The Literature of Art: A Manual
for Source Work in the History
of Early Modern European Art Theory
By Julius von Schlosser, edited by Karl Johns
and Barbara Gable, translated by Karl Johns.
711 pp. incl. 1 ill. (Ariadne Press, Riverside,
2023), $89.95. ISBN 978–1–57241–220–0. |
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The Routledge Companion to Global
Renaissance Art
Edited by Stephen J. Campbell and Stephanie
Porras. 732 pp. incl. 38 col. + 136 b. & w. ills.
(Routledge, London and New York, 2024),
£230. ISBN 978–1–03–226158–4. |
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Book Review
Il giovane Cavalcaselle: ‘Il più curioso,
il più intrepido, il più appassionato
di tutti gli affamati di pittura’
Il giovane Cavalcaselle: ‘Il più curioso,
il più intrepido, il più appassionato
di tutti gli affamati di pittura’
By Giovanni Mazzaferro. 244 pp. incl.
16 col. ills. (Olschki, Florence, 2023), €26.
ISBN 978–88–22–26888–4. |
:
Aby Warburg 150: Work, Legacy,
Promise
Edited by David Freedberg and Claudia
Wedepohl. 464 pp. incl. 30 col. + 70 b. & w. ills.
(De Gruyter, Berlin and Boston, 2024), £42.50.
ISBN 978–3–11–061256–1. |
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Book Review
Painting in Fifteenth-Century Italy:
This Splendid and Noble Art
Painting in Fifteenth-Century Italy:
This Splendid and Noble Art
By Diane Cole Ahl. 320 pp. incl. 184 col. ills.
(Yale University Press, New Haven and
London, 2023), £55. ISBN 978–0–300–26961–1. |
:
Illustrations
Attributed works:
4. Portal with a nude man and putto
supporting a roundel, by Nicolò di Liberatore.
1473. Fresco. (Monastery of S. Anna, Foligno).
Book Review
Woman in Art: Helen Rosenau’s ‘Little Book’ of 1944
Woman in Art: Helen Rosenau’s
‘Little Book’ of 1944
By Griselda Pollock, with contributions by
Adrian Rifkin and Rachel Dickson. 400 pp.
incl. 140 col. and b. & w. ills. (Paul Mellon
Centre for Studies in British Art, London,
2023), £35. ISBN 978–1–913107–41–3. |
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Book Review
Lorenzo Ghiberti’s Second Commentary in Context, with a New Transcription, English Translation, and Commentary
Lorenzo Ghiberti’s Second Commentary
in Context, with a New Transcription,
English Translation, and Commentary
By Janice L. Hurd. 333 pp. incl. 10 b. & w. ills.
(Janice L. Hurd, Scarborough MA, 2022), $50.
ISBN 979–8–218–00864–2. |
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1. Paul Delaroche, by Jean Gigoux. 1832. Pencil on paper, 25 by 17 cm.
(Private collection).
Attributed works:
2. The princes in the tower (Les enfants d’Édouard), by Paul
Delaroche. 1830. Oil on canvas, 181 by 215 cm. (Musée du Louvre,
Paris; Bridgeman Images).
Attributed works:
3. Bonaparte crossing the Alps, by Paul Delaroche. 1848. Oil on canvas,
222 by 289 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
4. Joan of Arc taken prisoner, by John Thompson after Paul Delaroche.
Engraving, 14 by 9.5 cm. (From Prosper de Barante: Histoire des Ducs
de Bourgogne, Paris 1842, opposite p.395).
Attributed works:
5. Installation view of Painting History: Delaroche and Lady Jane Grey
at the National Gallery, London, 2010, showing Charles I insulted by
the soldiers of Cromwell, by Paul Delaroche as it appeared after its
rediscovery. 1836. Oil on canvas, 300 by 400 cm. (Courtesy National
Gallery, London).
Attributed works:
6. Assassination of the Duc de Guise, after Paul Delaroche. Engraving,
10.5 by 15 cm. (From J. Ruutz Rees: Horace Vernet, Paul Delaroche,
London 1880, between pp.62–63).
Attributed works:
7. The blind fiddler (1806), by John Quartley after David Wilkie. 1806.
Engraving, 13 by 15 cm. (From Magasin pittoresque 20 (1847), p.184).
Book Review
The Lives of Francesco Francia and
Lorenzo Costa (Carlo Cesare Malvasia’s
‘Felsina Pittrice’: Lives of the Bolognese
Painters, 2.1)
The Lives of Francesco Francia and
Lorenzo Costa (Carlo Cesare Malvasia’s
‘Felsina Pittrice’: Lives of the Bolognese
Painters, 2.1)
Edited by Elizabeth Cropper and Lorenzo
Pericolo. 410 pp. incl. 163 col. + 14 b. & w. ills.
(Harvey Miller, Turnhout, 2022), €200. ISBN
978–1–912554–79–9. |
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