Escape into Art? The Brücke Painters in the Nazi Period Brücke-Museum and Kunsthaus Dahlem, Berlin; Emil Nolde – A German Legend: The Artist during the Nazi Period. Hamburger Bahnhof, Berlin
21. Max Pechstein’s
easel in front of
the ruin of his
studio building at
Kurfürstenstrasse
126, around 1945.
(Archiv Pechstein,
Hamburg/
Tökendorf;
photographer
unknown; exh.
Brücke-Museum,
Berlin).
23. Paradise
lost, by Emil
Nolde. 1921. Oil
on canvas, 106.5
by 157 cm. (Nolde
Stiftung Seebüll,
Schleswig-
Holstein;
photograph Elke
Walford and
Dirk Dunkelberg;
exh. Hamburger
Banhof, Berlin).
63. Cold Mountain 6 (Bridge), by Brice Marden. 1989-91. Linen, 274.3 by 365.8 cm. (San Francisco Museum of Modern Art; exh. Museum of Modern Art, San Francisco).
Attributed works:
64. The propitious garden of plane image, second version, by Brice Marden. (Photographed unfinished in May 2006). 2000–06. Linen, six panels, overall dimensions 182.9 by 731.5 cm. (Collection the artist; courtesy Matthew Marks Gallery, New York; exh. Museum of Modern Art, San Francisco).
Attributed works:
65. Wall of Light desert night, by Sean Scully. 1999. Canvas, 274.32 by 335.28 cm. (Modern Art Museum of Fort Worth; exh. Metropolitan Museum of Art, New York).
39. Model for a Monument to Dürer, by Christian Daniel Rauch and Karl von Heideloff. Plaster, 112 cm. High. (Dürerhaus, Nürnberg, on Permanent Loan from the Sculptor, Sculpture Department, Berlin; Exh. Hamburger Bahnhof, Berlin).
Attributed works:
40. After the Bath, by Reinhold Begas. Marble, 134 cm. High. (Kunsthalle, Hamburg; Exh. Hamburger Bahnhof, Berlin).
Western art unattributed:
37. View of the Main Hall of the Hamburger Bahnhof, Berlin during the Exhibition Ethos and Pathos.
Western art unattributed:
38. View of Three Figures from the Siegesallee Statuary in the Hamburger Bahnhof during the Exhibition Ethos and Pathos.