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14 articles
Article
The Cathedral of Notre-Dame-de-la-Conception, Pondicherry
06/2024 | 1455 | 166
Pages: 580–595
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Rapine de Saxy, François-Anne-Marie
buildings:
Cathedral of Notre-Dame-de-la-Conception, Pondicherry
dates:
1770-1779 / 1780-1789
places:
Pondicherry
subjects:
Religious architecture / Cathedrals / Social history / Indian architecture / French architecture / Missionaries / Colonialism / Jesuits
Illustrations
Attributed works:
1. Dome and lantern, Pondicherry Cathedral (Notre-Damede- la-Conception). 1771–91. (Photograph the author).
Attributed works:
10. The former Capuchin church of Notre-Dame-des-Anges, Pondicherry. 1739 (mostly rebuilt 1770). (Photograph the author).
Attributed works:
11. Plans of the 1763 Jesuit chapel (top) and the Jesuit mission church of Ariyankuppam (bottom), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
12. Plans of the mission churches at Pinnampoondi (left) and Karivopmundi (right), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
13. Pondicherry Cathedral. (From M. Adolphe Delessert: Souvenirs d’un voyage dans l’Inde, Paris 1843).
Attributed works:
14. Design for the Madras Gate, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
15. Design for the Palace of Justice, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
16. Val-de-Grâce, Paris, by François Mansart, Pierre Le Muet and others. 1624, 1644–48 and 1654–69. (From J. Mariette: L’Architecture François, Paris 1727).
Attributed works:
17 Street façade of the Church of the Sorbonne, Paris, by Jacques Le Mercier. 1634–42. (From J. Mariette: L’Architecture françois, Paris 1727).
Attributed works:
18. The Jesuit church of Notre-Dame, Chandernagore. Completed 1698. Watercolour and ink on paper, 40 by 29 cm. (From Usages de Siam, 1696, Bibliothèque nationale de France, Paris).
Attributed works:
19 Trophée of Christ’s Passion. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.1).
Attributed works:
2. Interior of the nave, looking west, Pondicherry Cathedral. (Photograph the author).
Attributed works:
20. Trophée of the Paschal Lamb. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.6).
Attributed works:
3. The façade of Pondicherry Cathedral, here attributed to François- Anne-Marie Rapine de Saxy. (Photograph the author).
Attributed works:
4. Plan of Pondicherry Cathedral. (Ecole française d'Extrême-Orient, Pondicherry).
Attributed works:
5. Detail of Fig.1, showing the pediment. (Photograph the author).
Attributed works:
6. Tower and part of the vault of the crossing, Pondicherry Cathedral. (Photograph the author).
Attributed works:
7. View of the crossing from the right transept, Pondicherry Cathedral. (Photograph the author).
Attributed works:
8. Left side aisle looking east, Pondicherry Cathedral. (Photograph the author).
Attributed works:
9. View of the crossing from the right transept extension, looking south, Pondicherry Cathedral. (Photograph the author).
Article
The design of Cape Coast Castle and Dixcove Fort, Ghana
04/2023 | 1441 | 165
Pages: 378-393
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
1750-1799
places:
Ghana
subjects:
British architecture / Africans / Architects / Cultural history / Social history / Slave trade / Colonialism / Castles / Race / Neo-classical architecture / Stonemasons / Carpenters
Illustrations
Attributed works:
1. Detail of Fig.4, showing the double staircase, St George Castle, Elmina, Ghana. (Photograph the author).
Attributed works:
10. Gate, Fort St Anthony, Axim, Ghana. 1515, present structure before 1637. (Photograph the author).
Attributed works:
11. Bell gable in Western Spur, Cape Coast Castle, Ghana. 1771 or 1778. (Photograph the author).
Attributed works:
12. Northern Wing, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
13. Part of the Northern Wing intended for a chapel, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
14. West terrace, Bedford Square, London, by Thomas Leverton and others. 1775–83. (Photograph the author).
Attributed works:
15. Plan and elevation of a Country House in the Modern Taste. Engraving. (From J. Crunden: Convenient and Ornamental Architecture, London 1767; Getty Research Institute, Los Angeles).
Attributed works:
16. The Five Orders of Architecture. (From R. Dodsley: The Preceptor: Containing a General Course of Education, London 1769, I, between pp.176 and 177; Boston Public Library).
Attributed works:
17. Detail of Ground plan of Dix Cove Fort, by Justly Watson. 1756. Ink and coloured wash on paper, 29 by 47 cm. (National Archives, London).
Attributed works:
18. Plan of the Fort at Dix-Cove, by Thomas Pye. 1749. Ink and coloured wash on paper. (National Archives, London).
Attributed works:
19. Spur court, Dixcove Fort, Ghana. 1747–50. (Photograph the author).
Attributed works:
2. West tower, St George Castle, Elmina, Ghana. 1482. (Photograph the author).
Attributed works:
20. Detail of a bay on the northern range, Spur Court, Dixcove Fort, Ghana. (Photograph the author).
Attributed works:
21. Tuscan Order, by John Sturt. Engraving. (From S. Le Clerc: A Treatise of Architecture with Remarks and Observations, London 1732; Getty Research Institute, Los Angeles).
Attributed works:
22. Courtyard, Maison Pépin, Gorée, Senegal. 1780–84. (Photograph the author).
Attributed works:
3. The main gate, Christiansborg Castle, Osu (Accra), Ghana. 1790. (Photograph the author).
Attributed works:
4. The main courtyard and double staircase, St George Castle, Elmina, Ghana. Before 1665. (Photograph the author).
Attributed works:
5. View of Fort Royale du Senegal from the Coast of [. . .] Guinea. 1694. Ink and coloured wash on paper. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
6. View of Fort Christiansborg [Christiansborg Castle, Osu] from the Shore. March 1764. Ink and coloured wash on paper. (Danish National Archives).
Attributed works:
7. Ground plan of Cape Coast Castle, by Justly Watson. 1756. Ink and coloured wash on paper, 47 by 69 cm. (National Archives, London).
Attributed works:
8. Western block, Cape Coast Castle, Ghana. 1768. (Photograph the author).
Attributed works:
9. Interior of main entrance, Fort St Sebastian, Shama, Ghana. 1520–26, present structure 1640–42. (Photograph the author).
Article
A Borromini-inspired church plan in eighteenth-century Lima
08/2022 | 1433 | 164
Pages: 740-751
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Borromini, Francesco / Vargas, Cristobál de / Matamoros, Juan de / Torquemada, Manuel de
buildings:
Sacred Heart of Jesus the Orphan (Los Huérfanos), Lima, Peru / San Antonio Abad, Lima, Peru / San Carlo alle Quattro Fontane, Rome, Italy
dates:
1750-1779
media:
Books / Prints / Published illustrations
styles:
Baroque / Rococo / Latin American
subjects:
Architectural history / Architectural drawings / Religious architecture / Influence
Illustrations
Attributed works:
2. Los Huérfanos, Lima. (Photograph the author).
Attributed works:
1. The south façade of the Church of the Sacred Heart of Jesus of the Orphans (Los Huérfanos), Lima, by Cristóbal de Vargas, Juan de Matamoros, Manuel de Torquemada and others. 1758–66. (Photograph the author).
Attributed works:
10. Detail of the choir loft in Los Huérfanos, Lima. (Photograph the author).
Attributed works:
11. East wall of the nave, south entrance and choir loft of Los Huérfanos, Lima, by Manuel González Salazar. Before 1940. Photograph, 9.5 by 13 cm. (From H. Wethey: Colonial Architecture and Sculpture in Peru, Cambridge MA 1949).
Attributed works:
12. Detail of the southeast corner of the nave of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
13. The baptistery screen of Los Huérfanos, Lima. c.1766. Polychrome wood. (Photograph the author).
Attributed works:
14. Plan of the church dedicated to S. Carlo alle Quattro Fontane Esq. Francesco Borromini architect, by Giovanni Francesco Venturini. Engraving from G.G. de Rossi: Insignium Romae templorum prospectus exteriores interioresque, a celebrioribus architectis inventi, Rome 1684.
Attributed works:
15. The baptistery of Los Huérfanos, Lima. (Photograph Lucía Silva).
Attributed works:
16. The great courtyard, Colégio de Santo Tomás, Lima, by Fray Diego Maroto. Begun 1665. (Photograph the author).
Attributed works:
17. The dome of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Vicenzo Pirozzi; Bridgeman Images).
Attributed works:
18. The dome of the Chapel of San Martín de Porres, Monastery of Santo Domingo, Lima. Last third of the 18th century. (Photograph the author).
Attributed works:
3. The former Jesuit novitiate chapel of San Antonio Abad (now San Carlos), Lima, by Cristóbal de Vargas. 1758–66. (Photograph the author).
Attributed works:
4. The doorway in the west façade of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
5. Plan of Los Huérfanos, Lima. (From E. Bonilla di Tolla et al.: Lima y el Callao, Lima and Seville 2009).
Attributed works:
6. The backsplash of one of three holy water stoups in Los Huérfanos, Lima. c.1766. Alabaster. (Photograph the author).
Attributed works:
7. The interior of Los Huérfanos, Lima, looking north. (Photograph Lucía Silva).
Attributed works:
8. The chancel of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Andrea Jemolo; Bridgeman Images).
Attributed works:
9. Detail of the west wall of the nave of Los Huérfanos, Lima. (Photograph Lucía Silva).
Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Fossati (1710–92), Dominique-Honoré / Hesse (1748–1801), Charles-François / Houdon, Jean-Antoine
media:
Marbles
places:
Port-au-Prince, Haiti / Marseille / Vannes / Martinique
subjects:
French sculpture / Funerary structures / Mausoleums / Commemorative monuments / Cemeteries / Chapels / Altars / Slavery / Colonialism
subjects:
Ennery, Victor-Thérèse
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Opstal, Bartolomäus von / Schönfeld, Johann Heinrich / Pock, Paul
artists:
Ortelius, Abraham
buildings:
St Francis Xavier Chapel, Holy Trinity Church, Innsbruck, Austria
dates:
1630-1669
media:
Stuccowork / Marbles / Gilding
patrons:
Medici, Claudia de' / Medici, Anna de'
places:
Innsbruck
styles:
Baroque
subjects:
Xavier, Francis / Ignatius of Loyola, Saint / Jesuits / Missionaries / Iconography / Church decoration / Maps / Ceilings / Retables / Altarpieces / Sculptors / Asians / Amerindians (South America) / Africans
subjects:
Four Continents
subjects:
Austrian art
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
1660-1719
media:
Wooden / Sculpture / Engravings
patrons:
Sepp von Reinegg, Anton
places:
Paraguay / Bavaria / Altötting
styles:
German sculpture
subjects:
Jesuits / Missionaries / Pilgrimages / Chapels / Octagon / Germans / Mary, Virgin: and Child / Statues / Miracles / Shrines (structures)
works:
Gnadenfigur
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Article
Buenos Aires Cathedral in the eighteenth century
08/2019 | 1397 | 161
Pages: 638-647
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Pellegrini, Carlos / Lorea, Isidro / Hernández, Juan Antonio
buildings:
Cathedral of the Holy Trinity, Buenos Aires
patrons:
Charles III, King of Spain, 1716-1788
sources:
Watercolours / Photographs
styles:
Latin American / Rococo / Neo-classical architecture
subjects:
Interiors / Aesthetics / Architectural history / Reconstructions / Masella, Antonio / Sáa y Faría, José Custódio de
Illustrations
Attributed works:
1. Interior of Buenos Aires Cathedral, by Carlos Enrique Pellegrini. c.1830. Watercolour on paper, 39.5 by 28 cm. (Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
10. High altarpiece, Buenos Aires Cathedral, by Isidro Lorea. 1774–84. Polychrome and gilded wood, 16.5 by 8.7 m. (Photograph the author).
Attributed works:
11. Below Holy Week in Buenos Aires Cathedral, by Julio Pelvilain after a drawing by Jean-Léon Pallière. 1830. Lithograph, 18.8 by 29.3 cm. (Museo Historico Nacional, Buenos Aires).
Attributed works:
12. Oculus window, S. Agata in Trastevere, Rome, by Giacomo Onorato Recalcati. Begun 1710. (Photograph the author).
Attributed works:
14. Pulpit (one of a pair) in Buenos Aires Cathedral, by Juan Antonio Gaspar Hernández. 1790. Polychrome and gilded wood. (Photograph the author).
Attributed works:
15. Façade of the fourth cathedral of Buenos Aires, by Andrea Bianchi. 1727. Ink and watercolour on paper, 57 by 56 cm. (Archivo General de Indias, Seville).
Attributed works:
16. Plan and elevation for an unexecuted façade for the fifth cathedral of Buenos Aires, by José Custodio Sáa y Faría. 1788. Ink and watercolour on paper, 70.5 by 50 cm. (Archivio di Stato di Reggio Emilia; photograph courtesy Giuliano Ferrari).
Attributed works:
4. Buenos Aires Cathedral. (Photograph Hermis/Alamy Stock Photo).
Attributed works:
5. Church of Santa Catalina, Buenos Aires, by Giovanni Battista Primoli and others. 1727–45. (Photograph Jeffrey Isaac Greenberg/ Alamy Stock Photo).
Attributed works:
6. Section of Buenos Aires Cathedral with projected vestibule and towers, by José Custodio Sáa y Faría. 1788. Ink and watercolour on paper, 56 by 87.5 cm. (Archivio di Stato di Reggio Emilia; photograph courtesy Giuliano Ferrari).
Attributed works:
7. Plan and elevation of Buenos Aires Cathedral, by Antonio Masella. 1755. Ink on paper, 38 by 46 cm. (Archivo General de Indias, Seville).
Attributed works:
8. Dome of Buenos Aires Cathedral, by Manuel Álvarez de Rocha. Begun 1771. (Photograph the author).
Attributed works:
9. The Plaza, or Great Square of Buenos Ayres, from E.E. Vidal: Picturesque illustrations of Buenos Ayres and Monte Video, London 1820. Hand coloured aquatint, 39.7 by 31.7 (Getty Research Institute, Los Angeles).
Western art unattributed:
13. Stucco angel over one of the doorways between the side chapels in Buenos Aires Cathedral. Before 1778. (Photograph the author).
Western art unattributed:
2. Interior of Buenos Aires Cathedral. Before 1899. Photograph, 24 by 18 cm. (Academia Nacional de Bellas Artes, Buenos Aires).
Western art unattributed:
3. Interior of Buenos Aires Cathedral. Before 1899. Photograph, 20 by 16 cm. (Academia Nacional de Bellas Artes, Buenos Aires).
Article
Rococo in eighteenth-century Beijing: ornament prints and the design of the European palaces at Yuanming Yuan
10/2017 | 1375 | 159
Pages: 778-788
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Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Castiglione, Giuseppe
artists:
Yi Lantai
buildings:
Yuanming Yuan (imperial summer palace), Beijing, China
media:
Stone / Carvings
media:
Prints
patrons:
Qianlong, Chinese Emperor
places:
Beijing
styles:
Rococo / Baroque
subjects:
Gardens / Fountains / Pavilions (garden structures) / Palaces / Jesuits / Chinese art
subjects:
Ornament
Illustrations
Attributed works:
10. Decorative motifs for ornamental table centrepieces, by Johann Baur, engraved by Jacob Andreas Fridrich and printed by Johann Christian Leopold, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
14. Crucifix plinth, by Johnnes Rumpp, engraved by Andreas Hofer and published by Jeremiah Wachsmuth, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
20. Roman military trophy from Premier livre de differents trophées by René-Jacques Le Charpentier, Paris 1736 (Musée des Arts Decoratifs, Paris).
Attributed works:
21. Trophies of Arms of Foot Soldiers and Cavalry in Current Use No. 4, by Gottlieb Friedrich Riedl after Jean-Charles Delafosse, published by Johann Gradmann, Augsburg. Mid-eighteenth century (Kunstsammlungen und Museen, Augsburg).
Attributed works:
4. Dashuifa nanmian, after Yi Lantai and Shu Wen. Plate 15 from Twenty Views of the European Palaces of the Yuanming Yuan (Beijing 1783) (British Museum, London)
Attributed works:
5. Guanshuifa zhengmian, after Yi Lantai and Shu Wen. Plate 16 from Twenty Views of the European Palaces of the Yuanming Yuan (Beijing 1783) (British Museum, London).
Non-western art unattributed:
11. Vase with architectural and floral motifs with a double lingzhi at middle right, Jingdezhen, China. c. 1550–1650 (Victoria and Albert Museum, London).
Non-western art unattributed:
12. Volute, detail of Fig. 9.
Non-western art unattributed:
13. Lingzhi emerging from the upper scroll of a volute from Fig. 7.
Non-western art unattributed:
15. Second type of plinth based on Fg. 14. Xieqiqu (Harmony, Wonder and Delight) Pavilion, Xiyanglou, Yuanming Yuan. Completed 1751.
Non-western art unattributed:
16. Obverse of the first type of plinth based on Fig. 14, Xieqiqu (Harmony, Wonder and Delight) Pavilion, Xiyanglou, Yuanming Yuan. Completed 1751.
Non-western art unattributed:
17. Reverse of the pendant to Fig. 16.
Non-western art unattributed:
18. The right-hand inner trophy panel from the stone screen at Guanshuifa.
Non-western art unattributed:
19. The right-hand outer trophy panel from the stone screen at Guanshuifa.
Non-western art unattributed:
22. The two left-hand and central trophy panels from the stone screen at Guanshuifa (View of waterworks), Xiyanglou, Yuanming Yuan. 1759.
Non-western art unattributed:
6. 'Plan of a large part of the Yuanming Yuan Park called by the Europeans the Versailles of China and the Palaces or Houses of Emperor Qianlong. Contained in the XX Engraved Plates Engraved in Peking that I received in October 1787 from M. Bourgeois, a French missionary of the residence of Peking' by an anonymous hand (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
7. Haiyantang (Hall of Ocean Pleasure), Xiyanglou, Yuanming Yuan, China. Completed 1759. Photograph Gauvin Alexander Bailey.
Non-western art unattributed:
8. Clamshell basin on the west facade of Fig. 7. Photograph Gauvin Alexander Bailey.
Non-western art unattributed:
9. Daishufa (Great Water Works), Xiyanglou, Yuanming Yuan. Completed 1759. Photograph Gauvin Alexander Bailey.
Article
The Baroque churches of El Salvador
07/2016 | 1360 | 158
Pages: 529-539
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related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
1650-1749
places:
El Salvador / Guatemala / Central America
subjects:
Architecture / Religious architecture / Churches / Latin American / Spanish Colonial / Interiors / Facades
subjects:
Baroque
Illustrations
Non-western art unattributed:
10. Façade of the church of Santiago Apóstol, Chalchupa. 1681-before 1723
Non-western art unattributed:
11. Detail of Fig.12
Non-western art unattributed:
12. Apse of the church of Santiago Apóstol, Chalchupa
Non-western art unattributed:
13. Detail of Fig.12
Non-western art unattributed:
14. Detail of crowning of façade from the back of the church of Santiago Apóstol, Chalchupa
Non-western art unattributed:
15. Cupola of the church of Santiago Apóstol, Chalchupa
Non-western art unattributed:
16. Façade of the church of S. Pedro, Metapán. 1736-43
Non-western art unattributed:
17. Nave of the church of S. Pedro, Metapán. 1736-43
Non-western art unattributed:
18. Façade of the church of El Pilar, San Vicente. 1762-69
Non-western art unattributed:
19. Detail of left lateral wall and cupola of the church of El Pilar, San Vicente
Non-western art unattributed:
20. Detail of Fig.18
Non-western art unattributed:
21. Detail of Fig.18
Non-western art unattributed:
22. Interior from inside the right lateral portal of the church of El Pilar, San Vicente
Non-western art unattributed:
23. Interior of the nave of the church of El Pilar, San Vicente
Article
The fantastical Rococo altarpieces of Santiago de Surco, Peru
11/2015 | 1352 | 157
Pages: 769-775
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related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Rehr, Johann, architect, act. 1773 / Rosales, Santiago, architect, act. 1773
dates:
1750-1779
places:
Peru
places:
South America
subjects:
Rococo / Altarpieces / Spanish Colonial / Spanish Colonial School / Architecture / Sculpture
Illustrations
Attributed works:
38. Interior of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Before 1759-1773
Attributed works:
41. Detail of the façade of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Completed 1773
Attributed works:
42. Altarpiece model from series 49, by Franz Xaver Habermann and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
43. Confessional model from series 37, by Ignaz Carl Junck and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
44. Altar of the Virgin Immaculate (high altar), here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
45. Pulpit, here attributed to Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
46. Altar of Christ the Nazarene, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
47. Epitaph model from series 115, by Jeremias Wachsmuth and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Staatliche Graphische Sammlung, Munich)
Attributed works:
48. Altar of Our Lady of the Rosary, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
49. Calvary altar, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
50. Altarpiece model from series 78, by Emanuel Eichel the Elder and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Victoria and Albert Museum, London)
Western art unattributed:
39. Altar of Our Lady of the Remedies and the Guardian Angel. 1786-98 (Church of La Merced, Lima)
Western art unattributed:
40. Altar of the Infant Jesus. c.1759-1773 (Church of the Carmen, Trujillo)
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