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131 articles
Article
Leonardo’s speaking picture: the ‘Salvator Mundi’ redivivus
12/2021 | 1425 | 163
Pages: 1162-1171
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related names
Author:
Farago, Claire (Farago, Claire)
Subjects
artists:
Leonardo da Vinci / Luini, Bernardino / Melzi, Francesco / Salai, Andrea
subjects:
Attributions / Renaissance art / Provenance / Scientific analysis / Infrared photography / Restoration (process) / Pentimenti / Preliminary drawings / Research / Technical analysis / Dating / Damage to works of art
subjects:
Copies / Versions
works:
Salvator Mundi (attrib. Leonardo da Vinci)
Illustrations
Attributed works:
10. Detail of Fig.2, showing Christ’s left hand holding the orb.
Attributed works:
2. Christ as Salvator Mundi (Cook/Saudi version), attributed to Leonardo da Vinci, photographed in its restored state, 5th October 2017. After 1507. Oil on walnut panel, 65.5 by 45.1–45.6 cm. (Collection Kingdom of Saudi Arabia; courtesy Salvator Mundi LLC).
Attributed works:
3. Study of drapery for a Salvator Mundi, by Leonardo da Vinci. c.1504– 08. Red chalk with touches of white chalk and pen on pale red prepared paper, 22 by 13.9 cm. (Royal Collection / Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2021; Bridgeman Images).
Attributed works:
4. Studies of draperies for a Salvator Mundi, by Leonardo da Vinci and workshop. c.1504–08. Red chalk with pen and ink and white heightening on pale red prepared paper, 16.4 by 15.8 cm. (Royal Collection / Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2021; Bridgeman Images).
Attributed works:
5. Christ as Salvator Mundi, by Wenceslaus Hollar after Leonardo da Vinci. 1650. Etching, 25.5 by 17.9. cm. (Royal Collection / Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2021; Bridgeman Images).
Attributed works:
6. Christ as Salvator Mundi (Cook/Saudi version), attributed to Leonardo da Vinci, photographed in its cleaned state, 2005. After 1507. Oil on walnut panel, 65.5 by 45.1–45.6 cm. (Collection Kingdom of Saudi Arabia; courtesy Salvator Mundi LLC).
Attributed works:
7. The Cook/Saudi Salvator Mundi, photographed by William Edward Gray when in the Cook Collection, before 1913. (Witt Library, London).
Attributed works:
8. Detail from Portrait of Sublet de Noyers, frontispiece to Roland Fréart de Chambray: Parallèle de l’architecture antique avec la modern, Paris 1650. Engraving by George Tournier after Charles Errard. (Getty Research Institute, Los Angeles; courtesy Getty Open Content Program).
Attributed works:
9. Detail of Fig.2, showing Christ’s right hand.
Western art unattributed:
1. Christ Pantocrator carrying the Gospel of John, central apse mosaic in Cefalù Cathedral. Completed before 1170. (© NPL - DeA Picture Library; photograph A. De Gregorio; Bridgeman Images).
Article
A further drawing for Pietro da Cortona’s ‘Age of Bronze’
03/2011 | 1296 | 153
Pages: 168-171
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Cortona, Pietro da
buildings:
Palazzo Pitti, Florence, Italy
dates:
1640-1649
museums and institutions:
Dulwich Picture Gallery, London, Great Britain
print:
Cortona, Pietro da
subjects:
Preliminary drawings / Drawings / Italian / Collections, Public / Studies (visual works) / Figure studies / Copies
subjects:
Italian painting / Frescoes
Illustrations
Attributed works:
41. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 35 by 25 cm. (Dulwich Picture Gallery, London).
Attributed works:
42. The Age of Bronze, by Pietro da Cortona. 1641. Fresco. (Sala della Stufa, Palazzo Pitti, Florence).
Attributed works:
43. Study for the Age of Iron, by Pietro da Cortona. 1641. Pen and ink and red chalk on paper, 18.7 by 19.4 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
44. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink on paper, 28 by 20 cm. (Galleria degli Uffizi, Florence).
Attributed works:
45. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 33.3 by 26 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
46. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over red chalk on paper, 33.8 by 26.5 cm. (Collection Dr Arthur Feldmann, Brno, Czech Republic. Confiscated by the Gestapo on 15th March 1939. Restituted by the National Gallery in Prague to the Feldmann heirs).
Attributed works:
47. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 23.3 by 17.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
48. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink and brown wash over black chalk on paper, 40.5 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
49. Figure study for the Age of Bronze, by Pietro da Cortona. 1641. Black chalk and white lead on paper, 34.8 by 23.1 cm. (Istituto Nazionale per la Grafica, Rome).
Western art unattributed:
50. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 81.9 by 65.4 cm. (Dulwich Picture Gallery, London).
Western art unattributed:
51. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 83.9 by 62.2 cm. (National Museum of Wales, Cardiff).
Article
The ‘Cartones of Leonardo da Vinci’
03/2011 | 1296 | 153
Pages: 148-155
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related names
Author:
Wolk-Simon, Linda (Wolk-Simon, Linda)
Subjects
artists:
Leonardo da Vinci
artists:
Boltraffio, Giovanni Antonio
collectors and dealers:
Lawrence, Thomas
museums and institutions:
Musée des Beaux Arts, Strasbourg, France
print:
Leonardo da Vinci
print:
Cartoons (working drawings)
subjects:
Cartoons (working drawings) / Attribution / Provenance / Italian / Preliminary drawings / Drawings
subjects:
Collections, Private / Collections, Public
subjects:
Jesus Christ: Last Supper
works:
Last Supper (Convent of Santa Maria delle Grazie, Milan)
Illustrations
Attributed works:
1. Head of St Bartholomew from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions in watercolour, 62.5 by 43.5 cm. (Private collection, London).
Attributed works:
10. Head of Judas from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.5 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
11. Head of St Peter from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.5 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
12. Head of Saint John the Evangelist from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth cen­tury. Black chalk, pastel and watercolour, 56.2 by 43.2 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
13. Head of Christ from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.4 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
2. Head of St James the Less from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 67.3 by 50.8 cm. (Collection of Mr and Mrs John M. Angelo, New York).
Attributed works:
3. Head of St Andrew from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 64 by 46.5 cm. (Private collection, London).
Attributed works:
4. Heads of Judas and St Peter from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 66.6 by 50.8 cm. (Ackland Art Museum, University of North Carolina, Chapel Hill, Ackland Fund 77.53.1).
Attributed works:
5. Head of St John the Evangelist from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 67.9 by 50.2 cm. (Collection of Mr and Mrs John M. Angelo, New York).
Attributed works:
6. Heads of Sts Thomas and James the Greater from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal, with later additions, 62.2 by 44.8 cm. (Ackland Art Museum, University of North Carolina, Chapel Hill, Ackland Fund 77.53.2).
Attributed works:
7. Head of St Philip from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 61.5 by 43 cm. (Private collection, London).
Attributed works:
8. Head of St James the Less from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.5 by 43.3 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
9. Head of St Andrew from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.2 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Western art unattributed:
14. The private sitting room of Sir Thos. Lawrence. Anonymous. 1830. Aquatint and etching, 30 by 42 cm. (British Museum, London).
Book Review
John Singer Sargent’s ‘Triumph of Religion’ at the Boston Public Library: Creation and Restoration
12/2010 | 1293 | 152
Pages: 814-815
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related names
Reviewer:
Simpson, Marc (Simpson, Marc)
Subjects
artists:
Sargent, John Singer
buildings:
Boston Public Library, Boston, United States
dates:
1890-1899 / 1900-1919
places:
Boston / United States
print:
Sargent, John Singer
subjects:
Paintings / Wall paintings / Conservation / Preliminary drawings / Restoration (process) / Technical analysis / Scientific analysis / Photographs
Reviewed Items
subjects:
John Singer Sargent’s ‘Triumph of Religion’ at the Boston Public Library: Creation and Restoration | editor: Khandekar, Narayan , editor: Pocobene, Gianfranco , editor: Smith, Kate
Illustrations
Attributed works:
40. Study for a mourning angel in the Sorrowful mysteries, by John Singer Sargent. c.1903–12. Charcoal with chalk on laid paper, 60.9 by 40.9 cm. (Museum of Fine Arts, Boston).
Article
Three street drawings by Gustave Caillebotte
08/2010 | 1289 | 152
Pages: 536-539
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related names
Author:
Park, Malcolm (Park, Malcolm)
Subjects
artists:
Caillebotte, Gustave
dates:
1870-1879
museums and institutions:
Art Institute of Chicago, Chicago, United States
places:
Paris
print:
Caillebotte, Gustave
subjects:
Drawings / Preliminary drawings / French painting / French
subjects:
Topographical views
Illustrations
Attributed works:
30. Rue de Paris; temps de pluie, by Gustave Caillebotte. 1877. Canvas, 212.2 by 276.2 cm. (Art Institute of Chicago).
Attributed works:
31. View from rue de Madrid towards rue de Lisbonne, by Gustave Caillebotte. c.1875. Graphite and conté crayon(?) on laid paper, 43.5 by 47 cm. (Private collection).
Attributed works:
32. View from rue de Madrid towards rue de Lisbonne, by Gustave Caillebotte. c.1875. Graphite and conté crayon on tracing paper, 62 by 92.5 cm. (Private collection).
Attributed works:
33. Paving stones in rue de Madrid, with a view towards rue de Lisbonne, by Gustave Caillebotte. c.1875. Graphite on tracing paper, 54.2 by 42.6 cm. (Private collection).
Attributed works:
34. Composite overlay of line drawings after Figs.31–33. Format A: possible proportions of an original image that was enlarged from a photograph.
Western art unattributed:
35. Postcard photograph of rue de Lisbonne, inscribed ‘1909’ (Bibliothèque nationale de France, Paris).
Western art unattributed:
36. Photograph taken from Caillebotte’s viewpoint for Drawings 1, 2 and 3 (Figs.31–33). 1998.
Western art unattributed:
37. Location plan. Viewpoint in rue de Madrid and direction of view towards rue de Lisbonne.
Supplement
Recent acquisitions (2001–09) of design at the Victoria and Albert Museum, London
06/2009 | 1275 | 151
Pages: 433-440
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related names
Author:
Bryant, Julius (Bryant, Julius)
Subjects
dates:
2000-2009
museums and institutions:
Victoria and Albert Museum, London, Great Britain
print:
Collections, Public / London / Victoria and Albert Museum, London, Great Britain
subjects:
Acquisitions / Collections, Public / Design / Drawings / Preliminary drawings / Models (representations) / Paintings
Illustrations
Attributed works:
I. Design for an elaborate cartouche with the Medici arms flanked by Justice and Prudence, by Bernardino Barbatelli, called 'Il Poccetti' (1548–1612). c.1600–12. Black chalk, pen and brown ink, brown wash heigthened with white, on blue paper, squared in black chalk, 32.2 by 26.1 cm. (Victoria and Albert Museum, London).
Attributed works:
II. Presentation design for the baptismal font for Canterbury Cathedral, by or after John Christmas (1599–1654). c.1638–39. Pen and watercolour on vellum, 63.5 by 44.9 cm. (Victoria and Albert Museum, London).
Attributed works:
III. Design for a pendant gas light, by Francis Skidmore (1817–96). c.1850–79. Pen and watercolour, 37.2 by 19.8 cm. (Victoria and Albert Museum, London).
Attributed works:
IV. Presentation design for a statue of the Marquess Cornwallis, by John Bacon the Elder (1740–99). c.1793. Pen and ink and wash on paper, 40 by 25.4 cm (Victoria and Albert Museum, London).
Attributed works:
IX. Elevation and section of the Victoria and Albert Museum’s Cromwell Road façade, by the office of Sir Aston Webb (1849–1930). c.1901. Pen, ink and watercolour on paper, 95 by 49.4 cm. (Victoria and Albert Museum, London)
Attributed works:
V. Presentation design for the sculptural group ‘America’ on the Albert Memorial, by John Bell (1811–95). c.1864. Brown wash over pencil, 61.5 by 74 cm. (Victoria and Albert Museum, London).
Attributed works:
VI. Design for a chessboard, by A.W.N. Pugin (1812–52). c.1830–40. Pen, ink and watercolour, 53.5 by 53.7 cm. (Victoria and Albert Museum, London)
Attributed works:
VII. Design for stained glass for St Mark’s Church, Forest Gate, by Herbert Hendrie ARCA (1887–1947). c.1919. Pen and ink and paint on paper, 49.4 by 26.4 cm. (Victoria and Albert Museum, London)
Attributed works:
VIII. Design drawing for mural decoration in the drawing room of Mulberry House, by Glyn Philpot (1884–1937). c.1929–30. Pencil, watercolour and silver paint, 27 by 19.5 cm. (Victoria and Albert Museum, London)
Attributed works:
X. Design for a sweater for the ‘Ritva Man’, by Patrick Caulfield (1936–2005). c.1972. Pencil, pen and ink on paper, 22.8 by 17.8 and 38.5 by 38.3 cm. (Victoria and Albert Museum, London)
Attributed works:
XI. Fashion illustrations for Tatler and Bystander magazine, by Frances Chapman-Mortimer (1913–2007). c.1948. Pencil and pastel on paper, 29.7 by 21 cm. (Victoria and Albert Museum, London)
Attributed works:
XII. Costume design, by Lez Brotherston (b.1961). c.1994. Pencil, pen and ink and watercolour on paper, 30.3 by 40.4 cm. (Victoria and Albert Museum, London)
Attributed works:
XIII. Selim’s Palace Garden; set model for Glyndebourne, by Oliver Messel (1904–78). c.1956. Wood, cardboard, fabric and paint, 61 by 43.5 by 63.5 cm. (Victoria and Albert Museum, London)
Attributed works:
XIV. Drawing for proposed studio block, Royal College of Art, by Sir Hugh Casson (1910–99). c.1959. Pencil, pen and ink and wash, 53 by 75.9 cm. (Victoria and Albert Museum, London)
Attributed works:
XIX. (top left) Preliminary design for a publicity card for the Edinburgh International Festival, by Hans Schleger (1898–1976). 1973. Pen and ink and cut-paper collage on acetate, 25.5 by 15.9 cm. (Victoria and Albert Museum, London)
Attributed works:
XV. Design for proposed lounge for Peter Jones department store, Chelsea, by Robin Day (b.1915). c.1978. Pencil, pen and ink, wash and collage on paper, 54.7 by 74.5 cm. (Victoria and Albert Museum, London)
Attributed works:
XVI. (upper left) Design for Pansy utility fabric, by Enid Marx (1902–98). c.1945. Gift of the estate of Enid Marx, 2007. Pencil and paint on paper, 34.4 by 30.5 cm. (Victoria and Albert Museum, London)
Attributed works:
XVII. (lower left) Design for jewellery, by Godman and Rabey. c.1960–70. Pencil, ink and watercolour on paper, 19.4 by 14 cm. (Victoria and Albert Museum, London)
Attributed works:
XVIII. (upper right) Original artwork for the propaganda poster ‘Careless Talk costs Lives’, by Cyril Kenneth Bird (‘Fougasse’) (1885–1965). c.1940. Pencil, pen and ink and watercolour on paper, 32.9 by 20.3 cm. (Victoria and Albert Museum, London)
Attributed works:
XX. (upper right) ‘Great Vienna Auto-Expander’, by Zünd-Up. 1969. Drawing and photo collage, 81 by 76 cm. (Victoria and Albert Museum, London)
Attributed works:
XXI. (lower right) Original artwork for the Rolling Stones ‘Tongue and Lips’ logo, by John Pasche (b.1945). c.1970. Gouache on paper, 56 by 82 cm. (Victoria and Albert Museum, London)
Attributed works:
XXII. Maquette for a teapot designed for the Yauatcha restaurant and café in London, by Shin Azumi (b.1968). c.2004. Paper and cardboard, 8 by 20 cm. (Victoria and Albert Museum, London)
Attributed works:
XXIII. Design for Paris 2012 Olympic landmark, by C.J. Lim (b.1964). c.2004. Cut-paper, photocopies and cotton thread on cartridge paper, 84 by 64 by 7 cm. (Victoria and Albert Museum, London)
Article
Alfred Stevens’s images from ‘The Faerie Queene’ rediscovered
04/2009 | 1273 | 151
Pages: 212-218
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related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
art literature:
Stannus, Hugh
artists:
Stevens, Alfred, British artist, 1817-1875 / Collmann, Leonard William / Raphael
dates:
1850-1859
museums and institutions:
Victoria and Albert Museum, London, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain / British Museum, London, Great Britain
places:
London
print:
Stevens, Alfred, British artist, 1817-1875
subjects:
British painting / Lost works / Interior design / Preliminary drawings / Drawings / Rooms / Houses / Unexecuted designs / Allegorical figures / Wall paintings
subjects:
Commissions / Copies / Collections, Public
Illustrations
Attributed works:
10. Drawing of Cymoent squared for transfer, by Alfred Stevens. 1854–55. Graphite with traces of brown ink and whitening, 22.4 by 19.6 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
11. Justice, by Raphael. 1508–09. Fresco (detail of the vault of the Stanza della Segnatura, Vatican).
Attributed works:
12. Drapery study for Amoret, by Alfred Stevens. c.1854. Red chalk, 20.5 by 16.3 cm. (British Museum, London).
Attributed works:
13. Study of a seated nude, by Alfred Stevens. c.1850. Red chalk, dimensions unknown. (Formerly in the collection of Alfred Drury; present whereabouts unknown).
Attributed works:
14. Briana, by Alfred Stevens. c.1855. Parris’s medium on canvas, 39.4 by 36.8 cm. (Private collection).
Attributed works:
15. Belphoebe, by Alfred Stevens. c.1855. Parris’s medium on canvas, 42.5 by 34.8 cm. (Private collection).
Attributed works:
16. Autotype photograph showing the painting of Belphoebe by Alfred Stevens. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXX.
Attributed works:
17. Nude study for Radigund, by Alfred Stevens. 1852–54. Red chalk, 41.2 by 31.7 cm. (Victoria and Albert Museum, London).
Attributed works:
18. The full-size plaster model of Valour for the Wellington Memorial, London, by Alfred Stevens. 1859–67. (Victoria and Albert Museum, London).
Attributed works:
19. Radigund, by Alfred Stevens. c.1855. Parris’s medium on canvas, 41.2 by 31.7 cm. (Private collection).
Attributed works:
5. Autotype photograph showing the painting of Una by Alfred Stevens with its decorative surround. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXVIII.
Attributed works:
6. Decorative scheme for the drawing room, 11 Kensington Palace Gardens, London, by Alfred Stevens. c.1854. Graphite, 23.5 by 56.4 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Design for a covered vase, by Alfred Stevens. c.1860. Graphite, ink and watercolour, 23.4 by 27 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
8. Britomart redeems faire Amoret, by William Etty. c.1833. Canvas, 90.8 by 66 cm. (Tate, London).
Attributed works:
9. Preliminary studies of Una, Britomart and Serena, by Alfred Stevens. c.1854. Graphite, 31.7 by 25.4 cm. (Victoria and Albert Museum, London).
Article
Newly discovered prints by Gustave Caillebotte
03/2009 | 1272 | 151
Pages: 160-162
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related names
Author:
Hansen, Dorothee (Hansen, Dorothee)
Subjects
art literature:
Grautoff, Otto
artists:
Caillebotte, Gustave
dates:
1870-1879
museums and institutions:
Kunsthalle Bremen, Bremen, Germany
print:
Caillebotte, Gustave
subjects:
Prints / Preliminary drawings / Drypoint (printing process) / French painting / Collections, Public / Identification
subjects:
Provenance / Attribution / Attributions
Illustrations
Attributed works:
26. Oarsmen, by Gustave Caillebotte. 1877. Canvas, 81 by 116 cm. (Private collection).
Attributed works:
27. Madame Boissière knitting, by Gustave Caillebotte. 1877. Drypoint, 12 by 15.6 cm. (Kunsthalle Bremen).
Attributed works:
28. Oarsmen, by Gustave Caillebotte. 1877. Drypoint (first state), 16 by 23.5 cm. (Kunsthalle Bremen).
Attributed works:
29. Oarsmen, by Gustave Caillebotte. 1877. Drypoint (second state), 16 by 23.7 cm. (Kunsthalle Bremen).
Attributed works:
30. Oarsmen (preparatory study for the painting), by Gustave Caillebotte. 1877. Chalk, 30 by 46 cm. (Private collection).
Attributed works:
31. Oarsmen (preparatory drawing for the drypoint), by Gustave Caillebotte. 1877. Charcoal, 26 by 33.5 cm. (sheet); 16.8 by 24.8 cm. (image). (Private collection).
Attributed works:
32. Portrait of Paul Hugot, by Gustave Caillebotte. 1878. Drypoint, 19.5 by 27 cm. (Kunsthalle Bremen).
Attributed works:
33. Portrait of Edmond-Eugène Marthelot (with dedication to H.H. Meier Jr), by Marcellin Desboutin. Undated. Drypoint, 24 by 15.9 cm. (Kunsthalle Bremen).
Article
Guido Reni’s royal patrons: a drawing and a proposal
03/2009 | 1272 | 151
Pages: 156-159
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related names
Author:
Sutherland Harris, Ann (Sutherland Harris, Ann)
Subjects
artists:
Reni, Guido
dates:
1620-1629
patrons:
Philip IV, King of Spain, 1605-1665
print:
Reni, Guido
subjects:
Battle of Lepanto (1571) / Drawings / Italian / Commissions / Patronage
subjects:
Identification
subjects:
Preliminary drawings
Illustrations
Attributed works:
24. Abduction of Helen of Troy, by Guido Reni. c.1626–29. Canvas, 253 by 265 cm. (Musée du Louvre, Paris).
Attributed works:
25. Don Juan before the Battle of Lepanto, by Guido Reni. 1620s. Pen and brown ink with brown wash on cream paper, 18.2 by 21.8 cm. (Private collection).
Article
A drawing by Saraceni at Chatsworth
03/2009 | 1272 | 151
Pages: 153-156
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related names
Author:
Jacoby, Joachim (Jacoby, Joachim)
Subjects
artists:
Saraceni, Carlo
buildings:
Chatsworth, Derbyshire, Great Britain
dates:
1600-1649
print:
Saraceni, Carlo
subjects:
Drawings / Italian / Preliminary drawings / Identification / Attributions / Attribution / Collections, Private
Illustrations
Attributed works:
17. Two studies of a horse’s head, by Carlo Saraceni. c.1610. Black, brownish red and white chalk on blue paper, 26.4 by 39.6 cm. (The Duke of Devonshire and the Chatsworth Settlement Trustees, Derbyshire).
Attributed works:
18. Studies of a female figure, drapery and the head of a child, by Carlo Saraceni. c.1610. Black chalk on blue paper, 26.4 by 39.6 cm. (Verso of Fig.17).
Attributed works:
19. Screaming head in profile, here attributed to Carlo Saraceni. c.1616–17. Graphite and black and white chalk on blue paper, 21.7 by 19 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Detail of an oriental onlooker, by Carlo Saraceni. c.1616–17. Fresco, from a frieze with Stories from the life of Moses in the Sala Regia. (Palazzo del Quirinale, Rome).
Attributed works:
21. Dedalus burying Icarus, by Carlo Saraceni. c.1605. Pen and brown ink, wash and graphite on white paper, 7.2 by 6.6 cm. (Private collection).
Attributed works:
22. The finding of Moses, by Carlo Saraceni. c.1610. Canvas, 95 by 129 cm. (Fondazione Longhi, Florence).
Attributed works:
23. Study of a man bent forward, by Domenichino. c.1608–09. Black chalk, heightened with white, on blue paper, 27.4 by 38 cm. (Wallraf-Richartz-Museum, Cologne).
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