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62 articles
Book Review
The Literature of Art: A Manual for Source Work in the History of Early Modern European Art Theory
03/2025 | 1464 | 167
Pages: 303
related names
Reviewer:
Marmor, Max (Marmor, Max)
Subjects
Reviewed Items
subjects:
The Literature of Art: A Manual for Source Work in the History of Early Modern European Art Theory By Julius von Schlosser, edited by Karl Johns and Barbara Gable, translated by Karl Johns. 711 pp. incl. 1 ill. (Ariadne Press, Riverside, 2023), $89.95. ISBN 978–1–57241–220–0. | :
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Book Review
The Ends of Art Criticism
01/2022 | 1426 | 164
Pages: 95-96
related names
Reviewer:
Bowman, Matthew (Bowman, Matthew)
Subjects
Reviewed Items
subjects:
The Ends of Art Criticism By Patricia Bickers. 144 pp. incl. 10 b. & w. ills. (Lund Humphries, London, 2021), £19.99. ISBN 978–1–84822–426–1. | :
Article
Three eminent art historians: a Chinese encounter
10/2020 | 1411 | 162
Pages: 865-869
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Author:
Yiqiang Cao (Yiqiang Cao)
Subjects
Illustrations
Attributed works:
1. Yiqiang Cao, by Quan Shanshi. 2005. Oil on canvas, 115 by 130 cm. (Quan Shanshi Art Centre, Hangzhou).
Attributed works:
2. Ernst Gombrich, by Mary Robert. c.1988. (National Portrait Gallery, London).
Attributed works:
3. Michael Baxandall, by Max Whitaker. 1989. (National Portrait Gallery, London).
Western art unattributed:
4. Larissa and Francis Haskell, c.1985.
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
05/2020 | 1406 | 162
Pages: 451-453
related names
Reviewer:
Reynolds, Ann (Reynolds, Ann)
Subjects
art literature:
places:
Reviewed Items
subjects:
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s Blanton Museum of Art, University of Texas at Austin 16th February–17th May | :
Illustrations
Attributed works:
22. Mayor of Chinchero, by José Sabogal. 1925. Oil on canvas, 169 by 109 cm. (Pinacoteca Municipal Ignacio Merino, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
24. Installation photograph of The Avantgarde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s at the Blanton Museum of Art, University of Texas at Austin, 2020.
Attributed works:
25. Mexican flag, by Lola Velásquez de Cueto. 1920s. Silk tapestry made with chain stitch, 42 by 150 cm. (Private collection, Lima;   Sucesi n Mireya Cueto; photograph of Lance Aaron; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
Opposite 23. Allegory to the farmers, by Carlos Quízpez As n. 1928. Oil on canvas, approx. 190 by 150 cm. (Universidad Nacional de Ingenier a, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Editorial
Open access and printed journals
03/2020 | 1404 | 162
Pages: 179
Book Review
De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps (1715–1791) et la peinture flamande, hollandaise et allemande. By Gaëtane Maës
02/2020 | 1403 | 162
Pages: 171-172
related names
Reviewer:
Bonfait, Olivier (Bonfait, Olivier)
Subjects
Reviewed Items
subjects:
De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps (1715–1791) et la peinture flamande, hollandaise et allemande By Gaëtane Maës. 608 pp. incl. 28 col. + 89 b. & w. ills. (Brepols, Turnhout, 2016), £145. ISBN 978–2–503–56770–9. | :
Exhibition Review
Dorothea Tanning
05/2019 | 1394 | 161
Pages: 410-414
related names
Reviewer:
Ades, Dawn (Ades, Dawn)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Birthday, by Dorothea Tanning. 1942. Canvas, 102.2 by 64.8 cm. (Philadelphia Museum of Art; © DACS, 2019; exh. Tate Modern, London).
Attributed works:
2. Children’s games, by Dorothea Tanning. 1942. Canvas, 28 by 18 cm. (Private collection; © DACS, 2019; exh. Tate Modern, London).
Attributed works:
3. Insomnias, by Dorothea Tanning. 1957. Canvas, 207 by 145 cm. (Moderna Museet, Stockholm; © DACS, 2018; exh. Tate Modern, London).
Attributed works:
4. Chambre 202, Hôtel du Pavot, by Dorothea Tanning. 1970– 73. Fabric, wool, synthetic fur, cardboard and ping-pong balls, 340.5 by 310 by 470 cm. (Centre Pompidou, Paris; © DACS, 2019; exh. Tate Modern, London).
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
02/2019 | 1391 | 161
Pages: 140-143
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Contrapposto studies, i through vii, by Bruce Nauman. 2015–16. Seven-channel video (© 2018 Bruce Nauman; Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
2. Still from Green horses, by Bruce Nauman. 1988. Video installation (© 2018 Bruce Nauman; Albright-Knox Art Gallery, Buffalo NY, and the Whitney Museum of American Art, New York; exh. MoMA PS1, New York).
Attributed works:
3. Sheet lead, by Bruce Nauman. 1966. Pencil, 27.9 by 21.6 cm. (© 2018 Bruce Nauman; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
4. Wax impressions of the knees of five famous artists, by Bruce Nauman. 1966. Fibreglass and polyester resin, 39.7 by 216.5 by 7 cm. (© 2018 Bruce Nauman; San Francisco Museum of Modern Art; exh. Museum of Modern Art, New York).
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