cm)
Non-western art unattributed:
Large Patinated Bronze Alcove Vase Japan, Edo Period c. 1800. Height 23in (58.5cm)
Non-western art unattributed:
Mayan Jade Mosaic Mask with Shell and Obsidian Inlays from the Central Maya Lowlands, 300-600 A. D. 5½ × 6½in (13 × 16.5cm)
Non-western art unattributed:
Plant Motifs in Chinese Ceramics. Chinese Celadons • Zhou Dynasty Bronze You • Seattle Art Museum Japanese Art
Western art unattributed:
75 Years of Wrist Watches. Bought. Sold. Exchanged
Western art unattributed:
A Carefully Balanced Selection of Top English Dealers - (Most B. A. D. A. Members) Offer their Finest Wares. Furniture Pre 1830, Most Other Pieces Pre 1851.
Western art unattributed:
A Louis XV Sycamore and Harewood. Marquetry Oval "table écritoire à secret" c. 1770. Height: 30in (75cm). Width: 20in (50cm). Length: 29in (73cm)
Western art unattributed:
A Magnificent George II Burr Walnut Bureau Cabinet, the Swan Neck Pediment with Giltwood Embellishments, with Original Bevelled Mirror Plates and Gilt Brass Handles. Height 108in (274cm). Width 46in (117cm). Depth 23in (58cm)
Western art unattributed:
A Set of Four Old Sheffield Plate Candlesticks Decorated with Festoons and Rams' Heads in the Adam Manner, c. 1775. Height 12in (30.5cm)
Western art unattributed:
A Sheraton Period Mahogany bonheur du jour, with Various Inlays. English. C 1790. Height (106cm) Width 27in (68.6cm) Depth 15¼in (38.7cm)
Western art unattributed:
A superb Pair of Byzantine Hoop Earrings with Chain Drops Terminating in Pearls. 7th Century AD. Probably from Egypt. 8.5cm and 8.7cm
Western art unattributed:
A Very Fine Quality English George 1 Period Bureau Bookcase of Small Proportions Executed in Faded Walnut with Original Mirror Glass and Brass. Height 82in (208cm) Width 32in (81.5cm) Depth 21¼in (54cm)
Western art unattributed:
A Very Rare and Superb Quality 18th Century Dutch Glass Chandelier, Circa 1785, for Eight Lights. Height 5ft 152.5cms. Width 3ft 4in 102cms
Western art unattributed:
An Old Sheffield Plate Tea Caddy with Original Rubbed-In Shield Containing Two Rectangular Caddies, c. 1810. Height 7½in (19.5cm). Length 14in (35.6cm)
Western art unattributed:
An Outstanding Regency Period Mahogany Writing Table, the Frieze, Carved with Greek Key Ornament, Concealing Drawers on Both Sides and Slides in the Ends. Height 31½in (77cm). Width 60in (152cm); With Slides Drawn 94in (238cm). Depth 37½in (95cm)
Western art unattributed:
Anatolian 'Arabesque' Rug, Bergama Region. 16th Century. Wool Pile on a Wool Foundation. (125 × 205cm)
Western art unattributed:
Art Deco Diamond and Sapphire Tree Brooch. Art Deco Diamond, Onyx and Moonstone Bow Brooch. Edwardian Diamond and Pink Tourmaline Brooch/Pendant. Victorian Diamond Bracelet. Actual Size
Western art unattributed:
Art-Deco Pendant With Sapphires, Rubies, Citrines, Amethysts, Diamonds and Emeralds. Set in Platinum. Signed: Boucheron, Paris 6 × 3.5cm
Western art unattributed:
Belt Mask with Leopard's Head. Africa, Nigeria. Benin 17th Century (18.5 × 9cm)
Western art unattributed:
Christ Carrying the Cross. Flemish. Mid 16th Century. Oak. Height 17in (43cm). Width 13in (33cm)
Western art unattributed:
Classical Bird Cage c. 1840. Photo: Tim Beddow
Western art unattributed:
Early 17th Century Spanish Cuenca Carpet. 12′4″ × 5′1″ (376 × 155cm). Circa 1600
Western art unattributed:
Extremely Fine Quality George 1 Burr Walnut Bureau Bookcase with Original Central Mirror Plates (Resilvered). The Interior Fully Fitted Together with Secret Drawer, Contemporary Brass Handles. c. 1715. Height 95½in (242.5cm). Width 40in (102.8cm). Depth 25in (63.5cm)
Western art unattributed:
George III Mahogany Breakfront Bookcase, 132½ in. Wide; 114 in. High; 25½ in. Deep.
Western art unattributed:
Her Majesty Queen Elizabeth The Queen Mother
Western art unattributed:
Her Royal Highness The Duchess of Gloucester
Western art unattributed:
Rare 19th Century American Rag Rug, Length 118in (300cm), Width 95in (242cm)
Western art unattributed:
The Burlington House Fair 1987. The Royal Academy of Arts
Western art unattributed:
The First Lord Burghley's Atlas Surrounded by an 1880 Brass Planetarium and a 1785 Lunar Globe. Art&Antiques, November 1986.
Western art unattributed:
The First Lord Burghley's Atlas Surrounded by an 1880 Brass Planetarium and a 1785 Lunar Globe. Art&Antiques, November 1986.
Western art unattributed:
Three Early English Oak Joined Stools of the Sixteenth and Seventeenth Centuries, Indicative of the Reigns of Elizabeth 1, James 1, Charles 1.
Supplement
The Burlington House Fair: The Searight Collection (The National Art-Collections Fund Loan Exhibition)
09/1987 | 1014 | 129
Pages: 17-20
related names
Author:
Goodison, Nicholas (Goodison, Nicholas)
Author:
Llewellyn, Briony (Llewellyn, Briony)
Subjects
artists:
artists:
collectors and dealers:
collectors and dealers:
dates:
dates:
places:
Illustrations
Attributed works:
Amadeo Preziosi, The Entrance to the Golden Horn, 1852, Watercolour
Attributed works:
Carl Friedrich Heinrich Werner (1808-1894), Interior of the Mosque of Omar, Jerusalem, 1863, Watercolour
Attributed works:
David Roberts 1796-1864 Grand Cairo, 1839, Watercolour
Attributed works:
J. F. Lewis, Street Scene in Cairo, 1856
Attributed works:
Jean-Baptiste Adanson (1732-1804), Rat d'Egypte apellé en Arabe Gérbou, Last Quarter 18th Century, Watercolour
Attributed works:
William Charles Thomas Dobson (1817-1898) A Girl with a Fan, 1864, Watercolour and Bodycolour
Advertisements
Advertisements August 1987 (front)
08/1987 | 1013 | 129
Pages: i-xxiv
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] Michelangelo Cerquozzi, 1602 - ROME - 1660. A Still Life with a Satyr in a Landscape Oil on Canvas: 187 × 187 cms
Attributed works:
[ Cover ] Detail from La jardinière endormie, by François Boucher. 1762. (National Gallery of Scotland).
Attributed works:
[ Daniel Katz Ltd, 27 Lansdowne Walk, London ] An Important Bronze Figure of a Horse. Works. of Pietro Tacca (1577-1640). Florence, First Quarter 17th Century. Same Model as the Horse of the Monument to Philip III by Tacca in Madrid 23cm by 23cm (9″ by 9″)
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Barbara Hepworth (1903-1975). Two Forms with White (Greek) (1963) 1969. Bronze Edition of 7. Height $36frac{3}{4}$ in./93.3 cm. Base $20frac{3}{4}$ × 48 in./52.7 × 121.9 cm.
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Theodore Rousseau, "Paysage aux Moutons," Oil on Canvas, 42 by 64 cm.
Attributed works:
[ The Burlington House Fair, London ] A Cut Glass and Silver Mounted Bowl in the Neo-Classical Taste by Carl Fabergé. Moscow c. 1900. 25 cms High.
Attributed works:
[ The Burlington House Fair, London ] A Still Life with a Bowl of Strawberries, a Bottle, and a Rose on a Ledge, by Jan Mortel 1650-1719. Oil on Panel, 44.2 × 36 cms. Signed and Dated 1690.
Attributed works:
[ The Burlington House Fair, London ] A Street Scene in Paris, by Gustave Mascart. Oil on Canvas. Signed Lower Right. 33.5 × 51.5 cms.
Attributed works:
[ The Burlington House Fair, London ] A Winter's Day, by David Teniers the Younger, Signed. Panel, 25.5 × 19 cm.
Attributed works:
[ The Burlington House Fair, London ] Chinese Export, Signed Amoy Chinqua, 1717.
Attributed works:
[ The Burlington House Fair, London ] Edwardian Open Pierced Swag Brooch, Set with Diamonds.
Attributed works:
[ The Burlington House Fair, London ] Elephant Hunt, Wool and Silk. Marche Workshops (Aubusson or Felletin). c.1580.
Attributed works:
[ The Burlington House Fair, London ] Fruit and Flowers on a Marble Ledge, by Paul Theodorus van Brussel 1754-95. Signed and Dated 1786. Panel 69.8 × 55.8 cms.
Attributed works:
[ The Burlington House Fair, London ] George III Burr Walnut Bureau Cabinet, with Original Bevelled Mirror Plates and Gilt Brass Handles. 274 × 117 × 58 cms. A Pair of Oval Chestnut Vases and a Central Tisane Urn on a Galleried Stand. C.1795. Probably Low Countries. An Aquamarine, Pearl and Diamond Tiara Which Is Convertible to Five Brooches, by Georges Fouquet. Paris 1900. The Central Jewel Is 6 cms High. Still Life, Signed Abraham van Beyeren, 103 × 100 cm.
Attributed works:
[ The Burlington House Fair, London ] Gold Brooch with Figures Enamelled in Colour. Signed Lalique. Art Nouveau.
Attributed works:
[ The Burlington House Fair, London ] L'Amour Désarmé, by Bouguereau 1825-1905. Oil on Canvas. Signed. 130 × 97 cms.
Attributed works:
[ The Burlington House Fair, London ] Louis XIV Wall Clock on Bracket in Contre Boulle and Ormolu, Mille Couleurs. C.1710. Signed on Dial and Back Plate: Mynuel a Paris.
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[ The Burlington House Fair, London ] Magnum Champagne Decanter. Silver Mounted and Fitted with an Ice Compartment in the Base. By Heath and Middleton, Birmingham 1896. 40 cms High.
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[ The Burlington House Fair, London ] Maire Antoinette Led to Execution, by William Hamilton R. A. 1751-1801. Canvas 152 × 197 cms.
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[ The Burlington House Fair, London ] Maison aux Roses, by Henri le Sidaner. Signed, Oil on Canvas, 73.6 × 91.5 cms.
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[ The Burlington House Fair, London ] Rectangular Tea Caddy and Domed Cover, Meissen. The Side Panels Depicting Callot Dwarfs Playing Musical Instruments. Height 13 cms. c.1745.
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[ The Burlington House Fair, London ] Scene d'Algerie, by Pierre-Antoine Labouchère 1807-73. One of a Set of 4. Watercolour. 17.8 × 25.4 cms. Signed, Inscribed and Dated 1846.
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[ The Burlington House Fair, London ] Six-Light Library Candelabra. Sheffield Plate. C.1780-85. Boulton and Fothergill Design.
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[ The Burlington House Fair, London ] Still Life with Flowers, by Monnoyer 1636-99. Oil on Canvas, 59 × 49 cms.
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[ The Burlington House Fair, London ] The Grand Tour: Purchasing Antiquities, by Henry Tresham, 1751-1814. Pen and Wash. 34.9 × 50.4 cms.
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[ The Burlington House Fair, London ] The Quack's Booth, by Karel Dujardin (C.1622-78). Signed and Dated 1666. On Copper, 34.4 by 43.8 cm.
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[ The Burlington House Fair, London ] The Snake Dancer, by Professor Poertzel. C.1925. Bronze and Ivory Figure. 52 cms.
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[ The Burlington House Fair, London ] The Virgin and Child in an Interior with Angels Presenting the Cross, by Martin de Vos. 1532-1603. Panel, 112 × 88.5 cms.
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[ The Burlington House Fair, London ] Walnut Armchair. Dutch, c.1700. 101/43.2 × 58.4 × 55.9 cms. Portrait of the Hon. John Smyth, M. P. for Pontefract, by P G Batoni. Canvas 96 × 71 cms. Signed Lower Right and Dated 'P. Batoni pinxit Roma/Anno 1773'. San Carlo Borromeo in Ecstasy, by Giulio Cesare Procaccini, 1574-1625. Oil on Canvas. 95 × 65 cms. Bronze Oil Lamp in the Form of an Acrobat. Attributed to Severno de Ravenna. North Italy, Late 16th Century. 9 × 14.5 cms.
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[ The Burlington House Fair, London ] Wild Geranium and Great Master Wort, by Robert Bateman. Oil on Board, Signed with Monogram and Dated 1883. Signed with Initials and Inscribed with Title. 32 × 26 cms.
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[ W.W Norton & Company Ltd, 37 Great Russell Street, London ] The Detroit Institute of Arts' Exhibition of Diego Rivera's Work Will be Mounted at the Hayward Gallery from 29 October, 1987 to 10 January, 1988. This beautifully illustrated catalogue was published to coincide with the exhibition.
Non-western art unattributed:
[ International Ceramics Fair and Seminar, London ] Canton Enamel Ewer & Basin after European Example. Mid 19th Century.
Non-western art unattributed:
[ Michael Goedhuis, Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ The Burlington House Fair, London ] Large Bronze Incense-Burner and Cover. China, Kangxi Period 1662-1722. 36 × 36 cms.
Non-western art unattributed:
[ The Burlington House Fair, London ] Zoomorphic Effigy Metate in Volcanic Stone. Guanacaste-Nicoya Zone, Costa Rica. A. D. 300-700.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Fine Royal Presentation Vase (Münchener Vase) 1832. Height 63 cm.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Very Pretty Pair of Early 19th Century Glass and Ormolu Candelabra Mounted on 'Temple' Bases. English. Height 19 ins. C.1810.
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] A Very Rare Worcester Cauliflower Tureen, Cover and Leaf-Shaped Stand. C.1760. Stand $8frac{3}{4}$ ins (22.2cm).
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] An Extremely Rare delftware 'Bulb Pot' Decorated in the 'Ming Style'. C.1690. Diameter 11 ½ ins (29.2 cm).
Western art unattributed:
[ International Ceramics Fair and Seminar, London ] Franken Thal, Tea Caddy and Cover. C.1773. Height 13.7 cm.
Western art unattributed:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Fine George III Mahogany Octagonal Rent Desk, Sold Recently at Phillips for £36,000.
Western art unattributed:
[ The Burlington House Fair, London ] A Pair of Black Transfer-Printed Oval Plaques. Gilt-Metal Frames, 12 cms, c.1750. Probably Battersea. Madame Hessel assise, by E. Vuillard. Pen and Ink. 14.2 × 8 cms.
Western art unattributed:
[ The Burlington House Fair, London ] A Very Fine Louis XV Ormolu-Mounted Stainwood and Amaranth Marquetry Table, by B. V. R. B. (Master in 1730).
Western art unattributed:
[ The Burlington House Fair, London ] Art Deco Brooch, Platinum. c.1920. 6.5 × 2.5 cms.
Western art unattributed:
[ The Burlington House Fair, London ] Detail of Marquetry Writing Table, Lombard. 147 × 79cms.
Western art unattributed:
[ The Burlington House Fair, London ] Early English Oak Jointed Stool, Indicative of the Reign of James I.
Western art unattributed:
[ The Burlington House Fair, London ] One of a Pair. Carved Green and Gilt Doors. Venice 18th Century. 252 × 146 cms.
Western art unattributed:
[ The Burlington House Fair, London ] Teabowl and Saucer. Early Worcester, c.1758.
Western art unattributed:
[ The Burlington House Fair, London ] Worcester Fluted Sucrier, Cover and Stand. Decorated in Bright Colours with the 'Brocade' Pattern, c.1770.
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