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Article
From building to print: Giovanni Giacomo de’ Rossi and the making of architectural books
09/2017 | 1374 | 159
Pages: 697-705
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
artists:
media:
museums and institutions:
Illustrations
Attributed works:
10. St Peter's. Rome, interior of the portico, east wall, here attributed to Francesco Antonio Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
11. SS. Luca e Martina, Rome, elevation of the high altar, here attributed to an anonymous hand after an original design by Pietro da Cortona, Ciro Ferri and others, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
12. Detail of Fig. 13, showing indentations around the architectural elements
Attributed works:
13. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesu, Rome, here attributed to Carlo Fontana's studio, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
14. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesù, Rome, by an anonymous printmaker after the drawing in Fig. 13, 1688-89 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
15. St. Peter's Rome, Facade, here attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
16. Verso of Fig. 15, showing the red chalk coating
Attributed works:
17. S. Carlo alle Quattro Fontane, Rome, section, here attributed to Lorenzo Nuvolone after a design by Francesco Borromini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
18. S. Carlo alle Quattro Fontane, Rome, section, by Giovanni Francesco Venturini, after Lorenzo Nuvolone, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
19. Chiesa del Gesù, Rome, longitudinal section, attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
20. SS. Luca e Martina, Rome, transverse section, by Francesco Antonio Bufalini, after a design by Pietro da Cortona, 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
21. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688-89 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
22. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation looking towards the altar, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
9. St Peter's, Rome, interior of the portico, west wall, here attributed to Francesco Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
Detail of Fig. 10, showing the geometrical indications in blind stylus and some indented outlines and blind outlines
Attributed works:
St Peter's, Rome, interior of the portico, west and east walls, by Jean Colin, after Francesco Antonio Bufalini, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Book Review
Caravaggio, Carracci, Maderno: La cappella Cerasi in Santa Maria del Popolo
05/2002 | 1190 | 144
Pages: 300
related names
Reviewer:
Langdon, Helen (Langdon, Helen)
Subjects
artists:
dates:
dates:
places:
Reviewed Items
subjects:
Caravaggio, Carracci, Maderno. La cappella Cerasi in Santa Maria del Popolo | author: Bernardini, Maria Grazia
Letter
The Odescalchi-Balbi 'Conversion of St Paul'
04/1952 | 589 | 94
Pages: 118-119
related names
Author:
Morassi, Antonio (Morassi, Antonio)
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dates:
patrons:
places:
subjects:
Article
Addenda to Caravaggio
01/1952 | 586 | 94
Pages: 2-23
related names
Author:
Mahon, Denis (Mahon, Denis)
Subjects
art literature:
dates:
patrons:
places:
subjects:
Illustrations
Attributed works:
1. Detail from Una Musica, by Caravaggio. (English Private Collection.)
Attributed works:
2. Una Musica, by Caravaggio. Canvas, 92 by 118.5 cm. (English Private Collection.)
Attributed works:
3. Estasi di San Francesco, by Caravaggio. Canvas, 91.5 by 128.4 cm. (Wadsworth Atheneum, Hartford, Conn.) Reproduced by Courtesy of the Wadsworth Atheneum.
Attributed works:
4. Bacchino, by Caravaggio. Canvas, 66 by 52 cm. (Galleria Borghese, Rome.)
Attributed works:
5. Fruttaiuolo, by Caravaggio. Canvas, 70 by 67 cm. (Galleria Borghese, Rome.)
Attributed works:
6. Suonalore di Liulo, by Caravaggio. Canvas, 94 by 119 cm. (Hermitage, Leningrad.)
Attributed works:
7. Giuditta e Oloferne, by Caravaggio. Canvas, 144 by 195 cm. (Signor Vincenzo Coppi, Rome.)
Attributed works:
8. San Malleo e l'Angelo, by Caravaggio. Canvas, 223 by 183 cm. (Formerly Kaiser-Friedrich-Museum, Berlin.)
Article
Egregius in Urbe Pictor: Caravaggio Revised
07/1951 | 580 | 93
Pages: 222-235
related names
Author:
Mahon, Denis (Mahon, Denis)
Subjects
dates:
museums and institutions:
patrons:
patrons:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
17. Notary's Copy of Contract of September 24, 1600, between Caravaggio and Monsignor Cerasi, Relating to the Paintings in Santa Maria del Popolo. (Archivio di Stato, Rome.)
Attributed works:
18. Portrait of Caravaggio, by Ottavio Leoni (Detail). Black Chalk Heightened with White, and Some Coloured Chalks, on Blue-Grey Paper. Whole Sheet: 236 by 165 mm. (Biblioteca Nazionale Marucelliana, Florence.)
Attributed works:
19. Portrait of Caravaggio, by Himself; Detail from the Martyrdom of St Matthew. (San Luigi dei Francesi, Rome.)
Attributed works:
20. The Crowning of Thorns, by Peter Paul Rubens. Panel, 224 by 180 cm. (Hôpital du Petit-Paris, Grasse.)