museums and institutions:
Attributed works:
1. Worktable mounted with two trays, attributed to Bernard II van
Risenburgh. Table c.1761–63; trays c.1761. Table: wood, green varnish
and gilt-bronze mounts, 68.6 by 36.8 by 30.5 cm.; trays: Sèvres
soft-paste porcelain, green ground, enamel colours and gilding,
32 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Top row: details of Figs.8, 2 and 7, comparing the images of
Mademoiselle Madeleine de Courteille aged twelve (left) and
eighteen (right), with her probable portrait aged fourteen (centre).
Attributed works:
11. Centre row: details of Figs.2 and 7, showing the face of Madame
de Courteille aged thirty-four and thirty-eight respectively.
Attributed works:
12. Bottom row: details of Figs.2 and 7, showing the green
ringneck parakeet.
Attributed works:
13. Plateau ‘Courteille’ from a déjeuner ‘Courteille’, by André-Vincent
Vielliard. 1758 (date letter E). Sèvres soft-paste porcelain, rose ground,
enamel colours and gilding, 23.2 by 32.7 cm. (Wadsworth Atheneum
Museum, Hartford).
Attributed works:
14. Detail of Fig.13, showing the central scene of a child painter and sitter.
Attributed works:
15. Snuff box design, probably Henry-Joseph Mongenot. Second quarter
18th century. Pen and ink, watercolour and wash on paper, 5 by 7.6 cm.
(Victoria and Albert Museum, London).
Attributed works:
16. Bottom panel of a snuff box, by Noël Hardivilliers. 1757–58. Gold
and enamel, 3.5 by 7 by 5.1 cm. (Wallace Collection, London).
Attributed works:
17. Painting from the series Les Arts, by Carle van Loo. 1752–53.
Oil on canvas, 87.5 by 84 cm. (Fine Arts Museums of San Francisco).
Attributed works:
18. Details of Figs.14 and 2, showing the young girls.
Attributed works:
19. Cuvette à fleurs ‘Verdun’ painted with a Teniers scene, by
André-Vincent Vielliard. 1760 (date letter G). Sèvres soft-paste
porcelain, turquoise ground, enamel colours and gilding, 11.8 by
23.5 cm. (Victoria and Albert Museum, London).
Attributed works:
2. Top tray of Fig.1.
Attributed works:
20. Blue Drawing Room at Camelford House, London. Photograph,
1891. (From Christie’s: Catalogue of the Furniture, Porcelain,
Pictures, &c. at Camelford House, Park Lane, The town residence
of Lord Hillingdon, London 1891, p.34).
Attributed works:
21. Charles Mills and his family at Hillingdon Court. Photograph,
late 1850s. (Hillingdon Council, Museums and Archives Services,
Uxbridge Library).
Attributed works:
22. Plateau ‘carré painted in the manner of André-Vincent Vielliard from
déjeuner ‘carré (matching cup and saucer missing). 1760 (date letter G).
Sèvres soft-paste porcelain, rose and green ground, enamel colours and
gilding, 10.8 by 10.8 cm. (Private collection; photograph Millon).
Attributed works:
23. Minton drawing of the border and gilded patterns on Fig.4. 1763.
Watercolour, paint, pen, ink and pencil on paper, 47 by 34.5 cm. (sheet).
(Minton Archives, ‘Old Sevres Copies’).
Attributed works:
3. Detail of the bottom tray of Fig.1.
Attributed works:
4. Worktable mounted with two trays, attributed to Bernard II van
Risenburgh. Table c.1761–63; top tray 1763 (date letter K), bottom tray
c.1850. Table: wood, green varnish and gilt-bronze mounts, 67.6 by 35.9
by 30.5 cm.; top tray: Sèvres soft-paste porcelain; bottom tray: Minton
bone china, green ground, enamel colours and gilding, 32 by 26 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
5. Reverse of Fig.7, showing inscription and factory mark (upside down).
Attributed works:
6. Fig.7 shown framed as hung by the marquis de Courteille in his study
in his Parisian hôtel from 1765–67. 1765. Gilded wood (frame), 35 by 38
cm. (Victoria and Albert Museum, London).
Attributed works:
7. Picture plaque, by Charles-Nicolas Dodin. 1765 (date letter M). Sèvres
soft-paste porcelain and enamel colours, 23.5 by 26 cm. (Victoria and
Albert Museum, London).
Attributed works:
8. Portrait of Madeleine-Mélanie Henriette de Courteille, by Jean-
Baptiste Greuze. 1759. Oil on canvas, 79 by 64 cm. (Herzog Anton Ulrich
Museum, Braunschweig).
Attributed works:
9. Cuvette à fleurs ‘Courteille’, probably by Charles-Nicolas Dodin.
1759 (date letter F). Sèvres soft-paste porcelain, blue and green
ground, enamel colours and gilding, 19.7 by 32.5 cm. (Private collection).
