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344 articles
Exhibition Review
Un magico ‘ponte’ da Tiziano a Rubens: La fortuna di un dipinto perduto
04/2025 | 1465 | 167
Pages: 409-412
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Un magico ‘ponte’ da Tiziano a Rubens: La fortuna di un dipinto perduto Edited by Stefania Mason. 39 pp. incl. 14 col. ills. (ZeL Edizioni, Treviso, 2024), €10. ISBN 978–88–96600–47–4. | :
Illustrations
Attributed works:
10. Battle of Cadore, by Giulio Fontana, after Titian. c.1562–73. Engraving, 42 by 55.5. cm. (Fondazione Centro Studi Tiziano e Cadore, Pieve di Cadore).
Attributed works:
11. Battle of the Amazons, by Lucas Vorsterman after Peter Paul Rubens. 1623. Engraving, 85.7 by 120.2 cm. (Fondazione Centro Studi Tiziano e Cadore, Pieve di Cadore).
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
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09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
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06/2024 | 1455 | 166
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
A saint kneeling in prayer, with other figures in the background (Apostles at the tomb), by Guercino (1591–1666). Red chalk, 28.2 by 20.7 cm. [LAW/STEPHEN ONGPIN FINE ART, 82 PARK STREET, W1K 6NH]
Attributed works:
Attributed to George Gower (c.1540-1596), Portrait of Lady Arabella Stuart, £30,000-40,000 [Sworders]
Attributed works:
Bamburgh Castle, Northumberland, by Thomas Girtin (1775– 1802). 1797. Watercolour over traces of pencil heightened with bodycolour on laid paper, 41.7 by 54.7 cm. [LAW/GUY PEPPIATT FINE ART, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
Attributed works:
Bust of an old man with a rosary, by Gaetano Gandolfi (1734–1802). Oil on canvas, 56.2 by 45.3 cm. [LAW/TRINITY FINE ART AND WALTER PADOVANI, 15 OLD BOND STREET, W1S 4AX]
Attributed works:
Bust of the Goddess Roma Vincenzo Pacetti (1746–1820) A monumental marble from the collection of Thomas Hope (1769–1831)
Attributed works:
C.R.W. Nevinson (1889-1946) ‘Banking at 4000 Feet’. Lithograph. 1917. Signed. 16x12 inches. [Abbott and Holder]
Attributed works:
Charles Beale, by Mary Beale (1633–99). Oil on paper laid on panel, 29 by 23 cm. [LAW/PHILIP MOULD & COMPANY, 18–19 PALL MALL, SW1Y 5LU]
Attributed works:
Detail from Vedute del Giardino del Mar. Stiozzi-Ridolfi già Orti Oricellari Florence, by Emilio Burci (1811–77). 1832. Pen and ink with grey wash, 21 by 25 cm. [LAW/NONESUCH GALLERY, LOWER FLOOR MAAS GALLERY, 6 DUKE STREET, SW1Y 6BN]
Attributed works:
GIOVANNI FRANCESCO BARBIERI, called GUERCINO (1591–1666) The Virgin of the Rosary with Saints Dominic and Catherine of Siena Pen and brown ink and brown wash, 401 x 267 mm. (15¾ x 10½ in.) [Stephen Ongpin Fine Art]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Martyrdom of Saint Apollonia morettigallery.com Oil on copper, 44.1 x 33.6 cm [Moretti]
Attributed works:
Hunter resting and Hunter grazing, by Adam Roud (b.1971). 2024. Bronze, height 46 cm. and 42 cm., respectively. [LAW/SLADMORE GALLERY, 57 JERMYN STREET, SW1Y 6LX]
Attributed works:
Ivar Arosenus, Venus and Diogenes, 1908 Each titled Venus och Diogenes lower left, and signed and dated I.A./08 lower right Four watercolours on paper each 90 x 143 mm (3 ⁄1/2 x 5 ⁄5/8  in) [Clase Fine Art]
Attributed works:
Leda and the swan and the bath of Venus, by Claude Michel, called Clodion (1738–1814). c.1780–82. Terracotta, 33 by 98.4 by 5.7 cm. and 33.7 by 97.1 by 6.4 cm., respectively. [LAW/DANIEL KATZ GALLERY, 6 HILL STREET, W1J 5NF]
Attributed works:
Making soldiers: in the front line trench for the first time, by Eric Kennington (1888–1960). 1917. Lithograph, 45.7 by 35.6 cm. [LAW/ABBOTT AND HOLDER, 30 MUSEUM STREET, WC1A 1LH]
Attributed works:
Mask of the man with the broken nose, by Auguste Rodin (1840– 1917). Conceived 1864, cast 1883. Bronze, height 40.5 cm. [LAW/STUART LOCHHEAD SCULPTURE, 35 BURY STREET, SW1Y 6AU]
Attributed works:
P I E R R E -A L E X ANDR E W I L L E Paris, 1748 - 1837 THE TRAVELLING MUSICIANS Pen & ink on paper 44 x 33 cm | 1 7 1 / 3 x 1 3 i n [Nonesuch Gallery]
Attributed works:
Red cardinals, by Frank Dobson (1886–1963). 1946. Black ink and pastel, 38 by 49 cm. [LAW/CHARLES BEDDINGTON LTD, 16 SAVILE ROW, W1S 3PL]
Attributed works:
Sir Robert Ker Porter (1777-1842), An album of figure studies taken on travels through France and Russia, forty-one, each signed and dated between 1814 and 1816, pen and ink and watercolour, each sheet approx. 17.2 by 10.8 cm, 6¼ by 4 ½ in. [Guy Peppiatt Fine Art]
Attributed works:
SOPHIE FREMIET (1797–1867) Portrait of a Woman, 1818 Recently acquired by the J. Paul Getty Museum, Los Angeles [Robilant and Voena]
Attributed works:
Summer, by Anna Boberg (1864–1935). Oil on canvas laid on board, 59 by 81 cm. [LAW/BEN ELWES FINE ART, 45 MADDOX STREET, W1S 2PE]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN (C.1485/90–1576) Rest on the Flight into Egypt Estimate: £15,000,000–25,000,000 Old Masters Part I, London, 2 July 2024 [Christie's]
Attributed works:
Vanitas, by Marcos Lozano (b.1990). 2023. Oil on board, 80 by 60 cm. [LAW/MORETTI FINE ART, 13 DUKE STREET, SW1Y 6DB]
Western art unattributed:
Detail of Mary Magdalene as a hermit. France, c.1305–13. Limestone, height 151 cm. [LAW/SAM FOGG, 15D CLIFFORD STREET, W1S 4JZ]
Western art unattributed:
Portrait miniature of a Gentleman wearing a green coat, white waistcoat and jabot, his hair powdered, by Jeremiah Meyer (1735– 89). c.1775. Watercolour on ivory, in a gold frame, set with half pearls, 6.7 by 5.1 cm. [LAW/THE LIMNER COMPANY, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
Book Review
Titian: Sources and Documents
01/2024 | 1450 | 166
Pages: 96–97
related names
Reviewer:
Tagliaferro, Giorgio (Tagliaferro, Giorgio)
Subjects
artists:
Reviewed Items
subjects:
Titian: Sources and Documents Edited by Charles Hope. Six vols, approx. 3,000 pp. incl. 5 b. & w. ills. (Ad Ilissvm and The Burlington Press, London, 2023), £500. ISBN 978–1–912168–23–1. | :
Exhibition Review
Venezia 500: The Gentle Revolution of Venetian Painting
01/2024 | 1450 | 166
Pages: 70–73
related names
Reviewer:
Hojer, Annette (Hojer, Annette)
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dates:
museums and institutions:
subjects:
subjects:
Reviewed Items
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting. Edited by Andreas Schumacher. 230 pp. incl. 160 col. ills. (Bayerische Staatsgemäldesammlungen, Munich, and Hirmer Verlag, Munich, 2023), €39. ISBN 978–3–7774–4176–4. German edition: Venezia 500: Die Sanfte Revolution der Venezianischen Malerei. ISBN 978–3– 7774–4174–0. | :
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting Alte Pinakothek, Munich 27th October 2023– 4th February 2024 | :
Illustrations
Attributed works:
11. A pupil and his teacher, perhaps Giovanni Borgherini and Trifone Gabriele, by Giorgione (?). 1509–10. Oil on canvas, 91.5 by 67 cm. (Alte Pinakothek, Munich).
Attributed works:
12. St Jerome reading in a landscape, by Giovanni Bellini. c.1480–85. Oil on panel, 46.8 by 33.8 cm. (National Gallery, London; exh. Alte Pinakothek, Munich).
Attributed works:
13. Portrait of a young woman in a blue dress with a fan, by Jacopo Negretti (Palma il Vecchio). After 1514. Oil on panel, 63.5 by 51 cm. (Kunsthistorisches Museum, Vienna; exh. Alte Pinakothek, Munich).
Exhibition Review
Tiziano 1508: Agli esordi di una luminosa carriera
12/2023 | 1449 | 165
Pages: 1348–1351
related names
Reviewer:
Dalla Costa, Thomas (Dalla Costa, Thomas)
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artists:
dates:
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Reviewed Items
subjects:
Tiziano 1508: Agli esordi di una luminosa carriera. Edited by Roberta Battaglia, Sarah Ferrari and Antonio Mazzotta. 240 pp. incl. 218 col. + 22 b. & w. ills. (Mandragora, Florence, 2023), €35. ISBN 978–88–7461–662–6. | :
subjects:
Tiziano 1508: Agli esordi di una luminosa carriera Gallerie dell’Accademia, Venice 9th September–3rd December | :
Illustrations
Attributed works:
16. Installation view of Tiziano 1508: Agli esordi di una luminosa carriera at the Gallerie dell’Accademia, Venice, 2023. (Photograph Matteo De Fina).
Attributed works:
17. Madonna and Child enthroned with two angels, by Francesco Vecellio. c.1511– 12. Oil on panel, 171.9 by 79.2 cm. (S. Maria Annunziata, Sedico; exh. Gallerie dell’Accademia, Venice).
Attributed works:
18. Angel with a tambourine, by Titian. c.1508. Oil on panel, 98.2 by 66.8 cm. (Doria Pamphilj Gallery, Rome; exh. Gallerie dell’Accademia, Venice).
Book Review
Vittoria Colonna e l’eredità degli spirituali Vittoria Colonna: Poetry, Religion, Art, Impact
10/2023 | 1447 | 165
Pages: 1155–1156
related names
Reviewer:
Zezza, Andrea (Zezza, Andrea)
Subjects
Reviewed Items
subjects:
Vittoria Colonna e l’eredità degli spirituali By Andrea Donati. 598 pp. incl. 600 col. + b. & w. ills. (Etgraphie, Rome, 2019), €60. ISBN 978–88–99680–18–3. | :
subjects:
Vittoria Colonna: Poetry, Religion, Art, Impact Edited by Virginia Cox and Shannon McHugh. 406 pp. incl. 47 col. ills. (Amsterdam University Press, 2021), £117. ISBN 978–94–6372–394–7. | :
Article
Painting on stone in Rome in the sixteenth century
07/2023 | 1444 | 165
Pages: 738–753
related names
Author:
Donati, Andrea Gianluca (Donati, Andrea Gianluca)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Clement VII, by Sebastiano del Piombo. c.1530–34. Oil on slate, 105.4 by 87.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Design for the retablo of the Descalzas Reales, Madrid, by Gaspar Becerra. 1563. Brown ink, chalk and wash on paper, 87 by 50.5 cm. (Biblioteca Nacional, Madrid).
Attributed works:
11. Lucrezia, by Leonardo Grazia. c.1540–48. Oil on slate, 55 by 43 cm. (Galleria Borghese, Rome).
Attributed works:
12. Portrait of a young man (of the Orsini family?), by Daniele da Volterra. c.1545–50. Oil on slate, 54.5 by 40.5 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
13. Conversion of St Paul, by Taddeo Zuccaro. 1566. Oil on slate. (Cappella Frangipane, S. Marcello al Corso, Rome).
Attributed works:
14. Martyrdom of St Catherine of Alexandria, by Girolamo Siciolante da Sermoneta. 1565–66. Oil on slate, 305 by 188 cm. (Cappella Cesi, S. Maria Maggiore, Rome).
Attributed works:
15. Christ on the Mount of the Olives, by Marcello Venusti. After 1550. Oil on slate, 57 by 75 cm. (Gemäldegalerie, Berlin).
Attributed works:
16. St James the Elder, by Marcello Venusti. 1569–70. Oil on slate, 230 by 160 cm. (Cappella Salviati, Arciconfraternitata SS. Annunziata, S. Maria sopra Minerva, Rome).
Attributed works:
17. St Catherine of Alexandria, by Marcello Venusti. After 1566. Oil on slate, 164 by 82 cm. (Cappella Mutini, S. Agostino, Rome).
Attributed works:
18. Cardinal Alessandro Crivelli, by Marcello Venusti. c.1570–74. Oil on oval slate, height 46 cm. (S. Maria in Aracoeli, Rome).
Attributed works:
19. Cappella De Torres, S. Caterina de’ Funari, Rome. (Photograph Paolo Coen).
Attributed works:
2. Deposition, by Luca Penni. After 1542. Oil on slate, 73 by 153 cm. (Auxerre Cathedral).
Attributed works:
20. St John the Baptist, by Marcello Venusti. c.1575. Oil on slate, 260 by 165 cm. (Cappella De Torres, S. Caterina de’ Funari, Rome).
Attributed works:
21. Madonna in glory with the infant Christ, St Peter and St Paul, by Marcello Venusti. 1577. Oil on slate, 243 by 144 cm. (Chapel of Palazzo Senatorio, Rome).
Attributed works:
3. Nativity, by Francesco Salviati. c.1550. Oil on peperino, 176 by 172 cm. (Chapel of the Pallium, Palazzo della Cancellaria, Rome).
Attributed works:
4. Portrait of Roberto Strozzi, by Francesco Salviati. c.1556–57. Oil on Africano marble, diameter 13 cm. (Private collection).
Attributed works:
5. Portrait of a man with a gold coin, by Francesco Salviati. c.1556–57. Oil on slate, 82 by 53.5 cm. (Private collection).
Attributed works:
6. David and Goliath (obverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
7. David and Goliath (reverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
8. David and Goliath, possibly by Daniele da Volterra. After 1556. Oil on slate, 33.3 by 43.7 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
9. Baptism of Christ, by Daniele da Volterra and Michele Alberti. c.1556–74. Oil on slate, 360 by 230 cm. (Cardinal Ricci chapel, S. Pietro in Montorio, Rome).
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