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7 articles
Article
Austria-Hungary’s War: the 1914–18 Centenary in Vienna
09/2014 | 1338 | 156
Pages: 595-902
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
Illustrations
Attributed works:
30. Portrait of Karl Anselm, by Anton Kolig. 1917/18. Oil on cardboard, 44 by 22 cm. (Heeresgeschichtliches Museum, Vienna).
Attributed works:
31. After the battle, by Roland Strasser. 1915/16. Canvas, 209 by 260 cm. (Heeresgeschichtliches Museum, Vienna).
Attributed works:
32. Postcard, published for the Deutscher Schulverein, incorporating a drawing by Gustav Feith. 1914. Printed cardboard, 14 by 9 cm. (Österreichische Nationalbibliothek, Vienna).
Attributed works:
33. Poster advertising 'Paper Textiles', designed by Mihály Biró. 1918. Lithograph on paper, 125.5 by 95 cm. (Wienbibliothek im Rathaus, Vienna).
Attributed works:
34. Packing room, by Egon Schiele. 1917. Black crayon on paper, 43.8 by 30.1 cm. (Leopold Museum, Vienna).
Attributed works:
35. War, by Albin Egger-Lienz. 1915/16. Tempera on canvas, 172 by 232 cm. (Museum Schloss Bruck, Lienz).
Attributed works:
36. Women of the War, by Albin Egger-Lienz. 1918-22. Oil over tempera on canvas, 124 by 247 cm. (Museum Schloss Bruck, Lienz).
Attributed works:
37. Self-portrait with hand touching face, by Oskar Kokoschka. 1918/19. Canvas, 83.6 by 62.7 cm. (Leopold Museum, Vienna).
Article
War and peace at the Stockholm ‘Austrian Art Exhibition’ of 1917
10/2012 | 1315 | 154
Pages: 676-688
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Liljevalchs Konsthall, Stockholm, designed by Carl Bergsten. 1913–16. Northern façade: main entrance and high windows of Room 4. Granite column bearing a black granite Eagle and bronze Archer (1916/19) by Carl Milles. Photograph by C.G. Rosenberg. (Arkitektur, Stockholm, September–October 1919; image copyright Kungliga Biblioteket, Stockholm).
Attributed works:
10. Three paintings from the Egon Schiele Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Stein an der Donau, seen from the south (1913), Resurrection (Graves) (1913), Stein an der Donau, seen from the north (1913). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
11. Émigrés, by Oskar Kokoschka. 1916-17. Canvas, 95 by 146 cm. (Pinakothek der Moderne, Munich; copyright DACS 2012; image copyright BPK, Berlin, and Bayerische Staatsgemäldesammlungen, Munich)
Attributed works:
12. On the terrace, by Otto Lendecke. 1917. Offset reproduction, of watercolour original, on paper, 26 by 20.6 cm. (Die Damenwelt, Vienna, June 1917; image copyright MAK, Vienna).
Attributed works:
14. Baby, by Gustav Klimt. 1917. Canvas, 110.9 by 110.4 cm. (National Gallery of Art, Washington, gift of Otto and Franciska Kallir with the help of the Carol and Edwin Fullwinder Fund).
Attributed works:
15. Death and Life, by Gustav Klimt. 1910/15. Canvas, 180.5 by 200.5 cm. (Leopold Museum, Vienna).
Attributed works:
3. Poster advertising the Österrikisk Konst­utställning, at the Liljevalchs Konsthall, Stockholm, designed by Anton Faistauer. 1917. Colour lithograph on paper, 100 by 70 cm. (Kungliga Biblioteket, Stockholm).
Attributed works:
4. The Austrian Emperor Karl. 1917. Photograph by Hermann Clemens Kosel. Postcard. (Private collection).
Attributed works:
6. Anton Hanak Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Seven larger visible figures, from left to right: Prayer (1911), Child above the quotidian (1912), Transfigured (1913/14), Youth (1909), The fanatic (1916–17), The last man (1916–17), Voices from above (1917). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
7. Gustav Klimt Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Top row (north wall): Leda (1917), Barbara Flöge (1915), Baby (1917). Second row (principal, east wall): Elisabeth Lederer (1914–16), Death and Life (1910/15), Friederike Maria Beer (1916). Third row (south wall): The fur collar (1916), Mäda Primavesi (1913), The polecat fur (1916/17). Bottom row (west wall, with two pairs of pictures flanking entrance from Room 1): The park (1909), Forrester’s house at Weissenbach II (1914), Church at Unterach am Attersee (1915/16), Italian garden landscape (1913). Anonymous photographs. Modern prints from original glass negatives. (Stadsmuseum, Stockholm).
Attributed works:
8. Three paintings from the Albin Egger-Lienz Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Man and wife (preliminary version of central couple in The Ages of Man) (1910), Early spring (1906), The sower and the devil I (1908/09). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
9. Principal, south wall of the Anton Faistauer Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Portrait of a woman (1913), unidentified Still life, Young woman on a red sofa (1913), Still life with rolls and a jug (1914), Seated lady in a blue blouse with a jewel casket (1912/13). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
13. Main display of applied arts at the 1917 Stockholm 'Austrian Art Exhibition'. Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
2. Team installing the 1917 Stockholm ‘Austrian Art Exhibition’ assembled for a press conference at the Liljevalchs Konsthall on 4th September. From left to right: Anton Hanak, Erwin Hanslik, Josef Hoffmann, Ernst Wagner, Hans Boehler, Anton Faistauer. Photograph by Erik Holmén. (Hvar 8 Dag, Stockholm, 16th September 1917; image copyright Kungliga Biblioteket, Stockholm).
Western art unattributed:
5. Plan of the Liljevalchs Konsthall, Stockholm (with north to the right), showing its thirteen exhibiting rooms. Anonymous diagram. (Liljevalchs Konsthall Katalog No. 8: Österrikiska Konstutställningen, Stockholm 1917).
Article
Klimt 2012: the 150th anniversary exhibitions in Vienna
08/2012 | 1313 | 154
Pages: 570-577
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
places:
places:
print:
Reviewed Items
subjects:
Beethoven Frieze | institution: Secession Pavilion
subjects:
Erwartung und Erfüllung: Entwürfe zum Mosaikfries im Palais Stoclet | institution: Österreichisches Museum für angewandte Kunst
subjects:
Gegen Klimt: Die ‘Nuda Veritas’ und ihr Verteidiger Hermann Bahr | institution: Österreichisches Theater­museum
subjects:
Gustav Klimt | institution: Kunsthistorisches Museum
subjects:
Gustav Klimt | institution: Künstlerhaus Wien
subjects:
Gustav Klimt / Josef Hoffmann: Pioniere der Moderne | institution: Museo Correr , institution: Österreichische Galerie Belvedere
subjects:
Gustav Klimt: Die Zeichnungen | institution: Albertina , institution: J. Paul Getty Museum
subjects:
Klimt persönlich: Bilder – Briefe – Einblicke | institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums | institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hert­wig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Öster­reichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
Book Review
Art, Design and Architecture in Central Europe 1890–1920
06/2007 | 1251 | 149
Pages: 421-422
related names
Reviewer:
Alofsin, Anthony (Alofsin, Anthony)
Subjects
dates:
places:
Reviewed Items
subjects:
Art, Design and Architecture in Central Europe 1890–1920 | author: Clegg, Elizabeth
Short Notice
'A warrior fallen in a just cause': a rediscovered Meštrović 'Descent from the cross'
12/2004 | 1221 | 146
Pages: 823-827
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
20. Descent from the cross, by Ivan Meštrović. 1913. Walnut wood, 89 by 126 cm. (Private collection).
Attributed works:
21. Kosovo Medal (verso), by Ivan Meštrović. 1913. Bronze, 38 cm. diam. (Narodni Muzej, Belgrade; photograph by R. Marjanović from exh. cat. Exhibition of the Works of Mestrovic, London 1915).
Attributed works:
22. Pietà, by Ivan Meštrović. 1913. Bronze, 58.5 cm. high. (Whereabouts unknown; photograph from L'Eroica. Rassegna d'ogni Poesia, La Spezia 1914).
Attributed works:
23. Pietà, by Ivan Meštrović. 1915. Plaster, 55.5 by 39.5 cm. (Private collection; photograph made for the Victoria and Albert Museum in 1918, published in Ivan Meštrović: A Monograph, London 1919).
Attributed works:
24. Ivan Meštrović, by Alvin Langdon Coburn. 1915. Modern print from original nitrocellulose film negative, 24.5 by 20.3 cm. (George Eastman House, Rochester NY).
Attributed works:
25. Mrs St George, by William Orpen. 1914. 216 by 119 cm. (With Guy Morrison, London, 2004).
Article
Meštrović, England and the Great War
12/2002 | 1197 | 144
Pages: 740-751
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
29. Exhibition of sculpture by Ivan Meštrović installed in the West Hall, Victoria and Albert Museum, London, 1915. (Photograph in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
30. Exhibition of sculpture by Ivan Meštrović installed in the Central Court, Victoria and Albert Museum, London, 1915. (Photograph in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
31. Poster advertising the Meštrović exhibition at the V. & A., designed by Ivan Meštrović. 1915. Lithograph on paper, 96.5 by 58.4 cm. (Victoria and Albert Museum, London).
Attributed works:
32. Miloš Obilić, by Ivan Meštrović. 1908. Plaster, 257.5 cm. high. (Narodni Muzej, Belgrade; anonymous photograph published in Die Kunst für Alle, 1911).
Attributed works:
33. The Slave, by Ivan Meštrović. 1908. Plaster, 74 cm. high. (Narodni Muzej, Belgrade; anonymous photograph published in Die Kunst für Alle, 1911).
Attributed works:
36. Caryatid, by Ivan Meštrović. 1911. Walnut wood, 248 cm. high. (Narodni Muzej, Belgrade; photograph of 1915 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
37. The Annunciation, by Ivan Meštrović. 1913. Plaster, dimensions unrecorded. (Untraced; photograph of 1915 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
38. Shepherd boy with a flute, by Ivan Meštrović. 1913. Bronze, 120 cm. high. (Cartwright Hall Art Gallery Bradford; photograph of 1918 in the Museum Archives, Victoria and Albert Museum, London).
Attributed works:
39. Auguste Rodin, by Ivan Meštrović. 1914. Plaster, 85 cm. high. (Glyptoteka HAZU, Zagreb; photograph of 1915, by E.O. Hoppé, published in Ivan Meštrović: A Monograph, London [1919]).
Attributed works:
40. Cover of the catalogue of an exhibition by 'Serbo-Croatian Artists', at the Grafton Galleries, London, 1917, designed by Ivan Meštrović. (National Art Library, Collings Collection, Victoria and Albert Museum, London).
Attributed works:
41. Two angels' heads, by Ivan Meštrović. 1916. Walnut wood, 56 cm. and 60 cm. high. (Leeds University Art Collection; photograph of 1918 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
42. Two angels' heads, by Ivan Meštrović. 1916. Walnut wood, 56 cm. and 60 cm. high. (Leeds University Art Collection; photograph of 1918 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
43. The Archers of Domagoi, by Ivan Meštrović. 1917. Plaster, 150 by 133 cm. (Private collection, London; photograph of 1918 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
44. Descent from the Cross, by Ivan Meštrović. 1917. Walnut wood, 100.5 by 162.5 cm. (Tate, London; photograph of 1918 in the Sculpture Department Archives, Victoria and Albert Museum, London).
Attributed works:
45. Cover of the volume Ivan Meštrović: A Monograph, London [1919], designed by Ernest Collings. (National Art Library, Collings Collection, Victoria and Albert Museum, London).
Attributed works:
46. Girl with a lute, by Ivan Meštrović. 1918. Plaster, 99 cm. high. (Glyptoteka HAZU, Zagreb; anonymous photograph published in Deutsche Kunst und Dekoration, 1923).
Western art unattributed:
34. Poster advertising the Zagreb exhibition of the Dalmatian artists' society Medulić, designed by Mirko Rački. 1910. Lithograph on paper, 116.1 by 84.2 cm. (Kabinet Grafike HAZU, Zagreb).
Western art unattributed:
35. The Serbian Pavilion at the Rome international exhibition of 1911, designed by Petar Bajalović. (Anonymous photograph published in Der Architekt, 1912).
Exhibition Review
Hugo von Tschudi. Berlin and Munich
03/1997 | 1128 | 139
Pages: 216-218
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
79. In the Conservatory, by Edouard Manet. 1879. 115 by 150 cm. (Nationalgalerie, Berlin; Exh. Neue Pinakothek, Munich).
Attributed works:
80. View of Arles, by Vincent van Gogh. 1889. 72 by 92 cm. (Neue Pinakothek, Munich).