Mapping Art Collecting in Europe,
1860–1940: Eastern and Western
Sociocultural Perspectives
Edited by Milena Woźniak-Koch. 328 pp.
incl. 22 col. + 54 b. & w. ills. (Brill, Leiden,
2023), €120.56. ISBN 978–3–506–79543–4. |
:
The Routledge Companion to Global
Renaissance Art
Edited by Stephen J. Campbell and Stephanie
Porras. 732 pp. incl. 38 col. + 136 b. & w. ills.
(Routledge, London and New York, 2024),
£230. ISBN 978–1–03–226158–4. |
:
Aby Warburg 150: Work, Legacy,
Promise
Edited by David Freedberg and Claudia
Wedepohl. 464 pp. incl. 30 col. + 70 b. & w. ills.
(De Gruyter, Berlin and Boston, 2024), £42.50.
ISBN 978–3–11–061256–1. |
:
Book Review
How Do Images Work? Strategies of
Visual Communication in Medieval Art
How Do Images Work? Strategies of
Visual Communication in Medieval Art
Edited by Christine Beier, Tim Juckes and
Assaf Pinkus. 244 pp. incl. 140 col. + 31 b. & w.
ills. (Brepols, Turnhout, 2021), €100.
ISBN 978–2–503–59587–0. |
:
Book Review
Antes y después de Palomino: Historiografía artística e identidad nacional
Antes y después de Palomino:
Historiografía artística e identidad
nacional
Edited by José Riello and Fernando Marías.
496 pp. incl. 90 b. & w. ills. (Abada, Madrid,
2022), €27. ISBN 978–84–19008–29–9. |
:
Book Review
Writing After Art: Essays on Modern and Contemporary Artists
Writing After Art: Essays on
Modern and Contemporary Artists
By Richard Shiff. 696 pp. incl. 64 col. ills.
(David Zwirner Books, New York, 2023),
£40. ISBN 978–1–64423–048–0. |
:
Liber Amicorum in Honour of
Diana Scarisbrick: A Life in Jewels
Edited by Beatriz Chadour-Sampson,
Sandra Hindman and Carla van de
Puttelaar. 280 pp. incl. 250 coll. ills.
(Ad Ilissvm, London, with the assistance
of Les Enluminures, 2022), £35.
ISBN 978–1–915401–02–1. |
:
Book Review
Johann Joachim Winckelmann (1717–1768): Ein Europ isches Rezeptionsph nomen / Fenomeno Europeo della Ricezione
Johann Joachim Winckelmann
(1717–1768): Ein Europäisches
Rezeptionsphänomen / Fenomeno
Europeo della Ricezione
Edited by Ortwin Dally, Maria Gazzetti
and Arnold Nesselrath. 200 pp. incl. 39 col. + 2
b. & w. ills. (Michael Imhof Verlag, Petersberg,
2021), €42. ISBN 978–3–7319–1115–9. |
:
Caravaggio a Napoli:
Nuove Date Nuove Idee. Edited by
Maria Cristina Terzaghi. 214 pp.
with numerous col. + b. & w. ills.
(Studi di Storia dell’Arte Speciali,
Todi: Ediart Editrice, 2021) |
:
subjects:
Caravaggio e i letterati. Edited by
Sybille Ebert-Schifferer and Laura
Teza. 199 pp. with 120 b. & w. ills. (Studi
di Storia dell’Arte Speciali, Todi: Ediart
Editrice, 2020) |
:
subjects:
Caravaggio, la Natività di Palermo:
Nascita e scomparsa di un
capolavoro. By Michele Cuppone.
127 pp. incl. numerous col. + b. & w.
ills. (Campisano Editore, Rome, 2021) |
:
subjects:
Ecce Caravaggio: Da Roberto Longhi
a oggi. Coordinamente della ricerca di Michele Cuppone, con saggi di Giacomo
Berra, Michele Cuppone, Francesca
Curti, Sara Magister, Barbara Savina;
contributi di Antonella di Pinto, Mina
Gregori, Giani Pappi. By Vittorio
Sgarbi. 264 pp. with numerous col. + b.
& w. ills. (La Nave di Teseo, Rome, 2021) |
:
subjects:
Il Giovane Caravaggio ‘Sine Ira et
Studio’. Edited by Alessandro Zuccari.
207 pp. incl. 35 col. + 65 b. & w. ills.
(Rome, De Luca Editore d’Arte, 2018) |
:
Illustrations
Attributed works:
1. Ecce Homo, attributed to Caravaggio. c.1605–10. Oil on canvas,
111 by 86 cm. (Private collection; courtesy Colnaghi).
Attributed works:
2. The lute player, by Caravaggio. c.1595–97. Oil on canvas, 94 by 119 cm.
(State Hermitage Museum, St Petersburg; Bridgeman Images).
Attributed works:
3. Adoration of the Shepherds, by Caravaggio. 1609. Oil on canvas,
314 by 211 cm. (Museo Nazionale, Messina; Bridgeman Images).
Attributed works:
4. Nativity with St Lawrence and St Francis, by Caravaggio. 1600.
Oil on canvas, 268 by 197 cm. (Present whereabouts unknown;
formerly Oratorio di S. Lorezo, Palermo, Sicily; Scala Images).
Attributed works:
5. Supper at Emmaus, by Caravaggio. 1606–07?. Oil on canvas, 141 by 175
cm. (Pinacoteca di Brera, Milan; Bridgeman Images).