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7 articles
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
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Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Publication Received
Finding Nemon: The Extraordinary Life of the Outsider Who Sculpted the Famous. By Aurelia Young with Julian Hale
11/2019 | 1400 | 161
Pages: 978
related names
Reviewer:
Bade, Patrick (Bade, Patrick)
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artists:
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Reviewed Items
subjects:
Finding Nemon: The Extraordinary Life of the Outsider Who Sculpted the Famous By Aurelia Young with Julian Hale. 224 pp. incl. 43 col. + 149 b. & w. ills. (Peter Owen Publishers, London, 2018), £25. ISBN 978–0–7206–2037–5. | :
Publication Received
Le Sphinx de Vienne. Sigmund Freud, l'art et l'archeologie
07/1994 | 1096 | 136
Pages: 468
Subjects
subjects:
Reviewed Items
subjects:
Le Sphinx de Vienne. Sigmund Freud, l'art et l'archeologie | :
Article
Max Ernst's 'La toilette de la mariée'
04/1991 | 1057 | 133
Pages: 237-244
related names
Author:
Hopkins, David (Hopkins, David)
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artists:
dates:
museums and institutions:
places:
sources:
subjects:
subjects:
Illustrations
Attributed works:
10. Venus mit amor als Honigdieb, by Lucas Cranach the Elder. After 1537. 174 by 66.5 cm. (Collection of the Prince of Liechtenstein, Vaduz).
Attributed works:
11. La toilette de la mariée, by Max Ernst. 1939-40. 130 by 96 cm. (Peggy Guggenheim Collection, Venice).
Attributed works:
12. Un peu malade le cheval patte pelu, by Max Ernst. 1920. Collage and Gouache on Paper, 16 by 23 cm. (Galleria d'Arte Moderna, Turin).
Attributed works:
13. Detail of Leda and the Swan, by a Follower of Leonardo da Vinci. Panel, 114 by 86 cm. (whole). (Palazzo Vecchio, Florence).
Attributed works:
14. Untitled Photograph, by Man Ray. 1924. From La Révolution Surréaliste, no. 1, 1924.
Attributed works:
15. Detail from The Second Appearance of the Devil to Christoph Haizmann. (Österreichische Nationalbibliothek, Vienna). Reproduced in S. Freud: A Seventeenth Century Demonological Neurosis, 1923.
Attributed works:
16. Deux jeunes chimères nues, by Max Ernst. 1927. 100 by 81 cm. (A. D. Mouradian Collection, Paris).
Attributed works:
17. Witches sabbath, by Hans Baldung Grien. 1514. Pen on Brown Tinted Paper, 28.8 by 20.5 cm. (Albertina, Vienna).
Attributed works:
18. Exorcism of a Possessed Woman, by Jacques Callot after Andrea Boscoli. Engraving, Reproduced in Grillot de Givry: La Musee des Sorciers, Mages et Alchimistes, Paris, 1929.
Attributed works:
9. Femme se changeant en oiseau, by Max Ernst. 1939. 33.5 by 26.5 cm. (Private Collection, Turin).
Article
Max Ernst: 'Les Hommes n'en Sauront Rien'
05/1975 | 866 | 117
Pages: 292-297+299
related names
Author:
Hinton, Geoffrey (Hinton, Geoffrey)
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sources:
sources:
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subjects:
Illustrations
Attributed works:
25. Les Hommes n'en Sauront Rien, by Max Ernst. 1923. (Tate Gallery).
Attributed works:
26. Kallipädie, by D. G. M. Schreber, Leipzig, 1858, pp. 180-81. Courtesy British Museum.
Attributed works:
27. L'Arrivée des Voyageurs, by Max Ernst. Signed. 1922. Gouache and Collage, 12 by 15 cm. (Galerie le Bateau-Lavoir, Paris).
Letter
Leonardo in the Consulting Room
01/1923 | 238 | 42
Pages: 54+57-58
related names
Author:
MacLagan, Eric (MacLagan, Eric; MacLagan, Eric R. D.; Maclagan, Mr.)
Subjects
Editorial
Leonardo in the Consulting Room
12/1922 | 237 | 41
Pages: 255-256
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art literature: