subjects:
Concepts of the World: The
French Avant-Garde and the Idea
of the International 1910–1940. By
Effie Rentzou. 408 pp. incl. 37 b. & w.
ills. (Northwestern University
Press, Evanston, 2022), $120.
ISBN 978–08–1014507–8. |
:
subjects:
Surrealism and Magic:
Enchanted Modernity. Edited by Vivien
Greene et al. 272 pp. incl. 212 col. + 21 b.
& w. ills. (Peggy Guggenheim Collection,
Venice, Museum Barberini, Potsdam,
and Prestel, Munich 2022), £40. ISBN
978–3–7913–7814–5. |
:
subjects:
Surrealist Sabotage and the War
on Work. By Abigail Susik. 296 pp. incl. 16
col. + 46 b. & w. ills. (Manchester
University Press, Manchester, 2021),
£85. ISBN 978–1–5261–5501–6. |
:
Attributed works:
1. Woman leaving the psychoanalyst, by Remedios Varo. 1960.
Oil on canvas, 70.5 by 40.5 cm. (Art Resource, New York; Scala,
Florence; photograph Bob Schalkwijk; Museo de Arte Moderno,
Mexico City).
Attributed works:
2. Le double monde, by Francis Picabia. 1919. Oil on canvas, 132 by 85 cm.
(Musée National d’Art Moderne, Centre Pompidou, Paris; RMN-Grand
Palais, Paris; photograph Georges Meguerditchian).
Attributed works:
3. Machine á coudre électro-sexuelle, by Óscar Domínguez. 1934–35.
Oil on canvas, 100.2 by 80.8 cm. (© ADAGP, Paris, and DACS, London;
Bridgeman Images; Museo Nacional Centro de Arte Reina Sofia, Madrid).
Attributed works:
4. Brouette no.1, by Óscar Dominguez. c.1936. Wood, felt and satin.
(© ADAGP, Paris, and DACS, London; Musée d’Art Moderne de Paris;
RMN-Grand Palais, Paris).
Attributed works:
5. Attirement of the bride, by Max Ernst. 1940. Oil on canvas,
129.6 by 96.3 cm. (© ADAGP, Paris and DACS, London;
Bridgeman Images; Peggy Guggenheim Collection, Venice).
Attributed works:
6. Portrait of Max Ernst, by Leonora Carrington. c.1939. Oil on canvas,
50.3 by 26.8 cm. (© Estate of Leonora Carrington; Artists Rights
Society, New York, and DACS, London; National Galleries of Scotland).
Attributed works:
7. Les noces (The wedding), by Wifredo Lam. 1947. Oil on canvas, 215
by 197 cm. (Nationalgalerie, Staatliche Museen zu Berlin; Scala, Florence;
bpk Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; photograph
Joerg P. Anders).
Attributed works:
8. Melusine and the Great Transparents, by Kurt Seigmann. 1943.
Oil on canvas, 74.3 by 61 cm. (© Orange County Citizens Foundation;
© Artists Rights Society, New York, and DACS, London; Bridgeman
Images; Art Institute of Chicago).
