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Publication Received

Making and Moving Sculpture in Early Modern Italy. Edited by Kelley Helmstutler Di Dio

03/2017 | 1368 | 159

Pages: 229-230

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Reviewer:

Warren, Jeremy (Warren, Jeremy)

Subjects

dates:

2010-2019

subjects:

Conferences / Papers / Italian sculpture / Equestrian statues / Materials / Unfinished works / Unexecuted designs

Article

Queen Caroline’s Richmond Lodge by William Kent: an architectural model unlocked

05/2015 | 1346 | 157

Pages: 325-330

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Author:

Bryant, Julius (Bryant, Julius)

Subjects

artists:

Kent, William / Marsden, John (or James), act. 1735 / Pearce, Edward Lovett, ca. 1699-1733 / Castle, Richard, ca. 1695-1751

dates:

1730-1739

dates:

2010-2019

museums and institutions:

Victoria and Albert Museum, London, Great Britain

patrons:

Caroline of Brandenburg-Ansbach, Queen consort of George II, King of Great Britain and Ireland, 1683

subjects:

Architectural drawings / Architectural models / Royalty / Exhibitions / Unexecuted designs

Illustrations

Attributed works:

28. Model of Richmond Lodge, by John (or James) Marsden, after a design by William Kent (Royal Collection Trust/©Her Majesty Queen Elizabeth II)

Attributed works:

29. The entrance façade of Fig.28

Attributed works:

30. Elevation of a pavilion wing of Fig.28

Attributed works:

31. Fig.28 seen from above

Attributed works:

32. The first layer of Fig.28 removed

Attributed works:

33. The piano nobile within Fig.28

Attributed works:

34. The ground floor within Fig.28

Attributed works:

35. Perspective view of the ground floor of Fig.28

Attributed works:

36. Design for the elevation of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)

Attributed works:

37. Design for Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)

Attributed works:

38. Design for the ground-floor plan of Richmond Lodge, by Edward Lovett Pearce, perhaps drawn by Richard Castle (Victoria and Albert Museum, London)

Article

The architect and the philhellene: newly discovered designs by John Nash for Frederick North’s London house

07/2014 | 1336 | 156

Pages: 445-451

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Author:

Bradney, Jane (Bradney, Jane)

Author:

Hetherington, Paul (Hetherington, Paul; Hetherington, P. B.; H., P.; Hetherington, P.)

Subjects

artists:

Nash, John, 1752-1835

dates:

1810-1819

museums and institutions:

British Library, London, Great Britain

patrons:

North, Frederick, Fifth Earl of Guilford, 1766-1827

places:

Carlton House Terrace, London, Great Britain / London

subjects:

Architectural drawings / British architecture / Collections, Public / Houses

subjects:

Commissions / Unexecuted designs

Illustrations

Attributed works:

33. Projected plan for southern end of 'The new street' opposite Carlton House, now Waterloo Place, by John Nash (British Library, London)

Attributed works:

34. Design for façade with two-storey temple front for Frederick North's house, by John Nash (British Library, London)

Attributed works:

35. Design for façade with single-storey temple front for Frederick North's house, by John Nash (British Library, London)

Attributed works:

36. Ground plan for Frederick North's house and conservatory, by John Nash (British Library, London)

Attributed works:

37. Plan of first floor of Frederick North's house and conservatory, by John Nash (British Library, London)

Attributed works:

38. Waterloo Place, looking towards Regent Street, from a drawing by Thomas H. Shepherd (From Metropolitan improvements; or London in the nineteenth century, London n.d.)

Article

Alfred Stevens’s images from ‘The Faerie Queene’ rediscovered

04/2009 | 1273 | 151

Pages: 212-218

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Author:

Sladen, Teresa (Sladen, Teresa)

Subjects

art literature:

Stannus, Hugh

artists:

Stevens, Alfred, British artist, 1817-1875 / Collmann, Leonard William / Raphael

dates:

1850-1859

museums and institutions:

Victoria and Albert Museum, London, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain / British Museum, London, Great Britain

places:

London

print:

Stevens, Alfred, British artist, 1817-1875

subjects:

British painting / Lost works / Interior design / Preliminary drawings / Drawings / Rooms / Houses / Unexecuted designs / Allegorical figures / Wall paintings

subjects:

Commissions / Copies / Collections, Public

Illustrations

Attributed works:

10. Drawing of Cymoent squared for transfer, by Alfred Stevens. 1854–55. Graphite with traces of brown ink and whitening, 22.4 by 19.6 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

11. Justice, by Raphael. 1508–09. Fresco (detail of the vault of the Stanza della Segnatura, Vatican).

Attributed works:

12. Drapery study for Amoret, by Alfred Stevens. c.1854. Red chalk, 20.5 by 16.3 cm. (British Museum, London).

Attributed works:

13. Study of a seated nude, by Alfred Stevens. c.1850. Red chalk, dimensions unknown. (Formerly in the collection of Alfred Drury; present whereabouts unknown).

Attributed works:

14. Briana, by Alfred Stevens. c.1855. Parris’s medium on canvas, 39.4 by 36.8 cm. (Private collection).

Attributed works:

15. Belphoebe, by Alfred Stevens. c.1855. Parris’s medium on canvas, 42.5 by 34.8 cm. (Private collection).

Attributed works:

16. Autotype photograph showing the painting of Belphoebe by Alfred Stevens. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXX.

Attributed works:

17. Nude study for Radigund, by Alfred Stevens. 1852–54. Red chalk, 41.2 by 31.7 cm. (Victoria and Albert Museum, London).

Attributed works:

18. The full-size plaster model of Valour for the Wellington Memorial, London, by Alfred Stevens. 1859–67. (Victoria and Albert Museum, London).

Attributed works:

19. Radigund, by Alfred Stevens. c.1855. Parris’s medium on canvas, 41.2 by 31.7 cm. (Private collection).

Attributed works:

5. Autotype photograph showing the painting of Una by Alfred Stevens with its decorative surround. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXVIII.

Attributed works:

6. Decorative scheme for the drawing room, 11 Kensington Palace Gardens, London, by Alfred Stevens. c.1854. Graphite, 23.5 by 56.4 cm. (Victoria and Albert Museum, London).

Attributed works:

7. Design for a covered vase, by Alfred Stevens. c.1860. Graphite, ink and watercolour, 23.4 by 27 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

8. Britomart redeems faire Amoret, by William Etty. c.1833. Canvas, 90.8 by 66 cm. (Tate, London).

Attributed works:

9. Preliminary studies of Una, Britomart and Serena, by Alfred Stevens. c.1854. Graphite, 31.7 by 25.4 cm. (Victoria and Albert Museum, London).

Short Notice

Andrea Sansovino and the design for a funerary monument for Leo X

11/2008 | 1268 | 150

Pages: 757-759

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Author:

Bigi Iotti, Alessandra (Bigi Iotti, Alessandra)

Subjects

artists:

Sansovino, Andrea

dates:

1520-1539

museums and institutions:

Victoria and Albert Museum, London, Great Britain

museums and institutions:

Galleria degli Uffizi, Florence, Italy

patrons:

Leo X, Pope, 1475-1521

print:

Sansovino, Andrea

subjects:

Italian sculpture / Funerary structures / Sepulchral monuments / Unexecuted designs / Drawings / Collections, Public

Illustrations

Attributed works:

48. Design for a funerary monument for Leo X, by Andrea Sansovino. 1521. Pen and black ink with grey wash, 19.9 by 24.4 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).

Attributed works:

49. Design for a funerary monument for Leo X, by Andrea Sansovino. 1521. Pen, ink and wash, 39.9 by 24.1 cm. (Victoria and Albert Museum, London).

Attributed works:

50. Funerary monument of Cardinal Ascanio Sforza, by Andrea Sansovino. 1505–07. Marble. (S. Maria del Popolo, Rome).

Attributed works:

51. Design for a cardinal’s funerary monument, by Andrea Sansovino. c.1505. Pen and ink with wash, 37.1 by 25.1 cm. (Victoria and Albert Museum, London).

Article

‘A Seat worthy of the Family’: a rediscovered proposal by the architect Johann Joseph Couven for the remodelling of Struthers, Fife

07/2006 | 1240 | 148

Pages: 468-477

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Author:

Adshead, David (Adshead, David)

Subjects

artists:

Couven, Johann Joseph

buildings:

Struthers Castle, Cupar, Fife, Great Britain

patrons:

Lindsay, John, Twentieth Earl of Crawford, 1702-1749

print:

Couven, Johann Joseph

subjects:

German architecture / Commissions / Architectural drawings / Restoration (process)

subjects:

Unexecuted designs

subjects:

Scottish architecture

Illustrations

Attributed works:

28. A very large and highly finished coloured military survey of the kingdom of Scotland . . . by William Roy. 1747–55. Buildings and boundaries are marked in red, woodland and grassland in green, roads in brown, cultivated land in yellow, and water in blue-green. (British Library, London; Maps K.Top.48.25, detail of sheet 18).

Attributed works:

29. John Lindsay, 20th Earl of Crawford, by Thomas Worlidge. 1753. Etching, 24.1 by 18.1 cm. (National Portrait Gallery, London; NPG D7890).

Attributed works:

30. The Ladies Jean and Charlotte Murray, daughters of the 2nd Duke of Atholl, after Jeremiah Davison. c.1740. Canvas, 76 by 127 cm. (Collection of the Blair Charitable Trust). Lady Jean is on the right.

Attributed works:

31. Cross section of tower at Struthers, Fife (‘Coup du profil du tour avec la decoration du vestibul en Italien’), detail, by Johann Joseph Couven. 1748. Pen and ink on paper, 32.3 by 19.6 cm. (National Archives of Scotland, Edinburgh; RHP 23145/2).

Attributed works:

32. Plan of the ground floor of Struthers, Fife (‘Plan du Rez de Chaussée’), by Johann Joseph Couven. 1748. Pen and ink on paper, 38 by 49.3 cm. (National Archives of Scotland, Edinburgh; RHP 23145/1).

Attributed works:

33. North-east elevation of Struthers, Fife (‘Façade du Grand Corps de Logis au Côté du Tour & Jardin’), by Johann Joseph Couven. 1748. Pen and ink on paper, 26 by 41.4 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 531).

Attributed works:

34. South-west elevation of Struthers, Fife (‘Façade du Grand Corps de Logis du côté de la Cour, avec le Perron’), by Johann Joseph Couven. 1748. Pen and ink on paper, 26.4 by 42 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 526).

Attributed works:

35. South-east elevation of Struthers, Fife (‘Façade du Grand Corps de Logis du côté du Canal’), by Johann Joseph Couven. 1748. Pen and ink with grey wash, 26.3 by 41.7 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 536).

Attributed works:

36. Plan of Struthers, Fife, by Johann Joseph Couven. 1748. Pencil, pen and ink with grey wash, 42.5 by 27 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 43).

Attributed works:

37. Exterior elevation of the entrance to the Basse-Cour at Struthers, Fife (‘Façade Exterieur de la Bassecour de l’Entrée Principale’), by Johann Joseph Couven. 1748. Pen and ink with grey wash, 26 by 42 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 534).

Attributed works:

38. Exterior elevation of the stables, Struthers, Fife, by Johann Joseph Couven. 1748. Pen and ink with grey wash, 26.3 by 41.8 cm. (Suermondt-Ludwig-Museum, Aachen; CBK 532).

Attributed works:

39. Elevation of Alloa, Clackmannanshire, by the Earl of Mar, with an overlay by Johann Joseph Couven inscribed ‘Front of Alloa house towards the Hawkhill’. Pen and ink on paper, 37 by 66 cm. (National Archives of Scotland, Edinburgh; RHP 1258/15).

Western art unattributed:

27. Photograph of Struthers Castle from the south-west. 1995. (Crown Copyright: The Royal Commission on the Ancient and Historical Monuments of Scotland, Edinburgh).

Article

John Osborne, the Salisbury House Porticus and the Haynes Grange Room

01/2006 | 1234 | 148

Pages: 15-24

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related names

Author:

Guerci, Manolo (Guerci, Manolo)

Subjects

artists:

Osborne, John, c.1550-1628

buildings:

Salisbury House, London, Great Britain

dates:

1600-1649

patrons:

Cecil, Robert, Fifth Marquess of Salisbury, 1864-1958

places:

England / London

print:

Salisbury House, London, Great Britain

print:

Osborne, John, c.1550-1628

sources:

Vitruvius

subjects:

Architecture / Classicism / Unexecuted designs

Illustrations

Attributed works:

25. Elevation of a 'Porticus' intended for the south end of the garden of Salisbury House, by John Osborne. 1605-10. Pen and brown ink on three sheets of paper, each 43 by 57.2 cm.; shown mounted together, overall length 167 cm. (Hatfield House; Cecil Papers, Maps, Supplementary 89).

Attributed works:

26. Plan of Salisbury House, by Simon Basil. 1600-02. Pen, ink and watercolour on three sheets of paper pasted together, measuring in total 76 by 37.6 cm. (Bodleian Library, Oxford; Gough Drawings, A3 fol.80r).

Attributed works:

27. Specification of the Porticus, by John Osborne. 1605–10. (Public Record Office, London; State Papers, domestic, 14/57, fols.70–74).

Attributed works:

29. Letter written by John Osborne to Robert Cecil, 6th December 1601. (Hatfield House; MSS, Cecil Papers 89/155).

Attributed works:

30. Reconstructed plan and elevation of the porticus.

Attributed works:

31. Longitudinal section of Salisbury House based on the plans by Simon Basil of 1600–02 with the reconstruction of the side elevation of the Porticus at the south end of the garden.

Attributed works:

32. Reconstruction of the side elevation of the Porticus.

Attributed works:

33. Detail of capital of the lower order and base of the upper order of the Porticus.

Attributed works:

34. Detail of the base of the lower order of the Porticus.

Attributed works:

35. Corinthian portico identified as the Athenian Bouleterion, reconstructed elevation from S. Serlio: L'archittetura (Book III, 1540).

Attributed works:

36. Drawing for a Corinthian portico, by Hans Vredeman de Vries. (From H. Vredeman de Vries: Variae Architecturae Formae, Antwerp 1601).

Attributed works:

38. Measured drawing of the side wall with chimneypiece of the Haynes Grange Room. (From H. Clifford Smith: The Haynes Grange Room, London 1935, pl.III).

Attributed works:

Detail of scale sheet between the two folios of Fig.27.

Western art unattributed:

37. The Haynes Grange room, showing the woodwork as erected at 13 Lansdowne Road, Holland Park, London, in 1914. (Photograph from Architectural Review 35 (February 1914), pl.IX).

Article

Diderot, Guiard and Houdon: projects for a funerary monument at Gotha II

08/2002 | 1193 | 144

Pages: 475-484

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Author:

Frank, Christoph (Frank, Christoph)

Author:

Mathies, Ulrike D. (Mathies, Ulrike D.)

Author:

Poulet, Anne L. (Poulet, Anne L.)

Subjects

artists:

Houdon, Jean-Antoine

artists:

Guiard, Laurent

dates:

1700-1799

media:

Sculpture

patrons:

Saxe-Gotha, Louise-Dorothe?e, duchesse de

patrons:

Frederick III, Duke of Saxe-Gotha, 1699-1772

places:

Germany / Gotha

places:

France

subjects:

Funerary art

subjects:

Neo-classicism

subjects:

Grimm, Friedrich Melchior, Freiherr von

subjects:

Mausoleums / Sepulchral monuments / Unexecuted designs / Courts (social groups)

Illustrations

Attributed works:

15. Friedrich III, Duke of Saxe-Gotha, by Jean-Antoine Houdon. Plaster, Diameter 48.8 cm. (Schloßmuseum, Gotha).

Attributed works:

16. Ernst II, Duke of Saxe-Gotha, by Jean-Antoine Houdon. Dated 1773. Plaster, Diameter 48.8 cm. (Schloßmuseum, Gotha).

Attributed works:

17. Drawing of Houdon's Final Design for the Mausoleum of Duke Friedrich III and Duchess Louise Dorothea of Saxe-Gotha, by F. W. Doell. c.1772-73. Pen and Grey Wash, 47.5 by 32.7 cm. (Kupferstichkabinett, Gotha).

Attributed works:

18. Elevation and Section of the Chapel Related to Houdon's Final Design for the Gotha Mausoleum. c.1773. Pen with Brown and Pink Wash, 22 by 31.5 cm. (Thüringisches Staatsarchiv, Gotha).

Attributed works:

19. Ground Plan of the Chapel Related to Houdon's Third Design of the Mausoleum. c.1773. Pencil and Pen with Grey and Red Wash, 31.5 by 23.7 cm. (Thüringisches Staatsarchiv, Gotha).

Attributed works:

21. Drawing of an Alternative Design for the Gotha Mausoleum, by F. W. Doell. December 1774. Pen and Grey Wash, 21 by 16 cm. (Thüringisches Staatsarchiv, Gotha).

Attributed works:

22. Drawing of an Alternative Design for the Mausoleum, by F. W. Doell. July 1776. Pen and Grey Wash, 27.4 by 19 cm. (Thüringisches Staatsarchiv, Gotha).

Western art unattributed:

20. Detail of the Ground Plan of the Church of St Margaret in Gotha, Showing the East End and the Proposed Chapel.

Article

Diderot, Guiard and Houdon: projects for a funerary monument at Gotha I

04/2002 | 1189 | 144

Pages: 213-221

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Author:

Frank, Christoph (Frank, Christoph)

Author:

Mathies, Ulrike D. (Mathies, Ulrike D.)

Author:

Poulet, Anne L. (Poulet, Anne L.)

Subjects

artists:

Guiard, Laurent

artists:

Houdon, Jean-Antoine

dates:

1700-1799

places:

Germany / Gotha

places:

France

print:

Diderot, Denis, 1713-1784 / and / Guiard, Laurent

print:

Guiard, Laurent / Unexecuted designs / Germany / Gotha

print:

Houdon, Jean-Antoine / Unexecuted designs / Germany / Gotha

sources:

Diderot, Denis, 1713-1784

subjects:

Sepulchral monuments / Unexecuted designs

subjects:

Saxe-Gotha, Louise-Dorothe?e, duchesse de

subjects:

French sculpture

subjects:

Enlightenment

subjects:

Funerary art / Neo-classicism

subjects:

Grimm, Friedrich Melchior, Freiherr von

Illustrations

Attributed works:

10. Tomb of the Dauphin Louis de Bourbon and Dauphine Marie-Josèphe de Saxe, by Guillaume II Coustou. 1766-77. Marble. (Sens Cathedral; Photo: Conway Library, Courtauld Institute, London).

Attributed works:

11. The Other Side of Fig.10. (Photo: Conway Library, Courtauld Institute, London).

Attributed works:

12. Allegory of the Death of the Dauphin of France, by Louis-Jean-François Lagrenée. 1767. 129 by 97 cm. (Musée du Château, Fontainebleau).

Attributed works:

13. Contract Drawing for the Mausoleum of Duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. 1770. Pen and Black Ink, 35.2 by 24.4 cm. (Minutier Central, Archives Nationales, Paris).

Attributed works:

14. Verso of Fig.13 with the Signatures of Frédéric-Melchior Grimm and Laurent Guiard. 1770. Pen and Black Ink. (Minutier Central, Archives Nationales, Paris).

Attributed works:

16. Model for the Mausoleum of Duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. 1768. Terracotta. (Formerly Schloßmuseum, Gotha; Whereabouts Unknown).

Attributed works:

17. Another View of Fig.16.

Attributed works:

18. Drawing for the mausoleum of duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. c.1770. Pencil, pen and black ink with grey, green, purple and yellow washes, 106.2 by 65 cm. The drawing was enlarged by the same hand at a later stage. The central drawing was laid down on the larger sheet and measures 53.3 by 40 cm. (Kupferstichkabinett, Gotha).

Attributed works:

19. Academic Study of a Male Nude, by Laurent Guiard. 1772. Plaster. (Istituto d'Arte Paolo Toschi, Parma).

Western art unattributed:

15. First Page of the Contract for the Mausoleum, 9th March 1770. (Minutier Central, Archives Nationales, Paris).

Short Notice

Drawings for an unexecuted monument to Louis XVI

04/2002 | 1189 | 144

Pages: 222-225

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Author:

Snay, Cheryl K. (Snay, Cheryl K.)

Subjects

artists:

Taunay, Charles-Auguste

dates:

1750-1799

patrons:

Louis XVI, King of France, 1754-1793

places:

France

subjects:

French sculpture / Unexecuted designs

Illustrations

Attributed works:

20. Design for a Monument to Louis XVI, by Charles-Auguste Taunay. c.1815. Pen, Black Ink and Ink Wash over Graphite on Laid Paper, 31.8 by 19.8 cm. (The Peabody Art Collection; On Loan to the Baltimore Museum of Art).

Attributed works:

21. Design for a Monument to Louis XVI, by Charles-Auguste Taunay (Another View of the Same Project as in Fig.20). c.1815. Pen, Black Ink and Ink Wash over Graphite on Laid Paper, 31.8 by 19.8 cm. (The Peabody Art Collection; On Loan to the Baltimore Museum of Art).

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