museums and institutions:
Attributed works:
1. Liljevalchs Konsthall, Stockholm, designed by Carl Bergsten. 1913–16. Northern façade: main entrance and high windows of Room 4. Granite column bearing a black granite Eagle and bronze Archer (1916/19) by Carl Milles. Photograph by C.G. Rosenberg. (Arkitektur, Stockholm, September–October 1919; image copyright Kungliga Biblioteket, Stockholm).
Attributed works:
10. Three paintings from the Egon Schiele Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Stein an der Donau, seen from the south (1913), Resurrection (Graves) (1913), Stein an der Donau, seen from the north (1913). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
11. Émigrés, by Oskar Kokoschka. 1916-17. Canvas, 95 by 146 cm. (Pinakothek der Moderne, Munich; copyright DACS 2012; image copyright BPK, Berlin, and Bayerische Staatsgemäldesammlungen, Munich)
Attributed works:
12. On the terrace, by Otto Lendecke. 1917. Offset reproduction, of watercolour original, on paper, 26 by 20.6 cm. (Die Damenwelt, Vienna, June 1917; image copyright MAK, Vienna).
Attributed works:
14. Baby, by Gustav Klimt. 1917. Canvas, 110.9 by 110.4 cm. (National Gallery of Art, Washington, gift of Otto and Franciska Kallir with the help of the Carol and Edwin Fullwinder Fund).
Attributed works:
15. Death and Life, by Gustav Klimt. 1910/15. Canvas, 180.5 by 200.5 cm. (Leopold Museum, Vienna).
Attributed works:
3. Poster advertising the Österrikisk Konstutställning, at the Liljevalchs Konsthall, Stockholm, designed by Anton Faistauer. 1917. Colour lithograph on paper, 100 by 70 cm. (Kungliga Biblioteket, Stockholm).
Attributed works:
4. The Austrian Emperor Karl. 1917. Photograph by Hermann Clemens Kosel. Postcard. (Private collection).
Attributed works:
6. Anton Hanak Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Seven larger visible figures, from left to right: Prayer (1911), Child above the quotidian (1912), Transfigured (1913/14), Youth (1909), The fanatic (1916–17), The last man (1916–17), Voices from above (1917). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
7. Gustav Klimt Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Top row (north wall): Leda (1917), Barbara Flöge (1915), Baby (1917). Second row (principal, east wall): Elisabeth Lederer (1914–16), Death and Life (1910/15), Friederike Maria Beer (1916). Third row (south wall): The fur collar (1916), Mäda Primavesi (1913), The polecat fur (1916/17). Bottom row (west wall, with two pairs of pictures flanking entrance from Room 1): The park (1909), Forrester’s house at Weissenbach II (1914), Church at Unterach am Attersee (1915/16), Italian garden landscape (1913). Anonymous photographs. Modern prints from original glass negatives. (Stadsmuseum, Stockholm).
Attributed works:
8. Three paintings from the Albin Egger-Lienz Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Man and wife (preliminary version of central couple in The Ages of Man) (1910), Early spring (1906), The sower and the devil I (1908/09). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
9. Principal, south wall of the Anton Faistauer Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Portrait of a woman (1913), unidentified Still life, Young woman on a red sofa (1913), Still life with rolls and a jug (1914), Seated lady in a blue blouse with a jewel casket (1912/13). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
13. Main display of applied arts at the 1917 Stockholm 'Austrian Art Exhibition'. Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
2. Team installing the 1917 Stockholm ‘Austrian Art Exhibition’ assembled for a press conference at the Liljevalchs Konsthall on 4th September. From left to right: Anton Hanak, Erwin Hanslik, Josef Hoffmann, Ernst Wagner, Hans Boehler, Anton Faistauer. Photograph by Erik Holmén. (Hvar 8 Dag, Stockholm, 16th September 1917; image copyright Kungliga Biblioteket, Stockholm).
Western art unattributed:
5. Plan of the Liljevalchs Konsthall, Stockholm (with north to the right), showing its thirteen exhibiting rooms. Anonymous diagram. (Liljevalchs Konsthall Katalog No. 8: Österrikiska Konstutställningen, Stockholm 1917).
