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59 articles
Short Notice
Paul Sandby and Sir Watkin Williams-Wynn revisited
03/2025 | 1464 | 167
Pages: 258–61
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Author:
Fairclough, Oliver (Fairclough, Oliver)
Subjects
artists:
Sandby, Paul
buildings:
Wales
dates:
1770-1779
museums and institutions:
National Museum of Wales, Cardiff, Great Britain
patrons:
Williams-Wynn, Watkin, Fourth Baronet, 1749-1789
subjects:
Patrons / Patronage / Aquatints / Gouaches / Topographical views / British art
Illustrations
Attributed works:
1. Bala in the county of Merioneth: A rejoicing scene when Sir W.W. Wynn visited that place August 22 1771, by Paul Sandby. Bodycolour over pencil on linen, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
2. The iron forge (incorrectly titled Aber Glaslyn in the county of Merioneth), by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
3. The iron forge between Dolgelli and Barmouth in Merioneth Shire, from XII Views in North Wales, by Paul Sandby. 1776. Aquatint on paper, 29 by 38 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
4. Waterfall at Tanberis North Wales, by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
5. Detail of Fig.1, showing Sir William- Wynn and his party arriving in Bala.
Article
Michelangelo’s Bruges Madonna: its patron, material and meaning
11/2024 | 1460 | 166
Pages: 1123–1139
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Author:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
Michelangelo
buildings:
Bruges / Rome
buildings:
Church of Our Lady, Bruges, Belgium
dates:
1500-1509
patrons:
Moscron family / Moscron, Jan II ((c.1460/70–1522)
sources:
Condivi, Ascanio / Vasari, Giorgio
subjects:
Patrons / Patronage / Payments / Italian sculpture / Marble / Mary, Virgin: and Child / Mary, Virgin: and Child: Enthroned / Christian iconography / Iconography / Sketches / Tabernacles / Altarpieces / Retables
Illustrations
Attributed works:
1. The Bruges Madonna in situ in the Chapel of the Holy Sacrament, Church of Our Lady, Bruges. (Photograph the author).
Attributed works:
10. Virgin and Child, by Benedetto da Maiano. Before 1497, completed 1575. Marble, height 140 cm. (Oratorio della Misericordia, Florence).
Attributed works:
11. Detail of the Barbadori Altarpiece, by Filippo Lippi. 1438. Tempera on panel. (Musée du Louvre, Paris).
Attributed works:
12. Detail of Fig.2. (Photograph the author).
Attributed works:
13. Virgin and Child, by Gentile da Fabriano. 1425. Fresco. (Orvieto Cathedral; photograph Jeff Cotton).
Attributed works:
14. Detail of Fig.13, showing left hands of the Virgin and Child. (Photograph Jeff Cotton).
Attributed works:
15. Detail of Fig.2, showing the hands of the Virgin and Child. (Photograph the author).
Attributed works:
16. Virgin and Child, by Tino da Camaino. 1320–21. Marble, height 78 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
18. Studies for the Apostles, Battle of Cascina, the Bruges Madonna and an architectural element, by Michelangelo. c.1503–04. Black chalk, dark brown ink, pen and lead point on paper, 27.3 by 26.2 cm. (Galleria degli Uffizi, Florence).
Attributed works:
19. Detail of Fig.18 (top right of sheet), showing a study for the Bruges Madonna.
Attributed works:
2. Madonna and Child (the Bruges Madonna), by Michelangelo. 1504–05. Marble, height 128 cm. (Church of Our Lady, Bruges; Bridgeman Images).
Attributed works:
20. Detail of Fig.18 (centre of sheet), showing a study for the Bruges Madonna.
Attributed works:
21. Detail of Fig.18 (top of left-hand edge), showing a study for the Bruges Madonna.
Attributed works:
22. Detail of Fig.18 (centre and bottom of left-hand edge), showing studies for the Bruges Madonna.
Attributed works:
23. Three studies of nude men and the Virgin and Child, by Michelangelo. c.1504–05. Black chalk, dark and light brown ink, pen and lead point on paper, 31.5 by 27.7 cm. (British Museum, London).
Attributed works:
24. Tomb of Pieter Moscron. 1829, with original sixteenth-century brass coats-of-arms. (Chapel of the Holy Sacrament, Church of Our Lady, Bruges; photograph Brit Vanraepenbusch).
Attributed works:
25. Detail of Fig.23, showing a study for the Bruges Madonna.
Attributed works:
26. Detail of Fig.1, showing the Moscron coat-of-arms, here attributed to Joost Aerts and Jan de Smet. c.1558–65. (Photograph the author).
Attributed works:
27. Detail of Fig.1, showing the 17th-century swag above the central niche. (Photograph the author).
Attributed works:
3. Margaret of York and Mary of Burgundy kneeling before a white statue of St Anne, fol.2v of the Register of the Guild of St Anne, by Circle of Vienna Master of Mary of Burgundy. c.1476. Gold and bodycolour on vellum, height 33 cm. (Royal Collection Trust; © Royal Collection Enterprises Limited, 2024; Bridgeman Images).
Attributed works:
4. White Virgin of Jean de Berry. French, c.1400. Marble, height 146 cm. (Bourges Cathedral; Alamy Stock Photo).
Attributed works:
5. Detail of a cast of the Bruges Madonna, showing the different treatment of the front and back of the base. 1871. Plaster. (Victoria and Albert Museum, London; photograph the author).
Attributed works:
6. Detail of Fig.2, showing the chisel marks on the base. (Photograph the author).
Attributed works:
7. Detail of Fig.2, seen from the left. (Photograph the author).
Attributed works:
8. Detail of Fig.2. (Photograph the author).
Attributed works:
9. Detail of Judith and Holofernes, by Donatello. c.1456. Bronze. (Palazzo Vecchio, Florence; Photo Scala, Florence).
Western art unattributed:
17. Our Lady of Leuven. Netherlandish, 13th century (reworked 1442). Polychromed and gilded wood and rock crystal, height 160 cm. (Church of St Peter, Leuven).
Article
Two music theory manuscripts reunited: book illumination in the circle of Matteo Giovannetti
01/2024 | 1450 | 166
Pages: 16–29
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Author:
Manzari, Francesca (Manzari, Francesca)
Author:
Stoessel, Jason (Stoessel, Jason)
Subjects
artists:
Giovannetti, Matteo / circle of
dates:
1300-1349
places:
Avignon
sources:
Marchetto of Padua (fl. 1305 – 1319)
subjects:
Music / Illuminated manuscripts / Manuscripts / Patrons / Dating / Attribution / Workshops (Organisations) / Franciscans / Cardinals
Illustrations
Attributed works:
13. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.52r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Attributed works:
18. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Attributed works:
20. Detail of Sacrifice of Zacharias, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St John, Papal Palace, Avignon).
Attributed works:
21. Angel of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Attributed works:
Emanuele III, Naples, MS V A 14, fol.49r).
Western art unattributed:
1. Leaves from the Naples manuscript, showing Lady Music and God in Majesty. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fols.46v–47r).
Western art unattributed:
10. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.21v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
11. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.31r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
12. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.88r).
Western art unattributed:
14. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
15. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
16. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.110v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
17. Leaf from the Liber Regulae. (Archivio di Stato, Rome, MS 3193, fol.202v; MIC).
Western art unattributed:
19. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Western art unattributed:
2. Leaf from the Naples manuscript, showing a seated lion holding in its paws the head of an ox. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.48r).
Western art unattributed:
22. Our Lady of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Western art unattributed:
3. Detail of Fig.1, showing one of the lions supporting the throne of Lady Music. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.47r).
Western art unattributed:
4. Detail of Fig.1, showing the lion as a symbol for the Evangelist Mark. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.46v).
Western art unattributed:
5. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.1r).
Western art unattributed:
7. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
8. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
9. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.18v).
Book Review
Women Artists in Expressionism: From Empire to Emancipation
06/2023 | 1443 | 165
Pages: 671-672
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
subjects:
Women artists / Art critics / Patrons / Collectors / German art / Expressionism / Blaue Reiter / Brücke
Reviewed Items
subjects:
Women Artists in Expressionism: From Empire to Emancipation By Shulamith Behr. 304 pp. incl. 170 col. + 42 b. & w. ills. (Princeton University Press, 2022), £50. ISBN 978–0–691–04462–0. | :
Book Review
Professione pittore: Il caso Bologna tra Cinque e Seicento
06/2023 | 1443 | 165
Pages: 672-673
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Reviewer:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
places:
Bologna
subjects:
Painters / Patrons / Guilds
subjects:
Italian art
Reviewed Items
subjects:
Professione pittore: Il caso Bologna tra Cinque e Seicento By Raffaella Morselli. 384 pp. incl. 29 col. + 71 b. & w. ills. (Marsilio, Venice, 2022), €35. ISBN 978–88–297–1600–5. | :
Book Review
Two Women Patrons of the Russian Avant-Garde: Nadezhda Dobychina and Klavdia Mikhailova
11/2022 | 1436 | 164
Pages: 1170-1170
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
collectors and dealers:
Dobychina, Nadezdha / Mikhailova, Klavdia
places:
Saint Petersburg / Moscow
subjects:
Patrons / Art dealers / Art galleries / Russian art / Avant-garde / Art market
Reviewed Items
subjects:
Two Women Patrons of the Russian Avant-Garde: Nadezhda Dobychina and Klavdia Mikhailova By Natalia Budanova and Natalia Murray. 240 pp. incl. 64 col. + 86 b. & w. ills. (Unicorn, London, 2021), £30. ISBN 978–1–913491–27–7. | :
Article
Piranesi’s ‘Catalogo delle Opere’
03/2022 | 1428 | 164
Pages: 230-245
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Author:
Robison, Andrew (Robison, Andrew)
Subjects
artists:
Piranesi, Giovanni Battista / Piazzetta, Giovanni Battista
places:
Venice / Rome
subjects:
Prints / Illustrated books / Advertisements / Catalogues / Vedute / Publishers / Italian art / Antiquities / Patrons / Manuscripts / Title pages / Dating / Paper / Printing plates / Sales catalogues
Illustrations
Attributed works:
1. Catalogo delle Opere, by G.B. Piranesi. State I, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
10. Catalogo delle Opere, by G.B. Piranesi. State XVII, 1769. Etching, 40 by 29.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Catalogo delle Opere, by G.B. Piranesi. State XVIII, 1772. Etching, 48 by 30 cm. (Biblioteca Comunale dell’Archiginnasio, Bologna).
Attributed works:
12. Opere del Signor Piranesi, by G.B. Piranesi. 1762. Typeset text, 31.4 by 21.9 cm. (Private collection).
Attributed works:
13. Prospectus for Della Magnificenza, by G.B. Piranesi. 1762. Typeset verso of Fig.12, 31.4 by 21.9 cm. (Private collection).
Attributed works:
14. Catalogo delle Opere, by G.B. Piranesi. State X, with manuscript additions, 1766. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
15. Catalogo delle Opere, by G.B. Piranesi. State XXIII, 1774. Etching, 48 by 30 cm. (National Gallery Art, Washington).
Attributed works:
16. Catalogo delle Opere, by G.B. Piranesi. State XXXV, early 1780s. Etching, 48 by 30 cm. (National Gallery of Art, Washington).
Attributed works:
17. Catalogo delle Opere, by G.B. Piranesi. State XXXVI, late 1780s or 1790s. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
2. ‘Opere finora date in luce’, by G.B. Piranesi. 1756. Typeset text, approx. 12 by 25 cm. (From Le Antichità Romane I; John Work Garrett Library of the Johns Hopkins University, Baltimore).
Attributed works:
3. Advertisement for Nicolas de Fer, by Nicolas Guérard. 1695/1705. Etching, 13.5 by 18.3 cm. (Private collection).
Attributed works:
4. Piazza di San Pietro, by G.B. Piranesi. c.1760. Pen and brown ink with brown wash over red chalk, 8 by 12.7 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
5. Catalogo delle Opere, by G.B. Piranesi. State II, with manuscript addition, 1761. Etching, 40 by 29.5 cm. (Accademia di San Luca, Rome; Coll.1694).
Attributed works:
6. Catalogo delle Opere, by G.B. Piranesi. State III, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
7. Catalogo delle Opere, by G.B. Piranesi. State VI, with manuscript additions, 1762. Etching, 40 by 29.5 cm. (Istituto centrale per la grafica, Rome).
Attributed works:
8. Detail of Fig.14, showing Piranesi’s handwriting.
Attributed works:
9. Veduta del Tempio d’Iside a Pompei, by G.B. Piranesi. 1776. Pen and ink with wash over graphite, sheet 23.7 by 17.7 cm. (From the Album Amicorum of Aernout Vosmaer; private collection).
Book Review
Figuring Faith and Female Power in the Art of Rubens
12/2021 | 1425 | 163
Pages: 1214-5
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Reviewer:
Whaley, Susannah (Whaley, Susannah; Lyon-whaley, Susannah)
Subjects
artists:
Rubens, Peter Paul
subjects:
Patrons / Women / Famous women / Iconography
Reviewed Items
subjects:
Figuring Faith and Female Power in the Art of Rubens By J. Vanessa Lyon. 256 pp. incl. 9 col. + 58 b. & w. ills. (Amsterdam University Press, 2020), £99. ISBN 978–94–6298–551–3. | :
Exhibition Review
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A
11/2021 | 1424 | 163
Pages: 1058-1060
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Reviewer:
Kidd, Peter (Kidd, Peter)
Subjects
dates:
2020-2030
museums and institutions:
Victoria and Albert Museum, London, Great Britain
subjects:
Illuminated manuscripts / Renaissance art / Collectors / Patrons / Ecclesiastical / Illuminators / Medicine / Law / Literature / Literature / Forgeries / Thieves
Reviewed Items
subjects:
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A Victoria and Albert Museum, London 8th September 2021–8th May 2022 | :
Illustrations
Attributed works:
4. Initial ‘M’ showing St Giustina, by Girolamo da Cremona, from an antiphonary, Padua. Before 1462. Water based pigments, gilding and ink on parchment, 21 by 19 cm. (Victoria and Albert Museum, London; MS 817-1894).
Attributed works:
5. Manuscript cuttings from a Sistine Chapel missal, by Vincent Raimond. c.1523–34. Collage and frame, 19th century. Water based pigments, gilding and ink on parchment, 51 by 37.5 cm. (Victoria and Albert Museum, London; MS E.4577-1910).
Article
Sano di Pietro, Vecchietta and two Jachomo d’Andreuccios
08/2021 | 1421 | 163
Pages: 652-667
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Author:
Dalvit, Giulio (Dalvit, Giulio)
Subjects
artists:
Pietro, Sano di / Lorenzo di Pietro, il Vecchietta / Martini, Simone / Sassetta
buildings:
Palazzo Pubblico, Siena, Italy / Duomo di Siena, Siena, Italy / San Girolamo in Campansi, Siena, Italy / San Pietro alle Scale, Siena, Italy
patrons:
d'Andreuccio (Sienese silk merchant), Jachomo / d'Andreuccio del Mosca (Sienese goldsmith), Jachomo / Benassai, Salimbene di Pietro di Angelo / Bichi, Giovanni di Guccio
places:
Siena
subjects:
Patronage / Patrons / Commissions / Confraternities / Goldsmiths / Merchants / Polyptychs / Altarpieces / Sienese art
Illustrations
Attributed works:
1. Birth of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.8 by 47.2 cm. (University of Michigan Museum of Art, Ann Arbor).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
11. Madonna and Child, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58.7 by 39.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Reconstruction of the altarpiece for the Compagnia della Vergine by Sano di Pietro. (Michael Mallory and Gaudenz Freuler).
Attributed works:
13. Reconstruction of the Pala dei Signori by Simone Martini with the predella of the Life of the Virgin by Sano di Pietro. (Keith Christiansen).
Attributed works:
14. Virgin and Child with angels, St Dominic, St Jerome, St Augustine, St Francis and the Blessed Giovanni Colombini (the Gesuati Polyptych), by Sano di Pietro. 1444. Tempera and gold on panel, 320 by 282 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
15. Stories of the Passion, by Michele di Matteo da Bologna. 1447. Fresco. (Baptistery, Siena).
Attributed works:
16. Angel of the Annunciation, by Sano di Pietro. 1450s. From the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. Tempera and gold on panel, diameter 41.5 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Attributed works:
17. Virgin Annunciate, here attributed to Sano di Pietro, from the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. The outline indicates its original shape. 1450s. Tempera and gold on panel, 35.5 by 17.6 cm. (Clark Art Institute, Williamstown).
Attributed works:
18. Detail of Virgin and Child, attributed to Francesco di Vannuccio. c.1370–80. Tempera and gold on panel, 95 by 52 cm. (S. Domenico, Siena).
Attributed works:
19. The Andreucci coat of arms. Late seventeenth or early eighteenth century. (From G. Macchi: Memorie, Archivo di Stato, Siena, MS D106, c.3).
Attributed works:
2. Presentation of the Virgin at the temple, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vatican, Rome).
Attributed works:
20. Detail of Fig.3, showing the bowl of coins.
Attributed works:
21. Annunciation with St Ansanus and St Margaret, by Simone Martini and Lippo Memmi. 1333. Tempera and gold on panel, 184 by 168 cm. (Galleria degli Uffizi, Florence).
Attributed works:
22. Detail of Fig.3, showing one of the colonettes added in the nineteenth century.
Attributed works:
23. Detail of Fig.21, showing one of the colonettes added in the nineteenth century.
Attributed works:
24. Virgin and Child with St Peter, St John the Baptist, St Paul and St Francis (Pala della Neve), by Stefano di Giovanni, known as Sassetta. 1432. Tempera and gold on panel, 240 by 256 cm. (Galleria degli Uffizi, Florence).
Attributed works:
25. Madonna of the girdle with St Catherine of Alexandria and St Francis, by Andrea di Giusto Manzini. 1437. Tempera and gold on panel, 210 by 220 cm. (Gallerie dell’Accademia, Florence).
Attributed works:
26. Assumption of the Virgin with St Pius, St Agatha, St Callistus and St Catherine of Siena, by Lorenzo di Pietro, known as Vecchietta. c.1462. Tempera and gold on panel, 280 by 225 cm. (S. Maria Assunta, Pienza).
Attributed works:
3. Virgin and Child with a magus, St Bartholomew, St James, St Dominic, St Andrew and St Lawrence, by Lorenzo di Pietro, known as Vecchietta. 1457. Tempera and gold on panel, 235 by 198 cm. (Galleria degli Uffizi, Florence).
Attributed works:
4. Marriage of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vaticana, Rome).
Attributed works:
5. Assumption of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.2 cm. (Lindenau-Museum, Altenburg).
Attributed works:
6. Return of the Virgin to the house of her parents, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.7 by 47.4 cm. (Lindenau-Museum, Altenburg).
Attributed works:
7. St Peter, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58 by 38.5 cm. including frame not shown (Carmen Thyssen-Bornemisza Collection, on loan to the Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
8. St Ansanus, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.5 by 38.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. St Andrew, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.2 by 37.8 cm. (Metropolitan Museum of Art, New York).
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