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18 articles
Article
Raphael in 1503: new findings on the ‘Virgin and Child with a book’ and other contemporaneous drawings
01/2025 | 1462 | 167
Pages: 16-25
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
dates:
Illustrations
Attributed works:
1. Virgin and Child, by Benedetto da Maiano. c.1485–90. Marble with polychromy, 71.1 by 54.6 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Detail of Fig.2, showing the cushion and the drapery.
Attributed works:
11. Detail of Fig.1, showing the cushion and the drapery.
Attributed works:
12. Studies of ornamental details, by Raphael. c.1503. Pen and brown ink with black chalk and leadpoint on paper, 37.7 by 21.9 cm. (Ashmolean Museum, Oxford).
Attributed works:
13. Detail of the ceiling in Piccolomini Library, Siena, by Pintoricchio and workshop. c.1503–07. Fresco. (Bridgeman Images).
Attributed works:
14. Detail of Fig.12, showing the Virgin and Child with St Anne.
Attributed works:
15. The Virgin and Child with St Anne (reversed left to right), by Leonardo da Vinci. c.1510. Oil on panel, 168 by 113 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
16. Holy Family with a lamb, by Raphael. 1507. Oil on panel, 28 by 21.5 cm. (Museo del Prado, Madrid).
Attributed works:
2. Virgin and Child with a book, by Raphael. c.1503. Oil on panel, 55.2 by 40 cm. (Norton Simon Museum, Pasadena; Bridgeman Images).
Attributed works:
3. Studies for Virgin and Child with a book, by Raphael. Mounted in the 20th century. Pen and brown ink over blind stylus on paper, 11.4 by 13 cm. (top: Parker 508a recto, felt side) and 11.5 by 13.2 cm. (bottom: Parker 508b recto, mould side). (Ashmolean Museum, Oxford).
Attributed works:
4. Parker 508a verso, mould side, shown in raking light.
Attributed works:
5. Parker 508b verso, felt side, shown in raking light.
Attributed works:
6. Facsimile of Figs.3–5. 1841. Lithograph, 26.6 by 27.9 cm. (From A series of Fac-similes of Original Drawings by Raffaelle da Urbino Selected from the Matchless Collection formed by Sir Thomas Lawrence, Published by S. and A. Woodburn, London 1841).
Attributed works:
7. The mould side of the drawings shown in Fig.3 superimposed onto Fig.6 to highlight the extent of the loss and the continuity in the landscape. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
8. The felt side of the drawings shown in Fig.3 superimposed on Fig.6 to highlight the extent of the loss. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
9. The drawings shown in Fig.3 seen in transmitted light. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Supplement
Recent acquisitions at the Fine Arts Museums of San Francisco
12/2021 | 1425 | 163
Pages: 1221-1236
related names
Compiler:
Campbell, Thomas P. (Campbell, Thomas P.)
Subjects
subjects:
Illustrations
Attributed works:
1. Penumbra, by Frank Bowling (British, b.Guyana, 1934). 1970. Acrylic and spray paint on canvas, 227 by 697.9 cm. © 2021 Artists Rights Society (ARS), New York / DACS, London. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2019.72.
Attributed works:
12. Moritz-Wilhelm, Duke of Saxe-Zeitz, by Willem van Mieris (Dutch, 1662–1747). 1705. Oil on copper panel, 10.8 by 8.3 cm. Bequest of Margaret Kaplan; inv. no.2020.32.2.
Attributed works:
13. Madame de Narbonne, by François-Hubert Drouais (French, 1727–75). 1769. Oil on canvas, 71.1 by 55.9 cm. Gift of Lady Alexander of Weedon in honour of Martin Chapman; inv. no.2020.2.
Attributed works:
14. An evening landscape, by Samuel Palmer (British, 1805–81). c.1880. Transparent and opaque watercolour over graphite on paper, 21 by 44.1 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2020.3.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
16. The birthday, by William Holman Hunt (English, 1827–1910). 1868. Oil on canvas, 102.9 by 72.7 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund and Grover A. Magnin Endowment Bequest Income Fund; inv. no.2019.33.
Attributed works:
17. Baluster vase and cover with AR monogram, attributed to Johann Caspar Ripp (1681–1726). Meissen Factory (est.1710), Meissen, c.1725–30. Hard-paste porcelain with underglaze blue decoration, 41.3 by 21.5 cm. Gift of Malcolm D. Gutter; inv. no.2015.66a–b.
Attributed works:
20. Figure. Luba artist, Democratic Republic of Congo, 19th century. Wood, metal and fibre, 26 by 5.1 by 4.8 cm. Gift of Richard Schelle; inv. no.2019.1.
Attributed works:
21. Rêve au coin du feu (Dreaming by the fireside), model by Camille Claudel (French, 1864–1943), executed by François Pompon (French, 1855–1933). 1899. Marble, 22.2 by 31.8 by 24.8 cm. Gift of Marie-Joséphe de Touzalin Dunaway; inv. no.2018.88.
Attributed works:
23 22 24 22. in pursuit of Venus [infected], by Lisa Reihana (New Zealander, b.1964). 2015–17. Ultra HD video, colour, 7.1 sound, duration 64 minutes, 250 by 400 cm. Fine Arts Museums of San Francisco and Los Angeles County Museum of Art, acquired jointly with funds provided by the Phyllis C. Wattis Fund for Major Accessions, the Fine Arts Museums Foundation and the Los Angeles County Museum of Art Collectors Committee; inv. no.2019.21. Image courtesy the artist, New Zealand at Venice and Artprojects.
Attributed works:
23. Jar, by Maria Martinez (American, San Ildefonso, 1887–1980) and Julian Martinez (American, San Ildefonso, 1879–1943). c.1930–39. Earthenware, 17.8 by 22.9 by 22.9 cm. Gift of Ardelle Southworth; inv. no. 2017.11. Courtesy www.antiqueamericanindianart.com.
Attributed works:
24. Basket, by Elizabeth Hickox (American and Karuk / Wiyot, 1872–1947). c.1915. Wild grape root, myrtle shoots, maidenhair fern and porcupine quills, 15.9 by 18.7 cm. Purchased with funds from the friends of AOA, the AOA Docent Fund and in memory of Leroy C. Cleal; inv. no.2019.65a–b.
Attributed works:
25. Sky cathedral’s presence I, by Louise Nevelson (American, 1899–1988). 1959–62. Painted wood and found objects, 271.8 by 305.1 by 54.6 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2017.50. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.
Attributed works:
26. Black and white one-stroke waterfall, by Pat Steir (American, b.1940). 1992. Oil on canvas, 440.7 by 230.5 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2018.30. Courtesy the artist.
Attributed works:
27. Katsura, by Kay Sekimachi (American, b.1926). 1971. Dyed nylon monofilament; 4-layer and tubular weaves on an 8-harness loom, 109.2 by 38.1 by 33 cm. Foundation purchase, George and Dorothy Saxe Endowment Fund; inv. no.2016.7. Courtesy the artist.
Attributed works:
28. Untitled (Compass series), by Jay DeFeo (American, 1929–89). 1979. Charcoal and oil pastel on paper, 35.6 by 27.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2016.6.1. © Jay DeFeo Foundation / Artists Rights Society (ARS), New York.
Attributed works:
29. Him and her hold the root, by Lonnie Holley (American, b.1950). 1994. Rocking chairs, pillow and root, 115.6 by 185.4 by 77.5 cm. Museum purchase, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.27. © Lonnie Holley / Artists Rights Society (ARS), New York.
Attributed works:
30. Blood and meat: survival for the world, by Thornton Dial (American, 1928–2016). 1992. Braided carpet rope, metal, electrical wire, screen, textile, enamel paint and Splash Zone compound on plywood, 165.1 by 241.3 by 27.9 cm. Museum purchase, American Art Trust Fund, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.7. © 2021 Estate of Thornton Dial / Artists Rights Society (ARS), New York.
Attributed works:
31. Carolina interior, by Romare Bearden (American, 1911–88). 1970. Collage of various papers, fabric, paint, ink and graphite on paperboard, 33 by 40 cm. Museum purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no. 2019.4. © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), New York.
Attributed works:
32. Quilt, by Rosie Lee Tompkins (American, 1936–2006) and Irene Bankhead (American, b.1925). 1996. Velvet, velveteen, velour, faux fur, panne velvet, backed with cotton gauze; pieced, quilted, 188 by 148.6 cm. Museum Purchase, Textile Arts Council Endowment Fund; inv. no.2019.53.1. Courtesy the Estate of Rosie Lee Tompkins (Effie Mae Howard).
Attributed works:
33. Lincoln, Lonnie, and me – a story in 5 parts, by Carrie Mae Weems (American, b.1953). 2012. Video installation and mixed media, 335.3 by 457.2 by 1066.8 cm. Museum purchase, in honour of the Friends of New Art; inv. no.2017.49. © Carrie Mae Weems; courtesy the artist and Jack Shainman Gallery, New York.
Attributed works:
34. Birth hood, by Judy Chicago (American, b.1939). 1965–2011. Sprayed automotive lacquer on car hood, 109 by 109 by 10.9 cm. Foundation purchase, Wattis Endowment Income Fund; inv. no.2020.26.2. © Judy Chicago / Artists Rights Society (ARS), New York.
Attributed works:
35. Jacket, by Junya Watanabe (Japanese, b.1961) for Comme des Garçons (Japanese, est.1973). Fall 2015, Ready-to-wear. Polyester knit (jersey). Gift of Norah and Norman Stone; inv. no.2020.18.8.
Attributed works:
36. Woman’s evening jacket, by Vivienne Westwood (British, b.1941). Spring / Summer 2007. Cotton, metallic thread, sequins, rhinestones, onyx, coral; complex weave, embroidery (chain, buttonhole, and couched stitches) and stones. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.17. Woman’s evening gown and belt, by Vivienne Westwood (British, b.1941). Spring / Summer 2013. Silk, cotton; satin, printed plain-weave lining. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.16a–b.
Attributed works:
37. Exomind (Deep water), by Pierre Huyghe (French, b.1962). 2017/2020. Concrete cast with wax hive and bee colony, 72 by 60 by 79 cm. Foundation purchase, Wattis Acquisition Endowment Fund. Courtesy the artist and Marian Goodman Gallery.
Attributed works:
38. Outstretched, by Wangechi Mutu (Kenyan, b.1972). 2019. Paper pulp, wood glue, charcoal, pigment and feathers, 91 by 162 by 75 cm. Museum purchase, Jay D. and Clare C. McEvoy Endowment Income Fund; inv. no.2021.32. © Wangechi Mutu.
Attributed works:
39. White guise, by Alison Saar (American, b.1956). 2018–19. Colour woodcut, relief printing and paint on shellac-stained mulberry paper, 139.7 by 69.9 cm. Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund; inv. no.2019.60.Courtesy the artist and LA Louver; photograph Jorge Bachmann.
Attributed works:
6. Frame depicting the Five Senses and the Doria coat-of-arms, by Balthasar Martines (active Genoa, 16th century). c.1565–1575. Embossed silver, silver gilt and enamelled gold with modern mirror, 33.5 by 25.5 cm. Museum purchase, European Decorative Arts Trust Fund, Gift of Bank of America by exchange; inv. no.2020.25.
Attributed works:
7. Vanitas, by Andrés Deleito (Spanish, active 1656–63). c.1660. Oil on canvas, 107 by 155.5 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; inv. no.2018.3.
Attributed works:
8. St Matthew with two angels (design for a lunette), by Bernardino di Betto di Biagio, called Pintoricchio (Italian, c.1456–1513). c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, 24.9 by 28.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2021.1.
Attributed works:
9. Lansdowne vase, by Giovanni Battista Piranesi (Italian, 1720–78). Rome, c.1770. Marble with ancient fragments, 49.5 by 39.4 by 28.1 cm. Gift of Joseph and Deborah Goldyne; inv. no.2020.39.1a–b.
Non-western art unattributed:
10. Charger. Iranian, Safavid period, possibly Mashhad, 17th century. Stone paste with underglaze blue decoration, diameter 39.4 cm. Gift of Phoebe Cowles; inv. no.2014.61.
Non-western art unattributed:
18. Man’s haori (jacket). Japan, c.1931. Stencil-printed silk (kata yuzen), 109.2 by 127 cm. Gift of Erik Jacobsen; inv. no.2015.84.15.
Non-western art unattributed:
19. Ritual vessel (aduno koro). Dogon artist, Mali, early 20th century. Wood, 41.9 by 132.7 by 23.5 cm. Gift of the Robert T. Wall Family; inv. no.2019.98.Photograph © Don Tuttle Photography 2010.
Non-western art unattributed:
2. Statuette of Seneb. Egyptian, Middle Kingdom, mid-Dynasty 12, c.1897–1839 BC. Painted wood (probably sycamore), height 27.6 cm. Estate of Virginia B. Landensohn; Ms Lisa Sardegna and Mr David A. Carrillo; Martin I. and Margaret J. Zankel and Herbert and Jan West; The Chickering Endowment; Friends of Ian White; The Michael Taylor Trust; Volunteer Council Acquisition Fund; Diane B. Wilsey; Charlotte and Rolf Scherman; Ancient Art Council; Dr and Mrs Bernard von Bothmer; Teresa Keller Tilden and Douglas Tilden; Sheila Wishek, in memory of Cathleen A. Keller; Ancient Art Trust Fund; Richard Benefield and John Kunowski; Gretchen Turner; Colin B. Bailey and Alan P. Wintermute; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; Rajnikant and Helen Desai, Eunice Baek and Thomas Garrity; Tim and Peggy Brown; Phoebe Cowles; Mrs George Hopper Fitch; Maurice W. Gregg; Anthony and Susan Hardy; Skot Jonz; Peter and Lindsay Joost; Arielle Kozloff in honour of Renée Dreyfus; Millicent and Megan Rutherford, John Klopacz and Richard Wilson, and Donald and Louise Heyneman in memory of John Rutherford; Françoise and Andrew Skurman; and additional donors; inv. no.2014.45.
Non-western art unattributed:
3. Relief with Ptolemy I Soter making an offering. Egyptian, Ptolemaic period, reign of Ptolemy I Soter, 305–282 BC, Limestone, height 33 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; Chickering Endowment Income Fund; You Lan Tang through the Ancient Art Council in honour of Dr Renée Dreyfus; Friends of Ian White Unrestricted Endowment Income Fund; Vivien Grey Gift for Unrestricted Acquisitions; Docent Council Commemorative Fund, Docent Training Class of 2018 and memorial funds from various Docents in memory of Ellen Harden, Clara Morrissey and Pauline Schwartz; Anthony and Susan Hardy; Volunteer Council Art Acquisition Fund; Diane B. Wilsey; Francesca Deering Howe and Thomas Carr Howe Endowment Income Fund; Lindsay and Peter Joost; Koret Foundation; Dr and Mrs Bernard von Bothmer in honour of Dr Dietrich von Bothmer; Berkeley Greek Club in memory of Professors Frederic Amory, J.K. Anderson, Gary Holland and Louis A. MacKay; Ancient Art Acquisition Fund; Mrs William Hamilton; Teresa Keller Tilden and Douglas Tilden; Gretchen Turner; Sheila Wishek; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; John Klopacz and Richard Wilson; Ellen Werner in memory of Klaus Werner; Laura Abbott in memory of J.K. Anderson; Eunice Baek and Thomas Garrity; Kathryn A. Burg; Phoebe Cowles and Robert Girard; Charlotte Scherman in memory of Dr Rolf Scherman; Jerry Wehage and Murray Storton in memory of Allen Branco; and additional donors and tribute funds; inv. no.2019.70.
Non-western art unattributed:
4. Codex-style plate with K’awiil, serpent, and other figures. Maya artist, Petén, Northern Guatemala, 680–750. Earthenware, diameter 30.5 cm. Gift of Gail and J. Alec Merriam; inv. no.2014.95.3.
Non-western art unattributed:
5. Architectural panel in the shape of a mihrab. Timurid, western Central Asia, second half of 14th century. Carved and glazed terracotta, height 55.5 cm. Museum purchase, Vivian Grey Fund for Unrestricted Acquisitions, and Friends of Ian White Restricted Endowment Income Fund; inv. no.2018.61.
Western art unattributed:
11. Talleyrand State Bed. France, probably Paris, c.1805. Carved and gilded wood with modern silk damask and passementerie, and an iron support, 356 by 208 by 163 cm. Museum purchase, Art Trust Fund in memory of Xavier Bonnet; inv. no.2019.61.
Article
Pintoricchio in Rome: a design for Domenico della Rovere
09/2021 | 1422 | 163
Pages: 792-797
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
media:
places:
Illustrations
Attributed works:
1. The Evangelist St Matthew with two angels (design for a lunette), by Pintoricchio. c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, lower right corner made up, 24.9 by 28.9 cm. (Fine Arts Museums of San Francisco).
Attributed works:
2. Four designs for grotesques and a head of Medusa, by Pintoricchio. c.1483. Pen and two hues of brown ink over metalpoint (silver), on grey prepared paper, 27.2 by 17.8 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett).
Attributed works:
3. The Virgin and the blessing Child, by Pintoricchio. c.1480. Pen and brown ink and brown wash over traces of black chalk, 21.4 by 14.7 cm. (Private collection).
Attributed works:
4. Detail of Fig.1, showing the coat of arms of Cardinal Domenico della Rovere.
Attributed works:
5. Coat of arms of Cardinal Domenico della Rovere, by Pintoricchio and workshop. c.1490. Fresco. (Sala degli Apostoli e Profeti, Palazzo dei Penitenzieri, Rome).
Attributed works:
6. Apostle, by the workshop of Pintoricchio. c.1490. Fresco. (Sala degli Apostoli e Profeti, Palazzo dei Penitenzieri, Rome).
Attributed works:
7. St Matthew, by Bendetto da Maiano. c.1490. Glazed terracotta, overall dimensions 108 by 217 cm., glazed lunette 66 by 133 cm. (Sacristy of St Matthew, Basilica of S. Maria, Loreto).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Publication Received
Sacred and Profane Beauty: Deruta Renaissance Maiolica. Edited by Camille Leprince and Justin Raccanello
06/2018 | 1383 | 160
Pages: 525
related names
Reviewer:
Randall-Wright, Chelsey (Randall-Wright, Chelsey)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
7. A charger with The Nativity after Pietro Perugino, by Nicola Francioli. c. 1520–30. Tin-glazed earthenware, diameter 42 cm. (Private collection).
Book Review
Pintoricchio a Roma. La seduzione dell’antico
08/2010 | 1289 | 152
Pages: 549-550
related names
Reviewer:
Silvestrelli, Maria Rita (Silvestrelli, Maria Rita)
Subjects
dates:
places:
Reviewed Items
subjects:
Pintoricchio a Roma. La seduzione dell’antico | author: La Malfa, Claudia
Illustrations
Attributed works:
47. St Catherine of Alexandria debating with fifty philosophers before the Emperor Maxentius, by Bernardino Pintoricchio. 1494. Fresco. (Sala dei Santi, Appartamento Borgia, Musei Vaticani).
Book Review
Pintoricchio
10/2009 | 1279 | 151
Pages: 702-703
related names
Reviewer:
Plazzotta, Carol (Plazzotta, Carol)
Subjects
Reviewed Items
subjects:
Pintoricchio | editor: Garibaldi, Vittoria , editor: Mancini, Francesco Federico
Illustrations
Attributed works:
44. Detail of squinch showing a Bird’s nest with chicks, by Pintoricchio. 1500–01. Fresco. (Cappella Baglioni, S. Maria Maggiore, Spello).
Advertisements
Advertisements November 2006 (Front)
11/2006 | 1244 | 148
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alexander Gallery. 942 Madison Avenue, New York. Bernardino Nocchi. Four Evangelists. Modelli for Heavens Ceiling, Palazzo Vidani-Caffarelli, Rome, 1773-1774]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Felicie de Fauveau (Livourne, 1799 - Florence, 1886). Hausse-col de la duchesse de Berry. Bronze doré. L.: 28,5 cm]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Francis van Bossuit. (Bruxelles, 1635 - Amsterdam, 1692). Loth et ses filles. Bas-relief en ivoire. H.: 14,1 cm; L.: 22,6 cm; P.: 2,8 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: an important Regency mahogany, crossbanded and ebony marquetry four-sided Partners Desk. 191 cm wide, 125 cm deep, 79 cm high.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Alessandro di Filipepi, called Sandro Botticelli (Florence 1445? - 1510). The Madonna and Child. Oil and tempera on panel, arched. 39 3/8 x 25 5/8 (100x65.1 cm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Albrecht Durer (1471-1528). Adam and Eve (B. 1; M. 1). Engraving, 1504, Meder IIIb (of IIId), a fine, evenly printed impression. P.252x194 mm.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Rembrandt Harmensz. van Rijn (1606-1669). The Three Trees (B.212). Etching, engraving and drypoint, 1643, a fine impression. P. 213x279 mm, S. 219 x 286 mm.]
Attributed works:
[Fuondling Museum. 40 Brunswick Square - London. Saint Francis receiving the stigmata. Guercino.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Calling of Simon. Tondo (one of a pair). Oil on panel, diam. 58,5 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Jean JOUVENET. Rouen, 1644 - Paris, 1717. L'Adoration de l'Agneau mystique. Oil on canvas, 129x96 cm]
Attributed works:
[National Gallery of Ireland. Exhibition. Muriel Brandt (1909-81), Procession Day (detail).]
Attributed works:
[Piasa. 5, rue Drouot. Paris. Jacques-Louis DAVID. (Paris 1748-Bruxelles 1825). Portrait of général baron Claude Marie Maunier Jacques Louis David's son in law. On its original canvas. 72,5 x 58 cm.]
Attributed works:
[Robert Simon, Fine Art. Satis House. Tower Hill Road. Tuxedo Park. New York. Bernardino di Betto di Biaggio, called il Pinturicchio (1454-1513). Virgin and CHild. Tempera and oil on panel, 20 1/4 x 16 inches (51.4 x 40.6 cm)]
Attributed works:
[Robilant – Voena. 38 Dover Street, London W1S 4LN. A View of Paestum, (detail). Antonio Joli.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Bernardo Bellotto (Venice 1722-1780 Warsow). Venice, A view of S. Giorgio Maggiore and the Bacino from the Molo [detail].]
Attributed works:
[The Burlington Magazine. Tomyris with the head of Cyrus, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, height 30.8 cm. (The Frick Collection, New York. Photographed by Michael Bodycomb).]
Attributed works:
[Trafalgar Galleries. 35 Bur Street, St. James’s. London. David Teniers the Elder (Antwerp 1582-1649). St. John the Baptist preaching to a group of elegant figures and horsemen in a wooded landscape. Oil on copper panel, 51.9 x 66.8 cm (20 1/4 x 26 1/4 inches)]
Attributed works:
[Yale Center for British art. 1080 Chapel Street. Canaletto, Westminster Bridge, with the Lord Mayor's Procession on the Thames (detail), 1747, Oil on canvas. Yale Center for British art, Paul Mellon Collection.]
Short Notice
Pintoricchio, Perugino or the Young Raphael? A Problem of Connoisseurship
02/1983 | 959 | 125
Pages: 86-89
related names
Author:
Ferino-Pagden, Sylvia (Ferino-Pagden, Sylvia; Ferino Pagden, Sylvia)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
27. Study of a Woman, by Perugino or Raphael? Pen and Ink, 16.3 by 12 cm. (N. 366 E r, Uffizi, Florence).
Attributed works:
28. Compositional Sketch for the Nativity of the Virgin (Part of the Predella of the Fano Altar-Piece). Pen and Ink, 16.3 by 12 cm. (N. 366 E v, Uffizi, Florence). By Perugino or Raphael?
Attributed works:
29. Study of a Woman, by Perugino or Raphael? Pen and Ink, 17.3 by 10.2 cm. (N. 368 E r, Uffizi, Florence).
Attributed works:
30. Figural Sketches, by Perugino or Raphael? Pen and Ink, 17.3 by 10.2 cm. (N. 368 E v, Uffizi, Florence).
Attributed works:
31. Nativity of the Virgin (Part of the Predella of the Fano Altar-Piece, by Perugino. Panel, Height 28 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
32. Study for the Cumaean Sybil, by Perugino. Pen and Ink, 20.3 by 8.6 cm. (N. 399 E, Uffizi, Florence).
Attributed works:
33. Compositional Sketch for the Altar-Piece of the Coronation of St Nicolas of Tolentino, by Raphael. (N. Pl. 474-475, Musée des Beaux-Arts, Lille).
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