Emozioni in terracotta: Guido Mazzoni/Antonio Begarelli, sculture del Rinascimento emiliano |
institution: Foro Boario
Illustrations
Attributed works:
60. Deposition of Christ, by Antonio Begarelli. 1527–31. Terracotta with traces of polychrome, almost life-size. (S. Francesco, Modena; exh. Foro Boario, Modena).
Attributed works:
61. Lamentation over the dead Christ, by Guido Mazzoni. 1476–77. Polychrome terracotta, life-size. (S. Maria degli Angeli, Busseto; exh. Foro Boario, Modena).
Attributed works:
62. Bust of Christ, by Antonio Begarelli. Polychrome terracotta, 52 cm. high. (Skulpturensammlung und Museum für Byzantinische Kunst, Bode-Museum, Berlin; exh. Foro Boario, Modena).
Short Notice
A description of Guido Mazzoni's Lamentation in Venice by a Bohemian traveller in 1493
24. The Lamentation, by Guido Mazzoni. c. 1485-89. Terracotta, the Holy Woman, ht. 60 cm.; Christ, 35 by 54 cm.; St John the Evangelist, ht. 78 cm.; St Mary Magdalen, ht. 66 cm. (Museo Civico, Padua).
Attributed works:
25. Portrait of Jan Hasištejnský of Lobkowicz, by Ulrich Creutz. 1516. Marble, 245 by 110 cm. (Church of the Fourteen Holy Assistants, Kadaň).
Attributed works:
26. Detail of the Head in Fig.25.
Publication Received
Guido Mazzoni e la Rinascita della Terracotta nel Quattrocento
29. Bust of a Laughing Child, after Cleaning, by Guido Mazzoni. Painted Terracotta. 34 by 33 by 20.5 cm. (Royal Collection, Windsor Castle; Reproduced by Gracious Permission of Her Majesty the Queen).
Attributed works:
30. View of Fig.29 before Cleaning.
Attributed works:
31. Detail of Fig.29 Showing the Face Half Cleaned.
Attributed works:
32. View Inside Fig.29. The Terracotta Is c.4-5 mm. Thick. Two Vertical Sheets of Clay Are Buttresses to Support the Bust Internally.
Attributed works:
33. X-radiograph of Fig.29 Showing That the Bust Is Hollow Throughout. The Dense White Outline That Follows the Outside Contour of the Bust Is the Terracotta Wall.
Attributed works:
34. View of Fig.29 Showing the Overpaint Layers Removed on the Right Hand Side of the Jacket. The Exposed Yellow Ochre Layer Lies Directly above the Copper Resinate Green and Tin Foil.
Attributed works:
35. Cross-Section of Pigment from the Slash in the Shoulder of the Jacket. The Red Madder Glaze Is Sandwiched between Yellow Grounds above a Thick Layer of Tin Foil.
Attributed works:
36. Cross-Section of Pigment Taken from the Jacket before Cleaning. The Dense Black Pigment at the Bottom Is the Black Seen in Fig.30. At the top of the Section Pieces of Detached Tin Foil Float in a Copper Resinate Green Glaze.
Attributed works:
37. Detail of Fig.29 after Cleaning, Showing the Blue Touches in the Eyes and the White Highlights on the Teeth.
Attributed works:
38. Head of a Man, by Guido Mazzoni. Painted Terracotta. (Galleria Estense, Modena).