By using this website you agree to our Cookie policy

Search

2 articles
Article
Raphael in 1503: new findings on the ‘Virgin and Child with a book’ and other contemporaneous drawings
01/2025 | 1462 | 167
Pages: 16-25
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
dates:
Illustrations
Attributed works:
1. Virgin and Child, by Benedetto da Maiano. c.1485–90. Marble with polychromy, 71.1 by 54.6 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Detail of Fig.2, showing the cushion and the drapery.
Attributed works:
11. Detail of Fig.1, showing the cushion and the drapery.
Attributed works:
12. Studies of ornamental details, by Raphael. c.1503. Pen and brown ink with black chalk and leadpoint on paper, 37.7 by 21.9 cm. (Ashmolean Museum, Oxford).
Attributed works:
13. Detail of the ceiling in Piccolomini Library, Siena, by Pintoricchio and workshop. c.1503–07. Fresco. (Bridgeman Images).
Attributed works:
14. Detail of Fig.12, showing the Virgin and Child with St Anne.
Attributed works:
15. The Virgin and Child with St Anne (reversed left to right), by Leonardo da Vinci. c.1510. Oil on panel, 168 by 113 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
16. Holy Family with a lamb, by Raphael. 1507. Oil on panel, 28 by 21.5 cm. (Museo del Prado, Madrid).
Attributed works:
2. Virgin and Child with a book, by Raphael. c.1503. Oil on panel, 55.2 by 40 cm. (Norton Simon Museum, Pasadena; Bridgeman Images).
Attributed works:
3. Studies for Virgin and Child with a book, by Raphael. Mounted in the 20th century. Pen and brown ink over blind stylus on paper, 11.4 by 13 cm. (top: Parker 508a recto, felt side) and 11.5 by 13.2 cm. (bottom: Parker 508b recto, mould side). (Ashmolean Museum, Oxford).
Attributed works:
4. Parker 508a verso, mould side, shown in raking light.
Attributed works:
5. Parker 508b verso, felt side, shown in raking light.
Attributed works:
6. Facsimile of Figs.3–5. 1841. Lithograph, 26.6 by 27.9 cm. (From A series of Fac-similes of Original Drawings by Raffaelle da Urbino Selected from the Matchless Collection formed by Sir Thomas Lawrence, Published by S. and A. Woodburn, London 1841).
Attributed works:
7. The mould side of the drawings shown in Fig.3 superimposed onto Fig.6 to highlight the extent of the loss and the continuity in the landscape. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
8. The felt side of the drawings shown in Fig.3 superimposed on Fig.6 to highlight the extent of the loss. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
9. The drawings shown in Fig.3 seen in transmitted light. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Article
From building to print: Giovanni Giacomo de’ Rossi and the making of architectural books
09/2017 | 1374 | 159
Pages: 697-705
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
artists:
media:
museums and institutions:
Illustrations
Attributed works:
10. St Peter's. Rome, interior of the portico, east wall, here attributed to Francesco Antonio Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
11. SS. Luca e Martina, Rome, elevation of the high altar, here attributed to an anonymous hand after an original design by Pietro da Cortona, Ciro Ferri and others, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
12. Detail of Fig. 13, showing indentations around the architectural elements
Attributed works:
13. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesu, Rome, here attributed to Carlo Fontana's studio, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
14. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesù, Rome, by an anonymous printmaker after the drawing in Fig. 13, 1688-89 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
15. St. Peter's Rome, Facade, here attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
16. Verso of Fig. 15, showing the red chalk coating
Attributed works:
17. S. Carlo alle Quattro Fontane, Rome, section, here attributed to Lorenzo Nuvolone after a design by Francesco Borromini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
18. S. Carlo alle Quattro Fontane, Rome, section, by Giovanni Francesco Venturini, after Lorenzo Nuvolone, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
19. Chiesa del Gesù, Rome, longitudinal section, attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
20. SS. Luca e Martina, Rome, transverse section, by Francesco Antonio Bufalini, after a design by Pietro da Cortona, 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
21. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688-89 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
22. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation looking towards the altar, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
9. St Peter's, Rome, interior of the portico, west wall, here attributed to Francesco Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
Detail of Fig. 10, showing the geometrical indications in blind stylus and some indented outlines and blind outlines
Attributed works:
St Peter's, Rome, interior of the portico, west and east walls, by Jean Colin, after Francesco Antonio Bufalini, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)