The Routledge Companion to Global
Renaissance Art
Edited by Stephen J. Campbell and Stephanie
Porras. 732 pp. incl. 38 col. + 136 b. & w. ills.
(Routledge, London and New York, 2024),
£230. ISBN 978–1–03–226158–4. |
:
Book Review
Trade, Globalization, and Dutch Art and Architecture: Interrogating Dutchness and the Golden Age
Trade, Globalization, and Dutch
Art and Architecture: Interrogating
Dutchness and the Golden Age
By Marsely L. Kehoe. 244 pp. incl. 8 col. + 67
b. & w. ills. (Amsterdam University Press, 2023),
€124. ISBN 978–94–6372–363–3. |
:
Illustrations
Attributed works:
4. Still life with a turkey pie, by Pieter
Claesz. 1627. Oil on panel, 76.5 by 135 cm.
(Rijksmuseum, Amsterdam).
Heritage and Debt: Art in Globalization
By David Joselit. 344 pp. incl. 82 b. & w. ills.
(MIT Press, Cambridge MA and London, 2020),
£32. ISBN 978–0–262–04369–4. |
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Exhibition Review
Mika Rottenberg. Goldsmiths Centre for Contemporary Art, London
31. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
32. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
33. Project space, Goldsmiths Centre for Contemporary Art, London. 2018. (Photograph courtesy Assemble).
Publication Received
The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics. Edited by Jaynie Anderson, Christopher R. Marshall and Andrew Yip
31. Precipitous parturition, by Chen Zhen. Rubber bicycle inner tubes, aluminium and plastic toy cars, metal, fragments of bicycles, silicone and paint, length c.20 m. (Pinault Collection, Venice).
Attributed works:
32. Installation view showing Theater of the world (1993; diameter 160 cm.) and The bridge (1995; length 12 m.), by Huang Yong Ping at Guggenheim Bilbao. 2018. (Courtesy the artist).
Publication Received
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. By Caroline A. Jones