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43 articles
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
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Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
Cazin, Jean-Charles / Lecoq de Boisbaudran, Horace / Legros, Alphonse / Fantin-Latour, Henri / Lhermitte, Léon-Augustin / Rodin, Auguste / Degas, Edgar
dates:
1880-1889
subjects:
French art / Naturalism / Religious art / History paintings / Landscapes (visual works) / Classical mythology / Allegory
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Book Review
Zola’s Painters
09/2023 | 1446 | 165
Pages: 1042-43
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Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
subjects:
Zola, Emile / French painting / Art criticism / Naturalism
Reviewed Items
subjects:
Zola’s Painters By Robert Lethbridge. 230 pp. incl. 62 b. & w. ills. (Legenda, Cambridge, 2022), £85. ISBN 978–1–83954–079–0. | :
Book Review
Representing from Life in Seventeenth-Century Italy
05/2022 | 1430 | 164
Pages: 522-524
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Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
subjects:
Life drawings / Caravaggism / Bamboccianti / Italian painting / Naturalism
Reviewed Items
subjects:
Representing from Life in Seventeenth- Century Italy By Sheila McTighe. 256 pp. incl. 90 b. & w. ills. (Amsterdam University Press, 2020), £106. ISBN 978–94–6298–328–1. | :
Illustrations
Attributed works:
5. Cosimo III de’ Medici sketching the Medici Vase, by Stefano della Bella. 1656. Etching, 28.6 by 27 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
The Ciardi Family: Landscapes and Gardens. Palazzo Sarcinelli, Conegliano
06/2019 | 1395 | 161
Pages: 502-505
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Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
artists:
Ciardi, Guglielmo / Ciardi, Beppe / Ciardi, Emma
dates:
2010-2019
museums and institutions:
Palazzo Sarcinelli, Conegliano, Italy
styles:
Italian art
subjects:
Landscapes (visual works) / Naturalism / Plein-air / Biennale di Venezia, Venice, Italy / Macchiaioli / Venetian art
Illustrations
Attributed works:
10. Monte Grappa in winter, by Guglielmo Ciardi. 1866. Canvas, 19.8 by 36 cm. (Fondazione Musei Civici di Venezia, Galleria Internazionale d’Arte Moderna di Ca’ Pesaro, Venice; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
11. Raft, by Beppe Ciardi, c.1925. Canvas, 64 by 92 cm. (Private collection; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
12. Masked ladies, by Emma Ciardi. c.1909. Canvas, 44.5 by 51.3 cm. (Galleria Nuova Arcadia di L. Franchi, Padua; exh. Palazzo Sarcinelli, Conegliano).
Attributed works:
13. Alpine morning (Sorapsis), by Guglielmo Ciardi. c.1894. Canvas, 150 by 300 cm. (Istituto Veneto di SS. LL. AA, Venice; exh. Palazzo Sarcinelli, Conegliano).
Exhibition Review
Moroni: The Riches of Renaissance Portraiture
04/2019 | 1393 | 161
Pages: 326-328
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Reviewer:
Pincus, Debra (Pincus, Debra)
Subjects
artists:
Moroni, Giovanni Battista
dates:
2010-2019
media:
Paintings
museums and institutions:
Frick Collection, New York, United States
subjects:
Italian School / Full-length portraits / Companion portraits / Saints / Naturalism / Costume
Illustrations
Attributed works:
10. Gentleman in adoration before the Madonna and Child, by Giovanni Battista Moroni. c.1555. Canvas, 59.7 by 64.8 cm. (National Gallery of Art, Washington; exh. Frick Collection, New York).
Attributed works:
8. Gian Ludovico Madruzzo, by Giovanni Battista Moroni. c.1551– 52. Canvas, 199.8 by 116 cm. (Art Institute of Chicago; exh. Frick Collection, New York).
Attributed works:
9. Installation view of Moroni: The Riches of Renaissance Portraiture at the Frick Collection, New York, showing Isotta Brembati, by Giovanni Battista Moroni. c.1555–56. Canvas, 160 by 115 cm. (Fondazione Museo di Palazzo Moroni, Bergamo). In front is a vitrine with a display of accessories similar to the ones shown in the portrait (photograph Michael Bodycomb).
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
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Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
artists:
Loon, Theodoor van / Vermiglio, Giuseppe / Finson, Louis / Tanzio da Varallo / Borgianni, Orazio / Bassetti, Marcantonio / Brugghen, Hendrick ter / Serodine, Giovanni / Tournier, Nicolas / Manfredi, Bartolomeo
dates:
2010-2019
media:
Paintings
museums and institutions:
BOZAR, Brussels, Belgium
places:
Belgium / Brussels
subjects:
Flemish painting / Naturalism / Caravaggism / Altarpieces / Dating / Attribution / Attributions / Attributions, former / Attributions, tentative / Restoration (process) / Style / Influence / Visual sources / Exhibition catalogues
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
Exhibition Review
Thrill of Deception: From Antique Art to Virtual Reality. Kunsthalle, Munich
11/2018 | 1388 | 160
Pages: 971-973
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Reviewer:
Kuhn, Léa (Kuhn, Léa)
Subjects
artists:
Lumière, Auguste / Lumière, Louis / Penny, Evan / Messner, Philip / Collier, Edwaert / Triegel, Michael / Zeuxis / Parrhasius
dates:
2010-2019
media:
Videos / Photographs / Virtual reality (VR) / Paintings
museums and institutions:
Kunsthalle der Hypo-Kulturstiftung, Munich, Germany
places:
Germany / Munich
subjects:
Perception / Trompe l'oeil / Digital technology / Portraits / Self-portraits / Naturalism
Illustrations
Attributed works:
25. A Trompe l’œil of letters, an engraving of Erasmus of Rotterdam (1466–1536), a quill, a pocket watch, a stick of red wax and other objects, by Edwaert Collier. c.1706. Canvas, 54 by 67 cm. (Private collection; exh. Kunsthalle Munich).
Attributed works:
26. Portrait of the artist as he will (not) be. Variation #3, by Evan Penny. 2011. Pigment ink print on cotton rag paper, 160 by 132 cm. (Private collection, London; exh. Kunsthalle Munich).
Attributed works:
27. Good vibrations cabinet, by Ferruccio Laviani for Fratelli Boffi. 2013. Walnut, 215 by 116 by 52 cm. (Private collection; exh. Kunsthalle Munich).
Exhibition Review
J.C. Dahl: The Power of Nature. KODE Art Museums and Composer Homes, Bergen
10/2018 | 1387 | 160
Pages: 860-862
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Reviewer:
Ljøgodt, Knut (Ljøgodt, Knut)
Subjects
art literature:
Aubert, Andreas / Goethe, Johann Wolfgang von / Carus, Carl Gustav
artists:
Dahl, Johan Christian
dates:
2010-2019
media:
Paintings / Drawings
museums and institutions:
KODE Art Museums and Composer Homes, Bergen, Norway
places:
Norway / Bergen
subjects:
Norwegian School / Norwegian / Landscapes (visual works) / Romanticism / Sublime / Barbizon (style) / Naturalism / Nature / Travel / Study and teaching
Illustrations
Attributed works:
16. Shipwreck on the coast of Norway, by Johan Christian Dahl. 1830. Canvas, 77.5 by 111 cm. (KODE Art Museums and Composer Homes, Bergen).
Attributed works:
17. View from a window at Quisisana, by Johan Christian Dahl. 1820. Canvas, 52 by 68.4 cm. (KODE Art Museums and Composer Homes, Bergen).
Article
Constable’s Salisbury rainbow: a fusion of science and culture?
09/2018 | 1386 | 160
Pages: 740-744
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Author:
Thornes, John (Thornes, John)
Subjects
art literature:
Keats, John / Lamb, Charles / Wordsworth, William / Thomson, James / Field, George
artists:
Constable, John / Lucas, David, 1802-1881 / Leslie, Charles Robert / Haydon, Benjamin Robert
dates:
1800-1849
media:
Paintings / Drawings / Watercolours
museums and institutions:
Royal Academy of Arts, London, Great Britain / Birmingham Society of Arts, Birmingham, Great Britain
places:
Great Britain / London / Salisbury
subjects:
British painting / Romanticism / Nature / Science / Meteorology / Rainbows / Colour / Perception / Poetry / Landscapes (visual works) / Symbolism (artistic concept) / Salisbury Cathedral, Salisbury, Great Britain / Visual sources / Naturalism
Illustrations
Attributed works:
1. Landscape with a double rainbow, by John Constable. 1812. Oil on paper, laid on canvas, 33.7 cm by 38.4 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
2. Sky study with a rainbow, by John Constable. 1827. Watercolour on paper, 22.5 by 18.4 cm. (Yale Centre for British Art, New Haven; Bridgeman Images).
Attributed works:
3. View from Hampstead, with a double rainbow (Hampstead Heath in a storm), by John Constable. 1831. Watercolour on paper, 19.7 by 32 cm. (British Museum, London).
Attributed works:
5. Salisbury Cathedral from the meadows, by John Constable. 1831. Canvas, 152 by 190 cm. (Tate, London; Bridgeman Images).
Attributed works:
7. A chromascope. Engraving. (From Chromatography by George Field, London 1835, p.232).
Western art unattributed:
4. Solar geometry from the viewpoint of Fig.3 at 6 Well Walk, Hampstead, at 7pm GMT on 5th June 1830 (Bridgeman Images).
Western art unattributed:
6. Solar geometry from the viewpoint of Fig.5 (at the intersection of the lines is the viewpoint from which Salisbury Cathedral from the meadows was painted), at 7pm (GMT) on 25th August 1832, with the sun’s azimuth close to 290 degrees.
Exhibition Review
Beyond the Nile: Egypt and the Classical World. J. Paul Getty Museum, Los Angeles
09/2018 | 1386 | 160
Pages: 774-776
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Reviewer:
Cooney, Kathlyn M. (Cooney, Kathlyn M.)
Subjects
dates:
2010-2019
media:
Sculpture / Musical instruments / Silverwork / Documents / Stone / Marbles
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
patrons:
Amasis II, King of Egypt / Amenhotep III, King of Egypt / Alexander the Great
places:
United States / Los Angeles
subjects:
Egyptian sculpture / Greek (ancient) sculpture / Roman (ancient) sculpture / Egyptian School / Greek (ancient) School / Roman (ancient) School / Patronage / Politics / Influence / Diplomacy / Collecting / Monarchy / Emperors / Kings / Greek iconography / Roman iconography / Gods / Goddesses / Sarcophagi / Hieroglyphics / Scrolls (Rolls) / Jugs / Cups / Busts / Portraits / Caesar, Lucius Julius, 90-43 B.C. / Caracalla / Naturalism
Illustrations
Western art unattributed:
5. Sarcophagus of Wahibreemakhet, Egyptian. c.600 BC. Basalt, 230 by 94 by 105 cm. (Rijksmuseum van Oudheden, Leiden; exh. J. Paul Getty Museum, Los Angeles).
Western art unattributed:
6. Julius Caesar, Roman. First century BC–First century AD. Graywacke, 44 by 26 by 25 cm. (Antikensammlung, Staatliche Museen zu Berlin; exh. J. Paul Getty Museum, Los Angeles).
Western art unattributed:
7. Head of Caracalla, Romano-Egyptian. AD 211–17. Granite, 51 by 34 by 52 cm. (University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia; exh. J. Paul Getty Museum, Los Angeles).
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