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12/2024 | 1461 | 166
Pages: i-xii
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Subjects
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BRAFA Art Fair, Brussels, Belgium / Agnew's, London, Great Britain / Harvey Miller Publishers, London, Great Britain / Heritage Auctions, Dallas, United States / Attingham Park, Nr Shrewsbury, Shropshire, Great Britain / Print Quarterly, London / The Art Newspaper, London, Great Britain / Rafael Valls, London, Great Britain / Simiolus, Art Journal, The Netherlands / The Burlington Magazine / Peter Finer (antique arms), London, Great Britain / Darnley Fine Art, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / French and Company Art, New York, United States / Master Drawings London / Granta Magazine, London, Great Britain / Rijksmuseum, Amsterdam, Netherlands / Huntington Library, Art Collections, and Botanical Gardens, San Marino, United States
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Diriyah Biennale / Art Basel Miami Beach / Berger Trust
artists:
Benvenuti, Giovanni Battista (L'Ortolano) / Vernet, Claude-Joseph / Charmy, Emilie 1878–1974
artists:
Sepuya, Paul Mpagi / Piotrowksa, Joanna / Toor, Salman / Antufiev, Evgeny
Illustrations
Attributed works:
Charles Wild (1781–1835), Carlton House – The Blue Velvet Room. c.1816. Watercolour. Royal Collection Trust © His Majesty King Charles III, 2024. [Attingham Trust]
Attributed works:
Claude-Joseph Vernet (French, 1714-1789) The grand cascade at Tivoli, 1753 Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm) Property from the Estate of Toni Chapman Brinker, Dallas, Texas Estimate: $200,000 - $300,000 [Heritage Auctions]
Attributed works:
Ghosts, by Salman Toor (b.1984). 2023. Charcoal, ink and gouache on paper, 45.5 by 61 cm. LUHRING AUGUSTINE, NEW YORK [Art Basel Miami Beach]
Attributed works:
Giovanni Battista Benvenuti, called L’Ortolano (Ferrara c. 1487/88–c. 1525/27) The Virgin and Child Oil on panel 38.2 by 31.2 cm. Painted c.1510–20 [Agnews]
Attributed works:
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS [Art Basel Miami Beach]
Attributed works:
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982). 2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON [Art Basel Miami Beach]
Attributed works:
Untitled, by Evgeny Antufi ev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON [Art Basel Miami Beach]
Attributed works:
Untitled, by Joanna Piotrowska (b.1985). 2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON [Art Basel Miami Beach]
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03/2024 | 1452 | 166
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Agnew's, London, Great Britain
artists:
Mengs, Anton Raphael
Illustrations
Attributed works:
Anton Raphael Mengs (Aussig, Bohemia 1728–1779 Rome) Portrait of Friedrich Christian, Prince of Saxony (1722–1763), three-quarter-length, in armour, with an ermine lined mantle and the sash and star of the Order of the White Eagle Oil on canvas 61 ⁄  x 43 ⁄  in. (155.7 x 110.8 cm.)
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06/2023 | 1443 | 165
Pages: i-xxxvi
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artists:
Cézanne, Paul / Dyck, Anthony van / Wiley, Kehinde / Giambologna / Lawrence, Thomas / Ayres, Gillian / Wicar, Jean Baptiste Joseph / Doré, Gustave / Longhi, Pietro / Monet, Claude / Moss, Marlow / Girtin, Thomas / Peake, Robert, the elder, 1551-1619 / Degas, Edgar / Angelico, Fra / Bonington, Richard Parkes / Pugin, Augustus Welby Northmore / Newton, Algernon Cecil / Dughet, Gaspard / Gros, Antoine-Jean / Puget, Pierre / Bouguereau, William-Adolphe / Lamerie, Paul de / Holsoe, Carl Vilhelm / Chadwick, Lynn / Chippendale, Thomas I, 1718-1779 / Bomberg, David / Sickert, Walter / Pichler, Luigi / Hockney, David / Gentileschi, Artemisia
artists:
Wiley, Kehinde / Böhm, Adolf Michael / Glaize, Barthelemey / Müller, Leopold Carl / Heath, Adrian / Meyer, Wilhelm Christian / Landseer, Thomas / Smith, Thomas, of Derby
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
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Pages: i-viii
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Miles Wynn Cato (art dealer)
artists:
Tiepolo, Giovanni Domenico / Turner, Joseph Mallord William / Nicholson, William, 1872-1949 / Dantan, Jean-Pierre / Jones, Thomas, 1742-1803 / Caroselli, Pseudo / Hamilton, Hugh Douglas / Susini, Giovanni Francesco / Piazzetta, Giovanni Battista
artists:
Marmitta, Francesco / Giorgetti, Antonio
Illustrations
Attributed works:
A boy playing a lute, by Giovanni Battista Piazzetta (1682/83– 1754). Black chalk heightened with white on brown paper, 35 by 24 cm. [STEPHEN ONGPIN FINE ART, W1K, LAW]
Attributed works:
A capriccio on the river Wye with the Pont du Gard, by Thomas Jones (1742–1803). c.1775. Oil on panel, 34.3 by 47 cm. [MILES WYNN CATO, SW7, LAW]
Attributed works:
A young woman playing a tambourine, by Pseudo-Caroselli (active 1600–25). Oil on canvas, 99.1 by 74.3 cm. [AGNEWS, W1S, LAW]
Attributed works:
Carved walnut wood frame with glass mirror, Italian, 16th century, by Isabel Agnes Cowper. c.1891. (Victoria and Albert Museum, London). [Burlington Magazine call for paper photography]
Attributed works:
George Clavering Cowper, 3rd Earl Cowper, by Hugh Douglas Hamilton (c.1740–1808). 1785. Pastel on paper, 94 by 69 cm. [LOWELL LIBSON AND JONNY YARKER LTD, W1S, LAW]
Attributed works:
GIOVANNI DOMENICO TIEPOLO (1727-1804) The Carpenter’s Shop Pen and brown ink and wash, over an underdrawing in black chalk. Signed Domo. Tiepolo f at the lower left and numbered 56 in the upper left margin. 350 x 468 mm. (133⁄4 x 183⁄6 in.) [Ongpin LAW]
Attributed works:
Head of an angel, by Antonio Giorgetti (1635–69). c.1663. Terracotta, height 40 cm. [TRINITY FINE ART AND WALTER PADOVANI, W1S, LAW]
Attributed works:
La Loge Anglais, by Jean-Pierre Dantan (1800–69). 1834. Patinated plaster, 23.5 by 35 by 15.5 cm. [DANIEL KATZ, W1J, LAW]
Attributed works:
Nesting swans, Chartwell, by William Nicholson (1872–1949). 1934. Oil on board, 56 by 63.5 cm. [CHARLES BEDDINGTON LTD, W1S, LAW]
Attributed works:
St Mary’s Church and the Radcliffe Camera from Oriel Lane, Oxford, by J.M.W. Turner (1775–1851). Watercolour, pencil and body colour on paper, 27 by 21.5 cm. [GUY PEPPIATT, SW1Y, LAW]
Attributed works:
Virgin and Child with a bishop saint, by Francesco Marmitta (c.1464–1505). 1500–05. Oil on panel, 187 by 106 cm. [BRUN FINE ART, W1S, LAW]
Attributed works:
Wild boar after the antique, by Giovanni Francesco Susini (1585– c.1653). c.1600–50. Bronze, 17.8 by 20.3 cm. [TOMASSO, SW1Y, LAW]
Western art unattributed:
Two leaves from an Italian choirbook depicting birds. Late 15th century. Ink and gold on vellum, 51.5 by 37 cm. [SAM FOGG, W1S, LAW]
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06/2022 | 1431 | 164
Pages: i- xxix
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Subjects
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Agnew's, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Trinity Fine Art Ltd, London, Great Britain / Sam Fogg (dealer), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Getty Trust Publications , Great Britain / Walter Padovani (dealer), Milan, Italy / Camper Dabernat Commissaires, Paris, France / Caylus Anticuario (dealer), Madrid, Spain / British Art Fair (London) / Morgan Library and Museum, New York, United States / La Biennale Paris / Santa Tecla Srl, Padua, Italy / Masterpiece London / Aguttes (auction house), Neuilly-sur-Seine, France / Ader Tajan (auctioneers), Paris, France / Brun Fine Art, London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / The-saleroom.com / New Raritet Gallery, Vienna, Austria / Rafael Valls, London, Great Britain / Master Drawings New York / Paul Mellon Centre for Studies in British Art, London, Great Britain / Christie, Manson & Woods, London, Great Britain
artists:
Dalou, Aimé Jules / Munch, Edvard / Mazza, Giuseppe / Canova, Antonio / Magnelli, Alberto / Tiepolo, Giovanni Domenico / Delvaux, Paul / Tiepolo, Giovanni Battista / Kauffmann, Angelica / Rossi, Angelo de / Goya y Lucientes, Francisco José de / Pellegrini, Giovanni Antonio / Murillo, Bartolomé Esteban / Solimena, Francesco / Greuze, Jean-Baptiste / Nash, David / Rego, Paula / Smith, Matthew, 1879-1959 / Mudge, Thomas, watchmaker / John, Augustus Edwin / Blanche, Jacques-Emile / Cranach, Lucas, the Elder, 1472-1553
artists:
Foggini, Jacopo Maria / Piamontini, Giovanni / Apollonio, Marina / Da Nola, Giovanni / Sluijters, Johannes Carolus Bernardus
artists:
Ginotti, Giacomo
artists:
Lippo Vanni
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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02/2020 | 1403 | 162
Pages: OBC
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Subjects
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Agnew's, London, Great Britain
Illustrations
Attributed works:
[ALBRECHT DÜRER (Nuremberg 1471-1528) The Virgin and Child holding a pink on an earthwork berm Signed with the artist’s monogram (lower centre): ‘AD’ China ink on north Italian fine linen paper, watermark trident with a circle 6⅜ x 6 7⁄16 in. (16.2 x 16.4 cm.) Executed circa 1503-1506. Agnews]
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
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related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
Vasari, Giorgio / Venturi, Adolfo
artists:
Eusebio da San Giorgio / Raphael / Perugino, Pietro / Pinturicchio, Bernardino / Nicola Pisano
buildings:
Sant'Agostino, Perugia, Italy
collectors and dealers:
Benson, Robert, 1850-1929 / Duveen, Joseph, 1869-1939 / Lazzaroni, Michele, Baron / Hitler, Adolf
dates:
1500-1549 / 1500-1509
media:
Paintings
museums and institutions:
Städel Museum, Frankfurt am Main, Germany / Christie's, London / Agnew's, London, Great Britain
places:
Italy / Perugia / Germany / Frankfurt
subjects:
Italian painting / Altarpieces / Predellas / Augustine, Saint / Jesus Christ: Adoration of the Magi / Attribution / Attributions / Attributions, former / Patronage / Commissions / Oddi family / Provenance / Collections, Private / Guidebooks / Art literature / Archives / Inventories / Wills / Lost works / Damage to works of art / Reconstruction / Chapels / Artists' groups and associations / Workshops (Organisations) / Civil wars / War
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Book Review
A Connoisseur and His Clients: The Correspondence of Charles Fairfax Murray with Frederic Burton, Wilhelm Bode and Julius Meyer (1867–1914). Edited by Paul Tucker
10/2018 | 1387 | 160
Pages: 883-884
Subscribe to read
related names
Reviewer:
Avery-Quash, Susanna (Avery-Quash, Susanna; Quash, Susanna Avery-)
Subjects
art literature:
Murray, Charles Fairfax / Burton, Frederic William / Bode, Wilhelm von / Buchanan, William / Smith, John, English dealer and writer, 1781-1855 / Burckhardt, Jacob / Condivi, Ascanio
art literature:
Meyer, Julius / Hauser, Alois, the elder
artists:
Kettle, Tilly / Rossetti, Dante Gabriel / Bellini, Giovanni / Correggio / Benvenuto, Girolamo di / Lorenzetti, Ambrogio / Lorenzetti, Pietro / Sansovino, Jacopo / Lippi, Filippino / Matteo di Giovanni
dates:
1850-1899 / 1900-1949 / 1900-1909 / 1910-1919
media:
Documents / Drawings / Prints / Sculpture / Metalwork / Maiolica
museums and institutions:
National Gallery, London, Great Britain / Welbeck Abbey, London, Great Britain / New Gallery, London, Great Britain / Royal Academy of Arts, London, Great Britain / Dulwich Picture Gallery, London, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain / Agnew's, London, Great Britain
museums and institutions:
Durlacher Bros., London, Great Britain
places:
Great Britain
subjects:
British painting / Italian painting / Dutch painting / Northern European / Art dealers / Connoisseurs / Collectors / Curators / Museum directors / Restorers / Donors / Art market / Collections / Collecting / Collections, Public / Collections, Private / Libraries / Gifts / Hanging (installation technique) / Restoration (process) / Conservation / Attribution / Attributions / Attributions, former / Copies / Reproductions / Correspondence / Exhibition reviews
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03/2017 | 1368 | 159
Pages: s.p.
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Subjects
advertisements:
The Art Newspaper, London
advertisements:
Paul Prouté S.A. (gallery), Paris, France
advertisements:
Galerie Nathalie Motter Masselink, Paris, France
advertisements:
Galerie Michel Descours, Lyon, France
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Arnoldi-Livie (dealer), Munich, Germany
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Princeton University Press, New Jersey, United States
advertisements:
Hargesheimer, Dusseldorf, Germany
advertisements:
Master Drawings (art periodical)
advertisements:
Peter Finer (antique arms), London, Great Britain
advertisements:
Sphinx Fine Art, London, Great Britain
advertisements:
Irish Art Review
advertisements:
Print Quarterly, London
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Bonhams, London, Great Britain
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Simon Dickinson, London, Great Britain
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Alessandro Cesati, Milan, Italy
advertisements:
Maurizio Nobile, Bologna-Paris
advertisements:
Otto Naumann, New York, United States
advertisements:
Timothy Newbery (frames), London, Great Britain
advertisements:
Day and Faber, London, Great Britain
advertisements:
Trinity Fine Art Ltd, London, Great Britain
advertisements:
Rafael Valls, London, Great Britain
advertisements:
Emanuel Von Baeyer, London, Great Britain
advertisements:
The-saleroom.com
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain
advertisements:
The Burlington Magazine
advertisements:
Dorotheum (auction house), Vienna, Austria
advertisements:
Stephen Ongpin Fine Art, London, Great Britain
advertisements:
Getty Trust Publications , Great Britain
advertisements:
The London Original Print Fair (London)
advertisements:
Hazlitt Gallery, London, Great Britain
advertisements:
Eric Coatalem (dealer), Paris, France
advertisements:
Agnew's, London, Great Britain
advertisements:
Galerie Canesso, Paris, France
advertisements:
TEFAF (Maastricht)
advertisements:
Mullany Haute Epoque Fine Art, London, Great Britain
advertisements:
Tomasso Brothers Fine Art, Leeds, Great Britain
advertisements:
Didier Aaron Ltd, London, Great Britain
advertisements:
Robilant and Voena, London, Great Britain
advertisements:
Van der Meij, Amsterdam, The Netherlands
advertisements:
Venator & Hanstein KG (auction house), Cologne, Germany
advertisements:
Biennale Internazionale di Antiquariato di Roma
advertisements:
Christie's, Paris, France
advertisements:
Frits Lugt Collection, Fondation Custodia, Paris, France
advertisements:
Charles Ratton & Guy Ladrière, Paris, France
advertisements:
Salon du Dessin de Collection, Paris
advertisements:
Galerie Pandora, Milan, Italy
advertisements:
Marty de Cambiaire, Paris
advertisements:
Talabardon & Gautier, Paris, France
artists:
Stomer, Matthias / Vaillant, Wallerant / Gogh, Vincent van / Ortolano / Bourgeois, Louise / Tempesta, Antonio
artists:
Nino Pisano / Heermann, Paul / Kandinsky, Wassily / Martin, John, 1789-1854 / Crocq, Jean / Callet, Antoine
artists:
Galletti, Giovanni / Master of the Entry of François I into Lyon / Cornelisz. van Haarlem, Cornelis, 1562-1638 / Carracci, Annibale
artists:
Laval, Charles / Ruisdael, Jacob van / Boutellier, Louise / Anker, Albert / Cheere, John / Toulouse-Lautrec, Henri de
artists:
König, Johann / Guardi, Francesco / Boucher, François / Balla, Giacomo / Doyen, Gabriel François / Boissieu, Jean Jacques de / Delaunay, Sonia
artists:
Gemito, Vincenzo / Cesari, Giuseppe, called Il Cavaliere d'Arpino / Gandolfi, Mauro / Picasso, Pablo
artists:
Géricault, Théodore / Fragonard, Alexandre-Evariste / Valmier, Georges / Rigaud, Hyacinthe
artists:
Barbiette, Pierre / Pierre, Jean Baptiste Marie / Redon, Odilon / Regnault, Jean Baptiste / Corbusier, Le
artists:
Stael, Nicolas de / Duchamp, Marcel / Boutet de Monvel, Louis-Maurice / Eisen, Charles / Puvis de Chavannes, Pierre
artists:
Kobell, Wilhelm von / Hoet, Gerard, the Elder, 1648-1733 / Orpen, William / Chiparus, Dimitri
artists:
Leighton, Frederic, First Baron Leighton of Stretton / Storr, Paul, / Bril, Paul / Sonnius, Hendrick / Eno, Brian
subjects:
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Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
Article
Days with Velázquez: when Charles Lewis Hind bought the ‘Rokeby Venus’ for Lockett Agnew
05/2016 | 1358 | 158
Pages: 358–367
Subscribe to read
related names
Author:
Pezzini, Barbara (Pezzini, Barbara)
Subjects
artists:
Velázquez, Diego
collectors and dealers:
Agnew's, London, Great Britain / Agnew, Lockett / Hind, Charles Lewis
dates:
1640-1649 / 1900-1909
museums and institutions:
National Gallery, London, Great Britain
subjects:
Collections, Public / Spanish painting / Acquisitions / National Art Collections Fund / Venus / Provenance / The Trustees of the National Gallery, London, Great Britain / Account books / Donations
works:
The Toilet of Venus ('The Rokeby Venus') (National Gallery, London)
Illustrations
Attributed works:
30. The toilet of Venus ('The Rokeby Venus'), by Diego Velázquez. 1647-51 (National Gallery, London)
Attributed works:
31. Portrait of Gerolamo (?) Barbarigo, by Titian. c.1510 (National Gallery, London)
Attributed works:
33. Agnew's daybook, opened to show the entry on 'Venus and Cupid', dated 14th March 1906, with the stock number of the painting (1714) noted and initialled W.L.A. [William Lockett Agnew]. (National Gallery Archive, London)
Attributed works:
34. Charles Lewis Hind, by Emil Otto Hoppé. c.1920. Photograph in C.L. Hind: Naphtali, London, 1926
Attributed works:
36. Agnew's stock book entry for the sale of the Rokeby Venus, in which purchase price and 'service charges' are given in code ('melee' = £30,000, 'ueee' = £2,000). (National Gallery Archive, London)
Western art unattributed:
32. 'Venus and Cupid. Foreign bids for the famous picture', newspaper cutting from the Evening Standard of 7th December 1905 (National Gallery Archive, London)
Western art unattributed:
35. The sitting room at Rokeby Park, Yorkshire, showing the Venus, 1905. Photograph reproduced from The Pall Mall Magazine (October 1905), p.421
Western art unattributed:
37. Lockett Agnew, c.1912 (National Gallery Archive, London)
Western art unattributed:
38. The Rokeby Venus in an advertisement in The Burlington Magazine 8 (March 1906), p.ix
Western art unattributed:
39. 'The Rokeby Velasquez Official Announcement'. Newspaper cutting from The Westminster Gazette of 24th January 1906 (National Gallery Archive, London)
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