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3 articles
Exhibition Review
Master drawings and paintings. London
09/2010 | 1290 | 152
Pages: 624-625
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Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
2010-2019
places:
London / England
print:
Master Drawings Week
print:
Master Paintings Week
private galleries:
Simon Dickinson, London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Colnaghi, London, Great Britain / Hill-Stone Inc., New York, United States / Fine Art Society, London, Great Britain / Whitfield Fine Art, London, Great Britain / Deborah Gage, London, Great Britain / Johnny van Haeften, London, Great Britain / Katrin Bellinger, London, Great Britain / Ben Elwes Fine Art, London, Great Britain / Andrew Wyld Gallery, London, Great Britain / Lowell Libson, London, Great Britain
private galleries:
W/S Fine Art Ltd, London, Great Britain
subjects:
Reviews / Exhibitions / Drawings / Paintings
subjects:
Old-master drawings / Old-master paintings
Reviewed Items
subjects:
Master Drawings and Master Paintings Week | institution: Andrew Wyld Gallery , institution: Ben Elwes Fine Art , institution: Colnaghi , institution: Deborah Gage , institution: Fine Art Society , institution: Johnny van Haeften , institution: Lowell Libson , institution: Simon Dickinson , institution: Stephen Ongpin Fine Art , institution: Whitfield Fine Art
Illustrations
Attributed works:
61. The meeting of Christ and Zacchaeus, by Giovanni Domenico Tiepolo. 1775–80. Brown ink and wash over black chalk on paper, 45.8 by 35.6 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
62. James Byres (1734–1817), by Anton von Maron. c.1768. Canvas, 73.4 by 60.6 cm. (Exh. Colnaghi, London).
Attributed works:
63. Card players, by Gerard ter Borch. c.1659. Canvas laid down on panel, 46.7 by 36.8 cm. (Exh. Johnny Van Haeften, London).
Attributed works:
64. Blackcock, by Edwin Landseer. 1848. Ink wash heightened with blue and red chalks on paper, 22.8 by 28 cm. (Exh. Lowell Libson, London).
Attributed works:
65. Jacob’s dream, by John Constable after Aert de Gelder. c.1832. Ink and wash on paper, 17.5 by 15 cm. (Exh. W.S. Fine Art Andrew Wyld, London).
Exhibition Review
Master paintings and drawings. London
09/2009 | 1278 | 151
Pages: 629-631
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Reviewer:
Verdi, Richard (Verdi, Richard)
Subjects
dates:
2000-2009
places:
London / England
print:
Master Drawings Week
print:
Master Paintings Week
private galleries:
Colnaghi, London, Great Britain / Trafalgar Galleries, London, Great Britain / Whitfield Fine Art, London, Great Britain / The Weiss Gallery, London, Great Britain / Agnew's, London, Great Britain / Verner Amell, London, Great Britain / Rafael Valls, London, Great Britain / Simon Dickinson, London, Great Britain / Philip Mould, London, Great Britain / Day and Faber, London, Great Britain / Thomas Williams, London, Great Britain / Robilant and Voena, London, Great Britain / Ben Elwes Fine Art, London, Great Britain / William Thuillier, London, Great Britain / Lowell Libson, London, Great Britain
private galleries:
Didier Aaron Ltd, London, Great Britain / W/S Fine Art Ltd, London, Great Britain / Andrew Wyld Gallery, London, Great Britain
private galleries:
Stair Sainty, London, Great Britain
subjects:
Reviews / Exhibitions / Old-master drawings / Old-master paintings
Reviewed Items
subjects:
Master Drawings and Master Paintings Week | institution: Agnew's , institution: Andrew Wyld Gallery , institution: Ben Elwes Fine Art , institution: Bischoff/Weiss , institution: Colnaghi , institution: Day and Faber , institution: Derek Johns Ltd , institution: Didier Aaron , institution: Lowell Libson , institution: Philip Mould , institution: Rafael Valls , institution: Robilant and Voena , institution: Simon Dickinson , institution: Thomas Williams , institution: Trafalgar Galleries , institution: Verner Amell , institution: Whitfield Fine Art
Illustrations
Attributed works:
45. Trompe l’œil of hawking equipment, by Christoffel Pierson. c.1660. Canvas, 49.5 by 66 cm. (Exh. Rafael Valls, London).
Attributed works:
46. A man in profile reading a book, by Claude Vignon. 1620s. Canvas, 94.5 by 76 cm. (Exh. Whitfield Fine Art, London).
Attributed works:
47. Holy Family with St John the Baptist, by Nicolas Poussin. c.1626. Canvas, 51 by 68 cm. (Exh. Agnew’s, London).
Attributed works:
48. Aristotle and Eudoxus, by James Nasmyth. c.1848–50. Black and white chalk on grey paper, 40.6 by 30.4 cm. (Exh. Lowell Libson, London).
Attributed works:
49. Interior of the dormitory of the Ipswich Blackfriars, by John Sell Cotman. c.1838–42. Watercolour, 43.7 by 60.3 cm. (Exh. W.S Fine Art Andrew Wyld, London).
Exhibition Review
British Watercolours. London
02/2006 | 1235 | 148
Pages: 131–132
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related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
Towne, Francis
artists:
Abbott, John White
artists:
Smith, John Irthington, also known as Warwick Smith, 1749-1831
dates:
1800-1899
dates:
2000-2009
places:
England
print:
British painting
private galleries:
Colnaghi, London, Great Britain
subjects:
Watercolourists / Watercolours
subjects:
British painting / Exhibitions
Reviewed Items
subjects:
Francis Towne and his Friends | :
subjects:
Peter de Wint 1784–1849: Colourist and Countryman | institution: Andrew Wyld Gallery
subjects:
The Spooner Collection of British Watercolours at the Courtauld Institute Gallery | institution: Courtauld Gallery
subjects:
Watercolours and Drawings: 18th and 19th centuries | institution: Colnaghi , institution: Lowell Libson
Illustrations
Attributed works:
62. Near the Devil's Bridge, Cambridgeshire, by Francis Towne. 1810. Watercolour with pen and ink, 17.5 by 25.5 cm. (Exh. John Spink at Colnaghi, London).
Attributed works:
63. A view across parkland, by John 'Warwick' Smith. c.1790. Watercolour over traces of pencil, 24.5 by 34.4 cm. (Exh. Lowell Libson, London).
Attributed works:
64. Trees in Peamore Park, Exeter, by John White Abbott. 1801. Watercolour and pen and dark grey ink over traces of pencil, 33.8 by 33.7 cm. (Courtauld Institute of Art, London; exh. Hermitage Rooms, Somerset House, London).
Attributed works:
65. Somerset House from the Thames, by Edward Dayes. 1788. Watercolour, pen and grey-brown wash, and pen and ink over traces of pencil, 42.8 by 57.8 cm. (Courtauld Institute of Art, London; exh. Hermitage Rooms, Somerset House, London).
Attributed works:
66. Two boys with a donkey, by Peter de Wint. c.1818. Watercolour, 16.3 by 15 cm. (Exh. W/S Fine Art/Andrew Wyld, London).