By using this website you agree to our Cookie policy

Search

7 articles
Article
The sitters in a family portrait by Rubens in the Staatliche Kunsthalle, Karlsruhe
09/2020 | 1410 | 162
Pages: 757-765
related names
Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, by Peter Paul Rubens. Here dated c.1610–11. Oil on canvas, 116 by 112.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
10. Detail of Fig.1, showing one of the bracelets worn by Anna Rindfleisch.
Attributed works:
11. Detail of Allegory of sight, by Jan Brueghel the Elder and Peter Paul Rubens, showing jewellery. 1617. Oil on panel, 64.7 by 109.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, mounted on panel, 178 by 136 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, after Peter Paul Rubens. c.1610–25. Black chalk, pen and brown ink and pencil on parchment, 19.9 by 19.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
4. Jan Brueghel the Elder, his wife, Catharina van Marienberghe, and their children Elisabeth and Pieter, by Peter Paul Rubens. Here dated c.1613–14. Oil on panel, 124.5 by 94.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Page from the album amicorum of Abraham Ortelius, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1583. Pen and ink and wash, 16 by 11 cm. (Pembroke College, Cambridge).
Attributed works:
7. Page from the album amicorum of Daniel Rindfleisch, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1591. Pen and ink and wash, 13.7 by 21.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
8. Self-portrait with his wife, Helena Fourment, and their son, Frans, by Peter Paul Rubens. c.1634. Oil on canvas, 204 by 153.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Detail of Fig.1, showing Albert Staes.
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
Article
A portrait of Emanuel van Meteren and his wife, Hester van Corput, by Joris Hoefnagel
03/2019 | 1392 | 161
Pages: 200-205
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Emanuel van Meteren and his wife Hester van Corput, here attributed to Joris Hoefnagel. 1576. Pen and ink, watercolour and bodycolour on parchment, 19 by 27.8 cm. (From Comentarius by Emanuel van Meteren; Sir George Grey Special Collections, Auckland Public Library; MS 237).
Attributed works:
3. Petrus Gonsalvus and his wife, plate I from Animalia Rationalia et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour and bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Attributed works:
4. The daughter and son of Petrus Gonsalvus, plate II from Animalia Rationalia et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour and bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Attributed works:
5. Death’s head with ears of corn, by Joris Hoefnagel. 1575. Pen and brown ink on paper, 19.1 by 12.2 cm. (From the Album Amicorum of Emanuel van Meteren, Oxford, Bodleian Library, MS Douce 68).
Attributed works:
6. Struggle between Avarice and Ambition, by Joris Hoefnagel. 1571. Pen and ink, with watercolour, bodycolour and gold on parchment laid down on paper laid down on panel, 16.7 by 21.4 cm. (Phoebus Foundation, Belgium).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.6, showing a portrait of a man, possibly Emanuel van Meteren.
Advertisements
Advertisements (front)
09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Article
Dürer and Abraham Ortelius
12/1982 | 957 | 124
Pages: 734-741
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
artists:
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
10. The Ortelius Dürer Album. 66 by 49 cm. (Rothschild Collection, Musée du Louvre).
Attributed works:
11. Abraham Ortelius, by Filips Galle. Engraving, 20 by 14.5 cm. (Rothschild Collection, Musée du Louvre).
Attributed works:
12. Ulrich Vanbüller, by Albrecht Dürer. 1522. Chiaroscuro Woodcut, 43.5 by 32.6 cm. (Rothschild Collection, Musée du Louvre).
Attributed works:
13. St Barbara, by Hans Baldung Grien. Woodcut, 23.4 by 16.1 cm. (Rothschild Collection, Musée du Louvre).
Attributed works:
2. The Ortelius Dürer Album. 42 by 32.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. The Holy Family with the Dragonfly, by Albrecht Dürer. Engraving, 23.5 by 18.4 cm. (Rijksmuseum, Amsterdam).
Attributed works:
8. Frederick of Saxony, by Albrecht Dürer. 1524. Engraving, 23.5 by 18.4 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. The Schoolmaster, by Albrecht Dürer. 1510. Woodcut, 12.8 by 9.2 cm. (Rothschild Collection, Musée du Louvre).
Western art unattributed:
4. Christ as Man of Sorrows, by an Unknown Artist. Drypoint, Diameter 4.5 cm. (Rijksmuseum, Amsterdam).
Western art unattributed:
5. Albrecht Dürer, by an Unknown Artist. Pen and Ink, Diameter 7.5 cm. (Rijksmuseum, Amsterdam).
Western art unattributed:
6. St Jerome (?), by an Unknown Artist. Drypoint, 6.5 by 7 cm. (Rijksmuseum, Amsterdam).
Western art unattributed:
7. Albrecht Dürer, from the School of Dürer. Woodcut, 29.2 by 25.7 cm. (Rijksmuseum, Amsterdam).
Advertisements
Advertisements August 1968 (Back)
08/1968 | 785 | 110
Pages: nil
Subjects
Illustrations
Attributed works:
[Weinreb & Douwma Ltd, 39 Great Russell Street, London] The second half of the sixteenth century brought a great improvement in special relationships. This map of the British Isles is from the first issue of the first edition of the Theatrum Orbis Terraraum, a collection of maps of uniform style and size, edited by Abraham Ortelius and published by Egidius Copeens at Antwerp in May 1570. Inspired by Mercator's large wall map of 1564, it shows a more accurate representation of the complicated coastline and a better relationship of Scotland and Ireland while Cardigan Bay is indicated for the first time.
Article
Pieter Bruegel and Abraham Ortelius
10/1931 | 343 | 59
Pages: 184+187-188
related names
Author:
Popham, A. E. (Popham, A. E.; Popham, Arthur Ewart; Popham, Arthur E.; P., A. E.)
Subjects
artists:
dates:
places: