68. Composition No III in White-Yellow, by Piet Mondrian. 1935–42. Canvas, 101 by 51 cm. (San Francisco Museum of Modern Art; exh. Courtauld Gallery, London).
Attributed works:
69. 1937 (painting), by Ben Nicholson. 1937. Canvas, 79.5 by 91 cm. (Courtauld Gallery, London).
Toulouse-Lautrec and Jane Avril. Beyond the Moulin Rouge |
institution: Courtauld Gallery
Illustrations
Attributed works:
24. Jane Avril leaving the Moulin Rouge, by Henri de Toulouse-Lautrec. 1892. Oil on cardboard, 84.3 by 63.4 cm. (Wadsworth Atheneum Museum of Art, Hartford CN; exh. Courtauld Gallery, London).
Attributed works:
25. Divan Japonais, by Henri de Toulouse-Lautrec. 1893. Lithograph, 80 by 65 cm. (Victoria and Albert Museum, London; exh. Courtauld Gallery, London).
Exhibition Review
Life, Legend, Landscape. Victorian Drawings and Watercolours. London
Beyond Bloomsbury: Designs of the Omega Workshops 1913–19 |
institution: Courtauld Gallery
Illustrations
Attributed works:
55. White, attributed to Vanessa Bell. Omega Workshops, 1913. Printed linen, 85 by 79.5 cm. (Victoria and Albert Museum, London; exh. Courtauld Gallery, London).
Attributed works:
56. Design, by Duncan Grant. c.1913–15. Gouache on paper, 43.2 by 65.4 cm. (Courtauld Gallery,
London).
Attributed works:
57. Tureen, by Roger Fry. Omega Workshops, 1915 or after. Earthenware with blue glaze, 23 by 28.7 cm. (Courtauld Gallery, London).
Love and Marriage in Renaissance Florence: The Courtauld Wedding Chests |
institution: Courtauld Gallery
Illustrations
Attributed works:
56. Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (the Morelli Chest), by Biagio d’Antonio, Jacopo del Sellaio and Zanobi di Domenico. 1472. Wood, gesso tempera, oil and gilding, 205.5 by 193 cm. overall. (Courtauld Gallery, London).
Attributed works:
57. Cassone with scenes from Boccaccio’s Decameron, by Giovanni Toscani. Front panel, here dated c.1425–30; chest, a nineteenth-century reconstruction. Wood, gesso, tempera and gilding, 82.5 by 195.5 by 68.6 cm. overall. (Private collection; exh. Courtauld Gallery, London).
Attributed works:
58. The siege of Carthage and the continence of Scipio, by the Master of the Ringling Triumph. c.1460. Tempera and oil on panel, 42.5 by 130 cm. (painted surface). (Courtauld Gallery, London).
Renoir at the theatre. Looking at ‘La Loge’ |
institution: Courtauld Gallery
Illustrations
Attributed works:
38. La Loge, by Pierre-Auguste Renoir. 1874–75. Canvas, 27.3 by 21.9 cm. (Collection of Diane B. Wilsey, San Francisco; exh. Courtauld Institute of Art Gallery, London).
Attributed works:
39. La Loge, by Pierre-Auguste Renoir. 1874. Canvas, 80 by 63.5 cm. (Courtauld Institute of Art Gallery, London).
Attributed works:
40. Une Loge au théâtre, by Pierre-Auguste Renoir. 1880. Canvas, 99 by 80 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
41. Edmond Turquet, by A. Gill. (From Les Hommes d’aujourd’hui, Paris 1880).
Walter Sickert: the Camden Town Nudes |
institution: Courtauld Gallery
Illustrations
Attributed works:
49. Reclining nude – Mornington Crescent, by Walter Sickert. c.1907. Canvas, 45.7 by 50.8 cm. (Fitzwilliam Museum, Cambridge; exh. Courtauld Institute of Art Gallery, London)
Attributed works:
50. The Camden Town murder series no.1, by Walter Sickert. c.1908. Canvas, 64.5 by 61 cm. (Private collection; exh. Courtauld Institute of Art Gallery, London)
54. The assassination of Amnon, by Guercino. 1628. Pen and brown ink and wash, 20 by 26.3 cm. (Courtauld Institute of Art Gallery, London).
Attributed works:
55. Cupid restraining Mars, by Guercino. c.1640. Pen and brown ink, 22.7 by 18.8 cm. (Courtauld Institute of Art Gallery, London).
Attributed works:
56. Study of a seated young man, by Guercino. c.1619. Black chalk with white chalk heightening, 52.2 by 42.7 cm. (J. Paul Getty Museum, Los Angeles; exh. Courtauld Institute of Art Gallery, London).