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Article
The Modigliani Technical Research Study. Modigliani’s Paris portraits 1915–17
04/2018 | 1381 | 160
Pages: 311-318
related names
Author:
Buckley, Barbara (Buckley, Barbara)
Author:
Duffy, Michael (Duffy, Michael)
Author:
Langley, Allison (Langley, Allison)
Author:
Porell, Mina (Porell, Mina)
Subjects
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Illustrations
Attributed works:
1. Madam Pompadour, by Amedeo Modigliani. 1915. Canvas, 61.1 by 50.2 cm. (Art Institute of Chicago).
Attributed works:
10. Anna Zborowska, by Amedeo Modigliani. 1917. Canvas, 130.2 by 81.3 cm. (Museum of Modern Art, New York).
Attributed works:
11. X-radiograph of Fig.10.
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12. Chromium (left) and calcium (right) XRF mapping images for Fig.10.
Attributed works:
2. Béatrice (Portrait of Beatrice Hastings), by Amedeo Modigliani. 1916. Canvas, 55.2 by 38.2 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
3. Early black-and-white photograph of Fig.2 (Paul Guillaume Archives; © Institut Restellini, Paris).
Attributed works:
4. The pretty housewife, by Amedeo Modigliani. 1915. Canvas, 110.5 by 49.8 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
5. X-radiograph of Fig.4.
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6. Composite of inscription details from (from the top): Fig.4, Fig.9, Fig.2 and Fig.1.
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7. Details of Fig.4 (clockwise from top left): a) green and grey-green peeking through the corners of the proper left eye; b) hairline with underlying warm green tone; c) dark green-black paint tamped or sponged to texture the collar; d) scraping through the background.
Attributed works:
8. X-radiograph of Fig.9.
Attributed works:
9. Jacques and Berthe Lipchitz, by Amedeo Modigliani. 1916. Canvas, 81.3 by 54.3 cm. (Art Institute of Chicago).