• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
3 articles
Article
A visit to Titian's studio
09/2016 | 1362 | 158
Pages: 692-701
Subscribe to read
related names
Author:
Hochmann, Michel (Hochmann, Michel)
Subjects
art literature:
Amadi, Agostino, d. 1588
artists:
Titian
dates:
1550-1599
subjects:
Collectors / Patrons / Collections, Private / Libraries / Patronage / Manuscripts / Treatises / Art theory / Techniques / Studios (work spaces) / Venetian / Italian painting / Pigments
Illustrations
Attributed works:
1. Diagram of Pictura, from Cifre d'Agostino Amadi, III, fol.28v (Archivio di Stato di Venezia, Inquisitori di Stato, busta 1269)
Attributed works:
2. La casa di Tiziano a Venezia da un disegno del Cadorin, from Josiah Gilbert: Cadore, or Titian's Country, London 1869
Attributed works:
3. Portrait of Titian, by Giovanni Britto. 1550-60 (British Museum, London)
Attributed works:
4. Study for the Battle of Spoleto, by Titian. c.1538 (Musée du Louvre, Paris)
Attributed works:
5. Students drawing in a studio, by Odoardo Fialetti. 1608 (British Museum, London)
Attributed works:
6. Portrait of Alvise dalla Scala, by Titian. 1561-62 (Gemäldegalerie Alte Meister, Dresden)
Attributed works:
7. Christ at the Sea of Galilee, by Jacopo Tintoretto. c.1575-80 (National Gallery of Art, Washington)
Book Review
Venise et Rome 1500–1600. Deux écoles de peinture et leurs échanges
06/2006 | 1239 | 148
Pages: 421-422
Subscribe to read
related names
Reviewer:
Aikema, Bernard (Aikema, Bernard)
Subjects
artists:
Muziano, Girolamo
dates:
1500-1599
places:
Italy / Rome / Venice
print:
Venetian art
print:
Roman art
subjects:
Italian painting / Venetian / Roman art / Art theory / Patronage
subjects:
Critical Reception
Reviewed Items
subjects:
Venise et Rome 1500–1600. Deux écoles de peinture et leurs échanges | author: Hochmann, Michel
Short Notice
Hans Rottenhammer and Pietro Mera: two northern artists in Rome and Venice
09/2003 | 1206 | 145
Pages: 641-645
Subscribe to read
related names
Author:
Hochmann, Michel (Hochmann, Michel)
Subjects
artists:
Rottenhammer, Hans I, 1564-1625
artists:
Mera, Pietro, il Fiammingo
dates:
1550-1649
places:
Italy / Rome / Venice
subjects:
Flemish painting
Illustrations
Attributed works:
Diana and Actaeon, by Hans Rottenhammer. 1595. Red and black chalk, 18.1 by 22.7 cm. (Present whereabouts unknown).
Attributed works:
Journey to Emmaüs, attributed to Pietro Mera. After 1595. 55 by 114 cm. (Musei Civici, Padua).
Attributed works:
Pan and Syrinx, by Pietro Mera. c.1596?. Copper, 31 by 41 cm. (Uffizi, Florence).
Attributed works:
Tarquin and Lucretia, by Hans Rottenhammer. After 1600. Pen and ink with brown wash, 16.4 by 20.2 cm. (Kupferstichkabinett, Dresden).
Attributed works:
Venus and Adonis, by Frans Badens, 1596. Red and black chalk with brown wash, 22.7 by 18.1 cm. (Courtauld Institute Galleries, London).
Attributed works:
Venus and Cupid, by Hans Rottenhammer. 1596. Red and black chalk, 21 by 16.7 cm. (Städelsches Kunstinstitut, Frankfurt).