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38 articles
Book Review
William Kent’s Ceiling Paintings at Houghton Hall
08/2024 | 1457 | 166
Pages: 887
related names
Reviewer:
Hamlett, Lydia (Hamlett, Lydia)
Subjects
artists:
Reviewed Items
subjects:
William Kent’s Ceiling Paintings at Houghton Hall By John Laycock. 168 pp. incl. numerous col. + b. & w. ills. (Houghton Arts Foundation, King’s Lynn, 2021), £20. ISBN 978–1–5272–5506–7. | :
Article
George I’s Kensington Palace: the sculptural dimension
11/2023 | 1448 | 165
Pages: 1196-1205
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
media:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Summer from Four Seasons, by Camillo Rusconi. c.1695. Marble, height (without pedestal) 74.9 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
10. Flora, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 159 cm.; 11. Apollo, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 165 cm.; 12. Mercury, by J.M. Rysbrack. 1724. Gilded lead, height 167 cm.; 13. Diana, by J.M. Rysbrack. 1724. Gilded lead, height 173 cm. (All © 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
14. Roman Marriage, by J.M. Rysbrack. 1723. Marble, 195 by 155 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
15. John Michael Rysbrack, by John Faber the Younger after John Vanderbank. 1734. Mezzotint, 35.4 by 25.2 cm (sheet). (National Portrait Gallery, London).
Attributed works:
16. Flora, by Sigismondo Betti. c.1710–30. Pencil drawing on paper, 57 by 48 cm. (Eton College Library, Windsor; reproduced by permission of the Provost and Fellows of Eton College).
Attributed works:
17. The Cupola Room, Kensington Palace. Photograph. c.1930. (© Historic Royal Palaces).
Attributed works:
18. Hermes Andros / Farnese, attributed to Andrew Carpenter. 1724. Lead, height 78 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
19. ‘Archimedes’, by Hubert Le Sueur. c.1637–38. Bronze, height 41 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
2. Kensington Palace: the King’s Gallery, by Charles Wild. 1816. Watercolour with touches of bodycolour over etched outlines, 19.8 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
20. Detail of Fig.7, showing a bust over the fireplace.
Attributed works:
21. Bust of an unknown woman. Early seventeenth century. Bronze, height 71 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
3. The King’s Gallery, Kensington Palace, looking east, with the paintings hung as in George I’s time, with Camillo Rusconi’s Four Seasons on the window piers. (© Historic Royal Palaces).
Attributed works:
4. Kensington Palace: Queen Caroline’s Drawing Room, by Charles Wild. c.1816. Pen and ink with watercolour and bodycolour, over pencil, 20.3 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
5. A Roman statue, by Elisha Kirkall. 1720s. Mezzotint, 36.5 by 21.5 cm. (British Museum, London).
Attributed works:
6. Kensington Palace: the Great Staircase, by Charles Wild. 1819. Pen and ink with watercolour and bodycolour, over etched outlines, 25.2 by 20.2 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
7. Kensington Palace: the Cupola Room, by Richard Cattermole. c.1817. Pen and ink with watercolour and bodycolour, over pencil, 20.4 by 25.3 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
8. Bacchus, by J.M. Rysbrack. 1724. Gilded lead, height 170 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
9. Ceres, by J.M. Rysbrack. 1724. Gilded lead, height 193 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Article
Was Lord Burlington a Jacobite?
08/2019 | 1397 | 161
Pages: 626-637
related names
Author:
Echlin, Alexander (Echlin, Alexander)
Subjects
art literature:
artists:
Illustrations
Attributed works:
1. Ceiling of the Octagonal Hall at Chiswick House, London. (Historic England Archive).
Attributed works:
10. Detail of the ceiling painting in the King’s Gallery, Kensington Palace, London, by William Kent. 1728. (Historic Royal Palaces).
Attributed works:
11. Opposite Detail of the ceiling painting in the Red Velvet Room, Chiswick House, London, attributed to William Kent. c.1729/30. (Historic England Archive).
Attributed works:
12. Detail of the ceiling painting in the Summer Parlour, Chiswick House, London, attributed to William Kent. c.1735.
Attributed works:
13. The Banquet of the Gods, by William Kent. 1719–20. Oil on canvas, 350 by 630 cm. (Royal Academy of Arts, London).
Attributed works:
14. and 15. Winter and Spring from The Four Seasons, by Massimiliano Soldani-Benzi. 1715. Bronze with ebonised pearwood frames, each 48 by 66.3 cm. (Royal Collection, © Her Majesty Queen Elizabeth II 2019).
Attributed works:
16. Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, with his wife Dorothy Savile and their daughters, by Jean-Baptise van Loo. 1739. Oil on canvas, 264.2 by 190.5 cm. (Devonshire Collection, Chatsworth, reproduced by permission of Chatsworth Settlement Trustees; Bridgeman Images).
Attributed works:
17. Captain Lord George Graham in his cabin, by William Hogarth. 1742–44. Oil on canvas, 68.5 by 88.9 cm. (National Maritime Museum, Greenwich, London, Caird Collection).
Attributed works:
18. Richard Boyle Earl of Burlington &c, by John Faber the Younger after Sir Godfrey Kneller. 1734. Mezzotint on paper, 36.5 by 26.5 cm. (Victoria and Albert Museum, London).
Attributed works:
2. ‘The inside of the Octagonal Hall’, Chiswick House, London, from William Kent: The Designs of Inigo Jones, London 1727, I, p.72.
Attributed works:
3. Opposite top left ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.13. (Photograph Alec Barr).
Attributed works:
4. Opposite top right ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.14. (Photograph Alec Barr).
Attributed works:
5. Opposite bottom left ‘Temple of Fortuna Virilis’ (Temple of Portunus), Rome, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.102.
Attributed works:
6. Opposite bottom right ‘Temple of Vesta, Tivoli’, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.93.
Attributed works:
7. Right Ceiling of the Cupola Room, Kensington Palace, London, 1722–23. (Historic Royal Palaces).
Attributed works:
8. Below right George II in the library of St James’s Palace, by Charles Phillips. c.1725–48. Oil on canvas, 112 by 86 cm. (Marble Hill House, London; photograph Historic England Archive).
Attributed works:
9. Detail of the ceiling painting in the North Hall, Stowe House, Buckinghamshire, by William Kent. c.1728–31.
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Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Article
Queen Caroline’s Richmond Lodge by William Kent: an architectural model unlocked
05/2015 | 1346 | 157
Pages: 325-330
related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
dates:
dates:
Illustrations
Attributed works:
28. Model of Richmond Lodge, by John (or James) Marsden, after a design by William Kent (Royal Collection Trust/©Her Majesty Queen Elizabeth II)
Attributed works:
29. The entrance façade of Fig.28
Attributed works:
30. Elevation of a pavilion wing of Fig.28
Attributed works:
31. Fig.28 seen from above
Attributed works:
32. The first layer of Fig.28 removed
Attributed works:
33. The piano nobile within Fig.28
Attributed works:
34. The ground floor within Fig.28
Attributed works:
35. Perspective view of the ground floor of Fig.28
Attributed works:
36. Design for the elevation of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Attributed works:
37. Design for Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Attributed works:
38. Design for the ground-floor plan of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)
Article
William Kent
06/2014 | 1335 | 156
Pages: 391-394
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
56. Monument to John Gay, sculpted by John Michael Rysbrack, perhaps designed by William Kent (Westminster Abbey, London)
Attributed works:
57. The Stone Hall, Houghton Hall, Norfolk, after alteration by William Kent. Original structure by James Gibbs or Colen Campbell
Attributed works:
58. The Stone Hall, Houghton Hall, Norfolk, after alteration by William Kent. Original structure by James Gibbs or Colen Campbell
Attributed works:
59. Mary Tudor and Charles Brandon, 1st Duke of Suffolk. Anonymous sixteenth-century painter/or attributed to Jan Gossaert. Engraved by George Vertue. The design of the frame is here attributed to William Kent (National Portrait Gallery, London)
Attributed works:
60. Console table, design here attributed to William Kent (English Heritage, Chiswick House, London; exh. Victoria and Albert Museum, London)
Attributed works:
61. The elephant and the bookseller, etched and engraved by Paul Fondrinier [Fourdrinier] after a design by William Kent. From John Gay, Fables, London 1727 (Bard Graduate Center Library, New York)
Exhibition Review
Chiswick House. London
10/2010 | 1291 | 152
Pages: 692-693
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Chiswick House | institution: Chiswick House
Illustrations
Attributed works:
38. The exedra at Chiswick House with Roman statues from Hadrian’s Villa, designed by William Kent. Photograph 2010.
Attributed works:
39. The restored doric column at Chiswick House, designed by William Kent, with a copy of the statue of the Medici Venus. Photograph 2010.
Attributed works:
40. The new restaurant pavilion at Chiswick House, designed by architects Caruso St John. Photograph 2010.
Book Review
William Kent. Architect, Designer, Opportunist
03/2007 | 1248 | 149
Pages: 193-194
related names
Reviewer:
Miele, Chris (Miele, Chris)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
William Kent. Architect, Designer, Opportunist | author: Mowl, Timothy
Advertisements
Advertisements November 2003 (Front)
11/2003 | 1208 | 145
Pages: i-x
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Chelminski Gallery. 616 King’s Road, London SW6 2DU. Hindu Girl by Sir Richard Westmacott RA. Exhibited at the Royal Academy 1821. Ht. 39in. (99cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. NICOLAS POUSSIN (Normandy 1594-1665 Rome). The Holy Family with the Infant Saint John the Baptist. Oil on canvas. 51x67.5cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Giovanni Battisti Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Baptism of Christ. Oil on canvas, 93x47.2cm]
Attributed works:
[Hall & Knight Ltd. 21 East 67th Street. New York, NY 20021. 43 New Bond Street, London. W1S 2SA. JEAN-ANTOINE HOUDON (Versailles 1741-1828 Rome) Portrait Bust of Voltaire (1691-1778). Signed and dated under the right shoulder under the cut of the bust: houdon f.1778. 60cm high (23 5/8 inches) including socle.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Jean-Baptiste Greuze (1725-1805) Tete de jeune garçon. Red chalk, 48.5x31.5 cm (29 2/8 x 12 3/8 in)]
Attributed works:
[Hill-Stone, Inc., Box 273, Gracie Station, New York. Nicola Monti. Pistoia 1780-1864 Cortona. A Scene from Classical History. Oil sketch in brown pen and wash over black chalk, heightened with white and glazed. Signed by the artist and dedicated to Francesco Tolomei, the author of the Guida di Pistoia, 1821. 360x440 mm. (14 1/4x17 1/4 inches)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Paulus Moreelse. 1571 - Ultrecht - 1638. Portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a draped table. Oil on canvas. 49x38 1/2ins. 124.5x97cm. Signed and dated 1621 and inscribed: Eta Sua 29]
Attributed works:
[Katrin Bellinger, Possartstrasse 35, 81679 Munich, Germany, at Colnaghi, 15 Old Bond Street, London. W1S 4AX. FRANCESCO GUARDI (1712-1793). The Fondamenta Nuove, Venice, with the Island of San Michele. Pen and brown ink and wash over black chalk, 236x453mm (9 1/4x17 7/8 in.). Provenance: The Marquis de Chennevières (Lugt 2073); Private collection, England.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. PSUEDO-HIEPES act. c. 1650-1675. A Still Life of Flowers in a Glass Vase with a Cheese and a Honeycomb in Bowl and Two Partridge on a Stone Ledge. Oil on canvas: 54x86.5cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Girolamo Mazzola Bedoli, The Madonna and Child with Saint Joseph, circa 1535. Oil on panel, 24.7 by 29 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605 Hamburg. JORIS (GEORG) HOEFNAGEL. 1542 Antwerp - Vienna 1601. Vanitas (Still-Lifewith Skull, Fruits, Flowers and Insects). Gouache and watercolour on parchment. Inscribed in gold on a blue cartouche: Contuere hoc quio sit genio tantumque vacato, Qam lubet: huicfiec tu similisqe. semel. Verso inscribed with pen: Joris Hoefnagel pingebat. 169x115 mm]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. W1S 1SR. A fine George II gilt gesso and later decorated Console Table, in the manner of William Kent.]
Advertisements
Advertisements November 2002 (front)
11/2002 | 1196 | 144
Pages: i-xvi
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Abby Green Antiques, Mariaplaats 45, 3511 LL Utrecht, Holland] Wooden relief of a marten raiding a robin's nest by Jean Demontreuil. circa 1793. 17 in (43 cm) 14 1/2 in (37 cm)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Paolo de Matteis (Cliento 1662 - 1728 Naples) The Triumph of Galatea, oil on canvas 125 x 97cm (49 1/4 x 38 1/8in).
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Pseudo Pier Francesco Fiorentino. Active Second Half of the Fifteenth Century Madonna and Child with the Young Saint John the Baptist, with God the Father Above Tempera on popular panel, with an arched top, 40⅛ by 20½ in, 101.9 by 52.1 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A bowl of flowers, by Jean Baptiste Monnoyer (1636-1699). Signed. Oil on canvas, 86.3 x 106.6 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An important massive Flight, Barr & Barr Worcester vase. English, circa 1820-25
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Cornelis Jacobsz, Delff, (1571-1643) Still Life of Kitchen Utensils Oil on panel, 75 x 105 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] How Now Spirit, Whither Wander You? Puck Mocking Three Wood Nymphs, by Arthur Rackham, 1923. Signed and dated. Oil on board, 48.3 x 34.3 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Two figures in front of an Amada, attributed to Lazzaro Tavarone (Genoa 1556-1641 Genoa). Pen and brown ink over black chalk with brown wash.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Claude Lorrain Lorraine 1600 - 1682 Rome Le soleil levant (Harbour Scene with rising sun) Etching; 1634. Mannocci 15, the rare fourth state of eight before the addition of the date
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Ludolf Backhuysen (1631-1708) The IJ in Amsterdam with a Fluyt and Men O'War Oil on canvas: 44.5 x 58.8 cms. Signed.
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A detail from a panel of stained glass by Hans Holbein the Younger, c. 1520
Attributed works:
[Stern Pissarro Gallery, 46 Ledbury Road, London, UK] Yvon (Vey) Pissarro. Farmhands, Pencil drawing, 80 x 120cm, Signed lower centre
Attributed works:
[Yale University Press advertisement] The Blue Four Collection at the Norton Simon Museum Vivian Endicott Barnett This beautiful book presents almost five hundred items from the collection of Emmy (Galka) Scheyer, the founder of the Blue Four artists' group. It features numerous works by the Blue Four, as well as those by such European artists as Picasso, Léger, Nolde, Kurt Schwitters and El Lissitzky.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Japanese bronze group of combatant Sumurai. Meiji period, circa 1880. Height: 35 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] qAn underglaze blue charger. Arita, Edo period Japan, circa 1680.
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady wearing long elaborate robes covered in a rich sancai glaze. The feet enclosed in curled upturning slippers. Chinese, Tang Dynasty 618-906 AD. Height: 38 cm (15 in).
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady. Chinese, Tang Dynasty, 618-906 AD. Height: 38 cm
Western art unattributed:
Joseph with Jacob in Egypt, By Jacopo Pontormo. Probably 1518. Panel, 96.5 by 109.5cm. (National Gallery, London)
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A gilt and polychrome sculpture in oak from an Antwerp altar-piece. Flemish, 1500. Height: 37 cm.
Western art unattributed:
[Prestel (printers) advertisement] Africa: Art and Culture Ethnological Museum, Berlin Edited by Hans-Joachim Koloss One of the world's finest collections of African art, the Ethnological Museum in Berlin contains important masterpieces from throughout the continent. This stunning volume surveys the collection's highlights including the world famous Ife collection from Nigeria.
Western art unattributed:
[Prestel (printers) advertisement] Glass Art Reflections of the Centuries Helmut Ricke A valuable resource covering all periods of glass from pre-history to the present, this magnificent book is a catalogue of the world-famous collection of the Glasmuseum Hentrich in Düsseldorf's Museum Kunst Palast.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Raft of the Medusa Géricault, Art, and Race Albert Alhadeff In this dramatic re-examination of one of the most influential paintings of the Romantic era, the author shows how Géricault's seminal canvas was one of the first uses in European art of a black figure to symbolize the hopes of all humanity.
Western art unattributed:
[Yale University Press advertisement] Artists on the Left American Artists and the Communist Movement, 1926-1956 Andrew Hemingway This remarkable book is the first to examine in abundant detail the relation between visual artists and the American Communist movement during the twentieth century.
Western art unattributed:
[Yale University Press advertisement] Georgia O'Keeffe and the Calla Lily in American Art, 1860-1940 Barbara Buhler Lynes With essays by Charles C. Eldredge and James Moore The exotic South African calla lily, introduced in the United States during the second half of the 19th-century, became a recurring motif in works by important painters and photographers, particulary Georgia O'Keeffe who depicted the flower so many times and in such provocative ways that by the early 1930s she became known as 'the lady of the lilies'. This gorgeous book features 54 paintings, photographs and drawings of the calla lily dating from the 1860s to 1940, and an introduction by the esteemed O'Keeffe scholar Barbara Buhler Lynes.
Western art unattributed:
[Yale University Press advertisement] John Ruskin Tim Hilton This captivating and moving book is the authoritative biography of John Ruskin. Drawing on the complete text of Ruskin's diaries and many thousands of unpublished letters and other documents, Tim Hilton provides fresh insight into Ruskin's literary achievement and tormented life. "A stupendous biography"-Fiona MacCarthy, The Times
Western art unattributed:
[Yale University Press advertisement] Marsden Hartley Edited by Elizabeth Mankin Kornhauser Marsden Hartley (1877-1943) was a painter, poet, writer and pioneer of American modernism. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output.
Western art unattributed:
[Yale University Press advertisement] Millet to Matisse 19- and 20-Century French Paintings from Kelvingrove Art Gallery. Glasgow Edited by Vivien Hamilton The City of Glasgow possesses an internationally-renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features 64 of the finest paintings in this collection, providing a short essay on each work as well as full catalogue details.
Western art unattributed:
[Yale University Press advertisement] Mrs. Astor's New York Money and Social Power in a Gilded Age Eric Homberger Mrs. Astor, undisputed queen of New York society in the decades before the First World War, used her prestige to create a social aristocracy in the city. Her story, which reads like a novel by Edith Wharton, sheds important new light on the origins, extravagant lifestyle and social competitiveness of this aristocracy, and it is told here with vigour and elegance by Eric Homberger.
Western art unattributed:
[Yale University Press advertisement] Print the Legend Photography and the American West Martha A. Sandweiss Resurrecting scores of little-known images of the 19th-century American West, this book offers engaging tales of ambitious photographic adventurers, missing photographs and misinterpreted images. Chronicling both the history of a place and the history of a medium, it portrays how Americans first came to understand western photographs, and, consequently, to envision their expanding nation.
Western art unattributed:
[Yale University Press advertisement] The Medici, Michelangelo, and the Art of Late Renaissance Florence Cristina Acidini et al. This beautiful and authoritative book is the catalogue for an international exhibition.
Western art unattributed:
[Yale University Press advertisement] Théodore Chassériau The Unknown Romantic Bruno Chenique, Stéphane Guégan, Vincent Pomarède and Louis-Antoine Prat With contributions by Christine Peltre and Peter Benson Miller Théodore Chassériau was one of the most sensual and intellectual painters of his time. This beautiful book presents more than 250 of his paintings, drawings and prints. The text of the essays and entries focus on the artist's personality, his professional and social milieu and on the works themselves.
Western art unattributed:
[Yale University Press advertisement] Venice, Fragile City 1797-1997 Margaret Plant This wide-ranging cultural history of Venice from the fall of the Republic in 1797 until 1997 shows how it has changed and adapted, and how perceptions of it have shaped its reality.
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