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104 articles
Article
Raphael in 1503: new findings on the ‘Virgin and Child with a book’ and other contemporaneous drawings
01/2025 | 1462 | 167
Pages: 16-25
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Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
artists:
Raphael / Pinturicchio, Bernardino / Leonardo da Vinci
artists:
Benedetto da Maiano
dates:
1500-1509
museums and institutions:
Norton Simon Museum, Pasadena, United States / Ashmolean Museum, Oxford, Great Britain / Palais des Beaux-Arts, Lille, France / British Museum, Dept. of Prints and Drawings, London, Great Britain
subjects:
Florentine art / Italian art / Renaissance art / Drawings / Studies (visual works)
Illustrations
Attributed works:
1. Virgin and Child, by Benedetto da Maiano. c.1485–90. Marble with polychromy, 71.1 by 54.6 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Detail of Fig.2, showing the cushion and the drapery.
Attributed works:
11. Detail of Fig.1, showing the cushion and the drapery.
Attributed works:
12. Studies of ornamental details, by Raphael. c.1503. Pen and brown ink with black chalk and leadpoint on paper, 37.7 by 21.9 cm. (Ashmolean Museum, Oxford).
Attributed works:
13. Detail of the ceiling in Piccolomini Library, Siena, by Pintoricchio and workshop. c.1503–07. Fresco. (Bridgeman Images).
Attributed works:
14. Detail of Fig.12, showing the Virgin and Child with St Anne.
Attributed works:
15. The Virgin and Child with St Anne (reversed left to right), by Leonardo da Vinci. c.1510. Oil on panel, 168 by 113 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
16. Holy Family with a lamb, by Raphael. 1507. Oil on panel, 28 by 21.5 cm. (Museo del Prado, Madrid).
Attributed works:
2. Virgin and Child with a book, by Raphael. c.1503. Oil on panel, 55.2 by 40 cm. (Norton Simon Museum, Pasadena; Bridgeman Images).
Attributed works:
3. Studies for Virgin and Child with a book, by Raphael. Mounted in the 20th century. Pen and brown ink over blind stylus on paper, 11.4 by 13 cm. (top: Parker 508a recto, felt side) and 11.5 by 13.2 cm. (bottom: Parker 508b recto, mould side). (Ashmolean Museum, Oxford).
Attributed works:
4. Parker 508a verso, mould side, shown in raking light.
Attributed works:
5. Parker 508b verso, felt side, shown in raking light.
Attributed works:
6. Facsimile of Figs.3–5. 1841. Lithograph, 26.6 by 27.9 cm. (From A series of Fac-similes of Original Drawings by Raffaelle da Urbino Selected from the Matchless Collection formed by Sir Thomas Lawrence, Published by S. and A. Woodburn, London 1841).
Attributed works:
7. The mould side of the drawings shown in Fig.3 superimposed onto Fig.6 to highlight the extent of the loss and the continuity in the landscape. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
8. The felt side of the drawings shown in Fig.3 superimposed on Fig.6 to highlight the extent of the loss. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
9. The drawings shown in Fig.3 seen in transmitted light. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Short Notice
A project for the church of Menino Deus, Lisbon, by Vieira Lusitano
01/2025 | 1462 | 167
Pages: 26-29
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Author:
Diez del Corral Corredoira, Pilar (Diez del Corral Corredoira, Pilar)
Subjects
artists:
Lusitano, Vasco Pereira / Pavona, Francesco
buildings:
Church of Menino Deus, Lisbon, Portugal
dates:
1730-1739
museums and institutions:
Museo Nacional del Prado, Madrid, Spain
subjects:
Portuguese architecture / Portuguese painting / Portuguese School / Drawings / Studies (visual works)
Illustrations
Attributed works:
1. Compositional study identified as the Ecstasy of St John of God, here attributed to Vieira Lusitano. c.1730–37. Red chalk on paper, 24 by 37.2 cm. (Museo del Prado, Madrid).
Attributed works:
2. Church of Menino Deus, Lisbon. (Wikimedia Commons).
Attributed works:
3. St Francis stripped of his secular clothes, by Vieira Lusitano. c.1730–37. Oil on canvas. (Church of Menino Deus, Lisbon).
Attributed works:
4. Painting here identified as the Ecstasy of St Francis, by Francesco Pavona. c.1730–37. Oil on canvas. (Church of Menino Deus, Lisbon).
Article
Fragments of a Ferrarese sketch by Donatello
11/2024 | 1460 | 166
Pages: 11401151
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Author:
Scansani, Marco (Scansani, Marco)
Subjects
artists:
Donatello
dates:
1450-1469
museums and institutions:
Palazzo Schifanoia, Ferrara, Italy
places:
Ferrara
subjects:
Italian sculpture / Terracotta / Fragments / Reliefs / Sketches / Studies (visual works) / Thieves / Mary, Virgin: Death
Illustrations
Attributed works:
1. Funeral of the Virgin, by Donatello. Photograph taken before 1921. (Formerly Museo Schifanoia, Ferrara).
Attributed works:
10. Feast of Herod, by Donatello. c.1435. Marble, 50 by 71.3 by 5 cm. (Palais des Beaux-Arts de Lille).
Attributed works:
11. Detail of the Descent from the Cross scene on the Passion Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
12. Detail of the Ascension scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
13. Detail of Fig.14. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
15. Detail of Dancing and festive putti from the Holy Girdle Pulpit, by Donatello. 1434–38. Marble. (Museo dell’Opera del Duomo, Prato).
Attributed works:
16. Side view of Fig.3.
Attributed works:
17. Detail of a putto from the Cavalcanti Annunciation, by Donatello. c.1433–35. Terracotta. (S. Croce, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
18. Feast of St George, Allegory of the month of April, by Francesco del Cossa. c.1470. Fresco. (Salone dei Mesi, Museo Schifanoia, Ferrara).
Attributed works:
19. Madonna with Child and five angels, by Donatello. c.1455–60. Terracotta with traces of paint, 21.5 by 15.5 by 4.2 cm. (Bode-Museum, Berlin).
Attributed works:
2. Funeral of the Virgin, here attributed to Donatello. 1450. Terracotta, 33 by 24.5 by 2 cm. (Private collection).
Attributed works:
20. David with the head of Goliath, from a model by Donatello. Cast c.1460–65 after a wax model by Donatello c.1455. Bronze, height 37 cm. (Bode-Museum, Berlin).
Attributed works:
3. Evangelist, here attributed to Donatello. 1450. Terracotta, 33 by 33 by 9 cm. (Private collection).
Attributed works:
4. Acephalous figure (perhaps an Evangelist?), here attributed to Donatello. 1450. Terracotta, 25 by 20 by 4 cm. (Private collection).
Attributed works:
5. Fig.1 and Fig.2 placed side by side.
Attributed works:
6. Detail of the Pentecost scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
7. Resurrection of Drusiana, by Donatello. 1435–40. Polychrome stucco, diameter approx. 215 cm. (Old Sacristy, S. Lorenzo, Florence).
Attributed works:
8. Detail of Fig.7. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
9. Pietà, by Donatello. c.1450–53. Marble, 36.5 by 30.5 by 4.5 cm. (S. Gaetano, Padua).
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
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Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
artists:
Michelangelo / Venusti, Marcello / Condivi, Ascanio
dates:
2020-2030
subjects:
Italian drawing / Italian art / Renaissance art / Sketches / Studies (visual works) / Correspondence / Poetry / Christian iconography / Late works / Cartoons (working drawings) / Colonna, Vittoria / Cavalieri, Tommaso de'
subjects:
Architectural drawings
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Book Review
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre
05/2023 | 1442 | 165
Pages: 569-571
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Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
artists:
Greuze, Jean-Baptiste
subjects:
French art / Faces / Expression / Busts / Emotion / Studies (visual works) / Women
Reviewed Items
subjects:
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre By Yuriko Jackall. 320 pp. incl. 29 col. + 45 b. & w. ills. (CTHS and INHA, Paris, 2022), €38. ISBN 978–2–7355–0939–3. | :
Illustrations
Attributed works:
3. A woman (Madame Greuze) with a furtrimmed hood drawn over her head, detail from La Dame de Charité, by Jean Baptiste Greuze, above a sketch of the painting, by Jean Massard. 1772. Etching and engraving, 23.7 by 15.8 cm. (British Museum, London).
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
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Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
Botticelli, Sandro
dates:
1470-1479 / 1480-1489 / 1480-1519
media:
Silverpoints / Gouaches
subjects:
Italian art / Renaissance art / Florentine art / Drawings / Attributions / Figure studies / Studies (visual works) / Life drawings / Workshops (Organisations)
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Short Notice
Giulio Cesare Procaccini’s earliest known drawing and his contacts with Aurelio Luini
04/2023 | 1441 | 165
Pages: 413-417
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Author:
Tantardini, Lucia (Tantardini, Lucia)
Subjects
artists:
Procaccini, Giulio Cesare / Luini, Aurelio
museums and institutions:
Teylers Museum, Haarlem, Netherlands
subjects:
Italian drawings / Studies (visual works) / Attributions / Lombard (Italian)
Illustrations
Attributed works:
10. Lamentation over the dead Christ with St Francis and Mary Magdalene, by Camillo Procaccini. c.1587. Red chalk on white paper, 53.6 by 35.5 cm. (Museo Diocesano, Milan).
Attributed works:
2. Studies of heads, figures, animals and figure compositions, by Aurelio Luini. 1560–70. Pen and brown ink on light tan paper, partly squared in black chalk, 30.9 by 19.5 cm. (Teylers Museum, Haarlem).
Attributed works:
3. Studies of heads and a seated figure, by Giulio Cesare Procaccini. 1600–05. Red and black chalk, with framing lines, 16.7 by 18.3 cm. (Location unknown; formerly private collection).
Attributed works:
4. Miscellaneous studies, here attributed to Giulio Cesare Procaccini. c.1590. Pen and brown ink on cream laid paper, 27.6 by 18.4 cm. (Private collection).
Attributed works:
5. Studies of the head of a woman, by Aurelio Luini. c.1591. Pen and brown ink on white paper turned yellow, with traces of blue pigment, 13.4 by 9.7 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
6. A satyr and two men pulling two women (verso of Fig.5), by Giulio Cesare Procaccini. c.1591–95. Pen and brown ink and black chalk on white paper turned yellow. 13.4 by 9.7 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
7. Detail of St Thecla Altarpiece, by Aurelio Luini. 1591–92. Oil on canvas, approx. 370 by 180 cm. (Milan Cathedral).
Attributed works:
8. Susannah and the Elders, by Giulio Cesare Procaccini. 1600–10. Pen and brown ink, 20.5 by 13.5 cm. (Museum of Fine Arts, Budapest).
Attributed works:
9. Study for the dead Christ, by Aurelio Luini. c.1587–90. Pen and brown ink on cream paper, 21 by 30 cm. (Location unknown).
Book Review
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2)
04/2023 | 1441 | 165
Pages: 476-477
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Reviewer:
Sancho Lobis, Victoria (Sancho Lobis, Victoria)
Subjects
art literature:
Catalogues
artists:
Rubens, Peter Paul / and workshop
subjects:
Flemish painting / Studies (visual works) / Oil sketches / Sketches / Attributions
works:
Corpus Rubenianum
Reviewed Items
works:
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2) By Nico Van Hout. 2 vols, 680 pp. incl. 150 col. + 340 b. & w. ills. (Brepols, Turnhout, 2021), £212.50. ISBN 978–1–912554–65–2. | :
Illustrations
Attributed works:
4. Reconstruction of the original support of Head study of a young man, looking down to the left (private collection); and Head study of a young man, looking up (Musée du Louvre, Paris), both by Peter Paul Rubens, with indication of the horizontal joint and the saw lines.
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
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Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
Delacroix, Eugène
dates:
1830-1839
museums and institutions:
Musée du Louvre, Paris, France / Musée Condé, Chantilly, France / Library of Congress, Washington, United States / Sotheby's, Paris, France
places:
Morocco / Andalusia / Tangier / Cádiz (province) / Seville / Meknès
subjects:
French art / Drawings / Sketchbooks / Notebooks / Studies (visual works) / Sketches
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Article
A pastel ‘Study for a head’ by Boltraffio in the Biblioteca Ambrosiana, Milan
03/2022 | 1428 | 164
Pages: 266-269
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related names
Author:
Allegri, Agostino (Allegri, Agostino)
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
artists:
Boltraffio, Giovanni Antonio / Leonardo da Vinci
dates:
1500-1509
media:
Studies (visual works) / Drawings / Pastels
museums and institutions:
Pinacoteca Ambrosiana, Milan, Italy
subjects:
Attributions / Databases / Catalogues
subjects:
Italian drawings / Renaissance art
Illustrations
Attributed works:
1. Study for the portrait of a poet, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 51.5 by 39.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
2. Detail of St Barbara, by Giovanni Antonio Boltraffio. c.1502. Oil on panel, 172 by 113.5 cm. (Gemäldegalerie, Berlin).
Attributed works:
3. Study for a head, here attributed to Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 25.7 by 25.8 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
4. Study for a female head, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 26.4 by 29.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
5. Studies for a portrait of a woman, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 57.3 by 40.7 cm. (Biblioteca Ambrosiana, Milan; Bridgeman Images).
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