Dürer to Van Dyck: Drawings
from Chatsworth House
Royal Scottish Academy, Edinburgh
9th November 2024–23rd February
2025 |
:
Illustrations
Attributed works:
10. Arcadian
landscape,
by Hendrick
Goltzius. 1593.
Pen and black
ink, 35.7 by 46.8
cm. (Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Attributed works:
11. A dying tree,
its trunk covered
in brambles,
beside a fence,
by Peter Paul
Rubens. c.1618.
Pen, brown
ink, red and
black chalk and
watercolour,
35.2 by 29.8 cm.
(Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Attributed works:
12. View of the
Amsteldijk at
Meerzhuizen,
looking towards
the little windmill,
by Rembrandt.
c.1648–50. Pen,
brown ink and
brown wash with
watercolour on
paper prepared
with brown wash,
13 by 21.2 cm.
(Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Paula Modersohn-Becker:
Ich bin Ich / I Am Me
Art Institute of Chicago
10th October 2024–13th January 2025 |
:
Illustrations
Attributed works:
16. Mädchen
zwischen
Bäumen auf
einer Wiese
mit blühenden
Anemonen
sitzend, by Paula
Modersohn-
Becker. c.1901.
Oil tempera on
canvas, 110 by
100 cm. (Paula-
Modersohn-
Becker-Stiftung,
Bremen; exh.
Art Institute of
Chicago).
Book Review
Peintures germaniques des
collections françaises (1370–1550)
Peintures germaniques des
collections françaises (1370–1550)
Edited by Isabelle Dubois-Brinkmann
and Aude Briau. 416 pp. incl. 200 ills.
(Éditions Faton, Paris, and Institut
national d’histoire de l’art, Dijon, 2024),
€39. ISBN 978–2–87844–348–6. |
:
Illustrations
Attributed works:
2. Emperor
Augustus and
the Tiburtine
Sibyl, Konrad
Witz. c.1435.
Mixed media on
panel, 108 by
83 cm. (Musée
des Beaux-Arts,
Dijon; Bridgeman
Images).
Western art unattributed:
1. Tree of Jesse.
Upper Rhenish,
Basel(?), c.1490–
1500. Mixed
media on panel,
213.4 by 229.5 cm.
(Saint-George,
Marckolsheim)
Western art unattributed:
3. St Catherine.
Switzerland,
c.1460. Oil on
panel, 60 by
66 cm. (Museo
Nazionale
del Bargello,
Florence).
Exhibition Review
Welterbe des Mittelalters: 1300
Jahre Klosterinsel Reichenau
Welterbe des Mittelalters: 1300
Jahre Klosterinsel Reichenau
Archäologisches Landesmuseum
Baden-Württemberg, Konstanz |
:
Illustrations
Attributed works:
4. St George,
Reichenau.
Nave, 9th–10th
century; wall
paintings,
10th century
(photograph
Theo Keller).
Attributed works:
5. St John the
Evangelist, from
the Gero Codex.
c.969. Tempera
and gold on
parchment,
29.7 by 22.2 cm.
(Universitäts- und
Landesbibliothek
Darmstadt, Cod.
1948, fol.5v; exh.
Archäologisches
Landesmuseum
Baden-
Württemberg,
Konstanz).
Attributed works:
6. The scribe
Ruodprecht
presents the
book to Bishop
Egbert, from the
Egbert Psalter.
c.980. Tempera
and gold on
parchment, each
folio 23.8 by
18.8 cm. (Museo
Archeologico
Nazionale,
Cividale del
Friuli, Cod.136,
fols.16v–17r; exh.
Archäologisches
Landesmuseum
Baden-
Württemberg,
Konstanz).
Book Review
Dürer’s Lost Masterpiece: Art and
Society at the Dawn of a Global World
Dürer’s Lost Masterpiece: Art and
Society at the Dawn of a Global World
By Ulinka Rublack. 448 pp. incl. 70 col. ills.
(Oxford University Press, 2023), £30. ISBN
978–01–9887–310–5. |
:
Book Review
‘Meine Tendenz ist die der Wahrheit’:
Otto Griebel (1895–1972): Leben
und Werk
‘Meine Tendenz ist die der Wahrheit’:
Otto Griebel (1895–1972): Leben
und Werk
By Johannes Schmidt. 400 pp. incl. numerous
col. + b. & w. ills. (Georg Olms Verlag, Baden-
Baden, 2022), €88. ISBN 978–3–487–16093–1. |
:
Illustrations
Attributed works:
6. Self-portrait in front of Dresden burning, by
Otto Griebel. 1945. Oil on canvas, 50.3 by 39.9
cm. (Museum der bildenden Künste, Leipzig).
Bauhaus and National Socialism
Klassik Stiftung Weimar
9th May–15th September |
:
Illustrations
Attributed works:
26. Cover for
Die Neue Linie,
designed by Kurt
Kranz. 1937.
Print, 36.5 by
27 cm. (Private
collection; exh.
Klassik Stiftung
Weimar).
Attributed works:
27. Advertisement
for the Association
of German-
Aryan Clothing
Manufacturers
(ADEFA), designed
by Herbert Bayer.
1936/37. Colour
lithograph, 59.9
by 41.9 cm. (Lentos
Munstmuseum,
Linz; exh. Klassik
Stiftung Weimar).
Attributed works:
28. Copy of the
entrance gate to
the Buchenwald
concentration
camp, designed
by Franz Ehrlich.
2009 (original
1938). Steel, 186
by 99 by 24 cm.
(Gedenkstätte
Buchenwald,
Weimar; exh.
Klassik Stiftung
Weimar).
Baroque Sculpture in Germany
and Central Europe 1600–1770
By Marjorie Trusted. 288 pp. incl. 150 col. + 3
b. & w. ills. (Harvey Miller Publishers, London,
2022), £50. ISBN 978–1–909400–95–5. |
:
Exhibition Review
Art of Enterprise: Israhel van Meckenem’s fifteenth-century print workshop
Art of Enterprise: Israhel van
Meckenem’s fifteenth-century
print workshop
Chazen Museum of Art, Madison
18th December 2023–24th March
2024 |
:
Illustrations
Attributed works:
10. Ornamental
panel with the
engraver’s
name, by Israhel
van Meckenem.
c.1490s.
Engraving,
18.6 by 25.9
cm. (Albertina
Museum, Vienna;
exh. Chazen
Museum of Art,
Madison).
Attributed works:
8. Four nude women,
by Israhel van
Meckenem. c.1498.
Copper-plate, 20.5
by 13.5 cm. (Clark
Art Institute,
Williamstown,
Massachusetts;
exh. Chazen Museum
of Art, Madison).
Attributed works:
9. Marriage
of the Virgin,
by Israhel van
Meckenem. c.
1493. Engraving,
26.5 by 18.2
cm. (National
Gallery of Art,
Washington; exh.
Chazen Museum
of Art, Madison).