Antes y después de Palomino:
Historiografía artística e identidad
nacional
Edited by José Riello and Fernando Marías.
496 pp. incl. 90 b. & w. ills. (Abada, Madrid,
2022), €27. ISBN 978–84–19008–29–9. |
:
Book Review
La maiolica italiana del Rinascimento:
Studi e ricerche. Atti del convegno internazionale, Assisi, 9–11 settembre 2016
La maiolica italiana del Rinascimento:
Studi e ricerche. Atti del convegno
internazionale, Assisi, 9–11 settembre
2016
Edited by Giulio Busti, Mauro Cesaretti and
Franco Cocchi. 406 pp. incl. 556 col. + 61 b. & w.
ills. (Brepols, Turnhout, 2020), €160.
ISBN 978–2–503–58285–6. |
:
Illustrations
Attributed works:
3. Container, by the workshop of Virgiliotto
Calamelli. c.1550–70. Earthenware, height
10.5 cm. (British Museum, London).
China and the West: Reconsidering
Chinese Reverse Glass Painting
Edited by Elisa Ambrosio, Francine Giese,
Alina Martimyanova and Hans Bjarne
Thomsen. 292 pp. incl. 152 col. ills. (De Gruyter,
Berlin, 2022), £45.50. ISBN 978–3–11–071175–2. |
:
Illustrations
Attributed works:
2. Nawab Namdar Teg Bakht Bahadur and a
servant, after an Indian miniature. Guangzhou,
c.1790–91. Reverse glass painting, 44.5 by 65
cm. (Peabody Essex Museum, Salem).
Au prisme du manuscrit: Regards sur
la littérature française du Moyen Âge
(1300–1550)
Edited by Sandra Hindman and Elliot Adam. 301
pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout,
2019), £210. ISBN 978–2–503–56635–1. |
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Book Review
Capitale e crocevia: Il mercato dell’arte nella Roma sabauda
Capitale e crocevia: Il mercato
dell’arte nella Roma sabauda
Edited by Andrea Bacchi and Giovanna
Capitelli. 336 pp. incl. 170 col. + b. & w. ills.
(Silvana Editoriale, Milan, 2020), €30.
ISBN 978–88–366–4757–6. |
:
Book Review
Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism
Representing the Past in the Art of the
Long Nineteenth Century: Historicism,
Postmodernism, and Internationalism
Edited by Matthew C. Potter. 298 pp. incl. 9 col. +
63 b. & w. ills. (Routledge, New York and London,
2021), £36.99. ISBN 978–1–351–00416–9. |
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Book Review
Johann Joachim Winckelmann (1717–1768): Ein Europ isches Rezeptionsph nomen / Fenomeno Europeo della Ricezione
Johann Joachim Winckelmann
(1717–1768): Ein Europäisches
Rezeptionsphänomen / Fenomeno
Europeo della Ricezione
Edited by Ortwin Dally, Maria Gazzetti
and Arnold Nesselrath. 200 pp. incl. 39 col. + 2
b. & w. ills. (Michael Imhof Verlag, Petersberg,
2021), €42. ISBN 978–3–7319–1115–9. |
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Caravaggio a Napoli:
Nuove Date Nuove Idee. Edited by
Maria Cristina Terzaghi. 214 pp.
with numerous col. + b. & w. ills.
(Studi di Storia dell’Arte Speciali,
Todi: Ediart Editrice, 2021) |
:
subjects:
Caravaggio e i letterati. Edited by
Sybille Ebert-Schifferer and Laura
Teza. 199 pp. with 120 b. & w. ills. (Studi
di Storia dell’Arte Speciali, Todi: Ediart
Editrice, 2020) |
:
subjects:
Caravaggio, la Natività di Palermo:
Nascita e scomparsa di un
capolavoro. By Michele Cuppone.
127 pp. incl. numerous col. + b. & w.
ills. (Campisano Editore, Rome, 2021) |
:
subjects:
Ecce Caravaggio: Da Roberto Longhi
a oggi. Coordinamente della ricerca di Michele Cuppone, con saggi di Giacomo
Berra, Michele Cuppone, Francesca
Curti, Sara Magister, Barbara Savina;
contributi di Antonella di Pinto, Mina
Gregori, Giani Pappi. By Vittorio
Sgarbi. 264 pp. with numerous col. + b.
& w. ills. (La Nave di Teseo, Rome, 2021) |
:
subjects:
Il Giovane Caravaggio ‘Sine Ira et
Studio’. Edited by Alessandro Zuccari.
207 pp. incl. 35 col. + 65 b. & w. ills.
(Rome, De Luca Editore d’Arte, 2018) |
:
Illustrations
Attributed works:
1. Ecce Homo, attributed to Caravaggio. c.1605–10. Oil on canvas,
111 by 86 cm. (Private collection; courtesy Colnaghi).
Attributed works:
2. The lute player, by Caravaggio. c.1595–97. Oil on canvas, 94 by 119 cm.
(State Hermitage Museum, St Petersburg; Bridgeman Images).
Attributed works:
3. Adoration of the Shepherds, by Caravaggio. 1609. Oil on canvas,
314 by 211 cm. (Museo Nazionale, Messina; Bridgeman Images).
Attributed works:
4. Nativity with St Lawrence and St Francis, by Caravaggio. 1600.
Oil on canvas, 268 by 197 cm. (Present whereabouts unknown;
formerly Oratorio di S. Lorezo, Palermo, Sicily; Scala Images).
Attributed works:
5. Supper at Emmaus, by Caravaggio. 1606–07?. Oil on canvas, 141 by 175
cm. (Pinacoteca di Brera, Milan; Bridgeman Images).