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Book Review
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
02/2023 | 1439 | 165
Pages: 2070-208
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Reviewer:
Howard, Deborah (Howard, Deborah)
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Reviewed Items
subjects:
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice By Ronnie Ferguson. 434 pp. incl. 117 b. & w. ills. (Legenda, Oxford, 2021), £75. ISBN 978–1–78188–638–0. | :
Book Review
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace
04/2022 | 1429 | 164
Pages: 422-423
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Reviewer:
Humfrey, Peter (Humfrey, Peter)
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Reviewed Items
subjects:
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace By Monika Schmitter. 340 pp. incl. 143 col. + b. & w. ills. (Cambridge University Press, Cambridge and New York, 2021), £75. ISBN 978–1–108–84408–6. | :
Book Review
Venice Illuminated: Power and Painting in Renaissance Manuscripts. By Helena Katalin Szépe
02/2019 | 1391 | 161
Pages: 168-169
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Reviewer:
Humfrey, Peter (Humfrey, Peter)
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Illustrations
Western art unattributed:
4. Girolamo Zane as Procurator and as Captain General of the Sea. 1568. Vellum, 29.5 by 21 cm. (British Library, London; King’s MS 156 fols.11v–12v).
Book Review
Veronese in Murano: Two Venetian Renaissance Masterpieces Restored. By Xavier F. Salomon with Maichol Clemente and Claudia Vittori
01/2019 | 1390 | 161
Pages: 88-89
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Reviewer:
Nichols, Tom (Nichols, Tom)
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Illustrations
Attributed works:
3. St Jerome in the wilderness, by Paolo Veronese. 1566–67. Canvas, 231 by 145.5 cm. (San Pietro Martire, Murano).
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
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Reviewer:
Nichols, Tom (Nichols, Tom)
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Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
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Author:
Warren, Jeremy (Warren, Jeremy)
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Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Exhibition Review
Encounters in Venice: Foreigners and Venetians in Late Seventeenth-Century Art. Palais Fesch-musée des Beaux-Arts, Ajaccio
09/2018 | 1386 | 160
Pages: 778-781
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Reviewer:
Barcham, William L. (Barcham, William L.)
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Illustrations
Attributed works:
10. Finding of Moses, by Johann Liss. 1626–27. Canvas, 155 by 106 cm. (Palais des Beaux-Arts, Lille; exh. Palais Fesch-musée des Beaux-Arts, Ajaccio).
Attributed works:
11. Death of Lucretia, by Antonio Zanchi. c.1670. Canvas, 210 by 270 cm. (Musée Antoine Lécuyer, Saint-Quentin; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
Attributed works:
12. Mythological scene, by Pietro Liberi. 1655–60. Canvas, 181 by 230 cm. (Private collection; exh. Palais Feschmusée des Beaux-Arts, Ajaccio).
Book Review
The Tombs of the Doges of Venice from the Beginning of the Serenissima to 1907. Edited by Benjamin Paul
04/2018 | 1381 | 160
Pages: 347-348
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
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Illustrations
Attributed works:
3. Monument to Doge Nicolò Tron, by Antonio Rizzo. 1476–80. Istrian stone, polychromatic marbles and gold, 15 by 7.35 m. (S. Maria Gloriosa dei Frari, Venice; photograph Apollonio Tottoli).
Book Review
Renaissance Art in Venice: From Tradition to Individualism. By Tom Nichols
07/2017 | 1372 | 159
Pages: 558
related names
Reviewer:
Carrier, David (Carrier, David)
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Book Review
Le Coloris vénitien à la Renaissance. Autour de Titien, by Isabelle Bouvrande
01/2017 | 1366 | 159
Pages: 46-47
related names
Reviewer:
Hope, Charles (Hope, Charles)
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