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138 articles
Exhibition Review
Picasso in Fontainebleau
02/2024 | 1451 | 166
Pages: 199–201
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Picasso in Fontainebleau Museum of Modern Art, New York 8th October 2023–17th February 2024 | :
Illustrations
Attributed works:
23. Three musicians, by Pablo Picasso. 1921. Oil on canvas, 200.7 by 222.9 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Museum of Modern Art, New York).
Attributed works:
24. Three women at the spring, by Pablo Picasso. 1921. Oil on canvas, 203.9 by 174 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Museum of Modern Art, New York).
Attributed works:
25. Three women at the spring, by Pablo Picasso. 1921. Red chalk on canvas, 200 by 161 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Musée national Picasso, Paris; exh. Museum of Modern Art, New York).
Attributed works:
26. Three musicians, by Pablo Picasso. 1921. Oil on canvas, 204.5 by 188.3 cm. (© Estate of Pablo Picasso and Artists Rights Society, New York; Philadelphia Museum of Art; exh. Museum of Modern Art, New York).
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Obituary
Bernice Rose (1935–2023)
09/2023 | 1446 | 165
Pages: 1047-48
related names
Author:
Hoptman, Laura (Hoptman, Laura)
Subjects
subjects:
Illustrations
Attributed works:
Bernice Rose, photographed in 2007. (Courtesy of Menil Archives, Menil Collection, Houston; photograph George Hixson).
Exhibition Review
Meret Oppenheim: My Exhibition
03/2023 | 1440 | 165
Pages: 330-332
related names
Reviewer:
Mackenzie, Verity (Mackenzie, Verity)
Subjects
artists:
dates:
Reviewed Items
subjects:
Meret Oppenheim: My Exhibition Museum of Modern Art, New York 30th October 2022–4th March 2023 | :
Illustrations
Attributed works:
29. Squirrel, by Meret Oppenheim. 1960/1969. Beer glass, plastic foam and fur, 21.5 by 13 by 7.5 cm. (Kunstmuseum Bern; Artists Rights Society, New York, and Pro Litteris, Zurich; exh. Museum of Modern Art, New York).
Attributed works:
30. Votive picture (strangling angel), by Meret Oppenheim. 1931. India ink and watercolour on paper, 34 by 17.5 cm. (Museo d’arte della Svizzera italiana, Lugano; Artists Rights Society, New York, and Pro Litteris, Zurich; exh. Museum of Modern Art, New York).
Attributed works:
31. Ma gouvernante – my nurse – mein Kindermädchen, by Meret Oppenheim. 1936/1967. Metal plate, shoes, string and paper, 14 by 33 by 21 cm. (Moderna Museet, Stockholm; Artists Rights Society, New York, and Pro Litteris, Zurich; exh. Museum of Modern Art, New York).
Exhibition Review
Sophie Taeuber-Arp: Living Abstraction
02/2022 | 1427 | 164
Pages: 184-188
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne )
Subjects
dates:
Reviewed Items
subjects:
Sophie Taeuber-Arp: Living Abstraction Museum of Modern Art, New York 21st November 2021– 12th March 2022 | :
Illustrations
Attributed works:
1. Guards (marionette for ‘King Stag’), by Sophie Taeuber- Arp. 1918. Metallic paint and oil on wood and metal, height 55.5 cm. (Museum für Gestaltung Zurich; exh. Museum of Modern Art, New York).
Attributed works:
2. Verticalhorizontal composition, by Sophie Taeuber- Arp. 1916. Wool on canvas, 50 by 38.5 cm. (Fondazione Marguerite Arp, Locarno; exh. Museum of Modern Art, New York).
Attributed works:
3. Circle picture, by Sophie Taeuber-Arp. 1933. Oil on canvas, 74.3 by 119.8 cm. (Kunstmuseum Bern; exh. Museum of Modern Art, New York).
Attributed works:
4. Aubette 127 (axonometric drawing of the ‘Five O’Clock’ tearoom in the Aubette, Strasbourg). 1927. Gouache, metallic paint, ink and pencil on diazotype, 123 by 99 cm. (Musée d’Art Moderne et Contemporain de Strasbourg; exh. Museum of Modern Art, New York; photograph M. Bertola).
Exhibition Review
Cézanne Drawing
09/2021 | 1422 | 163
Pages: 848-849
related names
Reviewer:
Sidlauskas, Susan (Sidlauskas, Susan)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Cézanne Drawing Museum of Modern Art, New York 6th June–25th September | :
Illustrations
Attributed works:
13. The green jug, by Paul Cézanne. 1885–87. Pencil and watercolour on paper, 22 by 24.7 cm. (Musée du Louvre, Paris; exh. Museum of Modern Art, New York).
Attributed works:
14. Coat on a chair, by Paul Cézanne. 1890–92. Pencil and watercolour on laid paper, 47.5 by 30.5 cm. (Private collection; exh. Museum of Modern Art, New York).
Attributed works:
15. Study from a statuette of a Cupid, by Paul Cézanne. c.1890. Pencil on laid paper, 48.9 by 32.4 cm. (Brooklyn Museum of Art, New York; exh. Museum of Modern Art, New York).
Article
Collage logic in Max Ernst’s ‘Woman, old man and flower’ (1923–24)
03/2021 | 1416 | 163
Pages: 261-263
related names
Author:
Davis, Ellen (Davis, Ellen)
Author:
Kwartler, Talia (Kwartler, Talia)
Author:
Martins, Ana (Martins, Ana)
Subjects
artists:
styles:
Illustrations
Attributed works:
16. Woman, old man and flower (Weib, greis und blume), by Max Ernst. 1923–24. Oil on canvas, 96.5 by 130.2 cm. (Museum of Modern Art, New York; © ADAGP, Paris and DACS, London 2021).
Attributed works:
17. Reflected infra-red image of Fig.16, showing evidence of Fig.23 and one state that postdates Fig.23. (© 2017 MoMA, New York).
Attributed works:
18. X-ray image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
19. Transmitted infra-red image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
20. Map of zinc distribution in Fig.16, obtained by MA-XRF scanning, showing evidence of one state that post-dates Fig.23. (© 2017 MoMA, New York).
Attributed works:
21. Ubu Imperator, by Max Ernst. 1923. Oil on canvas, 81 by 65 cm. (Centre Pompidou, Musée national d’art moderne, Paris; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
22. A rendezvous of friends, by Max Ernst. 1922. Oil on canvas, 130 by 95 cm. (Museum Ludwig, Cologne; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
23. Weib, greis und blume I, by Max Ernst. 1923. Reproduced as a ‘tableau détruit’ (‘destroyed painting’) in Dictionnaire abrégé du surréalisme (1938).
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
Subjects
dates:
styles:
Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Short Notice
A continuous line in Boccioni drawings at the Metropolitan Museum of Art, New York
03/2020 | 1404 | 162
Pages: 219-224
related names
Author:
McKever, Rosalind (McKever, Rosalind)
Subjects
dates:
styles:
subjects:
Illustrations
Attributed works:
10. Seated woman, by Umberto Boccioni. c.1908–9. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Seated male nude, by Umberto Boccioni. c.1908–09. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Study for ‘The dream – Paolo and Francesca’, by Umberto Boccioni. 1908–10. Graphite, charcoal, colored pencil, and wash on paper, 23.2 by 46.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Study for ‘The city rises’, by Umberto Boccioni. 1910. Graphite on paper, 14 by 21 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Study for ‘Female figure’, by Umberto Boccioni. 1911. Graphite on paper, 61 by 48.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Female figure, by Umberto Boccioni. 1911. Oil on canvas, 135 by 93 cm. (Museo del Novecento, Milan; Bridgeman Images).
Attributed works:
8. Study for ‘States of mind: The farewells’, by Umberto Boccioni. 1911. Graphite on paper, 48.6 by 61 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. The dream – Paolo and Francesca, by Umberto Boccioni. 1908–09. Oil on canvas, 140 by 130 cm. (Private collection).
Book Review
El ‘Guernica’ recobrado: Picasso, el franquismo y la llegada de la obra a España, G. Tusell
05/2019 | 1394 | 161
Pages: 444-445
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