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100 articles
Book Review
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700
10/2021 | 1423 | 163
Pages: 971-972
related names
Reviewer:
Hähnle, Mirjam (Hähnle, Mirjam)
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dates:
Reviewed Items
subjects:
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700 By Annette Kranen. 384 pp. incl. 13 col. + 173 b. & w. ills. (Brill, Leiden, and Wilhelm Fink Verlag, Paderborn, 2020), €89. ISBN 978–3–7705–6502–3. | :
Illustrations
Attributed works:
4. Frontispiece from J. Spon: Voyagie door Italien, Dalmatien, Grieckenland, en de Levant, Amsterdam 1689, by Jan Luyken. Etching, 18.9 by 14.9 cm. (Abteilung Historische Drucke, Staatsbibliothek zu Berlin, Preußischer Kulturbesitz).
Exhibition Review
Alexander von Humboldt and the United States: Art, Nature, and Culture
12/2020 | 1413 | 162
Pages: 1095-1097
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
Reviewed Items
subjects:
Alexander von Humboldt and the United States: Art, Nature, and Culture By Eleanor Jones Harvey. 448 pp. incl. 215 col. + 22 b. & w. ills. (Smithsonian American Art Museum, Washington, and Princeton University Press, Princeton NJ and Oxford, 2020), £62. ISBN 978–0–691–20080–4. | :
Illustrations
Attributed works:
13. Alexander von Humboldt, by Friedrich Georg Weitsch. 1806. Oil on canvas, 126 by 92.5 cm. (Nationalgalerie, Berlin; exh. Smithsonian American Art Museum, Washington).
Attributed works:
14. Géographie des plantes équinoxiales, by Alexander von Humboldt and Aimé Bonpland. 1805. Handcoloured print, 61 by 91.4 cm. (Royal Botanic Gardens, Kew; exh. Smithsonian, American Art Museum, Washington).
Attributed works:
15. Heart of the Andes, by Frederic Edwin Church. 1859. Oil on canvas, 168 by 302.9 cm. (Metropolitan Museum of Art, New York; exh. Smithsonian American Art Museum, Washington).
Article
Edward Burne-Jones’s 1871 Italian sketchbook reconsidered
04/2020 | 1405 | 162
Pages: 306-315
related names
Author:
Stocker, Mark (Stocker, Mark)
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dates:
Illustrations
Attributed works:
1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).
Attributed works:
15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).
Attributed works:
7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Book Review
Charles Robert Cockerell in the Mediterranean: Letters and Travels, 1810–1817. By Susan Pearce and Theresa Ormrod
07/2019 | 1396 | 161
Pages: 613
related names
Reviewer:
Bryant, Max (Bryant, Max)
Subjects
dates:
Reviewed Items
subjects:
Charles Robert Cockerell in the Mediterranean: Letters and Travels, 1810–1817 By Susan Pearce and Theresa Ormrod. 330 pp. incl. 21 b. & w. ills. (Boydell Press, Martlesham, 2017), | :
Book Review
British Travellers in Spain, 1766–1849 (the seventy-seventh volume of The Walpole Society). Edited by Hugh Brigstocke
05/2017 | 1370 | 159
Pages: 402-403
related names
Reviewer:
Brooke, Xanthe (Brooke, Xanthe)
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art literature:
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Illustrations
Attributed works:
44. The Christ Child asleep on the Cross, by Bartolomé Esteban Murillo. c.1665-1680 (British Museum, London)
Book Review
Tra Napoli e Milano. Viaggi di artisti nell’Italia del Seicento I. Da Tanzio da Varallo a Massimo Stanzione & Tra Napoli e Milano. Viaggi di artisti nell’Italia del Seicento II. Salvator Rosa. By Floriana Conte
05/2017 | 1370 | 159
Pages: 398-399
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
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dates:
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Illustrations
Attributed works:
41. The Virgin of Constantinople, by Tanzio da Varallo. 1614 (S. Maria del Colle, Pescocostanzo)
Article
Rescuing from oblivion: the ruins of Palmyra and Baalbek in the eighteenth century
09/2016 | 1362 | 158
Pages: 715-722
related names
Author:
Anderson, Jocelyn (Anderson, Jocelyn)
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Illustrations
Attributed works:
21. James Dawkins and Robert Wood discovering the ruins of Palmyra, by Gavin Hamilton. 1758 (Scottish National Gallery, Edinburgh)
Attributed works:
22. Upright of the grand entrance to the court of the temple, Plate IV of J. Dawkins and R. Wood: The Ruins of Palmyra, Otherwise Tedmor, in the Desert, by Paul Fourdrinier after Giovanni Borra. 1753 (British Library, London © The British Library Board, 74/744.f.16)
Attributed works:
23. Upright of the portico within the court of the temple, Plate XIV of The Ruins of Palmyra, Otherwise Tedmor, in the Desert, by Paul Fourdrinier after Giovanni Borra. 1753 (British Library, London © The British Library Board, 74/744.f.16)
Attributed works:
24. Ornaments of the inside of the portico of the grand entrance, Plate VI of The Ruins of Palmyra, Otherwise Tedmor, in the Desert, by Paul Fourdrinier after Giovanni Borra. 1753 (British Library, London © The British Library Board, 74/744.f.16)
Attributed works:
25. 'Capital and entablature of the order in the foregoing plate', Plate XV of The Ruins of Palmyra, Otherwise Tedmor, in the Desert, by Paul Fourdrinier after Giovanni Borra. 1753 (British Library, London © The British Library Board, 74/744.f.16)
Attributed works:
26. 'View of the portico in it's [sic] present ruinous state', Plate IV, The Ruins of Balbec, Otherwise Heliopolis, in Coelosyria, by Thomas Major after Giovanni Borra. 1757 (British Library, London © The British Library Board, 74/744.f.9)
Attributed works:
27. 'Upright of the portico in it's [sic] perfect state', Plate V, The Ruins of Balbec, Otherwise Heliopolis, in Coelosyria, by Thomas Major after Giovanni Borra. 1757 (British Library, London © The British Library Board, 74/744.f.9)
Book Review
Kandinsky and Klee in Tunisia, by Roger Benjamin, with Cristina Ashjian
08/2016 | 1361 | 158
Pages: 652-653
related names
Reviewer:
Rummens, Maurice (Rummens, Maurice)
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Illustrations
Attributed works:
50. View toward the harbour of Hammamet, by Paul Klee. 1914 (Private collection, Bern)
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part II: the daguerreotypes and their texts
06/2016 | 1359 | 158
Pages: 430-439
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
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Illustrations
Attributed works:
15. Pyramids of Geezeh, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, II, pl.24 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
16. Pyramid of Cheops, by Frédéric Goupil-Fesquet and Horace Vernet. 22nd November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
17. Pompey's Pillar, by Frédéric Goupil-Fesquet. 8th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
18. Pompey's Pillar, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.5 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
19. View of Luxor, by Frédéric Goupil-Fesquet (and Horace Vernet?) November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
20. View of the Ruins of Luxor from the Nile, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.16 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
21. Harem of Mehmet-Ali, by Frédéric Goupil-Fesquet and Horace Vernet. 7th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
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22. View of Beirut by Frédéric Goupil-Fesquet (and Horace Vernet?). 31st January-1st February 1840. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
23. View of Nazareth by Frédéric Goupil-Fesquet (and Horace Vernet?). 23rd December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
24. View of Acre by Frédéric Goupil-Fesquet (and Horace Vernet?). 25th-28th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
25. View of Jerusalem by Frédéric Goupil-Fesquet (and Horace Vernet?). c.18th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
26. View of Jerusalem from the road leading to Bethany, by David Roberts. 8th April 1839. Lithograph by Louis Haghe from The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1842-45, I, pl.1 (Library of Congress Prints and Photographs Division, Washington DC)
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27. Study of Oriental dancers, by Horace Vernet. 1839 (Musée du Louvre, Paris)
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28. Study for Tamar, by Horace Vernet. 1840 (Musée du Louvre, Paris)
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29. Almée by Emile Vernet-Lecomte. 1869 (Courtesy Sotheby's, New York, sale 4th November 2010, lot 5)
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part I: a daguerrean excursion
04/2016 | 1357 | 158
Pages: 264-271
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
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artists:
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Illustrations
Attributed works:
38. Self-portrait, by Horace Vernet. 1835 (State Hermitage Museum, St Petersburg)
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39. The Arab tale-teller, by Horace Vernet. 1833 (Wallace Collection, London)
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40. Rebecca at the well, by Horace Vernet. 1833 (Location unknown)
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41. Central motif of the vault, Turkish Chamber, designed by Horace Vernet. 1833 (Villa Medici, Rome)
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42. Judah and Tamar, by Horace Vernet. 1840 (Wallace Collection, London)
Attributed works:
43. Portrait of Soliman Pasha, by Horace Vernet. 1840 (Location unknown, formerly in the collection of Sherif Sabry Pasha, Cairo). Fig.6 from J.M. Carré: Voyageurs et écrivains français en Egypte, Cairo 1932, II, p.54
Attributed works:
44. Arabs travelling in the desert, by Horace Vernet. 1843 (Wallace Collection, London)
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