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60 articles
Article
The portraits of Alice Spencer, Countess of Derby, and her family by Paul van Somer
04/2025 | 1465 | 167
Pages: 376-385
related names
Author:
David, Jessica (David, Jessica)
Author:
Town, Edward (Town, Edward)
Subjects
dates:
Illustrations
Attributed works:
1. Portraits from the group at Deene Park, all here attributed to Paul van Somer (top row, left to right, 1a–1d; centre row, left to right, 1e–1h; bottom row, left to right, 1i–1l). 1617. Oil on panel, dimensions variable. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
10. Portrait 1b from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
11. Elizabeth Hastings (née Stanley), Countess of Huntingdon, by John Payne after Paul van Somer. 1635. Engraving, 18.4 by 13.7 cm. (British Museum, London).
Attributed works:
12. John Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
13. Called Thomas Egerton, possibly Charles Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
14. Alice Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
15. Anne Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
16. Called Vere Egerton but here called an unknown woman, by Paul van Somer. c.1617. Oil on canvas, 216.5 by 129.5 cm. (National Trust, Dunham Massey).
Attributed works:
17. Unknown child, possibly Thomas Egerton. 1625. Oil on canvas, 103.5 by 82.6 cm. (Buccleuch Collection at Boughton House, Northamptonshire).
Attributed works:
2. Portrait of a countess repainted with the head of Cecilia Egerton. c.1610 with later intervention. Oil on canvas, 194.3 by 128.3 cm. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
3. Portrait 1d from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
4. Portrait of a girl here identified as Cecilia Egerton, by Paul van Somer. 1617. Oil on panel, 65.4 by 50.8 cm. (Yale Center for British Art, New Haven).
Attributed works:
5. Diana Cecil, Countess of Oxford and Elgin, after Paul van Somer. c.1632. Oil on panel. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
6. Lady Diana Cecil, Countess of Oxford, by Paul van Somer. 1618. Oil on panel, 66 by 54.5 cm. (Present location unknown).
Attributed works:
7. Alice Spencer, Countess of Derby (1559–1637), after Paul van Somer. c.1635. Engraving, 19.3 by 12.3 cm. (British Museum, London).
Attributed works:
8. Alice Spencer, Countess of Derby, by Paul van Somer. 1617. Oil on panel, 67.5 by 59 cm. (Deene Park, Northamptonshire).
Attributed works:
9. Portrait of a woman, possibly Vere Egerton, by Paul van Somer. 1617. Oil on panel, 88.9 by 66 cm. (Paine Art Center and Gardens, Oshkosh).
Article
The elder sisters of the ‘The Campbell sisters’: William Gordon Cumming’s patronage of Lorenzo Bartolini
02/2025 | 1463 | 167
Pages: 126–153
related names
Author:
Stevens, Timothy (Stevens, Timothy)
Author:
Wood, Lucy (Wood, Lucy)
Subjects
dates:
Illustrations
Attributed works:
1. The Campbell sisters dancing a waltz, by Lorenzo Bartolini. Here dated 1817–18. Marble, height 170 cm; height of plinth, 92 cm. (National Galleries of Scotland, Edinburgh, and the Victoria and Albert Museum, London).
Attributed works:
10. Eliza Maria, Lady Gordon Cumming, by George Sanders. 1838. Photogravure by Emery Walker, after a painting of 1838. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.38).
Attributed works:
11. Lady Charlotte Campbell and John Campbell of Islay, thought to be by George Sanders. c.1796. Oil on board(?); each 13.6 by 10.5 cm. (framed individually and mounted together on velvet in a gilded wood frame, not shown). (Private collection; photograph Marc Hindley).
Attributed works:
12. Altyre House, Morayshire, by Constance Frederica Gordon Cumming. After a drawing of before 1854. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.52).
Attributed works:
13. Sofa table, by George Bullock. c.1815–18. Veneered in rosewood with brass marquetry and lacquered brass mounts, 70.6 by 172.5 by 91.3 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
14. Model for The Campbell sisters dancing a waltz, by Lorenzo Bartolini. Plaster, height 167 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337755).
Attributed works:
16. Bust of a man (left), here identified as Walter Frederick Campbell, and bust of a woman (right), here identified as Lady Charlotte Campbell (later Bury), both by Lorenzo Bartolini. c.1817–18. Marble, height 74 cm. (left) and 82 cm. (right). (Present location unknown; photograph Christie’s, London).
Attributed works:
17. Model for the bust in Fig.16 (left), by Lorenzo Bartolini. Plaster, height 61 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382892).
Attributed works:
18. Model for the bust in Fig.16 (right), by Lorenzo Bartolini. Plaster, height 63 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382921, as ‘Marchioness of Londonderry’).
Attributed works:
19. Fig.16 (left) on its pedestal, supplied by Lorenzi Bartolini. Marble, pedestal height 107 cm. (Present location unknown; photograph Christie’s, London).
Attributed works:
2. Eliza Maria (née Campbell), Lady Gordon Cumming, by Lorenzo Bartolini. 1817–18. Marble, height with socle 81.5 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
20. Fig.2 on its pedestal, supplied by Lorenzi Bartolini. Marble, pedestal height 106 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
21. Design for a vase and columnar pedestal, inscribed (top left) ‘15’, by Lorenzo Bartolini’s workshop. Pen and ink on paper, 26 by 18.4 cm. (Museo Civico, Prato, inv no.1035).
Attributed works:
22. Model for the bust of Eleanora Campbell (Fig.3), by Lorenzo Bartolini. 1817. Plaster, height 64 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382923).
Attributed works:
23. Model for a bust, probably Eliza Gordon Cumming (Fig.2), by Lorenzo Bartolini. 1817. Plaster, height 46.5 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900750676).
Attributed works:
24. Model for a statue of a child, possibly Penrose Gordon Cumming, by Lorenzo Bartolini. 1818. Plaster, height 101 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337775).
Attributed works:
26. Model for a bust of Madame de Staël, by Lorenzo Bartolini. 1816. Plaster, height 78 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900742880).
Attributed works:
28. Model for a statue of Venus, formerly with a figure of Cupid, by Lorenzo Bartolini. c.1817. Plaster, height 158 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337748).
Attributed works:
29. Lorenzo Bartolini’s receipt for 484 francesconi for the items in Sir William Gordon Cumming’s third commission, dated 12th June 1818 and annotated by Sir William with individual prices and the total, including his second commission. (National Library of Scotland, Dep.175, Box 128; see Appendix 3.4).
Attributed works:
3. Eleanora Campbell (later Countess of Uxbridge), by Lorenzo Bartolini. 1817–18. Marble, height with socle 78 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
4. Side view of Fig.2. (Photograph Cara Willoughby).
Attributed works:
5. Side view of Fig.3. (Photograph Cara Willoughby).
Attributed works:
6. Eliza Maria Campbell. c.1815. Possibly watercolour on ivory, 9 by 8 cm. (Private collection; photograph Marc Hindley).
Attributed works:
7. Eliza Maria, Lady Gordon Cumming, by Henry Raeburn. 1817. Oil on canvas, 76.2 by 63.5 cm. (Present location unknown; courtesy of the Witt Library, Courtauld Institute of Art, London).
Attributed works:
8. Charles Cumming (later Cumming Bruce) in Turkish dress, by Andrew Geddes. 1817. Oil on panel, 64.1 by 53.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
9. Sir William Gordon Cumming, by George Sanders. 1838. Photogravure by Emery Walker, after a painting of 1838. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.136).
Attributed works:
Opposite 15. Detail of Fig.1.
Western art unattributed:
27. Venus and Cupid. Roman, partly mid-2nd century CE, restored 1584. Marble, height 182 cm. (Gallerie degli Uffizi, Florence; photograph Gabinetto Fotograficao).
Article
The ‘Balbi’ children identified: a proposal
07/2024 | 1456 | 166
Pages: 670–674
related names
Author:
Martin, Gregory (Martin, Gregory)
Author:
Orlando, Anna (Orlando, Anna )
Subjects
artists:
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The Balbi children, here identified as Alessandro, Vincenzo and Francesco Maria Giustiniani Longo, by Anthony van Dyck. c.1627. Oil on canvas, 219 by 151 cm. (National Gallery, London).
Attributed works:
2. Detail of Fig.1, showing two choughs on the portico steps.
Attributed works:
3. Portrait of Alessandro Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 117.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
4. Portrait of a noble Genoese lady, here identified as Lelia De Franchi Toso Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 118.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
5. Detail of Fig.1, showing the bird held by Francesco Maria Giustiniani Longo.
Attributed works:
6. Portrait of Archduchess Isabella Clara Eugenia 1556–1633, Governess of the Netherlands 1621–1633. Southern Netherlandish School. Early 17th century. Oil on canvas, 123 by 100 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels; Atelier de l’imagier).
Short Notice
The missing woman: the reunion of a family portrait by Cornelis de Vos
07/2024 | 1456 | 166
Pages: 708–13
related names
Author:
Jager, Angela (Jager, Angela)
Author:
Wadum, Jørgen (Wadum, Jørgen)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Portrait of husband and wife, by Cornelis de Vos. After 1635. Oil on canvas, 173 by 132 cm. (The Nivaagaard Collection).
Attributed works:
2a–b. Reconstruction showing Portrait of a father and son and Portrait of a woman by Cornelis de Vos reunited.
Attributed works:
2b. Right: Portrait of a woman. 1626. Oil on canvas, 57.5 by 48.7 cm. (The Nivaagaard Collection).
Attributed works:
3. Fig.2b, before conservation in 2014.
Attributed works:
4. Portrait of a family with four daughters and a son, by Cornelis de Vos. 1626. Oil on canvas, 160.5 by 184.5 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
5. Photograph of detail of Fig.2a, showing the lower-right corner after removal of overpaint. 1966. (Statens Museum for Kunst Archive, Copenhagen).
Attributed works:
6. Strainer of Fig.2b, showing the wax seal in the upper-right corner and label reading ‘No 25’ attached to the cross bar.
Attributed works:
7. Detail of the wax seal of Fig.2b, showing the monogram ‘MB’.
Attributed works:
8. Detail of annotated copy of sale catalogue of Lord Northwick’s collection. (National Gallery Research Centre, London, no.NGA 28/1/6).
Article
The Loo family of Haarlem in portraits by Hals and Verspronck
02/2023 | 1439 | 165
Pages: 109-119
related names
Author:
Biesboer, Pieter (Biesboer, Pieter)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the face of Johannes Claesz Loo.
Attributed works:
10. The first platoon under Captain Reijnier van Hogensteijn, of the third company of the Calivermen Civic Guard, by Frans Pietersz de Grebber. 1619. Oil on canvas, 208 by 500 cm. (Frans Hals Museum, Haarlem).
Attributed works:
11. View of the Drye Lelyen Brewery at Haarlem and Velserend Manor, owned by Johan Claesz Loo, by Jacob Adriaensz Matham. 1627. Pen painting on panel, 71 by 116 cm. (Frans Hals Museum, Haarlem).
Attributed works:
12. Loo and Olycan family tree. Names in bold are people whose portraits are illustrated in this article.
Attributed works:
13. Detail of Fig.7, showing Captain Florens Pietersz van der Houff.
Attributed works:
14. Detail of Fig.7, showing Lieutenant Nicolaas Jansz van Loo.
Attributed works:
15. Jacob Pietersz Olycan (1596–1638), by Frans Hals. 1625. Oil on canvas, 124.6 by 97.3 cm. (Mauritshuis, The Hague).
Attributed works:
16. Aletta Hanemans (1606–53), by Frans Hals. 1625. Oil on canvas, 124.8 by 98.2 cm. (Mauritshuis, The Hague).
Attributed works:
17. Nicolaas Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 68 cm. (Frans Hals Museum, Haarlem).
Attributed works:
18. Cornelis Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 69 cm. (Museum of Fine Arts, Budapest).
Attributed works:
19. Aletta Hanemans, wife of Nicolaes Jansz van Loo, by Johannes Cornelisz Versrpronck. 1650. Oil on canvas, 84 by 67 cm. (Location unknown).
Attributed works:
2. Johannes Claesz Loo (1577/78–1660), by Frans Hals. 1653. Oil on canvas, 84.4 by 65.9 cm. (Private collection).
Attributed works:
3. Burgomaster Nicolaes van der Meer, by Frans Hals. 1631. Oil on panel, 128 by 100.5 cm. (Frans Hals Museum, Haarlem).
Attributed works:
4. Portrait of an elderly woman, by Frans Hals. 1650. Oil on canvas, 84.8 by 69.2 cm. (Museum of Fine Arts, Houston).
Attributed works:
5. Officers and Subalterns of the Calivermen of St Hadrian, by Frans Hals. 1633. Oil on canvas, 207 by 337 cm. (Frans Hals Museum, Haarlem).
Attributed works:
6. Detail of Fig.5, showing Colonel Johannes Claesz Loo, seated.
Attributed works:
7. Group portrait of the Officers and Subalterns of the Civic Guard of St George, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Museum, Haarlem).
Attributed works:
8. Detail of Fig.7, showing Colonel Johannes Claesz Loo.
Attributed works:
9. Detail of Fig.10, showing Lieutenant Johannes Claesz Loo, wearing a white doublet.
Article
The sitters in a family portrait by Rubens in the Staatliche Kunsthalle, Karlsruhe
09/2020 | 1410 | 162
Pages: 757-765
related names
Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, by Peter Paul Rubens. Here dated c.1610–11. Oil on canvas, 116 by 112.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
10. Detail of Fig.1, showing one of the bracelets worn by Anna Rindfleisch.
Attributed works:
11. Detail of Allegory of sight, by Jan Brueghel the Elder and Peter Paul Rubens, showing jewellery. 1617. Oil on panel, 64.7 by 109.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, mounted on panel, 178 by 136 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, after Peter Paul Rubens. c.1610–25. Black chalk, pen and brown ink and pencil on parchment, 19.9 by 19.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
4. Jan Brueghel the Elder, his wife, Catharina van Marienberghe, and their children Elisabeth and Pieter, by Peter Paul Rubens. Here dated c.1613–14. Oil on panel, 124.5 by 94.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Page from the album amicorum of Abraham Ortelius, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1583. Pen and ink and wash, 16 by 11 cm. (Pembroke College, Cambridge).
Attributed works:
7. Page from the album amicorum of Daniel Rindfleisch, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1591. Pen and ink and wash, 13.7 by 21.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
8. Self-portrait with his wife, Helena Fourment, and their son, Frans, by Peter Paul Rubens. c.1634. Oil on canvas, 204 by 153.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Detail of Fig.1, showing Albert Staes.
Article
The Nobili altarpiece from S. Maria degli Angeli, Florence
01/2020 | 1402 | 162
Pages: 14-25
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Hypothetical reconstruction of the Nobili altarpiece, S. Maria degli Angeli, Florence, by Agnolo Gaddi and Lorenzo Monaco. 1387–88. Tempera on wood. Reconstruction by the author with Rachel Billinge. Main tier: Virgin and Child enthroned with Sts John the Evangelist, John the Baptist, James and Bartholomew, each panel: 186 by 70 cm. (Gemäldegalerie, Berlin). Predella: left to right Bernardo di Cino Bartolini de’ Nobili and his sons (see Fig.6); Feast of Herod, Crucifixion and St James and the sorcerer Hermogenes, each panel 43 by 67 cm. (Musée du Louvre, Paris); Piera degli Albizzi and her daughters (see Fig.7). Pinnacles: Angel Gabriel; Blessing Redeemer; Annunciate Virgin, each panel 67.3 by 30.5 cm. (Collezione Fondazione Francesco Federico Cerruti, on permanent loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino). Pilasters: Outer left side, top to bottom Deacon saint (see Fig.9); Mary Magdalene (see Fig.8); and Baptism of Christ (see Fig.3). Inner left side, top to bottom St Peter (see Fig.9); and St Benedict (see Fig.8). Inner right side St Paul (see Fig.9); and St Bernard (see Fig.8). Outer right side Bishop saint (see Fig.9); St Catherine (see Fig.8); and Hermogenes throwing books on sorcery into a river (see Fig.4).
Attributed works:
10. Virgin and Child with Sts Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels, by Agnolo Gaddi. c.1387. Tempera on poplar panel, left panel 197 by 80 cm.; middle panel 204 by 80 cm.; right panel 194.6 by 80 cm. (National Gallery of Art, Washington).
Attributed works:
2. Nobili arms as granted to Bernardo di Cino by Charles V of France in 1379 (repr. R. Ciabani: Le famiglie di Firenze, Florence 1992, III, p.806).
Attributed works:
3. Baptism of Christ, by Lorenzo Monaco. 1387–88. Tempera on panel, 38.4 by 28.7cm. (National Gallery, London).
Attributed works:
4. Hermogenes throwing books on sorcery into a river, by Lorenzo Monaco. 1387–88. Tempera on panel, 30.00 by 21.6 cm. (Alana Collection, Newark DE).
Attributed works:
5. Detail of Fig.6.
Attributed works:
6. Bernardo di Cino Bartolini de’ Nobili and his sons, by Lorenzo Monaco. 1387–88. Tempera on wood, 38.1 by 28.9 cm. (Richard L. Feigen Collection, New York).
Attributed works:
7. Piera degli Albizzi and her daughters, by Lorenzo Monaco. 1387–88. Tempera on wood, 27.4 by 21.7 cm. (Alana Collection, Newark DE).
Attributed works:
8. St Mary Magdalene (73.5 by 19cm.); St Benedict (73.7 by 19.4 cm.); St Bernard of Clairvaux (73.7 by 20 cm.), by Agnolo Gaddi. St Catherine of Alexandria (73.6 by 19.4 cm.), by Agnolo Gaddi and Lorenzo Monaco. 1387. Tempera on wood; all now framed together as a single unit. (Clowes Collection, Indianapolis/Newfields Museum of Art).
Attributed works:
9. Bishop saint, St Peter, St Paul and Deacon saint, by Lorenzo Monaco. 1387–88. Now framed together as a single unit, 55.8 by 75 cm. (Gemäldegalerie, Berlin; formerly in Göttingen Universitätsmuseum).
Western art unattributed:
11. Charles V of France and his sons, the future Charles VI, and Louis d’Orléans, with Sts John the Baptist, Charlemagne and Louis of Toulouse; Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.16, Gaignières 444).
Western art unattributed:
12. Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France. c.1374. Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.17, Gaignières 445).
Short Notice
The ‘sovrapporta’ of the studiolo in Urbino
09/2019 | 1398 | 161
Pages: 744-747
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
Illustrations
Attributed works:
1. The north wall of the studiolo in the Palazzo Ducale, Urbino, showing the beginning of the series of Learned Men by Justus of Ghent and ‘Petrus Hispanus’, as briefly reunited in an exhibition in 2015. (Photograph Amanda Lillie).
Attributed works:
2. Federico da Montefeltro, Duke of Urbino, and his son Guidobaldo, by ‘Petrus Hispanus’. c.1476. Oil on fir panel. 138.5 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino; su concessione del Ministero dei beni e delle attività culturali e del turismo; Archivio fotografico).
Attributed works:
3. Reconstruction of the entrance from the Sala delle Udienze to the studiolo in the Palazzo Ducale, Urbino, as it would have appeared c.1476, showing the painting illustrated at Fig.2 above the door. (Photograph Scala; montage the author).
Exhibition Review
Frans Hals: Family Portraits Fondation Custodia, Paris
08/2019 | 1397 | 161
Pages: 671-673
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. Family Portrait in a landscape, by Frans Hals and a Haarlem landscape painter. c.1645– 48. Canvas, 202 by 285 cm. (Museo Nacional Thyssen- Bornemisza, Madrid; exh. Fondation Custodia, Paris).
Attributed works:
7. Installation view of Frans Hals: Family Portraits at the Fondation Custodia, Paris, 8th June–25th August 2019, showing the three reunited fragments of the Van Campen family portrait (Photograph Philip Provily).
Attributed works:
8. The Van Campen family in a landscape (fragment), by Frans Hals. c.1623–25. Oil on canvas, 151 by 164 cm. (Toledo Museum of Art, Toledo OH; exh. Fondation Custodia, Paris).
Attributed works:
Opposite 9. Portrait of a Dutch family, attributed to Frans Hals and Pieter de Molijn. c.1635. Oil on canvas, 112 by 90 cm. (Cincinnati Art Museum, Cincinnati OH; exh. Fondation Custodia, Paris).
Exhibition Review
Sorolla: Spanish Master of Light. National Gallery, London
07/2019 | 1396 | 161
Pages: 588-591
related names
Reviewer:
Kilmurray, Elaine (Kilmurray, Elaine)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
13. The return from fishing, by Joaquín Sorolla. 1894. Canvas, 265 by 403.5 cm. (Musée d’Orsay, Paris; exh. National Gallery, London).
Attributed works:
14. Mother, by Joaquín Sorolla 1895–1900. Canvas, 125 by 169 cm. (Museo Sorolla, Madrid; exh. National Gallery, London).
Attributed works:
15. Sad inheritance!, by Joaquín Sorolla. 1899. Canvas, 210 by 285 cm. (Colección Fundación Bancaja, Valencia; exh. National Gallery, London).
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