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13 articles
Book Review
Design Dialogue: Jews, Culture and Viennese Modernism / Design Dialog: Juden, Kultur und Wiener Moderne. Edited by Elana Shapira
12/2019 | 1401 | 161
Pages: 1069-1070
related names
Reviewer:
Wieber, Sabine (Wieber, Sabine)
Subjects
dates:
places:
Reviewed Items
subjects:
Design Dialogue: Jews, Culture and Viennese Modernism / Design Dialog: Juden, Kultur und Wiener Moderne Edited by Elana Shapira. 475 pp. incl. 112 col. + b. & w. ills. (Böhlau Verlag, Vienna and Cologne, 2018), £35.72. ISBN 978–3–205–20634–7. | :
Book Review
Österreich und die Biennale Venedig 1895–2013 / Austria and the Venice Biennale 1895–2013
09/2013 | 1326 | 155
Pages: 627-628
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
Illustrations
Western art unattributed:
37. The 'Austria' Pavilion at the Venice Biennale at the time of its inauguration: 12th May 1934. Anonymous photograph (Archiv Kramreiter, Vienna)
Article
War and peace at the Stockholm ‘Austrian Art Exhibition’ of 1917
10/2012 | 1315 | 154
Pages: 676-688
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Liljevalchs Konsthall, Stockholm, designed by Carl Bergsten. 1913–16. Northern façade: main entrance and high windows of Room 4. Granite column bearing a black granite Eagle and bronze Archer (1916/19) by Carl Milles. Photograph by C.G. Rosenberg. (Arkitektur, Stockholm, September–October 1919; image copyright Kungliga Biblioteket, Stockholm).
Attributed works:
10. Three paintings from the Egon Schiele Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Stein an der Donau, seen from the south (1913), Resurrection (Graves) (1913), Stein an der Donau, seen from the north (1913). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
11. Émigrés, by Oskar Kokoschka. 1916-17. Canvas, 95 by 146 cm. (Pinakothek der Moderne, Munich; copyright DACS 2012; image copyright BPK, Berlin, and Bayerische Staatsgemäldesammlungen, Munich)
Attributed works:
12. On the terrace, by Otto Lendecke. 1917. Offset reproduction, of watercolour original, on paper, 26 by 20.6 cm. (Die Damenwelt, Vienna, June 1917; image copyright MAK, Vienna).
Attributed works:
14. Baby, by Gustav Klimt. 1917. Canvas, 110.9 by 110.4 cm. (National Gallery of Art, Washington, gift of Otto and Franciska Kallir with the help of the Carol and Edwin Fullwinder Fund).
Attributed works:
15. Death and Life, by Gustav Klimt. 1910/15. Canvas, 180.5 by 200.5 cm. (Leopold Museum, Vienna).
Attributed works:
3. Poster advertising the Österrikisk Konst­utställning, at the Liljevalchs Konsthall, Stockholm, designed by Anton Faistauer. 1917. Colour lithograph on paper, 100 by 70 cm. (Kungliga Biblioteket, Stockholm).
Attributed works:
4. The Austrian Emperor Karl. 1917. Photograph by Hermann Clemens Kosel. Postcard. (Private collection).
Attributed works:
6. Anton Hanak Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Seven larger visible figures, from left to right: Prayer (1911), Child above the quotidian (1912), Transfigured (1913/14), Youth (1909), The fanatic (1916–17), The last man (1916–17), Voices from above (1917). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
7. Gustav Klimt Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Top row (north wall): Leda (1917), Barbara Flöge (1915), Baby (1917). Second row (principal, east wall): Elisabeth Lederer (1914–16), Death and Life (1910/15), Friederike Maria Beer (1916). Third row (south wall): The fur collar (1916), Mäda Primavesi (1913), The polecat fur (1916/17). Bottom row (west wall, with two pairs of pictures flanking entrance from Room 1): The park (1909), Forrester’s house at Weissenbach II (1914), Church at Unterach am Attersee (1915/16), Italian garden landscape (1913). Anonymous photographs. Modern prints from original glass negatives. (Stadsmuseum, Stockholm).
Attributed works:
8. Three paintings from the Albin Egger-Lienz Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Man and wife (preliminary version of central couple in The Ages of Man) (1910), Early spring (1906), The sower and the devil I (1908/09). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
9. Principal, south wall of the Anton Faistauer Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Portrait of a woman (1913), unidentified Still life, Young woman on a red sofa (1913), Still life with rolls and a jug (1914), Seated lady in a blue blouse with a jewel casket (1912/13). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
13. Main display of applied arts at the 1917 Stockholm 'Austrian Art Exhibition'. Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
2. Team installing the 1917 Stockholm ‘Austrian Art Exhibition’ assembled for a press conference at the Liljevalchs Konsthall on 4th September. From left to right: Anton Hanak, Erwin Hanslik, Josef Hoffmann, Ernst Wagner, Hans Boehler, Anton Faistauer. Photograph by Erik Holmén. (Hvar 8 Dag, Stockholm, 16th September 1917; image copyright Kungliga Biblioteket, Stockholm).
Western art unattributed:
5. Plan of the Liljevalchs Konsthall, Stockholm (with north to the right), showing its thirteen exhibiting rooms. Anonymous diagram. (Liljevalchs Konsthall Katalog No. 8: Österrikiska Konstutställningen, Stockholm 1917).
Book Review
Katalog des Osterreichischen Barockmuseums im Unteren Belvedere in Wien
03/1982 | 948 | 124
Pages: 170-171
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
places:
Reviewed Items
subjects:
Katalog des Osterreichischen Barockmuseums im Unteren Belvedere in Wien | author: Baum, Elfriede
Book Review
The Sacred Spring-The Arts in Vienna 1898-1918
03/1976 | 876 | 118
Pages: 171
related names
Reviewer:
Vergo, Peter (Vergo, Peter; Vergo, Mr.; Vergo, P.)
Subjects
dates:
places:
Reviewed Items
subjects:
The Sacred Spring-The Arts in Vienna 1898-1918 | author: Powell, Nicolas
Book Review
Andreas und Peter Anton Moosbrugger
12/1974 | 861 | 116
Pages: 766-767+769
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
places:
Reviewed Items
subjects:
Andreas und Peter Anton Moosbrugger | author: Morel, Andreas F. A.
Illustrations
Attributed works:
70. Specimen Quarter of Ceiling Decoration, by Andreas and Peter Anton Moosbrugger. Drawing. (National Trust, Waddesdon Manor.)
Attributed works:
71. Study for a Church Interior, by Andreas and Peter Anton Moosbrugger. Signed with Initials by Andreas. Drawing. (National Trust, Waddesdon Manor.)
Supplement
Notable Works of Art Now on the Market: Supplement
06/1969 | 795 | 111
Pages: ii
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
Plate L. Flora and Zephyrus with Cupid, by Giovanni Antonio Pellegrini. Canvas, 84 by 106 cm. (The Property of the Hal O'Nians Gallery, 6 Ryder Street, St James's, London sw1)
Attributed works:
Plate LI. Bacchic Procession in a Landscape with Elephants, by Hendrik Franz van Lint. Signed and Dated 1741. Canvas, 149.9 by 195.6 cm. (The Property of Messrs Appleby Bros. Ltd, 8-10 Ryder Street, St James's, London, sw1)
Attributed works:
Plate LII. The Laocoön, by Francesco Righetti. Signed and Dated 1792. Height, 33 cm.; Base, 20.4 by 14 cm. (The Property of Messrs Julian, 406 King's Road, London sw10)
Attributed works:
Plate LIII. Stag, by François Pompon. c. 1928. Bronze, with Black Patination; Height, 58.5 cm. (The Property of The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London w1)
Attributed works:
Plate LIV. Soup Tureen with Cover, Inner Tureen and Under-Dish. The Hague, 1772, Maker Engelbart Joosten. Silver; Height (Tureen), 30 cm; Depth (Under-Dish), 58 cm. (The Property of Nijstad Antiquairs Lochem, N. V., 't Ei 1, Lochem, Holland)
Attributed works:
Plate LV. One of a Pair of George III Marquetry Side Tables, Attributed to Thomas Chippendale, c.1770. Harewood; Width, 4 ft. 2 in.; Depth, 2 ft.; Height, 2 ft. 11 in. (The Property of Messrs Hotspur Ltd, 14 Lowndes Street, Belgrave Square, London sw1)
Attributed works:
Plate LVI. Details of a Pair of George III Marquetry Side Tables, One of Which is Illustrated above. (The Property of Messrs Hotspur Ltd, 14 Lowndes Street, Belgrave Square, London sw1)
Attributed works:
Plate LVII. Bust of the Comtesse de Sabran, by Jean-Antoine Houdon. Terra-Cotta; Height, 61 cm. (The Property of Messrs Heim Gallery (London) Ltd, 59 Jermyn Street, London sw1)
Attributed works:
Plate LVIII. Bust of a Man, by Jean Baptiste Xavery. Signed and Dated 1739. Terra-Cotta on Marble Base; Height, 54 cm. (The Property of Nijstad Antiquairs, Lochem, N. V., 't Ei 1, Lochem, Holland)
Attributed works:
Plate LXI. Le Temps fait passer l'Amour, by Edouard Bernard Debat-Ponsan. Canvas, 114 by 145 cm. (The Property of The Pulitzer Gallery, 5 Kensington High Street, London w8)
Attributed works:
Plate LXII. On the Esk, Whitby, by Atkinson Grimshaw. Signed and Dated 1877. Oil on Board, 28 by 43 cm. (The Property of Messrs Ferrers Ltd, 9 Piccadilly Arcade, London sw1)
Attributed works:
Plate LXIII. A Wooded Landscape, by John Linnell. Water-Colour with Wash and Gouache, 46.5 by 68 cm. (The Property of Leggatt Bros, 30 St James's Street, London sw1)
Attributed works:
Plate LXIV. La dame au chapeau noir, by Pablo Picasso. 1909. Canvas, 73 by 60 cm. (The Property of Galerie Beyeler, Bäumleingasse, 9 Basle)
Attributed works:
Plate LXV. Harlequin, les mains croisées, by Pablo Picasso. Signed and Dated 1923. Canvas, 130 by 97 cm. (The Property of Galerie Beyeler, Bäumleingasse 9, Basle)
Attributed works:
Plate LXVI. Portrait of Oscar Miestchaninoff, by Diego Rivera. Signed and Dated 1913. Canvas, 146.1 by 119.4 cm. (The Property of Messrs Maxwell Galleries Ltd, 551 Sutter Street, San Francisco, California)
Attributed works:
Plate V. Adoration of the Magi, by Adrian Isenbrant. Panel, 45.5 by 36 cm. (The Property of Galerie Robert Finck, 62 Boulevard de Waterloo, Brussels 1)
Attributed works:
Plate VI. Madonna and Child in Landscape, by Lo Scarsellino. Canvas, 160 by 111 cm. (The Property of Antiquaria Morandotti, Palazzo Massimo, Corso Vittorio Emanuele 141, Rome)
Attributed works:
Plate VII. The American Atlas, by Thomas Jefferys. Edition of 1778. (The Property of P. J. Radford, Denmead, Portsmouth, Hants)
Attributed works:
Plate XII. Head of the Virgin, by Scipione Pulzone, Known as Scipione Gaetano. Signed and Dated 1583 (?). Panel, 35 by 26 cm. (The Property of Messrs B. Cohen & Sons [Trafalgar Galleries], 35 Bury Street, St James's, London sw1)
Attributed works:
Plate XIV. The Battle Between Carnival and Lent, by or after Hieronymus Bosch. Panel, 59 by 118.5 cm. (The Property of Galerie Cramer, Javastraat 38, The Hague)
Attributed works:
Plate XIX. Landscape with Figures. School of Giorgione. Transferred from Panel to canvas, 32.5 by 55.5 cm. (The Property of Galerie Cramer, Javastraat 38, The Hague)
Attributed works:
Plate XL. Beaker. Maker, Thomas Mangy, York, 1669. Height, 8.3 cm. (The Property of Messrs Spink & Son Ltd, 5, 6 and 7 King Street, St James's, London sw1)
Attributed works:
Plate XLI. Ships in a Storm, by Bonaventura Peeters. Signed with Monogram. Panel, 32 by 48 cm. (The Property of Galerie Müllenmeister, Pfaffenberger Weg 87, 565 Solingen, Germany)
Attributed works:
Plate XLII. Wet Dock, by Francesco Simonini. Canvas, 97 by 154 cm. (The Property of Antiquaria Morandotti, Palazzo Massimo, Corso Vittorio Emanuele 141, Rome)
Attributed works:
Plate XLIII. Allegory of the Arts, by Sebastiano Ricci. Canvas, 122 by 154 cm. (The Property of Antiquaria Morandotti, Palazzo Massimo, Corso Vittorio Emanuele 141, Rome)
Attributed works:
Plate XLIV. Loggia with Figures and Poultry, by Giovanni Camillo Sagrestani. Canvas, 67 by 128 cm. (The Property of Antiquaria Morandotti, Palazzo Massimo, Corso Vittorio Emanuele 141, Rome)
Attributed works:
Plate XLIX. Portrait of the Comtesse de Coullonges, by Nicolas de Largillière. Signed and Dated 1714. Canvas, 138 by 104 cm. (The Property of Messrs Heim Gallery (London) Ltd, 59 Jermyn Street, London sw1)
Attributed works:
Plate XLV. Loggia with Figures and Cooking Utensils, by Giovanni Camillo Sagrestani. Canvas, 67 by 128 cm. (The Property of Antiquaria Morandotti, Palazzo Massimo, Corso Vittorio Emanuele 141, Rome)
Attributed works:
Plate XLVI. Landscape with Ruins, by Franz de Paula Ferg. Canvas, 67.5 by 132.5 cm. (The Property of Messrs Appleby Bros Ltd, 8-10 Ryder Street, London sw1)
Attributed works:
Plate XLVII. Christ Delivering the Keys to St Peter, by Giovanni Battista Lambranzi. Signed. Canvas, 113 by 175 cm. (The Property of The Leger Galleries, Ltd, 13 Old Bond Street, London w1)
Attributed works:
Plate XV. Hilly River Landscape, by Hercules Pietersz. Seghers. Panel, 45.5 by 88.5 cm. (The Property of Galerie Cramer, Javastraat 38, The Hague)
Attributed works:
Plate XVI. Madonna on a Half-Moon, by Peter de Kempener. Panel, 21 by 13.5 cm. (The Property of Galerie Meissner, Florastrasse 1, Zürich)
Attributed works:
Plate XVII. Madonna, by the Master of the Magdalen Legend. Panel, 29.8 by 23.2 cm. (The Property of Galerie Sanct Lucas, Josefsplatz 5, Vienna 1)
Attributed works:
Plate XVIII. Madonna with Saints Ambrose, Peter and Carlo Borromeo, by Giovanni Battista Pittoni. Canvas, 54 by 35 cm. (The Property of Galerie Sanct Lucas, Josefsplatz 5, Vienna 1)
Attributed works:
Plate XXI. Bowl of Peaches, by Frans Francken the Younger. Signed. Panel, 33 by 39 cm. (The Property of the H. Terry-Engell Gallery, 8 Bury Street, St. James's, London sw1)
Attributed works:
Plate XXII. Bowl of Wild Strawberries, by Jacob van Hulsdonck. Signed. Copper, 29 by 38 cm. (The Property of the H. Terry-Engell Gallery, 8 Bury Street, St. James's, London sw1)
Attributed works:
Plate XXIII. Portrait of a Man, by Jan Lievens. Panel, 62 by 49.5 cm. (The Property of Marshall Spink, Ltd, 18 Albermarle Street, London w1)
Attributed works:
Plate XXIV. The Denial of St Peter, by Leonaert Bramer. Slate, 33 by 52 cm. (The Property of the Hazlitt Gallery, 4 Ryder Street, St. James's, London SW1)
Attributed works:
Plate XXIX. Preaching of St John the Baptist, by Bartholomaus Breenbergh. Signed with Monogram and Dated 1634. Panel, 54.6 by 73.7 cm. (The Property of the Schweitzer Gallery, 958 Madison Avenue, New York 10021)
Attributed works:
Plate XXV. The Liberation of St Peter by Leonaert Bramer. Slate, 33 by 52 cm. (The Property of the Hazlitt Gallery, 4 Ryder Street, St James's, London SW1)
Attributed works:
Plate XXVI. Winter Landscape, by Aert van der Neer. Signed with Monogram. Canvas, 48 by 58 cm. (The Property of the H. Shickman Gallery, 929 Park Avenue, New York 10028)
Attributed works:
Plate XXVII. Winter Landscape, by Anthony Verstralen. Signed with Monogram. Panel, 22 by 30 cm. (The Property of Kunsthandel P. de Boer, N. V., Herengracht 512, Amsterdam)
Attributed works:
Plate XXVIII. St Jerome in Prayer, by Anthony van Dyck. Black Chalk, Touched with Point of Brush and Black Ink. 19.7 by 26.7 cm. (The Property of Messrs P. & D. Colnaghi & Co, Ltd, 14 Old Bond Street, London W1)
Attributed works:
Plate XXX. Horsemen in a Landscape, by Abraham van Calraet. Signed with Monogram. Panel, 41 by 54 cm. (The Property of the Ronald Cook Gallery, Antique Hypermarket, 26-40 Kensington High Street, London W8)
Attributed works:
Plate XXXI. The Feeding of the Five Thousand, by Jan Brueghel. Signed J.[I] B. (at Lower Left). Copper, 29 by 41 cm. (The Property of the Hal O'Nians Gallery, 6 Ryder Street, St James's, London SW1)
Attributed works:
Plate XXXII. The Oude Kerk, Amsterdam, by Emanuel de Witte. Canvas, 62 by 54 cm. (The Property of Messrs Duits Ltd, 67-68 Jermyn Street, London SW1)
Attributed works:
Plate XXXIII. St Praxedis, by Jan Vermeer of Delft. Signed and Dated 1655. Canvas, 101.6 by 82.5 cm. (The Property of Messrs Spencer A. Samuels & Co Ltd, 18 East 76th Street, New York 10021)
Attributed works:
Plate XXXIV. Flowerpiece, by Frans Ykens. Panel, 57 by 40 cm. (The Property of Galerie Meissner, Florastrasse I, Zürich)
Attributed works:
Plate XXXV. Time Abducting Beauty, by Giovanni Battista Foggini. Bronze; Height, 54 cm. (The Property of Michael Hall Fine Arts, Inc, 6 East 79th Street, New York 10021)
Attributed works:
Plate XXXVI. Imperial Gold Watch, by Gregory Mussikiski. Signed and Dated 1725. (The Property of Jacques Kugel, 7 rue de la Paix, Paris 2e)
Non-western art unattributed:
Plate IV. Standing Figure of Kuan Yin, Northern Ch'i Dynasty, Sixth Century A. D. Stone; Height, 89 cm. (The Property of Barling of Mount Street Ltd, 111-112 Mount Street, London w1)
Non-western art unattributed:
Plate LIX. Revolving Armchair. Indian-Portuguese Workmanship (?), Eighteenth Century. (The Property of Messrs Temple Williams Ltd, 3 Haunch of Venison Yard, Brook Street, London w1)
Western art unattributed:
Plate I. Portrait of a Man. Roman, c.70 B. C. Marble; Height, 40.5 cm. (The Property of Münzen und Medaillen A. G., Malzgasse 25, Postfach, 4002 Basle)
Western art unattributed:
Plate II. Bust of a Man. Roman, Republican. Marble. Life Size. (The Property of Messrs 'Objects', 96 Mount Street, London w1)
Western art unattributed:
Plate III. Head of a Satyr. Roman, Second Century A. D. Rosso Antico Marble; Height, 30.5 cm. (The Property of Michel Dumez-Onof, 90-92 Pimlico Road, London sw1, and 109 Mount Street, London w1)
Western art unattributed:
Plate IX. Christ as Redeemer. German, c. 1515. Indian Ink with White Heightening on Grey Prepared Surface; Diameter, 25.5 cm. (The Property of Alister Mathews, 12 Eaton Road, Branksome Park, Poole, Dorset)
Western art unattributed:
Plate LX. English Carlton House Desk. c. 1810. (The Property of G. Oliver & Sons, St. Catherine's House, Portsmouth Road, Guildford, Surrey) Width 4 ft. 8½ in.; Depth 2 ft. 9 in.; Height 3 ft. 5 in.; Writing Height 30 in.
Western art unattributed:
Plate VIII. Madonna Enthroned with Child. Italian School, Late Fifteenth Century. Terra-Cotta, Polychrome; Height, 140 cm. (The Property of The Arcade Gallery, Ltd, 28 Old Bond Street, London w1)
Western art unattributed:
Plate X. The Fainting of the Virgin. Bolognese School, Second Half of the Fifteenth Century. Polychrome Stucco, 24 by 22 cm. (The Property of Galleria dell'Angelo, Antichità, Piazza Cioccaro 11, 6900 Lugano, Switzerland)
Western art unattributed:
Plate XI. St Peter and St John Overtaken by Sleep in the Garden of Gethsemane. Burgundian, Third Quarter of the Fifteenth Century. Noyer doré (Blond Walnut), Traces of Polychrome; Height, 66.5 cm.; Width, 68.5 cm.; Depth, 30 cm. (The Property of the Bernard Black Gallery, 1062 Madison Avenue, New York 10028)
Western art unattributed:
Plate XIII. Miniature. From French Illuminated MS., c.1515. (To be Sold by Auction, 23rd-27th June, by Paul Brandt, N. V., 738 Keizersgracht, Amsterdam)
Western art unattributed:
Plate XLVIII. The Story of Tobit. Brussels, Sixteenth Century. Tapestry; 11 ft. 7 in. by 12 ft. 10 in. (The Property of the Vigo-Sternberg Galleries, 37 South Audley Street, and 6a Vigo Street, London w1)
Western art unattributed:
Plate XX. Pilgrim's Flask. Venetian, c. 1500. Height, 20 cm. (The Property of Dr H. G. Bunke, Maximilianstrasse 15, Munich 22)
Western art unattributed:
Plate XXXIX. A Collection of Spoons. Plymouth (?) c. 1630. Lewes c. 1650. Bideford c. 1690. York 1661. Norwich c. 1590. (The Property of How of Edinburgh, 2-3 Pickering Place, St James's Street, London sw1)
Western art unattributed:
Plate XXXVII. St Catherine of Siena. Viennese, c. 1750-60. Linden Wood with Original Polychrome; Height, 128 cm. (The Property of Messrs Julius Böhler, Briennerstrasse 25, Munich 2)
Western art unattributed:
Plate XXXVIII. A Collection of Spoons. Plymouth. c. 1600. Exeter. c. 1580. Taunton. c. 1660. Truro. c. 1630. Barnstaple. c. 1620 (The Property of How of Edinburgh, 2-3 Pickering Place, St James's Street, London sw1)
Article
Hagenauer, Posch, and Mozart
06/1968 | 783 | 110
Pages: 325-329
related names
Author:
Kurz, Otto (Kurz, Otto; K., O.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
29. King Ferdinand IV of Naples, by Leonhard Posch and Count Josef Deym. Wax. (National Library, Vienna.)
Attributed works:
30. Quintus Curtius, by Johann Hagenauer. Terra-Cotta, 66 by 48 cm. (Accademia di Belle Arti, Bologna.)
Attributed works:
31. Another View of the Wax Bust Illustrated in Fig.29.
Article
A Signed Ivory Tankard by Ignaz Elhafen
07/1962 | 712 | 104
Pages: 288-291
related names
Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
16. Rape of the Sabine Women, by Ignaz Elhafen. ?Signed with Initials. Ivory Relief. (Collection Prince Fürstenberg, Donaucschingen.)
Attributed works:
17. Rape of the Sabine Women. Engraving by Pietro Aquila after Pietro da Cortona.
Attributed works:
18. Rape of the Sabine Women, by Ignaz Elhafen. Signed with Initials. Drum of Ivory Tankard, with Silver-Gilt Mounts Bearing Vienna Hall-Mark of 1792. Height, 21 cm.; Lower Diameter, 14 cm.; Height of Drum, 14.5 cm. (Victoria and Albert Museum.)
Attributed works:
19. Another View of the Ivory Tankard Reproduced in Fig. 18. [Rape of the Sabine Women, by Ignaz Elhafen.]
Article
Exhibition of Romanesque Art at Barcelona and Santiago de Compostella
12/1961 | 705 | 103
Pages: 494-499
related names
Author:
Lasko, Peter (Lasko, Peter)
Subjects
dates:
dates:
subjects:
subjects:
Illustrations
Western art unattributed:
10. Back of the Altar Cross Reproduced in Fig.9. Photo Marburg. [English?, Mid-Twelfth Century. (From Willibadessen; Now in Diocesan Museum, Paderborn.)]
Western art unattributed:
11. Fragment from the Tomb of Ogier the Dane, Now Destroyed. From the Church of Saint Faron-de-Meaux. School of Paris, about 1160. (Musée Municipal de Meaux.) Photo Courtauld Institute.
Western art unattributed:
12. Fragment of a Deposition, from Mitjarán, Prov. of Lérida, Second Half of the Twelfth Century. Wood. (Museum of Catalan Art, Barcclona.) Photo Courtauld Institute.
Western art unattributed:
7. Detail from Tree of Jesse. English, about 1185. (Paris, Bibl. Nat., Ms. lat.8846.) Photo Courtauld Institute.
Western art unattributed:
8. Joseph, One of the Ancestors of Christ. Detail from the Ceiling of the Chapter House, Convent of Sigena, Spain. English, Late Twelfth Century. (Museum of Catalan Art, Barcelona.) Photo Courtauld Institute.
Western art unattributed:
9. Altar Cross, Front. English?, Mid-Twelfth Century. (From Willibadessen; Now in Diocesan Museum, Paderborn.) Photo Marburg.
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