46. Achilles, by Sir Richard Westmacott. 1822. (Hyde Park, London).
Attributed works:
47. The Horse-Tamers of Monte Cavallo on Pedestals in the Sea, by Henry Fuseli. 1810-25. Pen and Water-Colour, 46.6 by 31 cm. (Auckland City Art Gallery).
Attributed works:
48. Backside and Front View of the 'Ladies Fancy-Man', by George Cruikshank, Published 20th July 1822. (British Museum, London).
Attributed works:
49. Ladies Buy Your Leaf!!, by George Cruikshank, Published July 1822. (British Museum, London).
Attributed works:
50. The Ladies Fancy Man... Achilles Winter Dress, by Williams. Published 1822. (British Museum, London).
Attributed works:
51. Monstrosities of 1822, by George Cruikshank, Published 1822. (Paul Mellon Center for British Art, New Haven).
Attributed works:
52. Making Decent!!, by George Cruikshank, Published 8th August 1822. After a Drawing by Captain Frederick Marryat, R. N.
Short Notice
'Mourning Achilles': A Missing Sculpture by Thomas Banks
15. The Fine Arts Commissioners in 1846, by John Partridge. c. 1846-53. 188 by 372.8 cm. Photographed c. 1880. (National Portrait Gallery).
Attributed works:
16. Sketch for Fig. 15, by John Partridge. c. 1846. Oil on Paper, 47.6 by 86 cm. (National Portrait Gallery).
Attributed works:
17. Detail from Fig. 15. 18. Ira Aldridge, by James Northcote. 1826. 76.2 by 63.5 cm. (City of Manchester Art Galleries). 19. The anger of Achilles at the loss of Briseis, by Alexander Runciman. c. 1770. Pen, ink and wash, 18.9 by 25.4 cm. (Collection Lord Runciman).
Plate I. A-Telemachus Hunting with Antiope, by Jan van Orley. Cartoon For the Tapestry Shown below. (Liège Municipal Collection). The Tapestries in the Palace of Liège
Attributed works:
Plate I. B-Telemachus Hunting with Antiope. Brussels Tapestry, 1750, by Daniel Leyniers. The Tapestries in the Palace of Liège
Attributed works:
Plate II. A-Venus, Calypso and Neptune. Brussels Tapestry, 1750, by Daniel Leyniers. The Tapestries in the Palace of Liège
Attributed works:
Plate II. B-Thetis Immerses Achilles in the Styx. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
Attributed works:
Plate II. C-Thetis Provides Achilles with New Armour. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
Attributed works:
Plate III. A-The Anger of Achilles. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
Attributed works:
Plate III. B-Combat between Menelaus and Paris. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
Attributed works:
Plate III. C-Achilles Consoled by Thetis. Brussels Tapestry, Mid-18th Century, by van der Borght. The Tapestries in the Palace of Liège
Plate I. A-The Voyage of Paris and Abduction of Helen. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate I. B-The Death of Penthesilea and Treachery of Antenor. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate I. C-Louvre Sketch (VII) Corresponding with the above Drawing B. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. D-The Oath of Achilles and Battle of Tenedos. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. E-Fourth Battle before Troy and the Chamber of Beauty. Drawn from the Lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate II. F-Louvre Sketch (III) Corresponding with the above Drawing E. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. G-Arrival of the Greeks and First Battle before Troy. Drawn from the lost Tapestry. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. H-Louvre sketch (II) corresponding with the above drawing G. The Tapestries of the Painted Chamber: The "Great History of Troy"
Western art unattributed:
Plate III. J-Schouvaloff tapestry panel from Château d'Aulhac. cf. B and C. (Countess Benckendorff). The Tapestries of the Painted Chamber: The "Great History of Troy"
Plate I. Vases by the Painter of the Berlin Amphora (2160). A. Achilles and Polyxene, Petrograd Hydria (628). B. At the Fountain, Madrid Hydria (162). C. Lion, Detail, Ashmolean Stamnos (1912, 1165). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate I. Vases by the Painter of the Berlin Amphora (2160). B. At the Fountain, Madrid Hydria (162). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate I. Vases by the Painter of the Berlin Amphora (2160). C. Lion, Detail, Ashmolean Stamnos (1912, 1165). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate II. Vases by the Painter of the Berlin Amphora (2160). D, E, F. Details, Petrograd Hydria (2160). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate II. Vases by the Painter of the Berlin Amphora (2160). E. Details, Petrograd Hydria (2160). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate II. Vases by the Painter of the Berlin Amphora (2160). F. Details, Petrograd Hydria (2160). Achilles and Polyxene; On a Hydria in Petrograd
Attributed works:
Plate II. Vases by the Painter of the Berlin Amphora (2160). G. Warrior, the Marquess of Northampton's Stamnos, Castle Ashby (25). Achilles and Polyxene; On a Hydria in Petrograd