By using this website you agree to our Cookie policy

Search

132 articles
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
Edith Coulson James, Francesco Francia and ‘The Burlington Magazine’, 1911–17
01/2022 | 1426 | 164
Pages: 41-49
related names
Author:
Alambritis, Maria (Alambritis, Maria)
Subjects
art literature:
Illustrations
Attributed works:
1. Detail from a photograph of Edith E. Coulson James (far left) with her brother’s family. c.1927. Silver gelatin print, 10 by 7.5 cm. (Courtesy John Barnard).
Attributed works:
2. Pietà (lunette from the Buonvisi Altarpiece), by Francesco Francia. 1510–12. Oil on wood, 94 by 184.5 cm. (National Gallery, London).
Attributed works:
3. St John the Baptist, by Francesco Francia. (From THE BURLINGTON MAGAZINE 20 (1911), p.10, pl.1); photograph Edith E. Coulson James).
Attributed works:
4. Portrait of Francesco Francia, after the painter’s self-portrait, by Carlo Faucci after Francesco Francia. 1763. Etching and engraving, 44.1 by 26.5 cm. (British Museum, London).
Attributed works:
5. Portrait of a man with a ring, attributed by Edith E. Coulson James to Francesco Francia. c.1472–77. Oil on panel, 38.5 by 27.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
6. St Sebastian, by Lorenzo Costa. 1480–85. Tempera on panel, 171.7 by 58.4 cm. (Gëmaldegalerie Alte Meister, Dresden).
Attributed works:
7. Portrait of Francesco Francia, by Domenico Santi. Mid-to-late 17th century. Engraving. (From the Connoisseur 65 (1923), p.88, pl.1).
Book Review
Roger Fry and Italian Art
06/2020 | 1407 | 162
Pages: 552
related names
Reviewer:
Rose, Sam (Rose, Sam)
Subjects
Reviewed Items
subjects:
Roger Fry and Italian Art By Caroline Elam. 452 pp. incl. 250 col. + b. & w. ills. (Ad Ilissvm and The Burlington Magazine, London, 2019),  100. ISBN 978–1–912168–08–8. | :
Book Review
Art and Form: From Roger Fry to Global Modernism. By Sam Rose
02/2020 | 1403 | 162
Pages: 164-165
related names
Reviewer:
Kemp, Gary (Kemp, Gary)
Subjects
Reviewed Items
subjects:
Art and Form: From Roger Fry to Global Modernism By Sam Rose. 224 pp. incl. 27 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2019), £27.95. ISBN 978–0–271–08238–7. | :
Illustrations
Attributed works:
1. Baptism of Christ, by Piero della Francesca (c.1488–50; National Gallery, London), with indications of halves and thirds. Drawing by Andrew Demetrius after an illustration in Patterns of Intention by Michael Baxandall, New Haven and London, 1985.
Exhibition Review
Post-Impressionist Living: The Omega Workshops. Charleston, East Sussex
11/2019 | 1400 | 161
Pages: 957-959
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
19. The wrestlers, by Henri Gaudier- Brzeska. 1913–14. Mahogany carcass, with marquetry of pedouk, oak, walnut and ebonised wood, diameter 65 cm. (Victoria and Albert Museum, London; exh. Charleston, East Sussex).
Attributed works:
20. Opening room of the Omega Workshops. Press photograph in the Daily News and Leader, July 1913. (Charleston Trust, East Sussex).
Attributed works:
21. Study of a woman, by Vanessa Bell. c.1917. Oil on canvas, 29.4 by 23 cm. (Charleston Trust, East Sussex).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Article
The Modigliani Technical Research Study. Modigliani’s Paris portraits 1915–17
04/2018 | 1381 | 160
Pages: 311-318
related names
Author:
Buckley, Barbara (Buckley, Barbara)
Author:
Duffy, Michael (Duffy, Michael)
Author:
Langley, Allison (Langley, Allison)
Author:
Porell, Mina (Porell, Mina)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Madam Pompadour, by Amedeo Modigliani. 1915. Canvas, 61.1 by 50.2 cm. (Art Institute of Chicago).
Attributed works:
10. Anna Zborowska, by Amedeo Modigliani. 1917. Canvas, 130.2 by 81.3 cm. (Museum of Modern Art, New York).
Attributed works:
11. X-radiograph of Fig.10.
Attributed works:
12. Chromium (left) and calcium (right) XRF mapping images for Fig.10.
Attributed works:
2. Béatrice (Portrait of Beatrice Hastings), by Amedeo Modigliani. 1916. Canvas, 55.2 by 38.2 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
3. Early black-and-white photograph of Fig.2 (Paul Guillaume Archives; © Institut Restellini, Paris).
Attributed works:
4. The pretty housewife, by Amedeo Modigliani. 1915. Canvas, 110.5 by 49.8 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
5. X-radiograph of Fig.4.
Attributed works:
6. Composite of inscription details from (from the top): Fig.4, Fig.9, Fig.2 and Fig.1.
Attributed works:
7. Details of Fig.4 (clockwise from top left): a) green and grey-green peeking through the corners of the proper left eye; b) hairline with underlying warm green tone; c) dark green-black paint tamped or sponged to texture the collar; d) scraping through the background.
Attributed works:
8. X-radiograph of Fig.9.
Attributed works:
9. Jacques and Berthe Lipchitz, by Amedeo Modigliani. 1916. Canvas, 81.3 by 54.3 cm. (Art Institute of Chicago).
Article
Eye-witness accounts and silent dissent: The Burlington Magazine during the First World War
09/2014 | 1338 | 156
Pages: 580-589
related names
Author:
Pezzini, Barbara (Pezzini, Barbara)
Subjects
art literature:
dates:
Illustrations
Attributed works:
13. Despair, by William Strang. 1889. Etching, drypoint and sandpaper tone, 25 by 20 cm. (British Museum, London).
Attributed works:
14. Forward the guns!, by Lucy Kemp-Welch. 1917. Canvas, 152 by 306 cm. (Tate, London).
Attributed works:
15. The soldiers of King Albert at the Ready, by Walter Sickert. 1914. Canvas, 211.5 by 166.4 cm. (Graves Art Gallery, Sheffield).
Attributed works:
16. His Imperial Majesty Nicholas II, Emperor of Russia, KG, Colonel-in-Chief of the Royal Scots Greys, by Valentin Aleksandrovich Serov. 1902. Canvas, 115 by 88 cm. (Royal Scots Dragoon Guards Museum, Edinburgh), as the frontispiece to Studio 66 (1915).
Attributed works:
17. 'Impressions of Brittany in War Time', by Francine Almond and William Douglas Almond, Studio 65 (1915), p.221.
Attributed works:
20. Martin Conway (second from the left) and the committee of the National War Museum, established in March 1917. Photograph. (Imperial War Museums, London).
Attributed works:
23. Three men in long military cloaks (German General Staff), by Roger Fry. 1915. Papier collé. (Present whereabouts unknown).
Attributed works:
24. The old houses at Mechelen after the fire, 1914. Photograph, from H. Kervyn de Lettenhove: 1914-1916. La guerre et les oeuvres d'art en Belgique, Brussels, 1917, no.64.
Western art unattributed:
18. 'French Military Medals', Connoisseur 52 (1918), p.117.
Western art unattributed:
19. 'The Oldest National War Museum in Europe', Connoisseur 49 (1917), p.93.
Western art unattributed:
21. 'Special Notice', The Burlington Magazine 25 (1914), p.325.
Western art unattributed:
22. The Burlington Magazine Consultative Committee, The Burlington Magazine 25 (1914), p.iv.
load more