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09/2023 | 1446 | 165
Pages: i-xx
Subjects
Illustrations
Attributed works:
A field of sunflowers, by Mary Fedden (1915–2012). 1972. Pencil, charcoal and graphite on paper, 45 by 71 cm. [ORIEL FINE ART, CAMBRIDGE/British Art Fair]
Attributed works:
Aerial disturbance, by John Tunnard (1900–71). 1946. Gouache on paper, 36 by 55 cm. [OSBORNE SAMUEL, LONDON/British Art Fair]
Attributed works:
April nude no. 1, by Ivon Hitchens (1893–1979). 1949. Oil on canvas, 51 by 76.5 cm. UPSTONE, LONDON/British Art Fair]
Attributed works:
B. Besler. Hortus Eystettensis. 1613. Complete copy of the first edition.[Venator and Hansen]
Attributed works:
Ben Nicholson, OM, painting 1938 (red circle). Oil on canvas 97.2 x 123.2 cm. © Angela Warren Taunt. All rights reserved, DACS 2023. [Christie's]
Attributed works:
Charles Inge, Sugar Candy Mountain Series [The Stratford Gallery]
Attributed works:
Colin Hayes (1919-2003) ‘Heraklion’ [Louise Kosman]
Attributed works:
F.C.B. Cadell, R.S.A. (1883-1937) Cassis Sur Mer, 1923 Oil on panel, 15 x 18 in / 38 x 46 cm [Portland Gallery/British Art Fair]
Attributed works:
Headland with brigantine and ship, by Alfred Wallis (1855–1942). Oil and pencil on paper, 12 by 19 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343. [Clowes Collection, Indianapolis Museum of Art]
Attributed works:
Landscape with whistling boy, Yorkshire, by Keith Vaughan (1912–77). Gouache on paper, 28 by 36.8 cm. [THE FINE ART SOCIETY LTD, LONDON/British Art Fair]
Attributed works:
Our dreams keep growing on Sugar Candy Mountain, by Charles Inge (b.1961). 2023. Oil and acrylic on canvas, 120 by 100 cm. [THE STRATFORD GALLERY, BROADWAY/British Art Fair]
Attributed works:
People in the wind, by Kenneth Armitage (1916–2002). 1959. Bronze, height 59 cm. [JONATHAN CLARK FINE ART, LONDON/British Art Fair]
Attributed works:
Portrait tiles of Charles 2 King & Prince James Workshop of Sijbrand Pieter Feijtama Zoutsloot, Harlingen, The Netherlands Circa 1670 - 1685. [Mazereeuw Antiquair]
Attributed works:
Shelley head, by Emily Young (b.1951). 2022 Jaisalmer, 49 by 33 by 46 cm. WILLOUGHBY GERRISH, LONDON AND YORKSHIRE/British Art Fair]
Attributed works:
Standing Flower’ by Humphrey Spender 1910-2005 Watercolour on paper, signed, dated’95, 70 x 53 cm [Oriel Fine Art]
Attributed works:
The arrival of spring in Woldgate, East Yorkshire, by David Hockney (b.1939). 2011. iPad drawing printed on paper. Edition of 25. 139.7 by 105.4 cm. [CLARENDON FINE ART, LICHFIELD/British Art Fair]
Attributed works:
Untitled 8, by Albert Irvin (1922–2015). c.1965. Oil on canvas, 152.5 by 127 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
Yellow tulips, by Mary Fedden (1915–2012). 1997. Oil on board, 51 by 61 cm. PORTLAND GALLERY, LONDON/British Art Fair]
Western art unattributed:
Early 19th century school, Three Sisters, oil on canvas, 100 x 128cm, £!0,000-15,000 [Sworders]
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07/2023 | 1444 | 165
Pages: i-xii
Book Review
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology
05/2023 | 1442 | 165
Pages: 568-569
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
places:
subjects:
Reviewed Items
subjects:
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology By Leopoldine van Hogendorp Prosperetti. 160 pp. incl. 68 col. ills. (Lund Humphries, London, 2022), £39.95. ISBN 978–1–84822–494–0. | :
Exhibition Review
Jan Brueghel: A Magnificent Draughtsman
12/2020 | 1413 | 162
Pages: 1088-1091
related names
Reviewer:
Pijl, Luuk (Pijl, Luuk)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Jan Brueghel: A Magniicent Draughtsman By Teréz Gerszi and Louisa Wood Ruby. 175 pp. incl. 152 col. + b. & w. ills. (BAI, Schotten, 2019), €29.95. ISBN 978–90–8586–799–9. | :
Illustrations
Attributed works:
6. View inside the Colosseum, by Jan Brueghel the Elder. c.1593. Pen and ink with wash on paper, 26.2 by 21 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin; exh. Snijders- &Rockoxhuis, Antwerp).
Attributed works:
7. Sketch for a river landscape, by Jan Brueghel the Elder. c.1610. Pen and ink on paper, 18.2 by 27.8 cm. (Musée du Louvre, Paris; exh. Snijders- &Rockoxhuis, Antwerp).
Attributed works:
8. Winter landscape with travellers, by Jan Brueghel the Elder. c.1615. Pen, ink and wash on paper, 13.6 by 21.6 cm. (Museum of Fine Arts, Budapest; exh. Snijders- &Rockoxhuis, Antwerp).
Article
The sitters in a family portrait by Rubens in the Staatliche Kunsthalle, Karlsruhe
09/2020 | 1410 | 162
Pages: 757-765
related names
Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, by Peter Paul Rubens. Here dated c.1610–11. Oil on canvas, 116 by 112.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
10. Detail of Fig.1, showing one of the bracelets worn by Anna Rindfleisch.
Attributed works:
11. Detail of Allegory of sight, by Jan Brueghel the Elder and Peter Paul Rubens, showing jewellery. 1617. Oil on panel, 64.7 by 109.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, mounted on panel, 178 by 136 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, after Peter Paul Rubens. c.1610–25. Black chalk, pen and brown ink and pencil on parchment, 19.9 by 19.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
4. Jan Brueghel the Elder, his wife, Catharina van Marienberghe, and their children Elisabeth and Pieter, by Peter Paul Rubens. Here dated c.1613–14. Oil on panel, 124.5 by 94.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Page from the album amicorum of Abraham Ortelius, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1583. Pen and ink and wash, 16 by 11 cm. (Pembroke College, Cambridge).
Attributed works:
7. Page from the album amicorum of Daniel Rindfleisch, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1591. Pen and ink and wash, 13.7 by 21.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
8. Self-portrait with his wife, Helena Fourment, and their son, Frans, by Peter Paul Rubens. c.1634. Oil on canvas, 204 by 153.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Detail of Fig.1, showing Albert Staes.
Exhibition Review
Feast and Fast: The Art of Food in Europe, 1500–1800. Fitzwilliam Museum, Cambridge
03/2020 | 1404 | 162
Pages: 246-248
related names
Reviewer:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Feast and Fast: The Art of Food in Europe, 1500–1800 Fitzwilliam Museum, Cambridge 26th November 2019–26 April | :
Illustrations
Attributed works:
18. Interior, with an old woman peeling apples, by David Teniers the Younger. c.1640–60. Oil on panel, 35.6 by 46.4. cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Recreation of an English Renaissance sugar banquet for a wedding c.1610, conceived and made by Ivan Day for the exhibition Feast and Fast: The Art of Food in Europe 1500–1800 at the Fitzwilliam Museum, Cambridge, 2019.
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
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02/2018 | 1379 | 160
Pages: n.p.
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Loe Bar, by Peter Lanyon. 1962. Oil on board.]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[TEFAF Maastricht. A maid setting a table, by Vilhelm Hammershøi. 1895. Canvas, 97 by 70 cm. (Daxer & Marschall, Munich).]
Attributed works:
[TEFAF Maastricht. Abstract composition, by Serge Poliakoff. c.1930. Canvas, 96 by 130 cm. (Galerie de la Béraudière, Geneva).]
Attributed works:
[TEFAF Maastricht. Apocalypsis cum figuris (second Latin edition in book form), by Albrecht Dürer. 1511. Engraving, 39.4 by 28 cm. (Dr Jörn Günther Rare Books AG, Basel).]
Attributed works:
[TEFAF Maastricht. Reclining nudes with heads turned left, by Gustav Klimt. Pencil, 363 by 562 cm. (W&K – Wienerroither & Kohlbacher, Vienna).]
Attributed works:
[TEFAF Maastricht. Roses, by Graham Sutherland. 1972. Gouache, pastel, pen and collage, 66.5 by 48 cm. (Christopher Kingzett Fine Art, London).]
Attributed works:
[TEFAF Maastricht. Study of a figure for the painting Le Conteur, by Jean-Antoine Watteau. Black and red chalk, 22.7 by 16.8 cm. (Jean-Luc Baroni Ltd, London).]
Attributed works:
[TEFAF Maastricht. The corn harvest, by Joos de Momper and Jan Breughel the Elder. Panel, 69 by 105.6 cm. (Arnoldi-Livie, Munich).]
Attributed works:
[TEFAF Maastricht. The Golden Lion at anchor by Willem van de Velde the Younger. c.1680. Canvas, 82 by 65 cm. (Galerie Sanct Lucas, Vienna).]
Attributed works:
[TEFAF Maastricht. The governesses of the lepers’ asylum, Amsterdam, by Ferdinand Bol. c.1668. Canvas, 170 by 208 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
[TEFAF Maastricht. Various birds, a hare and a basket of fruit, by Jan Weenix. Canvas, 123 by 99.8 cm. (Adam Williams Fine Arts Ltd, New York).]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Walter Padovani, Milan. Female head, by Giovanni Marchiori. c.1750. Terracotta on its original carved wooden base, 38 by 36 cm., height 52 cm.]
Western art unattributed:
[Peter Finer, London. A close helmet (Burgonet). Germany. c.1550. Steel and leather, 33 by 25.4 cm. ]
Western art unattributed:
[TEFAF Maastricht. Portrait of a Knight of the Order of St John of Jerusalem. German school. Late 15th century. Panel, 28 by 18.8 cm. (Galerie de Jonckheere, Geneva and Monaco).]
Western art unattributed:
[TEFAF Maastricht. Reliquary casket with The Crucifixion and Christ in Majesty and Apostles. Limoges, France. c.1195–1200. Champlevé enamel on copper gilt, 17.6 by 21.7 cm. (Brimo de Laroussilhe, Paris).]
Book Review
Jan Brueghel and the Senses of Scale. By Elizabeth Alice Honig
02/2018 | 1379 | 160
Pages: 161
related names
Reviewer:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
media:
places:
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01/2018 | 1378 | 160
Pages: n.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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