60. Untitled #466, by Cindy Sherman. 2008. Chromogenic colour print, 259.1 by 177.8 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
61. Untitled film still #21, by Cindy Sherman. 1978. Gelatin silver print, 19.1 by 24.1 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
62. Untitled #213, by Cindy Sherman. 1989. Chromogenic colour print, 105.4 by 83.8 cm. (Courtesy of the artist and Metro Pictures, New York; exh. San Francisco Museum of Modern Art).
Exhibition Review
The Steins Collect. San Francisco, Paris and New York
64. Woman in a hat, by Henri Matisse. 1905. Canvas, 80.7 by 59.7 cm. (San Francisco Museum of Modern Art; exh. Grand Palais, Paris).
Attributed works:
65. Blue nude: memory of Biskra, by Henri Matisse. 1907. Canvas, 92.1 by 140.3 cm. (Baltimore Museum of Art; exh. Grand Palais, Paris).
Attributed works:
66. The architect’s table, by Pablo Picasso. 1912. Canvas, 72.6 by 59.7 cm. (Museum of Modern Art, New York; exh. Grand Palais, Paris).
Western art unattributed:
67. Gertrude Stein’s and Alice B. Toklas’s home at 27 Rue de Fleurus, Paris, 1934. Gelatin silver photograph. (David and Barbara Block family archives; exh. Grand Palais, Paris).
Exhibition Review
Eadweard Muybridge. Washington, London and San Francisco
44. Untitled ‘Goat’ (After Marey’s Chèvre au pas), by Francis Bacon. c.1967. Canvas, 30.5 by 35.5 cm. (Mark Borghi Fine Art, New York).
Attributed works:
45. Chèvre au pas, by Etienne-Jules Marey. c.1895. Chronophotograph. From M.F. Braive: The Era of the Photograph, London 1966, p.266.
Attributed works:
46. Movement of the hand; lifting a ball, by Eadweard Muybridge. 1887. Collotype on paper. (Corcoran Gallery of Art, Washington; exh. Tate Britain, London).
68. Stranger no.1, by Shizuka Yokomizo. 1998. Chromogenic print, 79.4 by 79.4 cm. (San Francisco Museum of Modern Art; exh. Tate Modern, London).
Attributed works:
69. Detail from The ballad of sexual dependency, by Nan Goldin. 1979–96. Nine-carousel slide projection with soundtrack and titles; dimensions variable. (Whitney Museum of American Art, New York; exh. Tate Modern,London).
103. The two Fridas, by Frida Kahlo. 1939. Canvas, 172 by 172 cm. (Museo de Arte Moderno, Mexico City; exh. Philadelphia Museum of Art)
Attributed works:
104. Henry Ford Hospital, by Frida Kahlo. 1932. Oil on metal, 31 by 40.2 cm. (Museo Dolores Olmedo, Xochimilco, Mexico City; exh. Philadelphia Museum of Art)
Exhibition Review
Olafur Eliasson. San Francisco, New York and Dallas
70. Yellow versus purple, by Olafur Eliasson. 2003. Colour-effect filter glass, floodlight, tripod, motor and wire, dimensions variable. (Tate, London; exh. P.S.1 Contemporary Art Center, New York)
Attributed works:
71. Model room, by Olafur Eliasson. 2003. Chipboard display cabinets and mixed-media models, maquettes and prototypes, dimensions variable. (Collection of the artist; exh. P.S.1 Contemporary Art Center, New York)
66. Bombs bursting on the Cité d’Aleth, Saint-Malo, by Lee Miller. 1944. Gelatin silver print, 12 by 12.8 cm. (Lee Miller Archives, East Sussex; exh. Philadelphia Museum of Art)
Attributed works:
67. SS prison guard found floating in canal, Dachau, Germany, by Lee Miller. 1945. Gelatin silver print, 15.8 by 15.2 cm. (Lee Miller Archives, East Sussex; exh. Philadelphia Museum of Art)
77. Brunhilde, by Martin Puryear. 1998–2000. Cedar and rattan, 243.8 by 285.1 by 188 cm. (Collection of the artist; exh. Modern Art Museum, Fort Worth)
Attributed works:
78. Installation view of Martin Puryear at the Museum of Modern Art, New York, featuring (from left to right) Ladder for Booker T. Washington (1996; collection of the artist) and Desire (1981; Panza collection, Varese)
Attributed works:
78. Installation view of Martin Puryear at the Museum of Modern Art, New York, featuring (from left to right) Ladder for Booker T. Washington (1996; collection of the artist) and Desire (1981; Panza collection, Varese)
1. Picture for women, by Jeff Wall. 1979. Silver dye bleach transparency in light-box, 142.5 by 204.5cm. (Musée national d’Art moderne/Centre de création industrielle, Centre Georges Pompidou, Paris; exh. Art Institute of Chicago).
Attributed works:
62. After ‘Invisible Man’ by Ralph Ellison, the Prologue, by Jeff Wall. 2001. Silver dye bleach transparency in light-box, 174 by 250.8 cm. (Museum of Modern Art, New York; exh. Art Institute of Chicago).