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55 articles
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
Exhibition Review
Carpaccio, Bellini and the Early Renaissance in Venice
03/2025 | 1464 | 167
Pages: 273–5
related names
Reviewer:
Brooke, Irene (Brooke, Irene)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
11. Martyrdom of St Stephen, by Vittore Carpaccio. 1520. Oil on canvas, 189 by 206 cm. (Staatsgalerie, Stuttgart). | :
subjects:
12. Virgin and Child with the Infant St John and Peter Martyr, by Lorenzo Lotto. 1503. Oil on panel, 55.5 by 87 cm. (Museo e Real Bosco di Capodimonte, Naples). | :
subjects:
Carpaccio, Bellini and the Early Renaissance in Venice Staatsgalerie, Stuttgart 15th November 2024–2nd March 2025 | :
Book Review
Les Tiepolo: Invention et Virtuosité à Venise
11/2024 | 1460 | 166
Pages: 1176–1178
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Les Tiepolo: Invention et Virtuosité à Venise Edited by Hélène Gasnault with Giulia Longo and a contribution by Catherine Loisel. 137 pp. incl. numerous col. + b. & w. ills. (Beaux-Arts de Paris éditions, 2024), €25. ISBN 978–2–84056–878–0. | :
Illustrations
Attributed works:
20. Portrait of a young boy, attributed to Giovanni Battista Piazzetta. Black and white chalk on paper, 37.4 by 26.8 cm. (École des Beaux-Arts, Paris).
Attributed works:
21. Study of a foot, head and two jars, by Giambattista Tiepolo. Black, white and chalk on paper, 28.2 by 22.5 cm. (École des Beaux-Arts, Paris).
Attributed works:
22. Annunciation, by Domenico Tiepolo. Black chalk, pen, brown ink and black and brown wash on paper, 22.4 by 31 cm. (École des Beaux-Arts, Paris).
Book Review
Bonifacio de’Pitati
09/2024 | 1458 | 166
Pages: 974-6
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
Reviewed Items
subjects:
Bonifacio de’Pitati By Philip Cottrell and Peter Humfrey. 463 pp. incl. 200 col. + b. & w. ills. (ZeL Edizioni, Ponzano Veneto, 2023), €120. ISBN 978–88– 87186–27–7. | :
Illustrations
Attributed works:
1. Virgin and Child with saints, by Bonifacio de’Pitati. c.1527. Oil on panel, 155 by 205 cm. (Musée du Louvre, Paris).
Attributed works:
2. Judgment of Solomon, by Bonifacio de’Pitati. 1533. Oil on canvas, 180 by 309 cm. (Gallerie dell’Accademia, Venice).
Book Review
Gli affreschi del Settecento nei palazzi veneziani
09/2024 | 1458 | 166
Pages: 984-5
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
art literature:
places:
Reviewed Items
subjects:
Gli affreschi del Settecento nei palazzi veneziani By Giuseppe Pavanello. Three vols, 919 pp. incl. 1479 col. + 425 b. & w. ills. (Antiga Edizioni, Crocetta del Montello, 2022), €490. ISBN 978–88–8435–291–0. | :
Illustrations
Attributed works:
7. Ballroom of Palazzo Labia, Venice. Frescos by Giambattista Tiepolo with ornamentation by Girolamo Mengozzi Colonna. c.1746–47. (Bridgeman Images).
Article
Expanding the oeuvre of the master metalsmith Orazio Fortezza
06/2024 | 1455 | 166
Pages: 570–579
related names
Author:
Turner-Vučetić, Flora (Turner-Vučetić, Flora)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Display plate with Michiel coat of arms, here attributed to Orazio Fortezza. (From sale, Sotheby’s, London, Valuable Renaissance Works of Art, p.12).
Attributed works:
10. Detail of Fig.2, showing a portrait here identified as Orazio Fortezza.
Attributed works:
11. Abduction of Helen, by Andrea Meldolla (also known as Schiavone). 1547. Etching, 40 by 51.6 cm. (British Museum, London).
Attributed works:
12. Detail of Fig.2, showing the central battle scene.
Attributed works:
13. Basin, by Orazio Fortezza (signed Oracio Fortezza). c.1560. Brass, height 11.5 cm. (Museo Correr, Venice).
Attributed works:
14. Detail of a ewer, by Orazio Fortezza, showing a portrait with initials in the medallion. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
15. Detail of Fig.4, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
16. Detail of Fig.4, showing Torquatus fighting against the Gauls.
Attributed works:
17. Detail of Fig.2, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
18. Detail of Fig.6, showing the battle between Publicola and Tarquin the Proud.
Attributed works:
2. Display plate with Foscari arms, here attributed to Orazio Fortezza. c.1560. Brass, engraved and inlaid with pitch, diameter 47.5 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Display plate, by Orazio Fortezza. 1555. Brass, engraved and partially inlaid with silver, diameter 48.3 cm. (British Museum, London).
Attributed works:
4. Salver, by Orazio Fortezza (signed Horacio Fortezza). 1562. Brass, diameter 46.2 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Ewer, by Orazio Fortezza (signed Horativs Sibenici). c.1560. Brass, height 30 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Display plate, by Orazio Foretzza (signed Oratio Fortezza). c.1572–75. Brass, diameter 47.5 cm. (City Museum, Šibenik).
Attributed works:
7. Detail of a ewer, by Orazio Fortezza, showing Suetonius in the bottomleft corner. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
8. Detail of Fig.2, showing a portrait here identified as Girolamo Contarini.
Attributed works:
9. Detail of Fig.2, showing a portrait here identified as Andrea Meldola (also known as Meldolla or Schiavone).
Book Review
Venice: City of Pictures
06/2024 | 1455 | 166
Pages: 653
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
places:
Reviewed Items
subjects:
Venice: City of Pictures By Martin Gayford. 464 pp. incl. 186 col. + b. & w. ills. (Thames & Hudson, London, 2023), £30. ISBN 978–0–500–02266–5. | :
Illustrations
Attributed works:
4. Bombardment of Marghera on the night of 24th May 1849, by Ippolito Caffi. 1849. Oil on canvas, 25 by 43 cm. (Museo Correr, Venice).
Exhibition Review
Rinascimento in bianco e nero: L’arte dell’incisione a Venezia (1494–1615)
06/2024 | 1455 | 166
Pages: 631–634
related names
Reviewer:
Dalla Costa, Thomas (Dalla Costa, Thomas)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Rinascimento in bianco e nero. L’arte dell’incisione a Venezia (1495–1615). Edited by Giovanni Maria Fara and David Landau. 347 pp. incl. 342 col. + b. & w. ills. (Scripta Edizioni, Verona, 2024), €38. ISBN 979–12–80581–86–0. | :
subjects:
Rinascimento in bianco e nero: L’arte dell’incisione a Venezia (1494–1615) Museo Civico, Bassano del Grappa 2nd March–23rd June Ca’ Rezzonico, Venice 8th March–3rd June | :
Illustrations
Attributed works:
12. Judith with the head of Holofernes, by Jacopo de’ Barbari. 1496–97. Engraving, 18.7 by 12 cm. (Museo Civico, Bassano del Grappa).
Attributed works:
13. The martyrdom of St Giustina of Padua, by Agostino Carracci, after Paolo Veronese. 1582. Engraving on two sheets, 89.5 by 59 cm. (Museo Civico, Bassano del Grappa).
Attributed works:
14. The abduction of Proserpina, by Giuseppe Scolari. c.1592–1607. Woodcut, 45 by 35 cm. (Museo Civico, Bassano del Grappa).
Article
Concealing portraits in Renaissance Venice: Jacometto’s painted box
02/2024 | 1451 | 166
Pages: 126–1139
related names
Author:
Manges Nogueira, Alison (Manges Nogueira, Alison)
Subjects
dates:
sources:
subjects:
Illustrations
Attributed works:
1. and 2. A tethered roebuck (recto) and Alvise Contarini (verso), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (recto), oil on panel (verso), 11.7 by 8.6 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
10. Portrait of a woman, possibly a Novice of San Secondo, by Jacometto Veneziano. c.1490. Oil on panel, 24 by 15.5 cm. (Cleveland Museum of Art).
Attributed works:
11. Rendering of the figural outlines in the painting in Fig.3.
Attributed works:
12. Auditus, by Cornelis Cort after Frans Floris I. 1561. Engraving, 21.5 by 26.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Detail of Orpheus (‘The Widener Orpheus’), showing the figure of Orpheus. Venice, c.1515. Oil on panel transferred to canvas, 39.5 by 81 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
14. Orpheus and Charon, by Nicola da Urbino. Urbino, c.1515. Maiolica, diameter 28.2 cm. (Museo Correr, Venice).
Attributed works:
15. The wedding of Orpheus and Eurydice, Eurydice bitten by a snake, and Orpheus and Charon, after Benedetto Bordon. 1497. Woodcut, 29.8 by 20.6 cm. (page). (From Ovidio Metamorphoseos vulgare, transl. Giovanni de’ Bonsignori, Venice 1497, fol.83v; Metropolitan Museum of Art, New York).
Attributed works:
16. Daniel in the cave of the lions, by Cima da Conegliano. c.1495. Tempera and gold on panel, 57.7 by 43.5 cm. (Pinacoteca Ambrosiana, Milan; Bridgeman Images).
Attributed works:
17. Orpheus charming the animals, by the workshop of Cima da Conegliano. Early 16th century. Pen and wash on paper, 25 by 20 cm. (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence).
Attributed works:
18. Orpheus redeeming Eurydice, by Moderno. Late 15th or early 16th century. Bronze, diameter 10.6 cm. (National Gallery of Art, Washington).
Attributed works:
19. Petrarch, Laura and Orpheus, attributed to the Petrarch Master. 1463–64. Coloured pigments, gold and ink on parchment, 23 by 14 cm. (From Sonnets and Triumphs by Petrarch, Victoria and Albert Museum, London, L.101-1947).
Attributed works:
20. Portrait medal of Cristoforo Civran. Venice, late 15th century. Bronze, diameter 4.9 cm. (Private collection).
Attributed works:
21. Stag at rest chained to a tree, by Giulio Campagnola. c.1510–15. Engraving with stipple, 18.2 by 11.8 cm. (British Museum, London).
Attributed works:
22. Deer chained to a laurel tree. Venice, late 15th century. Tempera on vellum. (From Rime, by Niccolò Lelio Cosmico, Biblioteca Nazionale Marciana, Venice, MS Marciano It. IX 152 (=7057), fol. 2v.).
Attributed works:
23. Tiberius. Roman, 14–20, in a mount with a Medici emblem and inscription, Italian or French, 16th century. Sardonyx, gold, pearl and enamel, 8 by 4.8 cm. (Art Institute of Chicago).
Attributed works:
24. Staurotheke with a double-sided sliding lid. Constantinople (?), early 9th century. Gilded silver, gold, enamel worked in cloisonné and niello, 2.7 by 10.3 by 7.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. and 4. A scene here identified as Orpheus and Charon (verso) and Portrait of a woman here identified as Daria Querini (recto), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (verso), oil on panel (recto), 10.2 by 7.3 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
5. Portrait effigy of Elisabeth Krauss, with a sliding cover. Nuremberg, c.1640. Coloured wax and wood, 13.5 by 12.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
6. Giovanna de’ Rossi, by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.6 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
7. Allegory of Chastity (cover for Giovanna de’ Rossi), by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.7 cm. (National Gallery of Art, Washington).
Attributed works:
8. Philipp Melanchthon and cover with grotteschi and an inscription, by Hans Holbein the Younger. 1535. Oil on panel, diameter 9 cm. (Landesgalerie, Niedersachsisches Landesmuseum, Hannover).
Attributed works:
9. Portrait of a boy, by Giovanni Bellini. c.1474. Oil on panel, 38 by 23 cm. (Barber Institute of Fine Arts, Birmingham).
Exhibition Review
Venezia 500: The Gentle Revolution of Venetian Painting
01/2024 | 1450 | 166
Pages: 70–73
related names
Reviewer:
Hojer, Annette (Hojer, Annette)
Subjects
artists:
dates:
museums and institutions:
subjects:
subjects:
Reviewed Items
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting. Edited by Andreas Schumacher. 230 pp. incl. 160 col. ills. (Bayerische Staatsgemäldesammlungen, Munich, and Hirmer Verlag, Munich, 2023), €39. ISBN 978–3–7774–4176–4. German edition: Venezia 500: Die Sanfte Revolution der Venezianischen Malerei. ISBN 978–3– 7774–4174–0. | :
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting Alte Pinakothek, Munich 27th October 2023– 4th February 2024 | :
Illustrations
Attributed works:
11. A pupil and his teacher, perhaps Giovanni Borgherini and Trifone Gabriele, by Giorgione (?). 1509–10. Oil on canvas, 91.5 by 67 cm. (Alte Pinakothek, Munich).
Attributed works:
12. St Jerome reading in a landscape, by Giovanni Bellini. c.1480–85. Oil on panel, 46.8 by 33.8 cm. (National Gallery, London; exh. Alte Pinakothek, Munich).
Attributed works:
13. Portrait of a young woman in a blue dress with a fan, by Jacopo Negretti (Palma il Vecchio). After 1514. Oil on panel, 63.5 by 51 cm. (Kunsthistorisches Museum, Vienna; exh. Alte Pinakothek, Munich).
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