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4 articles
Article
Queen Caroline’s Richmond Lodge by William Kent: an architectural model unlocked
05/2015 | 1346 | 157
Pages: 325-330
related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
dates:
dates:
Illustrations
Attributed works:
28. Model of Richmond Lodge, by John (or James) Marsden, after a design by William Kent (Royal Collection Trust/©Her Majesty Queen Elizabeth II)
Attributed works:
29. The entrance façade of Fig.28
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30. Elevation of a pavilion wing of Fig.28
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31. Fig.28 seen from above
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32. The first layer of Fig.28 removed
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33. The piano nobile within Fig.28
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34. The ground floor within Fig.28
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35. Perspective view of the ground floor of Fig.28
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36. Design for the elevation of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Attributed works:
37. Design for Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Attributed works:
38. Design for the ground-floor plan of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Supplement
Recent acquisitions (2001–09) of design at the Victoria and Albert Museum, London
06/2009 | 1275 | 151
Pages: 433-440
related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
dates:
Illustrations
Attributed works:
I. Design for an elaborate cartouche with the Medici arms flanked by Justice and Prudence, by Bernardino Barbatelli, called 'Il Poccetti' (1548–1612). c.1600–12. Black chalk, pen and brown ink, brown wash heigthened with white, on blue paper, squared in black chalk, 32.2 by 26.1 cm. (Victoria and Albert Museum, London).
Attributed works:
II. Presentation design for the baptismal font for Canterbury Cathedral, by or after John Christmas (1599–1654). c.1638–39. Pen and watercolour on vellum, 63.5 by 44.9 cm. (Victoria and Albert Museum, London).
Attributed works:
III. Design for a pendant gas light, by Francis Skidmore (1817–96). c.1850–79. Pen and watercolour, 37.2 by 19.8 cm. (Victoria and Albert Museum, London).
Attributed works:
IV. Presentation design for a statue of the Marquess Cornwallis, by John Bacon the Elder (1740–99). c.1793. Pen and ink and wash on paper, 40 by 25.4 cm (Victoria and Albert Museum, London).
Attributed works:
IX. Elevation and section of the Victoria and Albert Museum’s Cromwell Road façade, by the office of Sir Aston Webb (1849–1930). c.1901. Pen, ink and watercolour on paper, 95 by 49.4 cm. (Victoria and Albert Museum, London)
Attributed works:
V. Presentation design for the sculptural group ‘America’ on the Albert Memorial, by John Bell (1811–95). c.1864. Brown wash over pencil, 61.5 by 74 cm. (Victoria and Albert Museum, London).
Attributed works:
VI. Design for a chessboard, by A.W.N. Pugin (1812–52). c.1830–40. Pen, ink and watercolour, 53.5 by 53.7 cm. (Victoria and Albert Museum, London)
Attributed works:
VII. Design for stained glass for St Mark’s Church, Forest Gate, by Herbert Hendrie ARCA (1887–1947). c.1919. Pen and ink and paint on paper, 49.4 by 26.4 cm. (Victoria and Albert Museum, London)
Attributed works:
VIII. Design drawing for mural decoration in the drawing room of Mulberry House, by Glyn Philpot (1884–1937). c.1929–30. Pencil, watercolour and silver paint, 27 by 19.5 cm. (Victoria and Albert Museum, London)
Attributed works:
X. Design for a sweater for the ‘Ritva Man’, by Patrick Caulfield (1936–2005). c.1972. Pencil, pen and ink on paper, 22.8 by 17.8 and 38.5 by 38.3 cm. (Victoria and Albert Museum, London)
Attributed works:
XI. Fashion illustrations for Tatler and Bystander magazine, by Frances Chapman-Mortimer (1913–2007). c.1948. Pencil and pastel on paper, 29.7 by 21 cm. (Victoria and Albert Museum, London)
Attributed works:
XII. Costume design, by Lez Brotherston (b.1961). c.1994. Pencil, pen and ink and watercolour on paper, 30.3 by 40.4 cm. (Victoria and Albert Museum, London)
Attributed works:
XIII. Selim’s Palace Garden; set model for Glyndebourne, by Oliver Messel (1904–78). c.1956. Wood, cardboard, fabric and paint, 61 by 43.5 by 63.5 cm. (Victoria and Albert Museum, London)
Attributed works:
XIV. Drawing for proposed studio block, Royal College of Art, by Sir Hugh Casson (1910–99). c.1959. Pencil, pen and ink and wash, 53 by 75.9 cm. (Victoria and Albert Museum, London)
Attributed works:
XIX. (top left) Preliminary design for a publicity card for the Edinburgh International Festival, by Hans Schleger (1898–1976). 1973. Pen and ink and cut-paper collage on acetate, 25.5 by 15.9 cm. (Victoria and Albert Museum, London)
Attributed works:
XV. Design for proposed lounge for Peter Jones department store, Chelsea, by Robin Day (b.1915). c.1978. Pencil, pen and ink, wash and collage on paper, 54.7 by 74.5 cm. (Victoria and Albert Museum, London)
Attributed works:
XVI. (upper left) Design for Pansy utility fabric, by Enid Marx (1902–98). c.1945. Gift of the estate of Enid Marx, 2007. Pencil and paint on paper, 34.4 by 30.5 cm. (Victoria and Albert Museum, London)
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XVII. (lower left) Design for jewellery, by Godman and Rabey. c.1960–70. Pencil, ink and watercolour on paper, 19.4 by 14 cm. (Victoria and Albert Museum, London)
Attributed works:
XVIII. (upper right) Original artwork for the propaganda poster ‘Careless Talk costs Lives’, by Cyril Kenneth Bird (‘Fougasse’) (1885–1965). c.1940. Pencil, pen and ink and watercolour on paper, 32.9 by 20.3 cm. (Victoria and Albert Museum, London)
Attributed works:
XX. (upper right) ‘Great Vienna Auto-Expander’, by Zünd-Up. 1969. Drawing and photo collage, 81 by 76 cm. (Victoria and Albert Museum, London)
Attributed works:
XXI. (lower right) Original artwork for the Rolling Stones ‘Tongue and Lips’ logo, by John Pasche (b.1945). c.1970. Gouache on paper, 56 by 82 cm. (Victoria and Albert Museum, London)
Attributed works:
XXII. Maquette for a teapot designed for the Yauatcha restaurant and café in London, by Shin Azumi (b.1968). c.2004. Paper and cardboard, 8 by 20 cm. (Victoria and Albert Museum, London)
Attributed works:
XXIII. Design for Paris 2012 Olympic landmark, by C.J. Lim (b.1964). c.2004. Cut-paper, photocopies and cotton thread on cartridge paper, 84 by 64 by 7 cm. (Victoria and Albert Museum, London)
Supplement
Recent Acquisitions by English Heritage: Supplement
06/1997 | 1131 | 139
Pages: 435-440
related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
I. A View from the Cascade Terrace at Chiswick, by George Lambert and Possibly William Hogarth. c.1742. 77.5 by 103 cm. Acquired 1990 with Support from the National Heritage Memorial Fund, the National Art Collections Fund and the London Historic House Museums Trust.
Attributed works:
II. A View of Chiswick Gardens from across the New Gardens towards the Bagnio, by Pieter Andreas Rysbrack. c.1728-31. 61 by 106.7 cm. Acquired with Support from the NHMF, the NACF, the LHHMT and the Chiswick House Friends, 1995.
Attributed works:
III. Side-Chair, Probably by William Kent. c. 1735. Gilded Pine, 95 by 61.5 by 43.2 cm. One of Two Chairs Acquired by English Heritage, Originally from a Set of Eight Designed for Chiswick House by William Kent.
Attributed works:
IV. Hall Chair Designed for Chiswick House, Probably by William Kent. c.1735. Carved Mahogany, 92.6 by 61 by 48.2 cm. Acquired with Assistance from the NACF, the LHHMT and The Chiswick House Friends.
Attributed works:
V. Armchair. 107 by 70 by 71 cm. One of Five Giltwood Chairs Acquired by English Heritage in 1995 from a Set Supplied to Lady Burlington for Her Garden Room at Chiswick by Stephen Langley in 1735.
Attributed works:
VI. One of a pair of Chiswick side-tables, with carving attributed to Giovanni Battista Guelfi. c.1725. Giltwood with matching inlaid-marble tops, 84.5 by 144.5 by 67.5 cm. Acquired in 1996 with the assistance of the HLF, NACF, the Whitley Trust, the LHHMT and the Chiswick House Friends.
Attributed works:
VII. Henrietta Howard, 9th Countess of Suffolk, by Charles Jervas. 97.2 by 117 cm. This portrait of the mistress of George II, for whom Marble Hill House was built, belonged to her Twickenham neighbour Alexander Pope and later to Horace Walpole. Purchased by private treaty sale in 1994, with support from the NHMF, NACF and LHHMT.
Attributed works:
VIII. Philip Dormer Stanhope, 4th Earl of Chesterfield, by Prince Hoare. c.1740-41. White Marble Bust, 71 cm. High. The Author of the Letters to His Natural Son, Chesterfield Retired to the Blackheath Villa, Now Known as the Ranger's House.
Attributed works:
X. 'Dwarf' cabinet, by George Bullock. 1814. Oak and ebony, with lacquered brass grilles, 144.7 by 160 by 35.6 cm. Inscribed in ink on the top edge of the uppermost drawer: 'A British Oak Cabinet presented by Her Majesty to Her Royal Highness The Princess Sophia of Gloucester. August 1814'. Princess Sophia moved to Ranger's House, Blackheath, in 1815, following her appointment as Ranger of Greenwich Park by her uncle, George III. The cabinet was sold at the house auction in 1845. It is the first securely identified example of Bullock's furniture for the Royal family and presumably commemorates the princess's appointment.
Attributed works:
XI. Wine cooler or 'cistern', by Sefferin Nelson after Robert Adam. c.1773. Carved mahogany with chased ormolu mounts and lead lining, 40.7 by 77.5 by 57.1 cm. Made for Kenwood where it remained until the house sale of 1922. Acquired in 1993 with support from the NACF and the LHHMT.
Attributed works:
XII. Lord William Beauclerk, by Christian Frederick Zincke. Miniature, from a Collection of over One Hundred Portrait Miniatures Formed Since 1988 to Complement the Iveagh Bequest, Kenwood, as the Gift of the Late Marie Elizabeth Jane Irving Draper.
Attributed works:
XIII. Giltwood torchère, designed by Robert Adam. From a design dated 1773. Carved and gilded lime, pine and mahogany, 123 cm. High. Commissioned by Sir Watkin Williams-Wynne for his London residence at 20 St James's Square, where they remained until c.1920. One of a pair acquired by English Heritage for Kenwood in 1990.
Attributed works:
XIV. Pair of pier glasses and side-tables, attributed to William France. c.1760. Glasses, 175 by 116 cm. (each); tables, 80 by 113 by 59 cm. (each). Part of the furnishings at Kenwood from the mid-eighteenth century until they were sold at the Kenwood auction in 1922. Purchased by private treaty sale in 1994, with support from the NHMF, NACF, and LHHMT.
Attributed works:
XIX. Pair of Wine-Coolers, by Paul Storr. Hallmarked 1832. Silver, 27.4 cm. High (Each). Purchased by the NHMF on Behalf of English Heritage, 1990, as Part of the Contents of Brodsworth Hall.
Attributed works:
XV. Two girls dressing a kitten by candlelight, by Joseph Wright of Derby. c.1768-70. 90.8 by 72.4 cm. Acquired through the 'Acceptance in Lieu' Scheme, by English Heritage for Kenwood in 1996 with support from the NHMF, the NACF, the LHHMT and the Friends of Kenwood.
Attributed works:
XVI. Marguerite Hyde, 19th Countess of Suffolk, by John Singer Sargent. 243.8 by 129.9 cm. Daisy Leiter, the daughter of an American multimillionaire, married Henry, 19th Earl of Suffolk and 12th Earl of Berkshire, in 1904. It was her wish that the Suffolk Collection should be given to the nation. Bequeathed by the Hon. Mrs Greville Howard, daughter-in-law of the sitter, to hang at Ranger's House, 1994.
Attributed works:
XVII. Le pêcheur, by François Boucher and studio. 98 by 80 cm. The pendant to the first painting purchased by Lord Iveagh, The flower gatherers, this studio replica is after the original of 1759, now in the Hamburger Kunsthalle, the pair to which is in the Timken Gallery, San Diego. The two compositions are now permanently reunited at Kenwood.
Attributed works:
XVIII. The child asleep, by Giosue Argenti. 1867. Marble, 38 by 127 by 59 cm. Purchased by the NHMF on behalf of English Heritage for Brodsworth Hall, 1990. Exhibited at the Dublin International Exhibition of 1865. Part of a large collection of contemporary Italian sculpture installed at Brodsworth in 1867, including works by Giuseppe Lazzarini, Pietro Magni and Pietro Franchi.
Attributed works:
XX. Madame Isaac de Thellusson, by Nicholas de Largillière. 1725. 104 by 137.5 cm. The sitter was the mother of Peter Thellusson who, on his death in 1797, left his estate valued at over £700,000 in trust to earn interest for three generations. Purchased by the NHMF in 1990 as part of the contents of Brodsworth Hall.
Attributed works:
XXI. Mrs Charles Thellusson and her son, Charles, by Thomas Lawrence. c.1803. 246.4 by 142.3 cm. Purchased by the NHMF on behalf of English Heritage. Mrs Thellusson's grandson built Brodsworth Hall, 1861-70. Brodsworth was acquired by the nation in 1990 as the most complete surviving example of a Victorian country house in England.
Western art unattributed:
IX. Eight-Leaf Lacquer Screen, Bearing the Arms of Henrietta Howard, 9th Countess of Suffolk. Chinese (Canton), c.1740. 179 by 48.3 cm. Recorded in the Marble Hill Inventory of 1767 and Probably Removed from the House in 1824; Purchased 1992.
Short Notice
'Mourning Achilles': A Missing Sculpture by Thomas Banks
12/1983 | 969 | 125
Pages: 742-745
related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
artists:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
15. The Fine Arts Commissioners in 1846, by John Partridge. c. 1846-53. 188 by 372.8 cm. Photographed c. 1880. (National Portrait Gallery).
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16. Sketch for Fig. 15, by John Partridge. c. 1846. Oil on Paper, 47.6 by 86 cm. (National Portrait Gallery).
Attributed works:
17. Detail from Fig. 15. 18. Ira Aldridge, by James Northcote. 1826. 76.2 by 63.5 cm. (City of Manchester Art Galleries). 19. The anger of Achilles at the loss of Briseis, by Alexander Runciman. c. 1770. Pen, ink and wash, 18.9 by 25.4 cm. (Collection Lord Runciman).