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09/2023 | 1446 | 165
Pages: i-xx
Subjects
Illustrations
Attributed works:
A field of sunflowers, by Mary Fedden (1915–2012). 1972. Pencil, charcoal and graphite on paper, 45 by 71 cm. [ORIEL FINE ART, CAMBRIDGE/British Art Fair]
Attributed works:
Aerial disturbance, by John Tunnard (1900–71). 1946. Gouache on paper, 36 by 55 cm. [OSBORNE SAMUEL, LONDON/British Art Fair]
Attributed works:
April nude no. 1, by Ivon Hitchens (1893–1979). 1949. Oil on canvas, 51 by 76.5 cm. UPSTONE, LONDON/British Art Fair]
Attributed works:
B. Besler. Hortus Eystettensis. 1613. Complete copy of the first edition.[Venator and Hansen]
Attributed works:
Ben Nicholson, OM, painting 1938 (red circle). Oil on canvas 97.2 x 123.2 cm. © Angela Warren Taunt. All rights reserved, DACS 2023. [Christie's]
Attributed works:
Charles Inge, Sugar Candy Mountain Series [The Stratford Gallery]
Attributed works:
Colin Hayes (1919-2003) ‘Heraklion’ [Louise Kosman]
Attributed works:
F.C.B. Cadell, R.S.A. (1883-1937) Cassis Sur Mer, 1923 Oil on panel, 15 x 18 in / 38 x 46 cm [Portland Gallery/British Art Fair]
Attributed works:
Headland with brigantine and ship, by Alfred Wallis (1855–1942). Oil and pencil on paper, 12 by 19 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343. [Clowes Collection, Indianapolis Museum of Art]
Attributed works:
Landscape with whistling boy, Yorkshire, by Keith Vaughan (1912–77). Gouache on paper, 28 by 36.8 cm. [THE FINE ART SOCIETY LTD, LONDON/British Art Fair]
Attributed works:
Our dreams keep growing on Sugar Candy Mountain, by Charles Inge (b.1961). 2023. Oil and acrylic on canvas, 120 by 100 cm. [THE STRATFORD GALLERY, BROADWAY/British Art Fair]
Attributed works:
People in the wind, by Kenneth Armitage (1916–2002). 1959. Bronze, height 59 cm. [JONATHAN CLARK FINE ART, LONDON/British Art Fair]
Attributed works:
Portrait tiles of Charles 2 King & Prince James Workshop of Sijbrand Pieter Feijtama Zoutsloot, Harlingen, The Netherlands Circa 1670 - 1685. [Mazereeuw Antiquair]
Attributed works:
Shelley head, by Emily Young (b.1951). 2022 Jaisalmer, 49 by 33 by 46 cm. WILLOUGHBY GERRISH, LONDON AND YORKSHIRE/British Art Fair]
Attributed works:
Standing Flower’ by Humphrey Spender 1910-2005 Watercolour on paper, signed, dated’95, 70 x 53 cm [Oriel Fine Art]
Attributed works:
The arrival of spring in Woldgate, East Yorkshire, by David Hockney (b.1939). 2011. iPad drawing printed on paper. Edition of 25. 139.7 by 105.4 cm. [CLARENDON FINE ART, LICHFIELD/British Art Fair]
Attributed works:
Untitled 8, by Albert Irvin (1922–2015). c.1965. Oil on canvas, 152.5 by 127 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
Yellow tulips, by Mary Fedden (1915–2012). 1997. Oil on board, 51 by 61 cm. PORTLAND GALLERY, LONDON/British Art Fair]
Western art unattributed:
Early 19th century school, Three Sisters, oil on canvas, 100 x 128cm, £!0,000-15,000 [Sworders]
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05/2023 | 1442 | 165
Pages: i-xx
Subjects
artists:
Illustrations
Attributed works:
Back alley, Hong Kong, by Fan Ho (1931–2016). 1956. Vintage gelatin silver print, 49 by 27 cm. BLUE LOTUS GALLERY, HONG KONG [Photo London]
Attributed works:
Dr Lane in Afghan costume, by David Octavius Hill (1802–70) and Robert Adamson (1821–48). 1843. Salt print from a calotype negative, 18 by 13 cm. ROBERT HERSHKOWITZ LTD, LONDON [Photo London]
Attributed works:
Europe supported by Africa and the Americas: A prophesy (from Kingdom of this World: Triptych), by Leah Gordon (b.1959). 2014. Fibre-based photographic print from a medium-format blackand- white negative, hand-tinted, rescanned and printed as giclee print on paper, 50 by 38.2 cm. ED CROSS GALLERY, LONDON [Photo London]
Attributed works:
Horst P. Horst (1906-1999) New York Still Life, 1946 Platinum-palladium print, edition of 10 [Chiswick Auctions]
Attributed works:
HUGH BARRON (1747 - 1791), A Portrait of Dr Richard Guy, 29.9 in. (H) x 24.5 in. (W) [Sloane Street Auctions]
Attributed works:
Instrumental, by Manuel Álvarez Bravo (1902–2002). 1931. Platinum print, 18.7 by 24.8 cm. SOPHIE SCHEIDECKER, PARIS [Photo London]
Attributed works:
Janelle Lynch, Metamorphosis VI, 2022, cyanotype, 76.2 x 55.9 cm, 30 x 22 in [Flowers]
Attributed works:
Joon Yong Kim glass at Adrian Sassoon gallery. Photography by Sylvain Deleu.[Tefaf]
Attributed works:
Lot 386 Saint Anthony of Padua, Augsburg, probably Friedrich II Schwestermüller [Hermann Historica]
Attributed works:
Michel Anguier (1612-1686) "Pluton Mélancolique" Bronze statue Estimate: €100,000 - 200,000 [Antenor Auction]
Attributed works:
NUI-(57), by Chiyu Uemae (1920–2018). 1991/97. Textile, height 224 cm. Axel Vervoordt, Antwerp and Hong Kong [Tefaf NY]
Attributed works:
Petrus 31, by Francesca Catastini (b.1982). 2016. Inkjet print, 24 by 17.2 cm. OSTLICHT, VIENNA [Photo London]
Attributed works:
Premier at Carthay Circle Los Angeles, CA, 1949 by Max Yavno © Max Yavno, Estate of Max Yavno / Courtesy of Peter Fetterman Gallery
Attributed works:
Reclining woman, by Baya (1931–98). c.1947–48. Enamelled terracotta, 15 by 15 by 25 cm. Mennour, Paris [Tefaf NY]
Attributed works:
RENÉ BURRI (1933–2014) At the Ministry of Health, Rio de Janeiro, Brasil 1960 [OstLicht Photo Auction]
Attributed works:
RICHARD MOSSE  BORN 1980  Men of Good Fortune, 2011 C-print Estimate: 15,000-20,000€ © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York. [Photographiues Online Auction Christies]
Attributed works:
San Giovanni in Persiceto, by Luigi Ghirri (1943–92). 1991–92. Chromogenic print, 23 by 28.8 cm. GALLERIA VALERIA BELLA, MILAN [Photo London]
Attributed works:
Seated male nude (self-portrait), by Egon Schiele (1890– 1918). 1917. Black crayon on paper, 46 by 29.5 cm. Richard Nagy Ltd., London [Tefaf NY]
Attributed works:
Silver and silver-gilt Arquebusier’s Guild collar Given in 1614 to PETER PAUL RUBENS Estimate: €150,000 - 300,000 [Antenor Auction]
Attributed works:
Still from Horse Opera, by Moyra Davey. 2022. Film, duration 72 minutes. (Courtesy the artist; from article commissioned for Journal Issue 5). [Burlington Contemporary]
Attributed works:
Tanoa Sasraku, A Tower to Say Goodbye (2021) (Detail), Chelsea Sorting O  ce. Image courtesy of Lewis Brander. [Drawing Room]
Attributed works:
Trophy, by Hanne Friis (b.1972). 2016. Velvet silk dyed with lichen and mushrooms, 250 by 110 by 25 cm. Galerie Maria Wettergren, Paris [Tefaf NY]
Attributed works:
Untitled, by Katharina Grosse (b.1961). 2023. Acrylic on canvas, 151 by 122 cm. Galerie Max Hetzler, Berlin, Paris and London [Tefaf NY]
Attributed works:
Untitled, by Günter Förg (1952–2013). 1988. Oil on lead on wood, 120 by 90 cm. Massimo de Carlo, Milan, London and Hong Kong [Tefaf NY]
Attributed works:
Untitled, by Jaroslav Rössler (1902–90). 1960s. Vintage gelatin silver print, 23.6 by 15.6 cm. PHOTON GALLERY, VIENNA [Photo London]
Attributed works:
Untitled, by Sam Francis (1923–94). 1957. Acrylic on paper laid on board, 102.1 by 69 cm. Robilant+Voena, London, Milan, Paris and New York [Tefaf NY]
Attributed works:
Vibration of trees and water, by Mika Horie (b.1984). 2022. Cyanotype on handmade Japanese gampi paper, 61 by 91 cm. BILDEHALLE, ZURICH AND AMSTERDAM [Photo London]
Attributed works:
Woman looking in a mirror, by Constantin Brancusi (1876– 1957). 1909/14. Vintage gelatin silver print, 29.7 by 23.8 cm. GROB GALLERY, GENEVA [Photo London]
Attributed works:
Work, by Yoo Youngkuk (1916–2002). 1977. Oil on canvas, 59 by 72.5 cm. PKM Gallery, Seoul [Tefaf NY]
Attributed works:
Yves Saint Laurent for Dior, by Sarah Moon (b.1941). 2022. Platinum print, 49.5 by 39.4 cm. PETER FETTERMAN GALLERY, SANTA MONICA [Photo London]
Non-western art unattributed:
Pair of lions. Haida Gwaii, c.1840. Red spruce or cedar, height 11.8 cm. Donald Ellis Gallery, New York [Tefaf NY]
Non-western art unattributed:
Polychrome sarcophagus panel depicting the goddess Amentet. Egypt, Late Dynastic Period, c.747–525 BC. Gessoed wood, 178 by 38 cm. Charles Ede, London [Tefaf NY]
Western art unattributed:
Stele with a bull’s head. Third century BC to first century AD. Alabaster, height 46.2 cm. Ariadne Galleries, London [Tefaf NY]
Short Notice
Rediscovered drawings by Erwin Dominik Osen
03/2020 | 1404 | 162
Pages: 224-227
related names
Author:
Blackshaw, Gemma (Blackshaw, Gemma)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
14. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 56.7 by 39.8 cm. (Leopold Museum, Vienna).
Attributed works:
15. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 48.3 by 32 cm. (Leopold Museum, Vienna).
Attributed works:
16. Erwin Dominik Osen, nude with crossed arms, by Egon Schiele. 1910. Black chalk, watercolour and gouache on paper, 44.7 by 31.5 cm. (Leopold Museum, Vienna; photograph Manfred Thumberger).
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03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Book Review
Egon Schiele: The Complete Paintings 1909–1918. Edited by Tobias G. Natter
01/2018 | 1378 | 160
Pages: 71-72
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
media:
styles:
subjects:
Illustrations
Attributed works:
7. Man and woman I (Lovers I), by Egon Schiele. 1914. (Private collection, New York).
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Subjects
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Illustrations
Attributed works:
[Agnews, London. Proserpine, by Dante Gabriel Rossetti (1828-1882), 1878. Watercolor with bodycolor on paper mounted on wood, 77,5 by 37,5 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. St. Matthew and the Angel by Carlo Dolci (1616 - 1686). Oil on canvas, 40 by 27 cm]
Attributed works:
[Ben ElwesFine Art. 45 Maddox Street, London. William Blake (1757 - 1827). St. Matthew. Circa 1799. Tempera on canvas. 38.5 x 26.5 cm (15.2 x 10.4 inches)]
Attributed works:
[Benjamin Proust. 43-44 New Bond Street, London. Giovanni da Bissone, Annunciation, circa 1450 - 1465. Marble. Height: 63.5 cm.]
Attributed works:
[Burzio. Exhibiting at: Robilant + Voena, 38 Dover Street, W1S. One of a pair of armchairs, by Bartolomeo Manghetti (active 1775-1792). c. 1780. Carved wood, painted with gilt and tapestry. Dimensions: 60 by 54 by 100 cm]
Attributed works:
[Burzio. London. Pietro Piffetti (1701-1777) and Francesco Ladatte (1706-1787). The Pietro Piffetti Personal Bombé Commode Burr Walnut, boxwood and ebony with ormolu mounts. 125 x 57 x 83 cm. Turin, circa 1760]
Attributed works:
[Chanel. L'Instant. Boy-Friend Tweed.]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1S. Venice: The Piazza San Marco, looking North towards the Torre dell'Orologio, by Pietro Bellotti (1725 - c. 1800). Oil on canvas, 38 by 49 cm.]
Attributed works:
[Daniel Katz, 6 Hill Street, W1J. Le Moribund (a study for the Raft of the Medusa), by Théodore Géricault (1791-1824). c.1819. Patinated plaster, 11 cm by 34.5 cm]
Attributed works:
[Daniel Ketz Gallery. 6 Hill Street. London. Gustave Doré. Strasbourg, 1832 - Paris, 1883. The Acrobats. Bronze. 58.8 cm high. Circa 1881. Signed G.ve Doré]
Attributed works:
[De Jonckheere, Geneva and Paris. Still life with an overturned basket of flowers, by Johannes Bosschaert (c. 1607-1628). Oil on panel, 51 by 74 cm]
Attributed works:
[Dickinson, London and New York. The windmill near The Hague, by Vincent van Gogh (1853-1890). 1882. Gouache and watercolour over pencil an paper laid down on board, 37 by 55.5 cm]
Attributed works:
[Didier Aaron Ltd, 15 Clifford Street, W1S. La Toilette, by Jean-Baptiste Mallet (1759-1835). Gouache on paper, 46 by 38 cm.]
Attributed works:
[Drouot Christophe Joron-Derem. Exhibiting at: 35 St. George Street, W1S. A study for a stained-glass window: The mocking of Christ, with two coats of arms, by Christophe Murer (1558 - 1614). Black chalk, pen and black ink and grey wash, 63,8 by 64.1 cm]
Attributed works:
[Fergus Hall, 42 Albermarle Street, W1S. Portrait of Vincenzo Gonzaga, DUke of Mantua, by Frans Pourbus the Younger (1569 - 1622). Oil on canvas, 76.5 by 66.8 cm]
Attributed works:
[Fine Art Society, London. Crouching fawn, by Henry Gaudier-Brzeska (1891-1915). Bronze, 30.5 by 25.4 by 12.7 cm]
Attributed works:
[Florian Harb - Martin Grassle, 5 Dalmey Court, 8 Duke Street, SW1. A man resting in a landscape with farmhouses and a castle in the distance, by Remigio Cantagallina (c. 1581 - 1656). Pen and Brown ink over traces of black chalk, 24 by 39.1 cm]
Attributed works:
[Gallery van Vertes, Zurich, Variation: Herhstglanz, by Alexej von Jawlensky (1864-1941). 1915. Oil on linen-finished paper laid down on cardboard, 36 by 27.3 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. London. Gerald Laing, 1936-2011. Pendulum, 1964. Oil on canvas. 84 x 40 inches; 213,5 x 101,5 cm]
Attributed works:
[Hazlitt Holland-Hobbert, London. Myrrh, by Bridget Riley, (b. 1931). 1985. Oil on canvas, 165.1 by 138.5 cm]
Attributed works:
[im Kinsky. Palais Kinsky, 1010 Wien. Egon Schiele, Houses in Krumau.]
Attributed works:
[Jean-Luc Baroni Ltd, 7/8 Mason's Yard, SW1. Study of the head of a bearded man and a second head in profile: verso: a fragmentary sketch of Greek style decoration, by Giovanni Francesco Barbieri, callerd Il Guercino (1591 - 1666). Pen and brown ink, 14.1 by 26.1 cm]
Attributed works:
[Jean-Luc Baroni Ltd. 7/8 Mason's Yard, St. James's, London. François Boucher (Paris 1703-1770). Study of a Seated Female Nude, her Hands reaching to her foot. Red, black and white chalk, with graphite and touches of blue chalk on buff paper. Signed, lower left, in black chalk: f. Boucher. 305 x 225 cm]
Attributed works:
[Museo del Prado. Madrid. Velasquez. Portrait of Philip III]
Attributed works:
[Repetto Gallery, London. Concetto Spaziale - Natura, by Lucio Fontana (1899-1968), 1967. Polished bronze, in two parts, height 26.5 cm]
Attributed works:
[Robilant + Voena, 38 Dover Street, W1S. Cortile di Via Fondazza, by Giorgio Morandi (1890 - 1964). 1941. Oil on canvas, 56 by 45 cm]
Attributed works:
[Robilant + Voena. London, Milan, St. Mortiz. Anne-Louis Girodet-Trioson, Portrait of Madame Bertin de Vaux. Monogrammed and dated lower left: ALGRDT / 1806, oil on canvas with original frame, 65.5 x 55 cm / 19.3 x 15.8]
Attributed works:
[Ronald Phillips Ltd, London. The Bridgewater House Porphyry Doplphin Tables, by Charles Heathcote Tatham (1772-1842). 1803-1806. Giltwood, each 83 cm by 114.5 cm by 59.5 cm]
Attributed works:
[Sam Fogg, 15d Clifford Street, W1S. The Martyrdom of Saint Vincent, (detail), by Tomas Giner (1458 - 1480). c. 1462-66. Oil and gilding on softwood panel, 106 by 73 cm]
Attributed works:
[Sarti Gallery, Paris. Ascension of Christ with God the Father, four adoring angels, the Virgin and Apostle, by Neri di Bicci (c.1475-1480). Tempera and gold on panel, 94.5 by 57.5 cm]
Attributed works:
[Sladmore Gallery. 57 Jermyn Street. London. Balzac by Rodin.]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Antoine Caron. Judgment Day.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Chruch St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. Giovanni Domenico Tiepolo (1727 - 1804). The Resurrection of Christ. Pen and brown ink and brown wash, over an underdrawing in black chalk. Signed Dom.o Tiepolo f. at the lower left corner. 473 x 368 mm (18 5/8 x 14 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. St. Anthony of Padua and the miracle of the miser's heart, by Giambattista Tiepolo (1696 - 1770). Pen and black ink over traces black chalk, 41.0 by 30.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 67 Jermyn Street, SW1. Baccante Cimbalista, by Cav. Cincinnato Baruzzi (1796-1878). White marble. Height: 148 cm]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, London. Giuseppe Piamontini (Florence, 1663 - 1744). Milo of Croton. Marble. Signed and dated G. P / F. / 1740. 168 cm (65 3/4 ins)]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, W1S. The temptation of Adam, by Giorvanni Dupré (1817-1882). Marble, 94 by 70 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. 19 Crown Passage, St. James's, London. Egyptian Bronze of Osorkon II. 22nd Dynasty, c. 874-850 BC. Height: 11 cm.]
Western art unattributed:
[Benjamin Proust FIne Art Ltd, 43-44 New Bond Street, W1S. The Lernaean Hydra, Italian (first half of the 16th century). Terracotta, 65 by 45 cm]
Western art unattributed:
[Cambi, Genoa. Baroque Genoese Sculptor, next to Filippo Parodi (1630-1702), Marble bust]
Western art unattributed:
[David Aaron, London. Corinthian helmet, Spain, c. 6th century BC. Bronze, height 26 cm]
Western art unattributed:
[Galerie Chenel, Paris. Mars, Roman, 1st.2nd century AD. Marble, height 180 cm]
Western art unattributed:
[Peter Finer, 38/39 Duke Street, St. James's, London. A Fine Hunting Trousse, German. c. 1720-40.]
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01/2016 | 1354 | 158
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Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Boon Gallery, Knokke-Zoute. Bust of a woman, by Alberto Giacometti (1902-66). Bronze with patina. Height: 47.7 cm. Width: 13.1 cm. Diameter: 13 cm.]
Attributed works:
[Christopher Bishop FIne Art Exhibiting at: Leslie Feely Fine Art, 5th floor, 33 East 68th Street. Holy family, by Luigi Garzi (1638-1721). Pen and brown in highlighted in white on blue paper, 18.7 by 14.8 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut exhibiting at Leslie Feely Fine Art. 33 East 68th Street. New York. Giuseppe Bernardino Bison (1762-1844) The Holy Family. Pen and brown washes over traces of black chalk, highlighted in white pink paper. 5 3/4 x 7 3/16 in. - 136 x 186 mm (oval)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. The father's curse - the punished son, by Jean-Baptiste Greuze (1725-1805). Grey brown ink over graphite, 24.5 by 36.5 cm]
Attributed works:
[Douwes Fine Art BV, Amsterdam. Flower piece with roses, tulips, and other flowers in a cylindrical glass on a stone ledge with a pansy and a red admiral butterfly, by Ambrosius Bosschaert the Younger (1609-45). c.1625. Oil on panel, 32.5 by 20.3 cm]
Attributed works:
[Eric Coatalem, Paris. Studies for river Gods, traditionally identified as the Rhône and the Rhine, by François Boucher (1703-70). Oil on canvas, 91.5 by 73.7 cm]
Attributed works:
[Galerie Boulakia, Paris. Bride and groom, by Marc Chagall (1897-1985). 1979. Tempera on masonite, 110 by 80 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. Teaching a Magpie to sing. Oil on canvas, 48.5 x 38.5 cm (19 1/18 x 15 13/16 in)]
Attributed works:
[Gallery Mathiev, Paris. Low table, by André Groult (1884-1966). c. 1912. Pylma and ebonised wood. Height: 51 cm. Width: 90 cm. Diameter: 59.5 cm]
Attributed works:
[Guy Peppiatt Fine Art. Exhibiting at: Arader Galleries, 1st Floor, 1016 Madison Avenue. Ludlow Castle, Shropshire, by Francis Towne (1740-1816). Signed lower left: F. Towne/delt. 1777/no 46, and inscribed verso: a view of Ludlow Castle, Shrospshire./ Drawn on thespot/ by /FrancisTowne July 21st 1777. Pen and grey ink and watercolour on five sheets of paper joined on original washline mount, 30 by 57 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London. Edward Lear (1812-1888). View of Capri from Massa, Italy. Signed and dated 1840, black and white chalk on grey paper, 255 by 422 mm., 10 by 16 1/2 in.]
Attributed works:
[Jablonka Maruani Marcier Gallery, Brussels. Robert Mapplethorpe, by Andy Warhol (1928-87). 1983. Screenprint on lenox museum board, 102 by 102 cm]
Attributed works:
[Lowell Libson Ltd Exhibiting at: Stellan Holm Gallery, 1018 Madison Avenue at 78th Street. Sunset: a stormy evening, by John Constable (1776-1837). Painted in the early 1820s. Oil on paper laid down on panel, 7.7 by 11.7 cm]
Attributed works:
[Mia N Weiner Exhibiting at: L'Antiquaire and the Connoisseur, 36 East 73rd Street. Design for a reliquary for Pope Innocent X, by Alessandro Algardi (1598-1654). c.1644. Black chalk under drawing, pen and brown ink, brush and blue-grey wash, 37.5 by 27.5 cm]
Attributed works:
[Otto Naumann, Ltd and Robert Simon. 22 East 80th Street. New York. Palma Il Vecchio (Bergamo ca. 1480-1528 Venice). A Shepherd and Two Women. Oil on panel, 27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Nanda Vigo. Early Works]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Brueghel I & Joos de Momper II. A Costal Landscape with Fishermen with their Catch by a Ruined Tower (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting Roundell Inc., 19 East 66th Street. Portrait of a child, by Egon Schiele (1890-1918). Black crayon, 38.1 by 28.3 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Francesco Monti (1683-1768). Study of a Male Nude Holding a Pole. Black chalk and charcoal, with stumping. 420 x 293 mm (16 1/2 x 11 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Odilon Redon (1840-1916). The Crucifixion. Pastel and chalk on paper, laid down on board. 488 x 372 mm. (19 1/4 x 14 5/8 in.)]
Attributed works:
[Stern Pissarro, London. Guitar on the table, by Pablo Picasso (1881-1973). Pastel and pencil on paper, 32.5 by 25 cm]
Non-western art unattributed:
[Eric Pouillot, Paris. Pair of ladies, China, Tang Dynasty. Coated salmon terracotta with traces of polychrome. Height: 59 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Corpus [detail], gilt bronze, Paris, 3rd quarter 13th century, h: 20 cm]
Western art unattributed:
[De Wit Fine Tapestries, Mechelen. Pastoral life. Southern Netherlands. c.1530. Wool and silk, 225 by 202 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd. 13 East 69th Street. New York. A Roman Glass and Strone Mosaic Panel with Theatre Masks of a Meaned and a Silenus by a Wonderful Guilloche Pattern. Date: 2nd Century AD; Dimensions: 27 x 32 7/8" (68.5 x 83.5 cm)]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Relief with the ascension of Christ. English, Nottingham, 15th century. Alabaster with original polychrome and gilding. Height: 39.5 cm. Width: 24 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Salome with the head of Saint John the Baptist. Oak. Netherlandish, Antwerp. circa 1510-1521. H. 44.5 x W. 31 x D. 7.5 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A "Corinthian" Helmet, circa 580-520 B.C.]
Western art unattributed:
[Safani Gallery Inc, New York. Statue of Dionysos, Roman, 1st to 2nd century AD. Marble. Height: 46.5 cm]
Exhibition Review
Women in the work of Klimt, Schiele and Kokoschka
01/2016 | 1354 | 158
Pages: 065–066
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
86. Portrait of Eugenia Primavesi, by Gustav Klimt. 1913/14 (Toyota Municipal Museum of Art; exh. Österreichische Galerie Belvedere, Vienna)
Attributed works:
87. Seated woman in violet stockings, by Egon Schiele. 1917 (Private collection, courtesy of Richard Nagy Ltd., London; exh. Österreichische Galerie Belvedere, Vienna)
Attributed works:
88. The slave girl, by Oskar Kokoschka. 1921 (Saint Louis Art Museum; exh. Österreichische Galerie Belvedere, Vienna)
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