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2 articles
Article
The sitters in a family portrait by Rubens in the Staatliche Kunsthalle, Karlsruhe
09/2020 | 1410 | 162
Pages: 757-765
related names
Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, by Peter Paul Rubens. Here dated c.1610–11. Oil on canvas, 116 by 112.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
10. Detail of Fig.1, showing one of the bracelets worn by Anna Rindfleisch.
Attributed works:
11. Detail of Allegory of sight, by Jan Brueghel the Elder and Peter Paul Rubens, showing jewellery. 1617. Oil on panel, 64.7 by 109.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, mounted on panel, 178 by 136 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, after Peter Paul Rubens. c.1610–25. Black chalk, pen and brown ink and pencil on parchment, 19.9 by 19.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
4. Jan Brueghel the Elder, his wife, Catharina van Marienberghe, and their children Elisabeth and Pieter, by Peter Paul Rubens. Here dated c.1613–14. Oil on panel, 124.5 by 94.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Page from the album amicorum of Abraham Ortelius, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1583. Pen and ink and wash, 16 by 11 cm. (Pembroke College, Cambridge).
Attributed works:
7. Page from the album amicorum of Daniel Rindfleisch, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1591. Pen and ink and wash, 13.7 by 21.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
8. Self-portrait with his wife, Helena Fourment, and their son, Frans, by Peter Paul Rubens. c.1634. Oil on canvas, 204 by 153.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Detail of Fig.1, showing Albert Staes.
Article
Paternal love: Van Dyck's early 'Daedalus and Icarus' rediscovered
02/2017 | 1367 | 159
Pages: 99-108
related names
Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
16. Portrait of Bishop Antoine Triest, copy after an original by Anthony van Dyck. c.1627 (Museum of Fine Arts, Ghent, on loan to the Bijlokemuseum, Ghent)
Attributed works:
17. Funerary monument of Bishop Antoine Triest, by François and Hieronymus Duquesnoy. 1642-54 (St Bavo, Ghent)
Attributed works:
18. Daedalus and Icarus, by Anthony van Dyck. 1618-19 (Rose-Marie and Eijk van Otterloo Collection, Marblehead MA)
Attributed works:
19. Vandyke in the character of Icarus, by John Watts after Anthony van Dyck. 1779 (Yale Center for British Art, New Haven)
Attributed works:
21. Detail of Christ carrying the cross, by Anthony van Dyck. c.1617-18 (St Paul's church, Antwerp)
Attributed works:
22. St Sebastian bound for martyrdom, by Anthony van Dyck. c.1617-18 (Musée du Louvre, Paris)
Attributed works:
23. Abraham and Isaac, by Anthony van Dyck. c.1617-18 (Národni Gallery, Prague)
Attributed works:
24. Study of the head of an old man, by Anthony van Dyck. c.1617 (Musée de Picardie, Amiens. Photograph Marc Jeanneteau)
Attributed works:
27. Detail of the contours of Fig.18
Attributed works:
28. Detail from Christ carrying the cross, by Anthony van Dyck. c.1617-18 (St Paul's church, Antwerp)
Western art unattributed:
20. Daedalus and Icarus, by an unknown artist after Anthony van Dyck. Late seventeenth to early eighteenth century (Private collection)
Western art unattributed:
25. False colour infra-red reflectography of Fig.18
Western art unattributed:
26. Infra-red reflectography of Fig.18, showing Icarus' hand with fingers spread and extended up